Relevant bibliographies by topics / Romantic period

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Romantic period'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 June 2025

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Journal articles on the topic "Romantic period"

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Mee, Jon. "Coteries in the Romantic Period." European Romantic Review 27, no. 4 (2016): 515–21. http://dx.doi.org/10.1080/10509585.2016.1190095.

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NEWEY, V., B. BURNS, and P. DODD. "The Nineteenth Century: Romantic Period." Year's Work in English Studies 63, no. 1 (1985): 277–307. http://dx.doi.org/10.1093/ywes/63.1.277.

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NEWEY, V., B. BURNS, and P. DODD. "The Nineteenth Century: Romantic Period." Year's Work in English Studies 64, no. 1 (1986): 326–53. http://dx.doi.org/10.1093/ywes/64.1.326.

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Bone, J. D., B. Burns, and J. Whale. "The Nineteenth Century: Romantic Period." Year's Work in English Studies 67, no. 1 (1989): 353–73. http://dx.doi.org/10.1093/ywes/67.1.353.

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BONE, J. D., B. BURNS, and J. C. WHALE. "The Nineteenth Century: Romantic Period." Year's Work in English Studies 68, no. 1 (1990): 381–407. http://dx.doi.org/10.1093/ywes/68.1.381.

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ROE, N., S. MATTHEWS, and J. WHALE. "The Nineteenth Century: Romantic Period." Year's Work in English Studies 69, no. 1 (1991): 381–410. http://dx.doi.org/10.1093/ywes/69.1.381.

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ROE, N., S. MATTHEWS, and J. WHALE. "The Nineteenth Century: Romantic Period." Year's Work in English Studies 70, no. 1 (1992): 401–29. http://dx.doi.org/10.1093/ywes/70.1.401.

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ROE, N., S. MATTHEWS, and J. WHALE. "The Nineteenth Century: Romantic Period." Year's Work in English Studies 71, no. 1 (1993): 396–418. http://dx.doi.org/10.1093/ywes/71.1.396.

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KITSON, P. J., and J. C. WHALE. "The Nineteenth Century: Romantic Period." Year's Work in English Studies 72, no. 1 (1993): 269–313. http://dx.doi.org/10.1093/ywes/72.1.269.

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KITSON, P. J., J. WHALE, and S. MATTHEWS. "The Nineteenth Century: Romantic Period." Year's Work in English Studies 73, no. 1 (1995): 336–410. http://dx.doi.org/10.1093/ywes/73.1.336.

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Dissertations / Theses on the topic "Romantic period"

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Britton, Andrew. "The guitar in the romantic period." Thesis, Royal Holloway, University of London, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.528890.

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The thesis is divided into two parts. Part One charts the rise in popularity of the guitar in early-nineteenth-century Europe, shown to have its origins in mid-eighteenth France and the advent of the style galant. It examines critically the guitar's place in the musical life of the time, its repertory and performance, and the role it played in Romanticism. The ideological reasons why the instrument faced derision and exclusion from bourgeois institutions such as music journals and musical academies are also investigated here. Part Two takes the form of a case-study centred on guitar activity in Bristol and Bath in the early nineteenth century. The two cities act as a microcosm of the greater guitar world and serve to contextualize issues and problems examined in Part One. Two guitarists in particular, the Italian Giuseppe Anelli (c. 1787-1865) and the German Karl Eulenstein (1802-1890), served the local community for almost twenty years apiece and their contribution as performers, teachers and entrepreneurs is evaluated, as is the contribution of touring guitarists. Part Two concludes with an examination of the unique relationship between leading guitarists of the period - Anelli, Eulenstein, Leonhard Schulz and Trinitario Huerta - and the Bristol School of Artists, several of whom were keen amateur players. Their convivial activities are examined against the wider backdrop of European Romanticism. Key paintings of the Bristol School which feature the guitar are also discussed.
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Broadhead, Alexander Peter. "Poetic diction of the early romantic period." Thesis, University of Liverpool, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494217.

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King, Andrew David. "Creative collecting in the romantic period : parts into wholes." Thesis, Lancaster University, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.663248.

