Relevant bibliographies by topics / Romantic poet

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Romantic poet'

Author: Grafiati
Published: 28 May 2022
Last updated: 29 May 2022

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Journal articles on the topic "Romantic poet"

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Mahyudi, Johan. "JEJAK WORDSWORTH, COLERIDGE, DAN SHELLEY PADA SEJUMLAH SAJAK CHAIRIL ANWAR YANG DILENGKAPI NAMA WANITA." LINGUA: Journal of Language, Literature and Teaching 12, no. 1 (2015): 71–84. http://dx.doi.org/10.30957/lingua.v12i1.72.

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Almost all critiqus admit the quality of Chairicl Anwar’s verses as of impressed. On a poem he exlicitly dedicated to a certain woman he loved, Chairil Anwar impressively exposed his romantic articulation in the poet. Results of inquiry upon three poems of Chairil Anwar indicated the root of romantic initiators that derived from romantic expressions of Wordsworth, Coleridge, and Shelley. Innovations on the romantic expression the poets delivered for critiques, romantism has been a new mainstream in the literary critique. This article presents how Chairil Anwar strongly expresses romantic articulations in his three poems Cerita Buat Dien Tamaela (A Story for Dien Tamalea), Sajak Putih (A White Verse), Hampa (Empty), and Senja di Pelabuhan Kecil (Twilight in a Small Port). The findings evidently indicated that Chairil Anawar adapted Wordsworth romantism version, and Senja di Pelabuhan Kecil was a poet Chairil Anwar ideally devoted romantism spirit.
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Adhikari, Tara Prasad. "Laxmi Prasad Devkota: A Myth-taker and a Myth-maker." Literary Studies 33 (March 31, 2020): 116–21. http://dx.doi.org/10.3126/litstud.v33i0.38067.

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Laxmi Prasad Devkota was a romantic poet, well acquainted with the Western and Eastern romantic tradition. It is a well-known fact that the western romantic writers brought about a kind of revival of the era of mythology through their writings. Mythical stories and scenes often became the sources for their works. These romantic poets sometimes took the existing myths for their literary creations and sometimes they also created their own myths. Love for mythology is visible not only in these western Romantic poets but also in our own poet, Mahakavi Devkota. Because of his intense knowledge of the classic myths, he often exploits some aspects of mythology in his writings. In his works, Devkota often uses mythological refrains, names, character traits, mythical beings and some related images. He does not just take myths from various sources; at times he also creates them.
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Adhikari, Kumar. "Humanism in Devkota’s Bhikhari." Literary Studies 29, no. 01 (2016): 38–42. http://dx.doi.org/10.3126/litstud.v29i01.39600.

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This paper analyzes some of the poems from Laxmi Pd. Devkota’s Bhikhari, one of the popular compilations of Nepali poetry. Devkota is primarily a humanist poet. He is also the leading Nepali poet who popularized Romantic poetry in Nepali literature. In Bhikhari, Devkota seems more like a ‘romantic humanist’. The paper tries to trace the root of ‘humanism’ in general, and how English Romantic poets accommodated it in their Romantic philosophy later in the 19th century. In short, humanism believes that individuals have everything they need to grow and develop to their fullest potential. This article is a reading of Devkota’s some of the poems from his collection Bhikhari from the perspective of humanism.
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Labbe, Jacqueline M. "Smith, Wordsworth, and the Model of the Romantic Poet." Articles, no. 51 (October 31, 2008): 0. http://dx.doi.org/10.7202/019257ar.

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AbstractThis essay examines how Charlotte Smith and William Wordsworth manipulate the autobiographical and elements of poetical voicing as they explore the figure of the Romantic Poet. Focusing onBeachy Head(1807) andThe Prelude(1805), I suggest that in devising separate, competing but eventually equal “personal” voices inBeachy Head, and in interrogating tropes of genre and composition inThe Prelude, the two poets signal their interest in using poetry to provide an answer to Wordsworth’s famous question, “What is a Poet?” For each, the model of the Romantic poet is most viable when, like wet clay, it is still able to be shaped.
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Hamed Ezzeldin, Hend. "A Flight Within: Keat’s Nightingale In Light of the Sufis." Advances in Language and Literary Studies 9, no. 3 (2018): 121. http://dx.doi.org/10.7575/aiac.alls.v.9n.3p.121.

