Log in

Relevant bibliographies by topics / Romantic poet / Books

To see the other types of publications on this topic, follow the link: Romantic poet.

Books on the topic 'Romantic poet'

Author: Grafiati

Published: 28 May 2022

Last updated: 29 May 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Romantic poet.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Na, Kantacāmi Cō. Bharathidasan as a romantic poet. Tamil University, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

The domestication of genius: Biography and the romantic poet. Oxford University Press, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Word like a bell: John Keats, music and the romantic poet. Kent State University Press, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Hung, Ming-shui. The Romantic vision of Yuan Hung-tao, late Ming poet and critic. Bookman books, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

The perversity of poetry: Romantic ideology and the popular male poet of genius. State University of New York Press, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

1931-, Bruccoli Matthew Joseph, and Baughman Judith, eds. The last romantic: A poet among publishers : the oral autobiography of John Hall Wheelock. University of South Carolina Press, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Božič, Zoran. France Prešeren's poems: Understanding, evaluation, interpretation : reception-based approach to the poetry of the most important Slovenian romantic poet. LAP Lambert Academic Publishing, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Natarajan, Uttara, ed. The Romantic Poets. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470690130.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Harold, Bloom. The romantic poets. Bloom's Literary Criticism, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Guptabakshi, Bivashkanti, ed. Poem Offerings: A Collection of Poems. Salok Publishers, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Sitterson, Joseph C. Romantic poems, poets, and narrators. Kent State University Press, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

1795-1821, Keats John, ed. Keats's reading of the romantic poets. University of Michigan Press, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Jane Austen and the romantic poets. Columbia University Press, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

National Portrait Gallery (Great Britain), ed. The Romantic poets and their circle. National Portrait Gallery, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Deresiewicz, William. Jane Austen and the romantic poets. Columbia University Press, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

Romantic poets, critics, and other madmen. Harvard University Press, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

King-Hele, Desmond. Erasmus Darwin and the Romantic Poets. Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-18098-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Erasmus Darwin and the Romantic poets. St. Martin's Press, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

King-Hele, Desmond. Erasmus Darwin and the romantic poets. Macmillan, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

Erasmus Darwin and the romantic poets. Macmillan, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Lau, Beth. Keats's reading of the romantic poets. University of Michigan Press, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

Woof, Robert. Byron, a dangerous romantic? Wordsworth Museum, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

Andrew, Bennett. Romantic poets and the culture of posterity. Cambridge University Press, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

Whitehead, James. Madness and the Romantic Poet. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198733706.001.0001.

Full text

Abstract:

This book examines writing that has linked poetry and poets to madness, covering early literary criticism, biography, medical literature, and poetry itself, and moving between the late eighteenth and the twentieth century. More specifically, its purpose is to offer an account of the development and dissemination of the figure of the ‘Romantic mad poet’ in the nineteenth century, and to show how this figure interacted with coeval ideas about genius or creativity, and the varying fortunes in reception and reputation of Romantic poets, poetry, and conceptions of Romanticism generally. The opening sections address the currency of popular myths on the topic, and the relevance of modern psychological studies on mental illness and creativity. The greater part of the book focuses on reception, broadly conceived, discussing the Romantic conversation with classical and early modern ideas about poetic madness; attitudes towards the creative and literary mind in the psychiatric medicine of the period; contemporary reviews of Romantic poetry, and the hostile rhetoric of insanity they deployed; and life-writing, moving from early brief lives and popular anthologies of the ‘infirmities of genius’ to the larger narratives of irrationality in Victorian literary biography. Figures discussed include Wordsworth, Coleridge, Blake, Hazlitt, Byron, Lamb, Shelley, and Clare. The book reassesses how Romantic writers both contributed to and resisted the construction of the mad poet, or new and rediscovered mythologies of poetic madness. Finally, the Romantic mad poet is considered as an image of the artist in modernity, and the image’s long afterlife and importance are explained.

APA, Harvard, Vancouver, ISO, and other styles

25

Martin, C. Jason. Confessions of a Poet - A Romantic Chronicle. Pagefree Publishing, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

26

Martin, C. Jason. Confessions of a Poet - A Romantic Chronicle. Pagefree Publishing, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

27

Madness and the Romantic Poet: A Critical History. Oxford University Press, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

28

Felluga, Dino Franco. The Perversity of Poetry: Romantic Ideology And the Popular Male Poet of Genius. State University of New York Press, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

Markos, Louis. The Eye of the Beholder: How to See the World Like a Romantic Poet. Winged Lion Press, LLC, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

30

Franklin, C. The Romantics: Women Poets of the Romantic Period 1770-1830 (The Romantics). Routledge, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

31

Hough, Graham. Romantic Poets. Taylor & Francis Group, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

32

Romantic Poets. Taylor & Francis Group, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

Shelley, Percy Bysshe. Romantic Poets. Printers Row Publishing Group, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

34

Natarajan, Uttara. Romantic Poets. Wiley & Sons, Incorporated, John, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

35

Whitehead, James. Conclusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198733706.003.0008.

Full text

Abstract:

In conclusion, the afterlife and overall importance of the Romantic mad poet as a token of Romanticism’s place in the dual revolutions of political and industrial modernity is reassessed. Images of the convergence of mind and machinery in both imaginative literature and early psychiatric writing are discussed. The main arguments of the book about how the Romantic mad poet emerged and was popularized in the nineteenth century are concluded and summarized, and a series of broader arguments about why the Romantic mad poet became so popular are considered, drawing especially on political and sociological accounts of the idea of ‘genius’.

APA, Harvard, Vancouver, ISO, and other styles

36

Whitehead, James. Balaam and Bedlam. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198733706.003.0004.