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This thesis explores the relationship between collecting and literature in the work of a selection of Romantic writers. Its primary aim is to consider the ways in which collecting can lead to literary creativity. Secondary to this concern are related questions about how collected objects and texts are reconstituted in such a way as to create new wholes; how writers sought to define themselves and their age through their collections; and whether or not a collection can transcend the sum of its parts. Both the Introduction and Chapter One establish a conceptual framework for my readings by outlining recent developments in the emerging field of 'Collecting Studies' and recent works on literature and collecting. Each of the four chapters that follow focuses on a particular type of literary engagement with collecting. Chapter Two examines the debates about artistic creativity and the state purchase of the Elgin Marbles and explores how these debates led to a new kind of thinking about the value and use of collections. This chapter sets up the notion of collecting leading to creativity in a national context by drawing upon parliamentary debates as well as debates in popular poetry of the time illustrating just how widely argued these ideas were. Chapters Three and Four move on to focus on a specific writer and collector, Sir Walter Scott. Together they argue that Scott's literary identity is fundamentally bound up with his identity as a collector. Chapter Three takes poetry as its focus and discusses how Scott's collection of ballads in The Minstrelsy of the Scottish Border (1802-3) provided the impetus for his own poetic career. Chapter Four builds on this and explores the relationship between Scott's material collection at Abbotsford and his prose fiction. Together these two chapters chart Scott's career from collector to someone who was widely considered to be a creative genius by his contemporaries. Chapter Five explores the notion of using a collection in order to define one's own age. The example here is William Hazlitt's collection of biographical writings, The Spirit of the Age; Or, Contemporary Portraits (1825). The chapter also asks whether or not a collection can transcend the sum of its parts. The writers discussed here have been chosen because their work is underpinned by the principles of collecting. By considering their work in this light we can develop a fuller understanding of the relationship between collecting and literary activity .
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Clemit, Pamela A. "The intellectual novel in the romantic period : William Godwin and his school." Thesis, University of Oxford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.292766.

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Davies, Jeremy Gordon Henry. "The sense of pain in the romantic period : Bentham, Sade and Shelley." Thesis, Queen Mary, University of London, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.528464.

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Wallbank, Adrian J. "Political, religious, and philosophical mentoring of the Romantic period : the dialogue genre." Thesis, University of Warwick, 2008. http://wrap.warwick.ac.uk/1068/.

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This thesis examines the strategies, diversity and evolution of political, religious, and philosophical dialogues between the publication of Sir William Jones’s The Principles of Government (1782) and Robert Southey’s Colloquies on Society (1829). The dialogue genre during the Romantic period has received scant critical attention, and little is known about its evolution between the ‘death’ of the ‘Dialogues of the Dead’ style towards the end of the eighteenth-century and the satirical and literary innovations demonstrated in the dialogues of Peacock and Landor. This thesis elucidates the very significant changes that occurred in dialogue writing during this period in relation to wider contemporaneous issues concerning the Revolution Controversy, evangelical ‘enthusiasm’, reading audiences, the formation of class identities, the diffusion of knowledge, and the burgeoning of the novel to name but a few. Central to my argument is the notion that dialogue enacts a form of mentoring – a procedure that is intended to either directly or indirectly facilitate a ‘conversion’ within the reader, (and which ultimately becomes subverted only in satire). Such tactics go to the heart of debates concerning education, didacticism, and the reading process itself. Dialogue’s encapsulation of the primal constituent in communication - linguistic interchange - raises fundamental questions regarding the exchangeability of ideas, power relations and ideological manipulation, and as such, I look at how writers and propagandists used dialogue to bolster or critique various ideological standpoints, whilst constantly interrogating the many philosophical and textual problems that the genre poses. I argue that such questions, coupled with the increasing sophistication and interpretative capabilities of reading audiences, made the didacticism of the mentoring scenario untenable by the 1820s. However, I conclude that philosophical dialogue becomes an ‘impossible’ venture without some form of direction and coercion, and following this realization, the satirizing of philosophical debate and the process of dialogue itself became a more viable way of dialogue writing.
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Morris, James Medley. "Beyond Orientalism : 'the stranger' and 'colonial cosmopolitanism' in the romantic period novel." Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7534/.

