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Dissertations / Theses on the topic 'Romantic poetry'

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Published: 4 June 2021

Last updated: 25 July 2025

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1

Vardy, Alan Douglas. "Romantic ethics /." Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/9362.

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2

Chambless, Cathleen F. "Nec(Romantic)." FIU Digital Commons, 2015. http://digitalcommons.fiu.edu/etd/1933.

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NEC(ROMANTIC) is a poetry collection thematically linked through images of insects, celestial bodies, bones, and other elements of the supernatural. These images are indicative of spells, but the parenthesis around romantic in the collection’s title also implies idealism. The poems explore the author’s experiences with death, grief, love, oppression, and addiction. NEC(ROMANTIC) employs the use of traditional forms such as the villanelle, sestina, and haiku to organize these experiences. Prose poetry and a peca kucha ground the center of NEC(ROMANTIC) which alternates between lyrical and narra

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3

Whitehead, S. G. "English pre-romantic and romantic influences in the poetry of V.A. Zhukovskii." Thesis, University of East Anglia, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.380126.

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4

Simpkins, Scott Keith. "The semiotic dilemma of English romantic poetry /." Access abstract and link to full text, 1986. http://0-wwwlib.umi.com.library.utulsa.edu/dissertations/fullcit/8611951.

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5

Al-Saleemi, Elham Saleh. "Wordsworth and the language of romantic poetry." Thesis, Bangor University, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357313.

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6

Ward, Matthew. "The sound of laughter in Romantic poetry." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/6814.

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This thesis offers the first critical examination of the sound of laughter in Romantic poetry. Part one locates laughter in the history of ideas of the seventeenth and eighteenth centuries, and explores the interplay between laughter and key intellectual, aesthetic, ethical, and social issues in the Romantic period. I chart a development in thinking about laughter from its primary association with ridicule and the passions up to the early decades of the eighteenth century, to its emerging symbiosis with politeness and aesthetic judgement, before a reassertion of laughter's signification of pas

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7

Horton, Patricia. "Romantic intersections : romanticism and contemporary Northern Irish poetry." Thesis, Queen's University Belfast, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337039.

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8

Dornan, R. Stephen. "Irish and Scottish poetry in the Romantic era." Thesis, University of Aberdeen, 2006. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU218222.

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Ireland and Scotland witnessed a huge explosion in the publication of printed verse in the Romantic era as a plethora of poets ventured into print in the wake of Robert Burn's Kilmarnock edition. They produced an interesting and diverse, yet largely neglected, body of verse which is characterised by aesthetic, stylistic and linguistic variety. A re-evaluation of this body of literature casts new light on the interconnections between Scottish and Irish literary traditions. The links between Irish and Scottish poets and contemporise and predecessors from other parts of the archipelago, and their

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9

Ng, Chak Kwan. "Lived space and performativity in British Romantic poetry." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/11701.

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In Romantic studies, Romanticism is regarded as a reaction against modernity, or more accurately, a self-critique of modernity. There have been critical debates over the nature of the preoccupation of the Romantics with the past and the natural world, whether such concern is an illustration of the reactionary tendency of Romanticism, or an aesthetic innovation of the Romantics. This study tries to approach this problem from the perspective of space. It draws from the spatial theory of Henri Lefebvre, discussed in the Production of Space, in which Lefebvre conceives a spatial history of moderni

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10

Curran, Emma. "Faces of nature : personification in women's romantic-age poetry." Thesis, University of Surrey, 2017. http://epubs.surrey.ac.uk/841470/.

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This thesis seeks to re-evaluate the role of personification in Romantic-period poetics by examining how women writers used the device to address a reductive alignment of the female with the natural. Women poets employ personification to tell different narratives about human and non-human interrelationship. Personifications that feminise nature appear prolifically throughout Romantic poetry. Women writers take up the technique and its tropes in order to critique the cultural equation of women with nature and offer alternative presentations that recognise greater complexity both in their own ex

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11

Karadas, Firat. "Imagination, Metaphor And Mythopoeia In The Poetry Of Three Major English Romantic Poets." Phd thesis, METU, 2007. http://etd.lib.metu.edu.tr/upload/3/12608579/index.pdf.