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Sufism is the mode of religious life in Islam in which emphasis is placed on the activities of the inner self than external rituals and performances. The essence of Sufism lies in its internal transcendental experience. The aim of Sufis is to delve into the human soul and see through its darkness in order to reach the ultimate truth. Sufi poetry is abundant with images that present the human soul as a mystery that could be decrypted via contemplation, meditation, and inner vision. The target of Sufis is to reunite with the Universal Self that is the ‘truer’ self of every human (i.e. God). Likewise, Romanticism is founded on the doctrine that all creation began in harmonious unity. Romantic poets share Sufis’ quest for truth and an illuminating path towards reaching the essence of the Divine. A renowned Romantic poet, John Keats, contrary to his fellow Romantics, never alluded to sharing any interest with the orient or the spirituality it incarnates. However, by attempting a Sufi reading of his poem ‘Ode to a Nightingale’, this research paper will attempt to highlight the underlying philosophy and uncover the spiritual implications hidden within Keats’ ode and propound a solid connection between Sufi and Romantic ideologies.
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Mniсh, Roman. "MAGDALENE, A POEM BY INNOKENTY ANNENSKY: GOSPEL TEXT AT THE CROSSROADS OF LITERARY TRADITIONS." Проблемы исторической поэтики 19, no. 1 (2021): 308–27. http://dx.doi.org/10.15393/j9.art.2021.9022.

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The article offers an interpretation of Innokenty Annensky's poem Magdalene written in 1885, but published only in 1997. This early work of the poet differs significantly from his poetry, known from published collections (Quiet Songs and Cypress Box), which are not characterized by an appeal to biblical images and motifs. In the poem Magdalene Annensky offers his interpretation of the Gospel story, depicting the conflict and struggle between human feelings (Mary Magdalene) and divine vocation (Jesus) in the dialogues between Magdalene and Jesus. Analysis of the structure of the poem allows us to determine the presence of three literary traditions in it: 1) ancient Greek tragedy and the chorus as one of its main actors; 2) a romantic poem about unrequited love (first of all, The Demon by Mikhail Lermontov) and the concept of romantic duality; 3) Faust by Johann Wolfgang Goethe. The combination of antique concepts (fate, destiny, metamorphosis) with the ideas of Christianity, as well as allusions to the works of Russian romantics, allowed the author to combine three aspects in the image of Mary Magdalene: ancient fate (destiny), Christian (Orthodox) holiness and romantic alienation from the world. The combination of these three aspects in the poem by I. Annensky forms a new quality: the romantic poem did not provide for the chorus as a character, and the ancient Greek tragedy did not allow for such lyrical digressions typical for a romantic poem. The Gospel text in the poem by I. Annensky is transformed in line with the three mentioned traditions, and thus the theme “grows” into a dramatic poem.
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O'Neill, Michael. "‘The Changed Measures of Light’: Post-Romanticism and Geoffrey Hill's Difficult Revelations." Romanticism 22, no. 3 (2016): 331–40. http://dx.doi.org/10.3366/rom.2016.0294.

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It is this essay's working hypothesis that, for the contemporary poet, Romanticism amounts to more than a set of possibilities from which the poet strolling round the thematic and prosodic shopping mall can select, before nipping off to the Renaissance palazzo or Modernist speakeasy. It is more like an ineluctable predicament, like a genetic make-up, or wave after wave of after-shock. Geoffrey Hill is a poet whose influences and allusions cover a prodigious range of authors and languages, but they operate in the radiant shadow of Romantic poetry and culture. For Hill, a key aspect of the Romantic bequest is the guilt indistinguishable from writing poetry, a guilt paradoxically expiable only in poetry. Hill is post-Romantic in the way in which he positions himself amidst the ruins of tradition, nowhere more so than in his dealings with light, both a property of poems by dead poets and a perpetually tantalising gift to the living.
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Najim Abid Al-Khafaji, Saad. "Motherhood in Wordsworth: A Psychoanalytic Study of his Poetics." Al-Adab Journal 1, no. 127 (2018): 30–39. http://dx.doi.org/10.31973/aj.v1i127.198.