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Going beyond Orientalism in its examination of novels dealing with British colonisation in the West, as well as the East Indies, the postcolonial frame of my thesis develops recent theorisations of the Romantic ‘stranger’. Analysing a range of novels from the much anthologised Mansfield Park (1814), to less well-known narratives such as John Thelwall’s The Daughter of Adoption (1801) and Sir Walter Scott’s Saint Ronan’s Well (1823), my thesis seeks to account for a model of ‘colonial cosmopolitanism’ within fiction of the period. Considering the cosmopolitan dimensions of the transferential rhetoric of slavery, my thesis explores the ways in which, Jane Austen, Amelia Opie and Maria Edgeworth consider the position of women in domestic society through a West Indian frame. Demonstrating the need for reform both at home and abroad, such novels are representative of a fledgling cosmopolitanism that is often overlooked in current criticism. In seeking to account for ‘colonial cosmopolitanism’ as a new model for reading fiction composed during the Romantic period, my thesis attempts to add further nuance to current understandings of sympathetic exchange during the process of British colonisation. In chapters four and five I will develop my analysis of novels dealing with colonial expansion in the Caribbean to consider novels which deal with the Indian subcontinent. Although stopping short of questioning colonial expansion, discourses of ‘colonial cosmopolitanism’, as my thesis demonstrates, provided a foundation for humanitarian and cultural engagement which was mutually transformative for both the coloniser and the colonised.
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McInnes, Andrew. "Wollstonecraft's ghost : the fate of the female philosopher in the Romantic period." Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3897.

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Mary Wollstonecraft’s ghost haunts women’s writing of the Romantic period. After her untimely death in 1797, and the publication of William Godwin’s candid biography in 1798, Wollstonecraft’s reputation was besmirched by the reactionary press in an attack on radical support for revolutionary ideals. Wollstonecraft’s campaign for women’s rights was conflated with a representation of her as sexually promiscuous, politically dangerous and religiously unorthodox. For women writing after Wollstonecraft’s death, an engagement with her political ideals risked identification with her lifestyle, deemed both improper and impious. My thesis explores how women writers negotiated Wollstonecraft’s scandalous reputation in order to discuss her influential feminist arguments and develop their own positions on these pressing issues in post-revolutionary Britain. In the early nineteenth century, Wollstonecraft’s life and work gets elided with the figure of the female philosopher, already popular in both pro- and counter-revolutionary writing of the 1790s. After Wollstonecraft’s death, fictional female philosophers echo elements of her biography whilst voicing an often caricatured version of her arguments. By rejecting these satirically overblown feminist positions, women writers could adopt a more moderate form of feminism, often closer to Wollstonecraft’s original polemic, to critique cultural restrictions on women, revealing how these warp female behaviour. My project modifies our understanding of the origins of modern feminism by focussing on Wollstonecraft’s reception across a range of socially and politically diverse texts, and the ways in which the process of reading itself is treated as potentially revolutionary.
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Zampa, Dawn-Marie. "The word and the womb, women writing the maternal in the Romantic period." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0017/MQ52684.pdf.

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Kenyon, Jones Christine Mary. "'Kindred brutes' : approaches to animals in Romantic-period writing, with special reference to Byron." Thesis, King's College London (University of London), 1999. https://kclpure.kcl.ac.uk/portal/en/theses/kindred-brutes--approaches-to-animals-in-romanticperiod-writing-with-special-reference-to-byron(cba20d7b-0bbc-4ec9-9c81-ced8cc4d058d).html.

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Books on the topic "Romantic period"

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David, Pirie, ed. The Romantic period. Penguin Books, 1994.

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Kimbell, Michael Alexander, and Edith Kimbell. Vierhändige Klaviermusik der Romantik =: Piano duets from the Romantic period. R. Lienau, 1999.

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Kindred brutes: Animals in Romantic period writing. Ashgate, 2001.

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Waters, Mary A., ed. British Women Writers of the Romantic Period. Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-09821-4.

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William, St Clair. The reading nation in the Romantic period. Cambridge University Press, 2004.