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This thesis studies metaphor, myth and their imaginative aspects in the poetry of William Wordsworth, Percy Bysshe Shelley and John Keats. The thesis argues that a comprehensive understanding of metaphor and myth cannot be done in the works of these poets without seeing them as faces of the same coin, and taking into consideration the role of the creating subject and its imagination in their production. Relying on Kantian, Romantic, and modern Neo-Kantian ideas of imagination, metaphor and myth, the study tries to indicate that imagination is an inherently metaphorizing and mythologizing facul

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12

Nilchian, Elham. "Sufi-romantic self loss : the study of the influence of Persian sufism on English romantic poetry." Thesis, University of Leicester, 2011. http://hdl.handle.net/2381/9909.

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This PhD thesis explores the influence of Persian Sufi Literature on the development of the concepts of self and Other in English Romantic-period prose and poetry. The thesis considers the notions of self, idealisation, and annihilation in the poetry of Percy Bysshe Shelley and George Gordon Byron as well as the Persian Sufi literature from which these Romantic poets have drawn their inspiration and influences. The Persian poets discussed include Hafez, Maulavi, and Nezami, whose works were translated and adapted by the eighteenth-century scholars such as William Jones and Isaac D‘Israeli. The

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13

Pace, Joel. "Wordsworth in America : publication, reception, and literary influence, 1802-1850." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313171.

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14

Bradshaw, Michael Thomas. "Resurrection and immortality in the works of Thomas Lovell Beddoes." Thesis, University of Bristol, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319135.

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15

Mathes, Carmen Faye. "Romantic descent : poetry and the aesthetics of disappointment, 1790-1820." Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/54410.

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Romantic Descent investigates disappointment as a minor, or non-cathartic, critical and aesthetic category in Romantic poetry and prose. Major aesthetic categories, long a focus of Romantic scholarship, have been understood to affirm individual self-cultivation and communal praxes of meaningful progress. However, recent work on affect has theorized alternative models for embodiment and relationality that have allowed new, radical and material, approaches to aesthetic phenomena. My dissertation critically intervenes in these developments by reconsidering Romanticism through its experimentation

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16

White, Guy Wallace. "Joanna Baillie, early foundations, Romantic poetry, and poetics : carpe diem." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0016/MQ52676.pdf.

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17

Gerber, Matthew. "The importance of poetry in Japanese Heian-era romantic relationships." Connect to resource, 2007. http://hdl.handle.net/1811/25243.

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Thesis (Honors)--Ohio State University, 2007.<br>Title from first page of PDF file. Document formatted into pages: contains 51 p. Includes bibliographical references (p. 50-51). Available online via Ohio State University's Knowledge Bank.

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18

Moss, J. "Wordsworth's 'Excursion' and the place of death in romantic poetry." Thesis, University of Oxford, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.375990.

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19

Tomioka, Noriko. "Inescapable choice : Wallace Stevens's new Romanticism and English romantic poetry." Thesis, Durham University, 2006. http://etheses.dur.ac.uk/2607/.

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The aim of this thesis is to investigate how Stevens creates a new Romanticism. It argues that Stevens demonstrates a double view of Romanticism as having positive and negative aspects and it relates discussion of this double view to the development of his poetry and theories of poetry. Stevens shares with the Romantics the belief that through the power of imagination the problem of dualism - especially the split between art and existential reality - can be solved. Prom Stevens's perspective, thinking about what should be respected and what should be corrected in Romanticism provides grounds f

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20

Drigo, Beatrice <1986&gt. ""There was a boy..." Romantic influences in Ted Hughes's poetry." Master's Degree Thesis, Università Ca' Foscari Venezia, 2012. http://hdl.handle.net/10579/1571.