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By definition, the Romantic ego is a male; the creator of language which helps him to establish “rites of passage toward poetic creativity and toward masculine empowerment.”1 The outlet for a male quest of self – possession in Romantic poetry is women. For the Romantic poets , the “true woman was emotional, dependent and gentle –a born flower”2 and “the Ideal mother was expected to be strong , self- reliant , protective and efficient caretaker in relation to children and home.”4 With emphasis on the individual in Romantic literature and ideology, mothers are depicted as good when they are natural or unnaturally bad. In the Romantic period then, women’s maternal function equals the “foundation of her social identity and of her sexual desire.”5 Consequently, “convinced that within the individual and autonomous and forceful agent makes creation possible”, the Romantic poets “struggle to control that agent and manipulate its energy.”6
 In a number of William Wordsworth’s (1770-1850) poems, this creative agent who possesses the powers of creation and imagination becomes a female character who is also often a mother. Nonetheless, when critics examine mothers in Wordsworth’s poetry, they also explore the child/poet’s relationship. Events in Wordsworth’s life surely influenced his attention to mothers. From a psycho-analytic perspective this interest might be an unconscious desire to resurrect the spirit of his dead mother Ann Wordsworth who died when the poet was almost eight. Thus in his poetry, the mother is the counterpart of the genuine faculty of the imagination of the poet and has a strong and felt presence within the poet’s poetic system.
 In The Prelude, Wordsworth acknowledges his mother’s deep influence on him. He associates her death with the break within his own poetic development; a sign that the poet relies upon in his creative power .It is through her that the young poet came first in contact with the genial current of the natural world. Nevertheless, without his mother, the male child’s connection to nature not only stands, it grows stronger:
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P, Joshua Gnana Raj, and B. J. Geetha. "Mary Ann Lamb: A Romantic Poet." Think India 22, no. 2 (2019): 358–62. http://dx.doi.org/10.26643/think-india.v22i2.8737.

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Mary Ann Lamb is a Romantic poet whose work in the literature of English was in the shadows, though she was the sister of Charles Lamb. This diminished image of Mary could also be because of her being caught hold of the Bipolar Disorder, on one such onset she stabbed her own mother Elizabeth Lamb. It was her brother who was her guardian and also brought her into the field of writing. The works done by Mary was always in collaboration with Charles. This collaboration made the sister and brother to bring three major works for juvenile literature which are namely Tales from Shakespeare, Mrs Leicester’s School, and Poetry for Children. This paper is done in order to establish and explore the poem “The End of May.” to show the writing style of Mary.
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Philippovsky, German Y. "The legacy of the European Romantics and the motif of a traveler in the night (A. S. Pushkin and M. Y. Lermontov)." Verhnevolzhski Philological Bulletin 1, no. 28 (2022): 8–16. http://dx.doi.org/10.20323/2499-9679-2022-1-28-8-16.

