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Relevant bibliographies by topics / Romantic poetry

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Books
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Academic literature on the topic 'Romantic poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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Journal articles on the topic "Romantic poetry"

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Mohamad, Mohamad Haj. "Aesthetics and Violence in Romantic Poetry." English Language and Literature Studies 8, no. 2 (2018): 69. http://dx.doi.org/10.5539/ells.v8n2p69.

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Violence, as exhibited by some romantic poets, works as the dormant, and sometimes explicit, whim to think of and go for. Violence may not only be a temporal tendency but rather a philosophical trend embraced by romantics so that they can offset deep frustration generated by failure to create a better world. Shelley, Blake and Lord Byron do not mind conveying a tendency to go violent in order to bring about a better world, while E.A. Poe gives abnormal images, to define man’s need to liberate himself from restrictions of time and place. Emotions, imaginations and the search for beauty that are

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Dr Muhammad Tahir and Dr Ateeq Anwar. "A Non-Romantic Poet Of Romantic Era." Dareecha-e-Tahqeeq 4, no. 1 (2023): 34–40. http://dx.doi.org/10.58760/dareechaetahqeeq.v4i1.101.

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The romantic movement has an important place in literary movements. This movement had its effects on both poetry and prose. The impact of this movement has been evaluated in this research paper. Impact of the Romantic movement is described in the non- romantic style of the great poet Yas Yagana. Apart from this, various points of his poetry have been described which will help in understanding the aspects of his poetry. This research article also proves that it is possible to maintain a separate identity even under the shadow of a particular movement.

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Alsyouf, Amjad. "The Realistic Inquiry of Selected Romantic Poetry by Blake, Wordsworth, Shelley and Keats." Pertanika Journal of Social Science and Humanities 27, no. 4 (2019): 2525–41. https://doi.org/10.5281/zenodo.4751138.

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English romantic poetry has been traditionally conceived as a principal part of the idealism orthodoxy, an imitation of unrealistic ideal realms. This research aims to deconstruct this prevalent convention through isolating particular realistic aspects in English romantic poetry for examination. It argues that the real world has never been absent from the works of the English romantics. It tackles for this sake selected poems by William Blake, William Wordsworth, Percy Bysshe Shelley and John Keats, aiming to highlight their passionate concern with realistic aspects of man and the city an

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Hosne Ara, Jannat E. "Depiction of Nature in the Poetry of Robert Frost and that of the Romantics: Questing for Similitude and Dissimilitude through a Comparative Analysis." International Journal of Linguistics, Literature and Translation 4, no. 7 (2021): 174–80. http://dx.doi.org/10.32996/ijllt.2021.4.7.19.

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This paper attempts to investigate the depiction of nature in the poetry of Robert Frost and how this treatment simultaneously resembles and differs from that of romantic poetry. Though he belongs to the era of modernism, his poetry carries numerous characteristics of romantic poetry. The researcher tries to compare the poetry of Robert Frost and that of the Romantics how they are identical or dissimilar in the representation of nature. Robert Frost might be called the interpreter of nature and humanity. He shows that he is a close observer of both nature and people. On the other hand, Romanti

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Yong, Ping. "The Imagination of Romantic Poetry under Different Regional and Cultural Backgrounds: Comparison and Analysis of Kubla Khan and Mount Skyland ascended in a Dream-A Song of Farewell." Communications in Humanities Research 3, no. 1 (2023): 340–47. http://dx.doi.org/10.54254/2753-7064/3/20220335.

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Romanticism is an important branch of the literary genre, and imagination is an important feature of it. From different historical backgrounds, Both British poets and Chinese have each profound insight into the imagination in their romantic poetry creations. Samuel Taylor Coleridge, as a pioneer of English Romantic poetry, his dream fragment Kublai Khan established an unshakable position in the poet's literary circle, while Li Bai was a well-known romantic poet in the prosperous Tang Dynasty. His representative work, Mount Skyland ascended in a Dream-A Song of Farewell, shocked the entire Chin

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Dr. Rituraj Trivedi. "Actualizing the Traits of Romanticism in the Poetic Expressions of John Keats." Creative Launcher 7, no. 3 (2022): 50–57. http://dx.doi.org/10.53032/tcl.2022.7.3.07.

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In many ways, John Keats is the most romantic poet ever. Unlike classical poetry, which seeks to portray social experience, romantic poetry focuses on the total expression of the person. Various romantic poets include political or social commentary in their works. But Keats’ poetry is not a means of conveying any prophecy or message. His poetry is for the sake of poetry. There is no moral, political, or social significance to it. Thus, it is the truest poetry. According to Peter, “the addition of strangeness of beauty” is what gives literature its romantic element. Keats is most romantic in hi

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Callaghan, Madeleine. "‘Chosen Comrades’: Yeats's Romantic Rhymes." Romanticism 23, no. 2 (2017): 155–65. http://dx.doi.org/10.3366/rom.2017.0322.