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1958-, Haywood Ian, and Leader Zachary, eds. Romantic period writings, 1798-1832: An anthology. Routledge, 1998.

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The reading nation in the Romantic period. Cambridge University Press, 2007.

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Wordsworth, Jonathan. Visionary gleam: Forty books from the Romantic period. Woodstock Books, 1993.

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Strachan, John. Advertising and satirical culture in the Romantic period. Cambridge University Press, 2007.

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Plagiarism and literary property in the Romantic period. University of Pennsylvania Press, 2007.

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Book chapters on the topic "Romantic period"

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Peck, John, and Martin Coyle. "The Romantic Period." In A Brief History of English Literature. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-35267-5_9.

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Peck, John, and Martin Coyle. "The Romantic Period." In A Brief History of English Literature. Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-1-137-10794-7_9.

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Dorf, Samuel N., Heather MacLachlan, and Julia Randel. "Romantic-Period Piano Music." In Anthology to Accompany Gateways to Understanding Music. Routledge, 2020. http://dx.doi.org/10.4324/9781003041542-31.

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Heringman, Noah. "Natural History in the Romantic Period." In A Concise Companion to the Romantic Age. Wiley-Blackwell, 2009. http://dx.doi.org/10.1002/9781444308563.ch7.

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Lowery, Allison. "The Romantic/Biedermeier Period (1820–1835)." In Historical Wig Styling. Routledge, 2019. http://dx.doi.org/10.4324/9780429422713-12.

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Møller, Lis. "‘They dance all under the greenwood tree’: British and Danish Romantic-Period Adaptations of Two Danish ‘Elf Ballads’." In Romantic Norths. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-51246-4_6.

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Cropley, David H. "The Romantic Period (1800–1900): Industrial Innovation." In Femina Problematis Solvendis—Problem solving Woman. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-3967-1_9.

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Wright, Eamon. "The Romantic Period, Race and Enlightened Feminism." In British Women Writers and Race, 1788–1818. Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230514782_1.

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Cropley, David H. "The Romantic Period (1800–1900): Accelerating Change." In Homo Problematis Solvendis–Problem-solving Man. Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-3101-5_9.

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Higgins, David. "The Romantic Period." In Studying English Literature. Continuum, 2010. http://dx.doi.org/10.5040/9781350934146.ch-007.

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Conference papers on the topic "Romantic period"

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Procop, Svetlana. "The “Gypsy from Moldova” doll as a symbol of romantic perception of roma in the soviet period." In Ethnology Symposium "Ethnic traditions and processes", Edition II. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975333788.05.

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This study is devoted to the conceptualization of the «Gypsy of Moldova» doll, which became an ethnocultural symbol in the Soviet period. The doll the «Gypsy of Moldova», which has the status of a souvenir, made at the Chisinau toy factory by the Association of Chemical Enterprises in 1975, was sketched by S. Chervinskaya, the chief artist of the enterprise, a member of the Union of Artists of the USSR. The doll «Gypsy of Moldova», made at the Chisinau toy factory in the mid-70s, along with other ethnic dolls, fit into the task of producing souvenirs as an important resource for increasing the tourist attractiveness and shaping the image of the republic. The doll «The Gypsy of Moldova» is interesting because it eventually moved from the subject world to the conceptual one, concentrating in itself the ideals and problems of the Soviet era, during which the idea of those who were personified by this doll was extremely romanticized. Nevertheless, the doll the «Gypsy of Moldova», thanks to the author’s idea of S. M. Chervinskaya, still broadcasts both universal and national-cultural components, the identity of the ethnic group, being its original portrait and symbol.
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Baró Zarzo, José Luis, and Jovita Cortijo Ruiz. "Architecture and Music around the Alhambra. Reminiscences of a dreamlike world: La Puerta del Vino (Debussy)." In 3rd Valencia International Biennial of Research in Architecture, VIBRArch. Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/vibrarch2022.2022.15464.