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This article examines European origins of Pushkin's and Lermontov's romantic motif 'wandering in the night' in the works of German and English Romantic poets. The image of the night as an «echo» of the day held an important place in the hierarchy of «universal empathy» in the Romanticist poetic thinking («the light also shines in the night», interpret-ing the biblical text: «and the light shines in darkness, and darkness has not embraced it» (John 1:5). In the famous works by Pushkin and Lermontov, «The Winter Road», «The Possessed», and «I Go Out Alone on the Road...», wander-ing in the night is immersed in an atmosphere of romantic dual reality. The motif of communication in poetic texts is by no means the property of our global communication age alone, but goes back to earlier eras: Antiquity (Homer's Odys-sey), the Middle Ages and the Renaissance (the poetry of Dante and Chaucer), Pre-Romanticism and Romanticism (the poetry of Goethe, Eicheldorf, and Hölderlin). Pushkin's later poem «The Wanderer» (1835) goes back to John Benja-min's poem «The Way of the Pilgrims» (1678). Pushkin's poetic quest of the 1830s turned to the motifs of Salvation and Light, the search for the Right Way (the image of a young man reading a book (the Bible) in «The Wanderer», showing the traveler the Right Way and the narrow gate of Salvation). Lermontov, in his famous nocturne «I go out alone on the road...» (1840s), creates an image of a traveler in the night, which is closely related to the tradition of the German Romantics: Goethe, Eichendorff, and Hölderlin. Pushkin's «night inquiries» in 1830 and 1835 texts, with refer-ences to John Benjamin's English poem and to the Lake School poets W. Wordsworth and R. Southey, are a striking proof of F. M. Dostoyevsky's thoughts on the «universal empathy» of our great poet.
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Dissertations / Theses on the topic "Romantic poet"

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Tovey, Paige Elaine. "Countless cross-fertilizations : Gary Snyder as a Post-Romantic poet." Thesis, Durham University, 2011. http://etheses.dur.ac.uk/672/.

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This thesis examines Romantic (including American Transcendentalist) legacies in the poetry of Gary Snyder. It traces connections and conversations between Snyder and his Romantic predecessors, especially Wordsworth, Blake, Shelley, Emerson and Thoreau, and it seeks to demonstrate the workings of what Snyder himself calls “cross-fertilizations.” Snyder’s understanding of cultural influence is based on the Buddhist concept of interconnection. My thesis applies Snyder’s recurrent theme of interconnection and interdependence to his own relationship with Romantic visions, ideas and forms. Through examining Snyder’s poetic achievements in the light of the Romantic tradition, the thesis attempts to deepen current understanding of his work by suggesting that he should be considered not only as an ecological, post-modern or Beat poet, but also and centrally as a post-Romantic writer. My thesis is structured upon four main, interlocking concerns: eco-Romanticism, the Romantic poet as visionary and prophet, Romantic poetic form, and mountains and rivers as holistic Romantic emblems. It covers a wide range of Snyder’s poetry and prose from across his career in relation to these concerns. The first two chapters, centred on eco-Romanticism, address Snyder’s ecological inheritance from the Romantics; they examine the British Romantic pastoral tradition alongside Snyder’s contemporary eco-Romantic verse. Chapters Three and Four build on the poet’s sense of necessary individuality by focusing on the Romantic role of the poet as prophet in Snyder’s work. They trace the notion inherited from Romanticism of the poet who is conflicted by divergent roles: isolated visionary seer, on the one hand, and the prophetic poet whose role is to speak to and for society, on the other. In my chapters (Five and Six) on the forms through which the post-Romantic poet expresses his vision, I take as my point of departure Shelley’s assertion, from A Defence of Poetry, that “every great poet must inevitably innovate upon the example of his predecessors in the exact structure of his peculiar versification,” and I examine how Snyder’s “peculiar versification” follows and yet innovates upon the tradition of experimental and unconventional form set forth by his Romantic predecessors in such seminal works as Lyrical Ballads. In my final two chapters, I bring the thesis to a close by focusing on Snyder’s use of two Romantic emblems, mountains and rivers, as dialectical, interdependent elements of nature. Responding to their interaction, Snyder renews Romantic modes of representing the universe and the mind. The thesis draws on other American poets (including Williams, Pound and Stevens) in studying how a major American poet has shaped his art, meanings and identity out of a Romantic and post-Romantic poetic and cultural tradition.
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Pepper, Allison M. "Ishmael the dissolution of a romantic and the emergence of a poet /." [Johnson City, Tenn. : East Tennessee State University], 2002. http://etd-submit.etsu.edu/etd/theses/available/etd-0711102-124143/unrestricted/PepperA072402.pdf.

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Gibson, Matthew Ian. "Yeats and Coleridge : the identity of the poet and romantic metaphors of mind." Thesis, Royal Holloway, University of London, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.389030.