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Yeats's acute sense of the poet's labour, a labour that makes rhyme one of those ‘befitting emblems of adversity’ (‘My House’, Meditations in Time of Civil War, 30) energises his poetry. Rather than constricting poetry, rhyme can engender, if paradoxically, a kind of freedom for the poet; Yeats's choice of form reveals his Romantic influences while demonstrating his independence. Encompassing examples from Blake, Byron, Keats, and Shelley, this essay shows how Yeats learns from his chosen influences even as his mastery over their forms sponsors his ‘ghostly solitude’ (‘Nineteen Hundred and Nin

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Peyre, Henri. "Romantic Poetry and Rhetoric." Yale French Studies, no. 96 (1999): 29. http://dx.doi.org/10.2307/3040714.

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Sharma, Dr Lok Raj. "Exploring Birds as Glorified in the Romantic Poetry." Global Academic Journal of Linguistics and Literature 4, no. 2 (2022): 24–27. http://dx.doi.org/10.36348/gajll.2022.v04i02.001.

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English Romantic poetry contributes profound love and genuine reverence of the poets to nature. Birds constitute a part of nature, and love for nature is one of the perpetual features and themes of the Romantic poetry. This article, which aims at exploring birds how English Romantic poets glorify them in their poetry, comprises five poems of four celebrated English Romantic poets, namely Wordsworth, Coleridge, Shelley and Keats. This article concludes that the Romantic poets glorify birds as a blithe spirit, a light-winged fairy, an ethereal minstrel, a blithe new-comer, a wandering voice, a d

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Howard, John, and Barbara Schapiro. "The Romantic Mother: Narcissistic Patterns in Romantic Poetry." South Atlantic Review 50, no. 1 (1985): 105. http://dx.doi.org/10.2307/3199540.

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Dissertations / Theses on the topic "Romantic poetry"

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Vardy, Alan Douglas. "Romantic ethics /." Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/9362.

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Chambless, Cathleen F. "Nec(Romantic)." FIU Digital Commons, 2015. http://digitalcommons.fiu.edu/etd/1933.

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NEC(ROMANTIC) is a poetry collection thematically linked through images of insects, celestial bodies, bones, and other elements of the supernatural. These images are indicative of spells, but the parenthesis around romantic in the collection’s title also implies idealism. The poems explore the author’s experiences with death, grief, love, oppression, and addiction. NEC(ROMANTIC) employs the use of traditional forms such as the villanelle, sestina, and haiku to organize these experiences. Prose poetry and a peca kucha ground the center of NEC(ROMANTIC) which alternates between lyrical and narra

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Whitehead, S. G. "English pre-romantic and romantic influences in the poetry of V.A. Zhukovskii." Thesis, University of East Anglia, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.380126.

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Simpkins, Scott Keith. "The semiotic dilemma of English romantic poetry /." Access abstract and link to full text, 1986. http://0-wwwlib.umi.com.library.utulsa.edu/dissertations/fullcit/8611951.

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Al-Saleemi, Elham Saleh. "Wordsworth and the language of romantic poetry." Thesis, Bangor University, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357313.

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Ward, Matthew. "The sound of laughter in Romantic poetry." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/6814.

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This thesis offers the first critical examination of the sound of laughter in Romantic poetry. Part one locates laughter in the history of ideas of the seventeenth and eighteenth centuries, and explores the interplay between laughter and key intellectual, aesthetic, ethical, and social issues in the Romantic period. I chart a development in thinking about laughter from its primary association with ridicule and the passions up to the early decades of the eighteenth century, to its emerging symbiosis with politeness and aesthetic judgement, before a reassertion of laughter's signification of pas

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Horton, Patricia. "Romantic intersections : romanticism and contemporary Northern Irish poetry." Thesis, Queen's University Belfast, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337039.

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Dornan, R. Stephen. "Irish and Scottish poetry in the Romantic era." Thesis, University of Aberdeen, 2006. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU218222.

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Ireland and Scotland witnessed a huge explosion in the publication of printed verse in the Romantic era as a plethora of poets ventured into print in the wake of Robert Burn's Kilmarnock edition. They produced an interesting and diverse, yet largely neglected, body of verse which is characterised by aesthetic, stylistic and linguistic variety. A re-evaluation of this body of literature casts new light on the interconnections between Scottish and Irish literary traditions. The links between Irish and Scottish poets and contemporise and predecessors from other parts of the archipelago, and their

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Ng, Chak Kwan. "Lived space and performativity in British Romantic poetry." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/11701.