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21

Cherry, Thomas Hamilton. "Variation Within Uniformity: The English Romantic Sonnet." TopSCHOLAR®, 2014. http://digitalcommons.wku.edu/theses/1396.

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The English Romantic poets of the early nineteenth century wrote numerous poems from genres and styles all across the poetic spectrum. From the epics of ancient origin concerning kings and fanciful settings to the political odes on fallen leaders and even the anthropological histories of what it meant to live in their time, these poets stretched their stylistic legs in many ways. One of the most interesting is their use of the short and rule-bound sonnet form that enjoyed a reemergence during their time. Though stylized throughout its existence, the sonnet most often falls into a specific form

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22

Hasted, Meegan. "Bright star: John Keats and Romantic astronomy." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/12143.

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As the Romantic biographer Richard Holmes has noted, ‘the very terms “world” and “universe” began to change their meanings’ during John Keats’s lifetime. In papers published in the Philosophical Transactions of the Royal Society between 1780 and 1814, the astronomer William Herschel identified a vast and unwieldy universe filled with millions of star laboratories – galaxies of nebulous matter and stars existing in various stages of development formed under the universal force of gravity. Stellar material was in flux and stars could no longer act as sublime metaphors for permanence and constanc

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23

Bennett, Andrew. "John Keats and the reciprocity of Romantic narrative form." Thesis, University of East Anglia, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.329486.

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24

Widger, Eleanore. "Visual form, visible nature : radical landscape poetry and Romantic environmental aesthetics." Thesis, University of Dundee, 2018. https://discovery.dundee.ac.uk/en/studentTheses/a39ef120-02b1-4080-b4f6-108c4e203abc.

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Whilst there is a strong emerging body of criticism on innovative and open form poetries, particularly from ecocritical and environmental perspectives, the related but distinct genre of radical landscape poetry receives little specific attention. Named by Harriet Tarlo, the genre is so far represented by a single anthology, The Ground Aslant, published in 2011, which includes the work of sixteen poets from around Britain. This thesis constitutes the first in-depth critical engagement with radical landscape poetry, and in attempting to unpack some of the genre's particular concerns, argues for

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25

O'Connell, Anita. "A place of vision : romantic dream poetry and the creative imagination." Thesis, Durham University, 2006. http://etheses.dur.ac.uk/1808/.

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26

Pite, Ralph. "The circle of our vision : Dante's presence in English romantic poetry /." Oxford : Clarendon press, 1994. http://catalogue.bnf.fr/ark:/12148/cb35725039x.

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27

Ashraf, Ammara. "Romantic poetologies : collaboration and interdisciplinarity in early Anglo-German Romanticism." Thesis, Queen Mary, University of London, 2013. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8366.

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This thesis reads seminal texts such as Wordsworth’s prose, Lyrical Ballads, The Prelude, and The Excursion alongside Coleridge’s poetic theory and practice and Novalis, Tieck and Friedrich Schlegel’s philosophical novels and fragments, as ‘poetologies’. My initial research aim is to test how successfully Wordsworth can be read as part of this Anglo-German comparative framework, from which criticism has tended to exclude him. This is done through demonstrating the centrality of irony and drama to the philosophical character of Wordsworth’s poetry. Drawing on the theory of the Frühromantiker, I

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28

Davies, Christopher. "An analysis of how humour is created in Boiardo's Orlando Innamorato." Thesis, University of Reading, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.280417.

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29

Asquith, Mark Simeon. "The 'Sad Music of Humanity' : metaphysics and musical aesthetics in the novels of Thomas Hardy." Thesis, King's College London (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369131.

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30

Fox, Amy. "The place of madness and madness as place in British romantic poetry." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=95225.

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This thesis examines representations of the madman in British Romantic poetry through a psychogeographical lens to argue that the poet strategically constructs madness as an unreachable place in order to secure his own role in society. In an age that privileges quantifiable labour and the tenets of Reason, the Romantic poet expresses anxiety that his more abstract, imaginative work will not be valued and his social position will thus be considered irrelevant or unproductive. The poet promotes himself as an eccentric, but not an outcast, by hierarchizing types of social exclusion, implicitly pr

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31

Poon, Lai-king Carmen, and 潘麗瓊. "Metaphor and romantic poetry, with reference to the poems of Keats andWordsworth." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1990. http://hub.hku.hk/bib/B31950036.