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Estevez, Cristina. "Creating identity : the role of George Gordon, Lord Byron, in realizing the Romantic poet." FIU Digital Commons, 2009. http://digitalcommons.fiu.edu/etd/3279.

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The Romantic Age in literature was a time of change and revision, especially in the world of heroes and the fictional worlds in which they lived and played. Many socalled "heroes" came into play at this time, but this was not enough for the Romantic poets, especially George Gordon, Lord Byron. The Byronic hero became the solution to the problem created by an unsatisfactory hero. In creating the Byronic hero, Byron changed literature, allowing poets and readers alike to participate actively in the processes of writing and reading. This work will examine Byron's development of his hero in Childe Harold's Pilgrimage and how other poets, such as Karel Hynek Macha in his Maj, used the Byronic hero as a model that would help them foster a revival of both literature and nationhood. This work explores why the Byronic hero was adopted and embraced by those in England and abroad.
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Gräslund, Christian. "The Romantic Poet in the Imaginary Future - John Keats in the Hyperion Cantos by Dan Simmons." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-118173.

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The four novels Hyperion, The Fall ofHyperion, Endymionand The Rise of Endymionconstitute the Hyperion Cantosby the American science fiction writer Dan Simmons. Thisgalactic-empire,epic,science fictionnarrative containsa plethora ofliterary references. The dominant part comes from the nineteenth-century Romantic poet John Keats. The inclusion of passages from his poetry and letters is pursuedin my analysis.EmployingLubomír Doležel’scategorizations of intertextuality—“transposition,” “expansion,” and “displacement”—I seek to show how Keats’s writings and his persona constitute a privilegedintertext inSimmons’s tetralogyand I show its function.Simmons constructs subsidiary plots, some of which are drivenby Keats’s most well-known poetry. In consequence, some of the subplotscan be regarded as rewrites of Keats’s works.Although quotations of poetry have a tendency to direct the reader’s attention away from the main plot,slowing down the narrative,such passages in the narrativesevokeKeats’s philosophy of empathy, beauty andlove,which is fundamental for his humanism.ForKeats, the poet is a humanist, giving solace to mankind through his poetry. I argue that the complex intertextual relationships with regards toKeats’s poetryand biographyshow the way Simmons expresses humanism as a belief in man’s dignity and worth, and uses it as the basis for his epic narrative.
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Кравець, А., та К. Васильченко. "Незгасна лебединська зірка Михайла Петренка". Thesis, Сумський державний університет, 2018. http://essuir.sumdu.edu.ua/handle/123456789/67152.

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Для багатьох поколінь українців ця пісня – не просто улюблена, вона ввійшла у золотий пісенний фонд. Ця пісня звучала і 12 серпня 1962-го року в космічному польоті, коли з Байконуру стартував корабель «Восток-4», на борту якого був перший космонавт українського походження Павло Попович. Проте, як відомо, у пісні є автор, який має безпосередню причетність до Лебедина. Це поет- романтик Михайло Петренко.
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Pomerantsev, Yevgeniy. "Enchanted truths : romantic and post-romantic models of poetic knowledge /." Ann Arbor, Mich : UMI, 2008. http://opac.nebis.ch/cgi-bin/showAbstract.pl?sys=000281612.

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Sybert, Darlene. "Two ways of knowing and the romantic poets /." free to MU campus, to others for purchase, 2002. http://wwwlib.umi.com/cr/mo/fullcit?p3052219.

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Jolly, Louise Yvonne. "The pursuit of the sublime in post Romantic France." Thesis, Royal Holloway, University of London, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249730.