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Orientalism, as a variant of exoticism in the Romantic period, adopted a series of topics linked to distant countries and oriental cultures, including Spanish lands, especially Andalusian. This phenomenon was especially prolific in the world of the arts around the Alhambra, «doubly romantic for its medieval and oriental origin» (Raquejo, 1989).Alhambrism was developed by traveling writers in the early 19th century, eager for suggestive scenarios in which to recreate their poems and stories. Later it spread to the plastic arts, with painters such as François Antoine Bossuet, John Frederick Lewis, David Roberts, Gustave Doré or Jenaro Pérez Villaamil. In the case of architecture, Alhambrism was nourished by parallel sources. On the one hand, the awakening to the conservation of the Alhambra as a monument witness to a dreamy period in the history of Spain, and the first interventions by Rafael Contreras, still under babbling and unscientific criteria. On the other hand, the impulse to decorativism through the seminal studies of Owen Jones and Jules Goury, convinced that «in the Alhambra the exemplary paradigm of the most perfect ornamental and chromatic system of all historical styles had existed was hidden» (Villafranca).Music also found fertile ground for creativity in the Alhambra between the mid-19th and early 20th centuries, within the nationalist romantic movement. However, it was mainly the Spanish composers who chose the Alhambra to reflect the national identity: Tárrega, Turina, Albéniz, Bretón, De Monasterio, to which we should add a Debussy influenced by Falla.The communication aims ultimately to investigate through analysis the musical resources used by the last-mentioned composer, Claude Debussy, to evoke with sounds the architecture and the sensual atmosphere of the Alhambra in one of the most representative works of Alhambrism in music: La Puerta del Vino (The Wine Gate).
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Melnic, Tamara, and Alexei Usaciov. "Issues of musical semantics of F. Chopin in the context of the era of romanticism." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.19.

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The study of works of the Romanticism period and the formation of appropriate ideas about the romantic musical style is an effective way to activate the creative thinking of young professional musicians, stimulates their artistic initiative, and makes up for the shortcomings of the technological approach. Thus, the performer gets the opportunity to realize the correct reading of the musical text, resourcefully participates in the creation of his own parts and makes stylistically competent interpretations. The creation of F. Chopin had an undoubted influence on the creation of the figurative and meaningful image of the era in which the composer lived. Using some aspects of the method of semantic analysis, the authors of the article tried to consider some features of Chopin’s musical thinking and discover the relationship between the complex of expressive means used by the composer and the meanings expressed by them, thus trying to achieve a more in-depth understanding of the style of Romanticism.
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Coman, Claudiu, Cristina Gavriluta, Maria Cristina Bularca, Sergiu Bortos, and Bianca Ivascu. "THE ROLE OF UNIVERSITIES� FACEBOOK DATING PAGES IN ESTABLISHING INTERPERSONAL RELATIONSHIPS BETWEEN STUDENTS." In 10th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscss.2023/s10.49.

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Ever since it was developed, the internet facilitated communication between individuals and created new ways of interaction by removing the barriers of space and time. Nowadays, people have a wide range of social networks which they can use for various purposes, one of the most popular social networks being Facebook. In this regard, people in general, and students, started to use Facebook not only to communicate with friends or family members, but also for educational and romantic purposes. All around the world, students from different universities created �crush� pages on Facebook, through which they could communicate and get in touch with people they were interested in, in an anonymous way, the messages being posted on the page by an administrator. Thus, we were interested in analyzing the way Romanian students interact on two of this �crush� pages. The first page is entitled UAIC Crush and belongs to the students of Alexandru Ioan Cuza University from Iasi, and the second page is entitled Unitbv Crush and belongs to the students of Transilvania University of Brasov. The purpose of our paper was to identify interaction patterns in the online environment, by creating a typology of students on the UAIC Crush and Unitbv Crush Facebook pages. The method used in order to conduct the research was content analysis, and the posts were analyzed according to certain dimensions established. The analysis period for the �UAIC Crush� Facebook page was February � April 2019, and for the �Unitbv Crush� Facebook page was February � April 2021. The results of the comparative analysis revealed that on both pages there were 6 common typologies of users, such as: dreamy/romantic; hesitant/undecided; sarcastic; charming; detached; pragmatic. In the case of the �Unitbv Crush� Facebook page, we found another two typologies of users: benevolent and talkative. In this regard, from a theoretical point of view, our research manages to expand on the literature about online dating in the case of students, and from a practical point of view, it provides a framework for the type of students which interact on Facebook �crush� pages, and for the type of content they post.
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Bandalo, Višnja. "ICONOGRAPHIC DEPICTION AND LITERARY PORTRAYING IN BERNARD BERENSON'S DIARY AND EPISTOLARY WRITING." In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/18.