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32

Reno, Seth T. "Amorous Aesthetics: The Concept of Love in British Romantic Poetry and Poetics." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306247314.

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33

Koenig-Woodyard, Chris. "The transmission and reception of Coleridge's 'Christabel' : 1797-1912." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365560.

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34

Purkayastha, Mali. "'Infinite variety' : Shakespeare, Hogarth and the concept of imitation, 1737-1832." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285532.

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35

Sybert, Darlene. "Two ways of knowing and the romantic poets /." free to MU campus, to others for purchase, 2002. http://wwwlib.umi.com/cr/mo/fullcit?p3052219.

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36

BASSI, GIOVANNI. "The Post-romantic flower trope: poetic creation, metamorphic bodies." Doctoral thesis, Scuola Normale Superiore, 2020. http://hdl.handle.net/11384/90442.

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37

Lagan, Charles J. ""Rest and unrest": some rural and romantic themes in the poetry of Edward Thomas." Thesis, Rhodes University, 1985. http://hdl.handle.net/10962/d1004770.

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From Preface: The scope and focus of this thesis has been determined by the fact that I have tried to present a thematic, though not exhaustive, account of the poetry of Edward Thomas. (I have analysed a representative selection of the poems.) Much has been written on his life and poetry in this past decade to coincide with the centenary of his birth which was celebrated in 1978. Edna Longley, William Cooke and more recently, Andrew Motion have thrown much light on his poetry and I am indebted to them. I acknowledge especially the work of Edna Longley; her Edward Thomas: Poems and Last Poems,

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38

Manicom, David 1960. "Romantic nationalism and the unease of history : the depiction of political violence in Yeats's poetry." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=75915.

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Yeats's depiction of political violence is examined through a reading of the political poetry centred on "Easter 1916," "Nineteen Hundred and Nineteen," and "Meditations in Time of Civil War," each of these bearing a title emphasizing the poem's historicality, each representing one of the violent epochs in modern Ireland. By studying the dramatized narrative persona utilized by Yeats--a persona constituting the ideological and societal contexts of the poem, and effecting, through the choice of perspective, the selection of historical materials--the particular contents of Yeats's history-making

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39

Weisend, Ausma Skerbele. "Poetry, nature and science : romantic nature philosophy in the works of Novalis and E.T.A. Hoffmann /." Connect to resource, 1994. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1249485965.

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40

Johns-Putra, Adeline. "Heroes and housewives : women's epic poetry and domestic ideology in the Romantic age, 1770-1835 /." Berlin ; New York : P. Lang, 2001. http://catalogue.bnf.fr/ark:/12148/cb39227702p.

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41

Khan, Sajjad Ali. "William Wordsworth, James Joyce and E.M. Forster : the romantic notion of education and modern fiction." Thesis, University of Sussex, 2013. http://sro.sussex.ac.uk/id/eprint/45846/.

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This thesis examines modern fiction's debt to Romantic poetry for its key concepts in terms of educating an individual. The persistence of William Wordsworth's views on education in the modern fiction of James Joyce and E. M. Forster is evidence of The Prelude as a classic study of the growth of an individual. It is argued that Wordsworth does not envisage the institutional mode of education as a totally reliable means of educating an individual. He challenges the assumptions underlying the institutional mode of education. It is argued that the influence of Wordsworth's views on education is n

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42

Sultana, Fehmida. "Romantic orientalism and Islam : Southey, Shelley, Moore, and Byron /." Thesis, Connect to Dissertations & Theses @ Tufts University, 1989.