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My thesis takes the notion of the sublime out of its usual Romantic context to look at what it can reveal about post-Romantic France. This is a period of rapid capitalist and urban development, often described as the age of the prosaic - an age of cliche, platitude and banality. It is also, however, a period in which Romantic aspirations survive: this is often accepted by critics in terms of literary projects, but less so in terms of broader social developments. I will use the notion of the sublime to trace the presence of these aspirations in post-Romantic discourses - across the supposed divide between literature and society. The first section of the thesis is a theoretical introduction to the notion of the sublime in Western philosophy, with a particular focus on its appropriation in France. It includes three chapters, the first of which looks at Longinus and Boileau, the second, Kant and Hegel, and the third, modem and postmodern theoretical perspectives. The aim of this section is both to frame the problems and questions that the sublime poses for French culture and literature, and present the critical concepts that I will bring to bear on readings of specific texts in the second part of the thesis. The second section contains chapters 4 to 7 of the thesis. In chapter 4, I look at how Flaubert parodies rhetorical over-inflation in Madame Bovary and strips it away in 'Un Coeur simple'. Chapter 5 focuses on the sublime in Zola's Au Bonheur des dames, a text that shows how capitalist discourse makes use of the imagery of the Romantic sublime. In chapter 6, I move on to the sublime in working-class discourses, especially revolutionary oratory and performance, before bringing the thesis to a close in chapter 7 with an examination of the metaphysical underpinnings of some of the major artistic developments in the period.
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Chambrelan, Jordi Doce. "Traduciendo la experiencia : presencia del romanticismo ingles en la poesia espanola contemporanea." Thesis, University of Sheffield, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340453.

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Books on the topic "Romantic poet"

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Na, Kantacāmi Cō. Bharathidasan as a romantic poet. Tamil University, 1991.

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The domestication of genius: Biography and the romantic poet. Oxford University Press, 2009.

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Word like a bell: John Keats, music and the romantic poet. Kent State University Press, 1992.

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Hung, Ming-shui. The Romantic vision of Yuan Hung-tao, late Ming poet and critic. Bookman books, 1997.

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The perversity of poetry: Romantic ideology and the popular male poet of genius. State University of New York Press, 2005.

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1931-, Bruccoli Matthew Joseph, and Baughman Judith, eds. The last romantic: A poet among publishers : the oral autobiography of John Hall Wheelock. University of South Carolina Press, 2002.

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Božič, Zoran. France Prešeren's poems: Understanding, evaluation, interpretation : reception-based approach to the poetry of the most important Slovenian romantic poet. LAP Lambert Academic Publishing, 2014.

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Natarajan, Uttara, ed. The Romantic Poets. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470690130.

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Harold, Bloom. The romantic poets. Bloom's Literary Criticism, 2011.

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Guptabakshi, Bivashkanti, ed. Poem Offerings: A Collection of Poems. Salok Publishers, 2017.

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Book chapters on the topic "Romantic poet"

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Labbe, Jacqueline M. "Modeling the Romantic Poet." In Writing Romanticism. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230306141_5.

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Jasper, David. "The Romantic Context." In Coleridge as Poet and Religious Thinker. Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-07509-6_2.

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King-Hele, Desmond. "Coleridge the Poet." In Erasmus Darwin and the Romantic Poets. Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-18098-1_5.

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Jarvis, Robin. "William Wordsworth: Pedestrian Poet." In Romantic Writing and Pedestrian Travel. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230371361_4.

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Thomson, Heidi. "Mary Robinson and the Poet Coleridge." In Coleridge and the Romantic Newspaper. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-31978-0_7.

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Spiridon, Monica. "3.3 Romanian Poetry and the Great Romantic Narrative about the Mission of the Poet." In Romantic Poetry. John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/chlel.xvii.18spi.

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Feldman, Paula R. "The Poet and the Profits." In Women’s Poetry, Late Romantic to Late Victorian. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27021-7_4.

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Tovey, Paige. "Snyder’s Post—Romantic Ecological Vision: The Shaman as Poet/Prophet." In The Transatlantic Eco-Romanticism of Gary Snyder. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137340153_5.

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Holmes, Richard. "Forging the Poet: Some Early Pictures of Thomas Chatterton." In Thomas Chatterton and Romantic Culture. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1057/9780230390225_14.

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Fulford, Tim. "The Production of a Poet: Robert Bloomfield, His Patrons, and His Publishers." In Romantic Poetry and Literary Coteries. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137518897_6.