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The paper focuses on the interlacement of literary and iconographic elements by displaying an innovatory philological and stylistic approach, from a comparative perspective, in thematizing multilingual translational and adaptive aspects, ranging across Bernard Berenson's diaristic and epistolary corpus, in conjunction with his works on Italian visual culture. This interweaving gives occasion to the elaboration of multilinguistic textual influences and their verbo-visual artistic representations deduced from his innovative interpretative readings in the domain of world literature in modern times. Such analysis of the discourse of theoretical and literary nature, and of the pictoricity, refers to Bernard Berenson's multilingual considerations about canonical authors in English, Italian, French, German language, belonging to the Neoclassical and Romantic period, as well as to the contemporary era, as conceptualized in his autobiographical works, in correlation with his writings on Italian figurative art. The scope of this presentation is to discern and articulate Berenson's aesthetic ideas evoking literary and artistic modernity, that are infused with crucial notions of translational theory and conveyed through the methodology of close reading and comprising at the same time, in an omnicomprehensive manner, a plurality of tendencies intrinsic to social paradigms of cultural studies. Unexplored premises reflecting Berenson's vision of Italian culture, most notably of a visual stamp, will be analyzed through author's understandings of such adaptive translations or volumes to be subsequently translated in Italian, and through their intertwined intertextual applications, significantly contributing to further critical and hermeneutic reception thereof. Particular attention is drawn to its instancing in the field of Romantic literary production (Emerson, Byron), originally underscoring the specificities of each literary genre and expressive mode, of the narrative, lyric or theatrical nature, as well as concomitantly involving parallel notions as adapted variants within visual arts, and in such a way expressing theoretical views pertainable to Italian artworks too. Other analogous elements relevant to literary expression in the most varied cultural sectors such as philosophy, music, civilisational history (Goethe, Hegel, Kant, Wagner, Chateaubriand, Rousseau, Mme de Staël, Taine) are furnished, as well as the examples of the resonances of non-western cultures, with the objective of exploring the effect among readership bringing also to the renewal of Italian tradition.
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Seiter, Natasha. "Mindful Partnering and Lesser Biological Stress." In 7th International Conference on Spirituality and Psychology. Tomorrow People Organization, 2022. http://dx.doi.org/10.52987/icsp.2022.006.

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Abstract Mindful partnering is a newly conceptualized construct to measure interpersonal mindfulness in the relationship with one's intimate partner. Mindful partnering is characterized by mindful awareness toward one’s partner as well as compassion and acceptance of one’s partner. We hypothesized that higher levels of mindful partnering would be associated with lesser physiological reactivity to relationship conflict (i.e., less biological stress during relationship conflict). Seventeen couple pairs (N= 34) visited the laboratory to complete several tasks, including questionnaires and a conflict discussion in which they discussed the largest areas of conflict in their relationship. Participants had their Respiratory Sinus Arrythmia (RSA), a measure of nervous system activation, measured during the baseline period and conflict discussion. Participants completed the Mindful Partnering Measure (MPM) to measure the extent to which one demonstrates mindful partnering in their relationship with their romantic partner, including the subscales of MPM- Mindful Awareness and MPM- Acceptance/Compassion. Regression analyses suggested that MPM-Mindful Awareness significantly predicted partner’s greater RSA, indicating that 9% of the variance in RSA was accounted for by partner’s MPM- mindful awareness (a small effect), suggesting greater relaxation and a less pronounced stress response. These results suggest that when one’s partner is fully present and attentive, it may relieve the potential stress of marital disagreement. Being present with full attention in this way may soothe a partner’s nervous system by creating a feeling of being fully listened to and understood in the context of conflict. Keywords: Mindfulness, Marriage, Marital Conflict, Respiratory Sinus Arrythmia, Physiological Reactivity
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7

Maranelli, Francesco. "Engineering Melbourne’s “Great Structural- Functional Idea”: Aspects of the Victorian Post-war “Rapprôchement” between Architecture and Engineering." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2022. http://dx.doi.org/10.55939/a3998puxe9.