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In Romantic studies, Romanticism is regarded as a reaction against modernity, or more accurately, a self-critique of modernity. There have been critical debates over the nature of the preoccupation of the Romantics with the past and the natural world, whether such concern is an illustration of the reactionary tendency of Romanticism, or an aesthetic innovation of the Romantics. This study tries to approach this problem from the perspective of space. It draws from the spatial theory of Henri Lefebvre, discussed in the Production of Space, in which Lefebvre conceives a spatial history of moderni

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Curran, Emma. "Faces of nature : personification in women's romantic-age poetry." Thesis, University of Surrey, 2017. http://epubs.surrey.ac.uk/841470/.

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This thesis seeks to re-evaluate the role of personification in Romantic-period poetics by examining how women writers used the device to address a reductive alignment of the female with the natural. Women poets employ personification to tell different narratives about human and non-human interrelationship. Personifications that feminise nature appear prolifically throughout Romantic poetry. Women writers take up the technique and its tropes in order to critique the cultural equation of women with nature and offer alternative presentations that recognise greater complexity both in their own ex

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Books on the topic "Romantic poetry"

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Esterhammer, Angela, ed. Romantic Poetry. John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/chlel.xvii.

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1954-, Driver Paul, ed. Romantic poetry. Penguin, 1996.

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Daniel, Edmund. Romantic poetry. Liebecomm, 2007.

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Kelvin, Everest, and Open University. Romantic Poetry Course Team., eds. Romantic poetry. Open University Press, 1985.

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Duncan, Wu, ed. Romantic poetry. Blackwell Publishing, 2002.

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Stafford, Fiona. Reading Romantic Poetry. John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118228104.

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Harold, Bloom, ed. English romantic poetry. Chelsea House, 2004.

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Michael, Ferber, ed. European romantic poetry. Pearson Longman, 2005.

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Cronin, Richard. The Politics of Romantic Poetry. Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230287051.

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O’Flinn, Paul. How to Study Romantic Poetry. Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-09127-0.

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Book chapters on the topic "Romantic poetry"

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Stabler, Jane. "Romantic Poetry." In Burke to Byron, Barbauld to Baillie, 1790–1830. Macmillan Education UK, 2002. http://dx.doi.org/10.1057/978-1-137-05215-5_3.

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Esterhammer, Angela. "Introduction." In Romantic Poetry. John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/chlel.xvii.01est.

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Furst, Lilian R. "1.1 Autumn in the Romantic Lyric." In Romantic Poetry. John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/chlel.xvii.03fur.

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Burwick, Frederick. "1.2 Reflection as Mimetic Trope." In Romantic Poetry. John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/chlel.xvii.04bur.

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Cieśla-Korytowska, Maria. "1.3 On Romantic Cognition." In Romantic Poetry. John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/chlel.xvii.05cie.

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Szegedy-Maszák, Mihály. "1.4 Vörösmarty and the Poetic Fragment in Hungarian Romanticism." In Romantic Poetry. John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/chlel.xvii.06sze.

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Baker, John M. "1.5 Loss and Expectation." In Romantic Poetry. John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/chlel.xvii.07bak.

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Lokke, Kari. "1.6 Poetry as Self-Consumption." In Romantic Poetry. John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/chlel.xvii.08lok.

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Behler, Ernst. "2.1 Lyric Poetry in the Early Romantic Theory of the Schlegel Brothers." In Romantic Poetry. John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/chlel.xvii.10beh.

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Esterhammer, Angela. "2.2 The Romantic Ode." In Romantic Poetry. John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/chlel.xvii.11est.

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Conference papers on the topic "Romantic poetry"

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Dicusar, Cristina. "The promise of pure poetry. A rereading of Bessarabian poetry of the 70s." In Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/filomod.2023.17.08.

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This article discusses expressions of authenticity in the Bessarabian poetry of the 70s. On the one hand, some Bessarabian 70s poets discovered a new poetic style by reviving the "romantic cult of the soul". The poet, lacking the power of directness, but also of allusion or irony, decides to expel the real and retire, as a sign of peaceful "protest", in an ivory tower. There, he becomes the prophet of an imaginary, dreamlike, ever-revealing (uni)verse. On the other hand, another type of discourse is discreetly established, intimate, confessional, concerned with rehabilitating and cleaning the

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Ying, Yang. "Research on the Eco-criticism of British Romantic Poetry." In 2014 Conference on Informatisation in Education, Management and Business (IEMB-14). Atlantis Press, 2014. http://dx.doi.org/10.2991/iemb-14.2014.98.

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Lu, Yiyun. "Criticizing by Creating: Friedrich Schlegel’s Early Romantic Idea of “Criticism”." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. http://dx.doi.org/10.62119/icla.1.8184.