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Conference papers on the topic "Romantic poet"

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Madalina, Hongu. "The impact of Covid-19 on the small schoolchildren and the rural family." In Condiții pedagogice de optimizare a învățării în post criză pandemică prin prisma dezvoltării gândirii științifice. "Ion Creanga" State Pedagogical University, 2021. http://dx.doi.org/10.46728/c.18-06-2021.p278-280.

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In the context of the current COVID-19 pandemic that also affected Romania, the population faced a series of economic and social problems caused by the reduction of the activity of economic agents and public institutions, the reorganization of the activity of health services, social assistance and of education. Rural life for children in Romania has worsened considerably during the pandemic, according to research conducted by World Vision Romania between May 10 and June 27, 2020. Most rural parents did not work during this period, and almost half of them, failed to provide at all or partially provided access to education, food, medicine and hygiene products. The closure of schools caused by COVID-19 not only affected learning, but also other social issues such as mental health, violence or pronounced social inequalities. One category affected by the COVID-19 pandemic is children in rural areas, where access to the Internet and, in particular, access to broadband is more limited than in urban areas.
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Grigoryeva, Irina. "REPRESENTATION OF ROMANTIC LOVE AMONG SENIORS IN THE SOVIET AND POST-SOVIET CINEMA." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b11/s2.099.

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Chelaru, Dan-Adrian. "RESTRUCTURING THE POST-INDUSTRIAL LANDSCAPE OF BISTRITA SUBCARPATHIAN VALLEY, ROMANIA." In 13th SGEM GeoConference on INFORMATICS, GEOINFORMATICS AND REMOTE SENSING. Stef92 Technology, 2013. http://dx.doi.org/10.5593/sgem2013/bb2.v1/s11.035.

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Apostu, Milka Nicoleta, Octav Sorin Candel, and Maria Nicoleta Turliuc. "Three Cords Twisted Together. The Investment Model, Religiousness and Forgiveness." In World Lumen Congress 2021, May 26-30, 2021, Iasi, Romania. LUMEN Publishing House, 2022. http://dx.doi.org/10.18662/wlc2021/04.

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The main purpose of the present research is to explore the influence of religiousness on couple commitment, drawing from previous studies where religiousness was confirmed as a strong predictor for positive relationship outcomes. We also aim to analyze relationship satisfaction as a mediating variable between religiousness and commitment. Furthermore, the study seeks to investigate forgiveness in dyadic romantic relationships, testing its role as a moderator of the association between relationship satisfaction and commitment. The procedure includes the recruitment of heterosexual students enrolled in post-graduate courses and their partners to take part in the present study. The final sample consists of 116 individuals involved in romantic relationships. All participants filled in a series of validated self-reported measures, providing data which was analyzed using parametric statistical tests. Additionally, we conducted mediation and moderation analyses. Results indicate that relationship satisfaction is positively associated with commitment, whereas religiousness is positively associated with relationship satisfaction, thus having an indirect effect on commitment. Additionally, considering overall forgiveness as well as the negative vs. positive components of the construct, we find that positive forgiveness is associated with commitment, when satisfaction is also considered in the equation. The current results have important therapeutic implications, such as using forgiveness-related therapies for couples and enhancing relationship satisfaction as means to consolidate relationship commitment.
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Găitan-Botezatu, Ionela Daniela. "The Role of Donations in Financing Extreme Risk Events." In World Lumen Congress 2021, May 26-30, 2021, Iasi, Romania. LUMEN Publishing House, 2022. http://dx.doi.org/10.18662/wlc2021/23.