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In 1963, Robin Boyd wrote about a post-war “rapprôchement” between the disciplines of structural engineering and architecture. Etymologically, the term suggests the movement of two entities that draw closer to each other, either in an unprecedented fashion or resuming a suspended interaction. World War II and the “anxieties and stimulations” of the post-war period, to use Boyd’s expression, accelerated the process of overcoming longstanding educational and professional disciplinary barriers. They were the driving forces behind what he denominated the “great structural-functional idea” of the 1950s. Architecture schools embraced modernist/functionalist ideals, producing graduates with considerable technical knowledge - true “romantic engineers.” The global post-war fascination with unconventional structures played its part. Occasionally, Antoine Picon argues, architecture’s “symbolic and aesthetic discourses” walk a “strictly technical path.” Under the banner of Le Corbusier’s Esthétique de l’Ingénieur, architecture and engineering converged. New technologies made collaborations with engineers habitual. According to Andrew Saint, however, partnerships were rarely affairs of equals since “architectural jobs came to architects first.” The diversification and growing number of engineers also transformed them into a labour force, Picon suggests, affecting their prestige and, possibly, their historiographical fortune. Scholarship on post-war Melbourne architecture has generally privileged the architect as the protagonist in the creation of innovative structures, only occasionally acknowledging consultants. This does not reflect the concerted nature of design commissions and frequent evanescence of disciplinary boundaries. This paper aims to highlight the major playing grounds for this alignment within design professions. It also hints at the complex relationship between the contributions of Victorian engineers and their recognition by post-war newspapers and architectural journals, opening the analysis of Melbourne’s post-war architecture to the discourse of professional representation and arguing the importance of “unbiased” histories of the built environment.
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8

IACOB PARGARU, Oana, Irina Elena PETRESCU, Radu Alexandru CHIOTAN, Ovidiu Andrei Cristian BUZOIANU, and Otilia GANEA. "UNEMPLOYMENT IN ROMANIA IN THE PERIOD 2010-2022." In INTERNATIONAL MANAGEMENT CONFERENCE. Editura ASE, 2024. http://dx.doi.org/10.24818/imc/2023/04.12.

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Unemployment is a contemporary social phenomenon, being a result of the meeting and confrontation between the demand and the offer of work. The notion of unemployment can be directly translated as 'inactivity'. This study analyzed the evolution of unemployment in Romania between 2010 and 2022 and we tried to make a structural characterization of it according to different criteria (sex, age and residence), highlighting the most affected categories, as well as sustainable solutions for a management leaning on the socio-economic dimension.
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9

Popescu, Claudia Rodica, Delia Popescu, Iuliana Tudose (Pop), and Ionuț Andrei Militaru. "Supply and Demand in Tourism Destinations in Romania. Pre and Post Pandemic Comparative Analysis." In 9th BASIQ International Conference on New Trends in Sustainable Business and Consumption. Editura ASE, 2023. http://dx.doi.org/10.24818/basiq/2023/09/048.

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Tourism is considered one of the most dynamic sectors of the economy and is an essential element for countries that have significant tourism resources that can be exploited. The rational use of tourism resources is closely related to the increase in tourist flows and the number of accommodation establishments, i.e. tourism demand and tourism supply. The article deals with the relationship between tourist demand and tourist supply, using the example of destinations in Romania, and aims to identify destinations where there is a balance between accommodation units and overnight stays, and how to intervene to reduce the gaps between them. In this sense, quantitative methods such as Spearman and Kendall indicators were used to rank these destinations based on the statistical data provided by Tempo online during the period 2000-2021 for two periods 2000-2019 and 2019-2021. The research results show that highly specialized destinations are the most affected by seasonality. A solution to remedy this situation could come from Destination Management Organizations (DMOs). The study addresses the issue in a crucial period for tourism worldwide, not only in Romania, namely the period characterized by the pandemic COVID -19. Thus, both the period before the pandemic, when tourism reached its highest level, and the period after the pandemic, when a return to a normal situation, but marked by profound changes, is observed, are evaluated. The novelty of the article consists in the creation of a consolidated relationship between the destinations in Romania and the eight DMOs recently established in Romania, in order to allow a better management of the tourist activities.
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10

FĂRCĂȘEL, Ligia. "A Perspective on the Musical Criticism of Iasi from the Interwar Period." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0007.