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Thesis (Ph.D.)--Tufts University, 1989.<br>Submitted to the Dept. of English. Includes bibliographical references (leaves 209-215). Access restricted to members of the Tufts University community. Also available via the World Wide Web;

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43

Clucas, Tom. "Romantic reclusion in the works of Cowper and Wordsworth." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:6fecb323-7ddc-43bd-a592-35694f8addaf.

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The end of the eighteenth century witnessed an imaginative mass migration as authors wrote about withdrawing from society. This thesis traces the origins of 'Romantic reclusion' in the works of Cowper and Wordsworth, particularly Cowper's poem The Task and Wordsworth's unfinished masterwork The Recluse, which epitomise the tradition. Romantic reclusion differs from 'solitude' and 'retirement' in that its motives were social. Cowper and Wordsworth wrote about withdrawing in order to criticise the increasing commercialism and competition they saw in British society. Both poets imagined seceding

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44

Hussein, Ronak Hassan. "Nature and death in the poetry of al-Malā'ika, al-Shābbī and Shukrī, and certain English Romantic poets : a comparative study." Thesis, University of St Andrews, 1989. http://hdl.handle.net/10023/7138.

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The first part of this thesis, divided into two chapters, deals with the early background of European Romanticism; the reasons behind its appearance and problems of definition. There follows a discussion on the question of the originality of Arabic Romanticism, with ,a brief review of the roots and main literary groups of this movement in Arabic poetry. Part two examines the influence of English poetry and thought on three Arab Romantic poets: Nāzik Sādiq al-Malā'ika, Abū al-Qāsim al-Shābbī and Abd aI-Rahmān Shukrī. This is discussed parallel with the channels of this influence. The main focus

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45

Washington, David. "Facing Sympathy: Species Form and Enlightenment Individualism." Miami University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=miami1343758507.

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46

MacCartey, Kelli. ""Different sentiments & different connections supports them" : sensibility, community, and diversity in British women's Romantic-period poetry." Thesis, University of Warwick, 2004. http://wrap.warwick.ac.uk/55479/.

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With diversity as an overarching theme, women writers' responses to the cultural feminisation and developing social climate of late eighteenth- and early nineteenth-century Britain are explored through analyses of their poems on sensibility, community, and abolition. To determine a focus for expressive criticism and recover Romantic women writers from the social and historical contexts that have previously succeeded in highlighting male literary achievements, women's poetry is considered a distinct contribution to Romanticism. This dissertation analyses poems written by Joanna Baillie, Anna Ba

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47

Weisend, Ausma Skerbele. "Poetry, nature and science: romantic nature philosophy in the works of Novalis and E. T. A. Hoffmann." The Ohio State University, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=osu1249485965.

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48

Di, Blasio Maria Erminia <1995&gt. "Expression and mimesis in the Romantic poetry of the first generation: W. Wordsworth and S. T. Coleridge." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/20101.

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The origin of English Romanticism coincides with the publication of the Lyrical Ballads of William Wordsworth and Samuel Taylor Coleridge. The Ballads are preceded, in the second edition of 1800, by a Preface, which represents a real manifesto of romantic poetry. The Preface marks a real revolution in the previous poetic overview, combining two different points of view of common poetics. The Preface highlights the necessity of focusing poetry on the expression of incidents and situations from common life, abandoning the traditional poetic diction, considered pompous, contrived, and distant fro

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49

Pate, Spencer Cawein. "Poetic Justice: Rediscovering the Life and Work of Madison Cawein." Miami University Honors Theses / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1301406828.

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50

Haines, Robert M. "Inter." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849627/.

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This dissertation is has two parts: a critical essay on the lyric subject, and a collection of poems. In the essay, I suggest that, contrary to various anti-subjectivists who continue to define the lyric subject in Romantic terms, a strain of Post-Romantic lyric subjectivity allows us to think more in terms of space, process, and dialogue and less in terms of identity, (mere self-) expression, and dialectic. The view I propose understands the contemporary lyric subject as a confluence or parallax of imagined and felt subjectivities in which the subject who writes the poem, the subject personi

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