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Friedrich Schlegel is the main representative of early German Romanticism. His romantic poetics are not only important for the development of German poetry, but also for the change from Classic to Modern in European intellectual life. And at the center of his theory is the term “criticism” (Kritik). There is already a lot of re-search on this term, including Walter Benjamin’s doctoral thesis The Concept of Art Criticism in German Romanticism. Most of them put this term in the Cartesian and Kantian tradition and see it as an artistic expression of philosophical “reflection”. This is indeed one

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Aggarwal, Nitish, Justin Tonra, and Paul Buitelaar. "Using Distributional Semantics to Trace Influence and Imitation in Romantic Orientalist Poetry." In Proceedings of the First AHA!-Workshop on Information Discovery in Text. Association for Computational Linguistics and Dublin City University, 2014. http://dx.doi.org/10.3115/v1/w14-4508.

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Dwivedi, Amitabh Vikram. "TAXONOMY OF THE ROMANTIC HEROINE: INTERROGATING PSYCHOLOGICAL AND RELIGIOUS ASPECTS IN BRAJ POETRY." In 5th Arts & Humanities Conference, Copenhagen. International Institute of Social and Economic Sciences, 2019. http://dx.doi.org/10.20472/ahc.2019.005.008.

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MOSKVICHEVA, O. A. "THE ROLE OF CONCEPTUAL TROPES IN THE CONSTRUCTING OF THE FRACTAL MODEL OF THE POETICAL WORLD." In СЛОВО, ВЫСКАЗЫВАНИЕ, ТЕКСТ В КОГНИТИВНОМ, ПРАГМАТИЧЕСКОМ И КУЛЬТУРОЛОГИЧЕСКОМ АСПЕКТАХ. Chelyabinsk State University Publishing House, 2024. http://dx.doi.org/10.47475/9785727119631_320.

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The main aim of the article is to focus on the investigation of specifics of the creation of the reality in the fractal model of the poetical world reconstructed on the material of the British poetry of the XIXth-XXIst centuries by means of linguistic and poetical analysis of lexical and semantic tropes as verbal means of the actualization of cognitive processes of the formation of the fractal model of the poetical world and by means of the investigation of the axiologically marked inner senses that are specific for the cognitive style of British poets of the romantic, of the modern and of the

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Elbakidze, Maka, and Irine Modebadze. "The Concepts and Realities of the Eastern Culture in “The Knight in the Panther's Skin”." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8415.

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To the present day the research on The Knight in the Panther’s Skin (“Vepkhistqaosani”) in connection with the Eastern Muslim world has been conducted in two main directions: 1. “Vepkhistqaosani” and literature composed in the Muslim world (for example, parallels with Nizami, Ferdowsi, Fakhraddin Gorgani etc.); 2. “Vepkhistqaosani” and the confession of the Muslim faith: this includes the works, which agree or deny the presence of the Muslim understanding of God, world, romantic love and the relationship between men and women in Rustaveli’s Romance. When analyzing the concepts and realities of

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Kaizerová, Petra. "A probe inside the poetic form of mysticism of Slovak Romantic Messianists." In The Figurativeness of the Language of Mystical Experience. Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-17.

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The Slovak Romantic Messianism is perceived by us as a phenomenon growing from a specific current epochal situation relating to a relatively rich tradition, which existed in the Slovak cultural context already in previous historical periods. By considering the characteristic features of production, its existence was often relativised. Nevertheless, it represents an important testimony of a concrete epoch. Its artistic implementation (perhaps today more than in the past) is being well appreciated, thanks to its interesting form and to its expressive and narrative strength or value. By focusing

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APOPEI, Alla. "Nicolae Dabija and Nichita Stănescu: the dialogue between non-words and pre-words." In "Higher education: traditions, values, perspectives", international scientific conference. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.27-28-09-2024.p190-194.

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The poetic interferences of Nicolae Dabija with Nichita Stănescu are evident in many poems of the leader for "third eye" generation, which I analyze in this study using the comparative method of some well-known poetic texts, written by these two famous poets from both sides of the Prut river, who met in Chisinau in 1976. Through the dialogue of the texts, my article aims to reveal the similarities of their poetry and their personal perspectives on creation and the role of the word, identified in unique images such as Nicolae Dabija's "third eye", Nichita Stănescu's "tooth-eyed" vision or the c

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Cimpoi, Mihai. "Folclorul și valorile imaginației." In Conferința științifică națională "Sergiu Moraru: 75 de ani de la naștere". “Bogdan Petriceicua-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/sm.75.2021.02.

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The author demonstrates in this approach that folklore, unlike cult literature, values the essential richness of the imaginary, being closer to the world, which Eminescu said he „ thought in fairy tales and spoke in poetry”. Folklore was must also conceived as literary art, the interference between it and cult literature was the aesthetic program of the German romantics, of the Romanian classics Eminescu, Alecsandri and Anton Pann, of the contemporary authors Brecht and Auden. Folklore works have the same principles of elaboration as cult literature, they being social and documentary documents

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