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The advantage of learning history through the perspective of the criticism of a certain period lies in the fact that the journalist does not merely reproduce the information, but also describes the state emanating from the events commented upon, himself being contemporary with them. For us, readers of later decades, newspapers are, objectively speaking, a genuine history textbook. However, discovering interwar periodicals from Iasi has proven to be a fairly difficult task. In order to identify the titles from Iasi, I have consulted the catalogues of three major libraries in the city: “Mihai Eminescu” Central University Library, “Gheorghe Asachi” County Library and the library of “George Enescu” National University of Arts. In this endeavor, I discovered titles that appear either in the pre-war or in the post-war periods. Moreover, publications such as Curierul de Iași issued both before and after the wars but ceased their activity in the interwar period. Finally, the titles that circulated in the interwar period and could be accessed are Flacăra Iașului, Ziarul Opinia, Evenimentul, Însemnări ieșene and Ziarul Scânteia. Starting from their pages, I have attempted to reconstruct a side of the interwar artistic climate of Iași.
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Reports on the topic "Romantic period"

1

MacGarvie, Megan, and Petra Moser. Copyright and the Profitability of Authorship: Evidence from Payments to Writers in the Romantic Period. National Bureau of Economic Research, 2013. http://dx.doi.org/10.3386/w19521.

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2

Horejs, Barbara, and Ulrike Schuh, eds. PREHISTORY & WEST ASIAN/NORTHEAST AFRICAN ARCHAEOLOGY 2021–2023. Verlag der Österreichischen Akademie der Wissenschaften, 2023. http://dx.doi.org/10.1553/oeai.pwana2021-2023.

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The long-established research of Prehistory and West Asian/Northeast African archaeology (the former Institute for Oriental and European Archaeology, OREA) at the Austrian Academy of Sciences was transformed into a department of the »new« Austrian Archaeological Institute (OeAI) at the Austrian Academy of Sciences in 2021. This merging of several institutes into the new OeAI offers a wide range of new opportunities for basic and interdisciplinary research, which support the traditional research focus as well as the development of new projects in world archaeology. The research areas of the Department of Prehistory and West Asian/Northeast African Archaeology include Quaternary archaeology, Prehistory, Near Eastern archaeology and Egyptology. The groups cover an essential cultural area of prehistoric and early historical developments in Europe, Northeast Africa and West Asia. Prehistory is embedded in the world archaeology concept without geographical borders, including projects beyond this core zone, as well as a scientific and interdisciplinary approach. The focus lies in the time horizon from the Pleistocene about 2.6 million years ago to the transformation of societies into historical epochs in the 1st millennium BC. The chronological expertise of the groups covers the periods Palaeolithic, Neolithic, Chalcolithic, Bronze Age and Early Iron Age. The archaeology of West Asia and Northeast Africa is linked to the Mediterranean and Europe, which enables large-scale and chronologically broad basic research on human history. The department consists of the following seven groups: »Quaternary Archaeology«, »Prehistoric Phenomena«, »Prehistoric Identities«, »Archaeology in Egypt and Sudan«, »Archaeology of the Levant«, »Mediterranean Economies« and »Urnfield Culture Networks«. The groups conduct fieldwork and material analyses in Austria, Hungary, Poland, the Czech Republic, Slovakia, Italy, Croatia, Bosnia and Herzegovina, Serbia, North Macedonia, Bulgaria, Romania, Moldova, Greece, Cyprus, Türkiye, Iran, the United Arab Emirates, Lebanon, Israel, Egypt, Sudan and South Africa.
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