Full text

Abstract:

This chapter shows how contemporary reviews of Romantic poetry, and the hostile rhetoric of insanity they used, both stigmatized and popularized the Romantic mad poet. A forensic rhetoric, drawing directly on medical ideas of partial insanity and critical ‘moral management’, was deployed by the periodical press in the first quarter of the nineteenth century—first the quarterlies like the Edinburgh Review and the Quarterly Review, then later new capricious and aggressive magazines such as Blackwood’s, and more quotidian or staid journals—against all of the major Romantic poets. The chapter shows, moreover, how the polemical terms in which Romantic poets were dismissed also held the seeds of their later canonization. The periodical critics, while they used slurs of meaningless insanity to dismiss poetry for political and reactionary ends, also spread the fame of ‘mad genius’, turning a marginalized opinion on the link between creativity and disorder into a cultural phenomenon.

APA, Harvard, Vancouver, ISO, and other styles

37

Janowitz, Anne. Women Romantic Poets. Northcote House Publishers Ltd, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

38

Andrew, Ashfield, ed. Romantic women poets. Manchester University Press, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

39

Harold, Bloom, ed. English romantic poets. Chelsea House Publishers, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

40

William, Blake. The Romantic Poets. Highbridge Audio, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

Caroline, Franklin, ed. British romantic poets. Routledge/Thoemmes Press, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

42

Hough, Graham. The Romantic Poets. Routledge, 2018. http://dx.doi.org/10.4324/9780429470486.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Shelley, Percy Bysshe. The Romantic Poets. Canterbury Classics, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

44

Esterhammer, Angela. The Improvisation of Poetry, 1750–1850. Edited by George E. Lewis and Benjamin Piekut. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780195370935.013.24.

Full text

Abstract:

The “Romantic century” (1750–1850) saw the rise and decline of a distinctive type of improviser: theimprovvisatoreorimprovvisatrice, a solo poet-performer who spontaneously composed verses on subjects assigned by the audience. As this primarily Italian tradition spread across Europe, it generated wide-ranging debates about poetics, aesthetics, and the role of improvisation in political rhetoric and communal leadership. Often this discussion focused on the relationship between modern poetic improvisers and the rhapsodes of classical antiquity, especially Homer. Variations on the questions “Was Homer animprovvisatore?” and “Areimprovvisatorithe descendants of Homer?” show up in antiquarian, poetic, and political discourses, influencing Romantic ideas about the public role of poets while changing the direction of Homeric scholarship. Since the performances of poetic improvisers and the debates they generated took place in the midst of a rapidly expanding culture of periodical magazines and other print media, the reception of orally improvised poetry during the Romantic era also affects the evolving relationship of orality and print.

APA, Harvard, Vancouver, ISO, and other styles

45

Bygrave, Stephen. Romantic Poets (Approaching Literature). Routledge, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

46

Poem Offerings: Collection of Poems. Salok Publishers, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

47

Whitehead, James. Madness Writing Poetry/ Poetry Writing Madness. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198733706.003.0007.

Full text

Abstract:

The final chapter returns to the scene of Romantic poetry, looking at poetry by William Blake, William Wordsworth, Samuel Taylor Coleridge, John Keats, Lord Byron, Percy Bysshe Shelley, and John Clare. It reads these Romantic texts as poised articulations of the idea of poetic madness, and discusses generally how these writers contributed to, or interwove with their own lives and works, new and rediscovered mythologies of madness, sometimes anticipating or resisting the public images created by journalism, criticism, or biography, previously described. Finally, the Romantic mad poet is considered in relation to criticism and the canonical role of Romanticism in English literature.

APA, Harvard, Vancouver, ISO, and other styles

48

Igarashi, Yohei. The Connected Condition. Stanford University Press, 2019. http://dx.doi.org/10.11126/stanford/9781503610040.001.0001.

Full text

Abstract:

How can Romantic poetry, motivated by the poet’s intense yearning to impart his thoughts and feelings, be so often difficult and the cause of readerly misunderstanding? How did it come to be that a poet can compose a verbal artwork, carefully and lovingly put together, and send it out into the world at the same time that he is adopting a stance against communication? This book addresses these questions by showing that the period’s writers were responding to the beginnings of our networked world of rampant mediated communication. The Connected Condition reveals that major Romantic poets shared a great attraction and skepticism toward the dream of perfectible, efficient connectivity that has driven the modern culture of communication. Samuel Taylor Coleridge, William Wordsworth, Percy Shelley, and John Keats all experimented with their artistic medium of poetry to pursue such ideals of speedy, transparent communication at the same time that they tried out contrarian literary strategies: writing excessively ornate verse, prolonging literary reading with tedious writing, being obscure, and questioning the allure of quickly delivered information. This book shows that the Romantic poets have much to teach us about living in—and living with—the connected condition, as well as the fortunes of literature in it.

APA, Harvard, Vancouver, ISO, and other styles

49

Lau, Beth. Intertextual Dialogue. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.26.

Full text

Abstract:

Intertextual dialogue in the Romantic period is shaped by conflicting imperatives. Romantic writers lived in an age when the pressure to be original and natural coincided for the first time to a significant degree with the worship and canonization of previous British authors, especially such ‘geniuses’ as Shakespeare and Milton. Major figures from every genre of the period can be seen to negotiate the competing demands to acquire legitimacy by invoking other, recognized writers, and to express their own unique vision and style—both to fit into existing literary tradition and to stand out as unique. This chapter explores the complications of intertextual dialogue in five representative authors across a variety of genres: the essayist and critic William Hazlitt, the poet and writer of marginalia Samuel Taylor Coleridge, the novelist Jane Austen, and poets John Clare and John Keats.

APA, Harvard, Vancouver, ISO, and other styles

50

R, Greenfield John, ed. British romantic poets, 1789-1832. Gale Research, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!