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Globally, post-event funding needs are growing, while the material and human damage caused by extreme events is constantly growing. The 2015 United Nations (UN) Global Assessment Report on Disaster Risk Reduction estimated that worldwide, these extreme events cause losses of approximately $ 250-300 billion annually. Although there are now various post-event financing options (insurance, grants, loans, donations, etc.) for the population, companies or public institutions, these instruments are often not sufficient for post-event recovery and reconstruction, so many challenges remain for post-event recovery. Thus, there is often a gap between the financing needs of companies or the population and the existing financing instruments, most often the amounts needed for financing being higher than the amounts that are available through the various existing financing mechanisms. In this article we addressed the topic of post-event funding sources such as donations and highlighted that these, although they are one of the cheapest sources of funding, the support of post-event donors is often uncertain. Also, in the elaboration of this paper I used qualitative and quantitative research based on the use of methods such as Spearman correlation indicator, data processing and analysis, documenting reports, studying reference works and other studies.
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Selitrina, Tamara. "A POST-ROMANTIC PORTRAIT OF GEORGE ELIOT’S “MIDDLEMARCH” PROTAGONIST DOROTHEA BROOKE: “ANTIQUE FORM ANIMATED BY CHRISTIAN SENTIMENT”." In World literature Cultural Codes. Baskir State University, 2021. http://dx.doi.org/10.33184/kkml-2021-11-19.22.

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Zakota, Zoltan. "HIGHER EDUCATION IN POST-COMMUNIST HUNGARY AND ROMANIA � A COMPARATIVE ANALYSIS." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b12/s3.061.

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"Diversifying the financing sources of real estate in post-crisis Romania." In 21st Annual European Real Estate Society Conference. ERES, 2014. http://dx.doi.org/10.15396/eres2014_242.

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Csaba Begy, Robert, Codrin Fabian Savin, and David-Karoly Sule. "Radiological survey of spring water from post-volcanic areas in Romania." In RAD Conference. RAD Centre, 2021. http://dx.doi.org/10.21175/rad.abstr.book.2021.34.12.

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Little, Richard, Felicia Dragolici, Alex Bond, et al. "Preliminary Safety Analysis of the Baita Bihor Radioactive Waste Repository, Romania." In The 11th International Conference on Environmental Remediation and Radioactive Waste Management. ASMEDC, 2007. http://dx.doi.org/10.1115/icem2007-7095.

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A project funded under the European Commission’s Phare Programme 2002 has undertaken an in-depth analysis of the operational and post-closure safety of the Baita Bihor repository. The repository has accepted low- and some intermediate-level radioactive waste from industry, medical establishments and research activities since 1985 and the current estimate is that disposals might continue for around another 20 to 35 years. The analysis of the operational and post-closure safety of the Baita Bihor repository was carried out in two iterations, with the second iteration resulting in reduced uncertainties, largely as a result taking into account new information on the hydrology and hydrogeology of the area, collected as part of the project. Impacts were evaluated for the maximum potential inventory that might be available for disposal to Baita Bihor for a number of operational and post-closure scenarios and associated conceptual models. The results showed that calculated impacts were below the relevant regulatory criteria. In light of the assessment, a number of recommendations relating to repository operation, optimisation of repository engineering and waste disposals, and environmental monitoring were made.
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Reports on the topic "Romantic poet"

1

Gratzke, Michael. ‘Confessions of a MILF (I chose being an artist over being a wife)’. Love and relationships in Viv Albertine’s memoirs. University of Dundee, 2022. http://dx.doi.org/10.20933/100001240.

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The memoirs of (post-) punk musician Viv Albertine address the issue of choice or lack thereof in romantic and family relationships. They depict a world in which choice of romantic partners appears normal if often unsuccessful, whereas choice within family relationships is restricted. It is self-evident that one cannot choose one’s blood relatives. However, amplified by Albertine’s scepticism towards any social relationships, her two memoirs represent ‘negative choice’ (Eva Illouz) in heterosexual romantic relationships and the complex ways in which negative choice can change family dynamics. In her memoirs, Albertine presents loneliness as the opposite of love which aligns with her model of choice, as it is preferable to live a lonely life over being bound up in love relationships, romantic or familial, which are harmful to one’s wellbeing. This article demonstrates how the ethos of early punk is translated into an uncompromising process of life writing which presents itself as faithfulness towards the individual’s core need for self-realisation and self-expression against the backdrop of failing romantic and familial relationships, severe physical and mental health problems, a self-diagnosis of autism and a patriarchal society.
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Mureşan, Cornelia. Family dynamics in pre- and post-transition Romania: a life-table description. Max Planck Institute for Demographic Research, 2007. http://dx.doi.org/10.4054/mpidr-wp-2007-018.

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