Academic literature on the topic 'Romantic sentimentalism'
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Journal articles on the topic "Romantic sentimentalism"
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Mikirtumov, Ivan B. "Sentimentalism and romantism: the structure of affect." Philosophy Journal 16, no. 4 (2023): 19–34. http://dx.doi.org/10.21146/2072-0726-2023-16-4-19-34.
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The purpose of this article is to describe the structure of sentimental and romantic affects. These structures set the forms of the life of the soul in sentimentalism and romanticism as spiritual movements that determine the epochs of culture. They remain relevant to the present and compete in it. I am starting from the distinction between emotion and affect, which has become one of the main themes of the “affective turn” in social sciences and humanities. Here I follow Brian Massumi and suggest that emotions and affects are distinct entities. Emotion is formed in ontogenesis and works with direct perception as a primary reaction. The affect connects later and can correct the emotion. In the sphere of the symbolic, on the contrary, affects are the first to work, and then emotions can already be connected. The description of the four-part structure of affect as such is given. On its basis, sentimental and romantic assemblages of specific affects arise. Sentimentalism is pluralistic, sees the world as a rhizome, works with the economy of feelings. Sentimentalist humanity is held together by an empathic pleasure in a variety of feelings. Romanticism refers to the nomad and to organic unity. His affects are based on a combination of cognitively comprehended metaphors “grasps”, “lifts” and “carries away” with the interoception of the body’s organs. The Romantic offers the experience of ecstatic reincarnation, performative mental action, and action on behalf of the absolute. Sentimentalism is moving towards deepening individual sensitivity and improving the skills of managing feelings; romanticism, on the contrary, is simplified to low mass affects. The conclusion of the article is that in the complex interactions of the two types of affects, the sentimental ones gradually replace the romantic ones, when and if the ability to control one’s feelings is considered as a valuable quality.
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TenHouten, Warren D. "Alienation and Emotion: Hegel Versus Sentimentalism and Romanticism." Review of European Studies 11, no. 3 (2019): 1. http://dx.doi.org/10.5539/res.v11n3p1.
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The structuralist and social-psychological perspectives on alienation are described, with attention to Seeman’s contention that the experience of alienation is based more on sentiment than on reason. The passions in early modernity are described, and the eighteenth-century moral sentimentalists Hume, Smith, and Kant are discussed. Romanticism is described as the first self-critique of modernity, as it opposed Enlightenment science, rationalism, and uniformitarianism; it is linked to interiorized emotionality and to diversitarianism. Romantic concepts of alienation include inhibition of natural sexuality, oppressive condition of work, and the loss of an imagined Golden Age before human alienation. Hegel’s Phenomenology outlines a four-stage mode of the undoing of social domination which has a narrative structure consistent with romantic story-telling, but was grounded not in romanticism but in Gnosticism and Lutheran dialectics. Hegel’s critique of sentimentalism and romantism is explored, with Hegel emerging as a dedicated anti-romantic who condemned the sophistry of Schlegel and Novalis’s ‘beautiful soul’, arguing that the self, to be viable, cannot remain encapsulated in inner subjectivity but must rather engage in emotion-laden confrontation with self-willed others in the social world; this requires a positive kind of alienation of the self from itself. Romantic effort to keep the self in itself as protection from the corrupted and corrupting social world was misguided. Hegel was right in asserting that the self is necessarily both subjective and objective, both inner and outer, but wrong in his contention that the self can progress by resolving inner contradictions, for the self, as the core of our personality, rather progresses through incorporating and elaborating contradictions, ambiguities, and polysemantic meanings.
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Lenska, S. V. "FEATURES OF POETICS OF SHORT STORY “THE PROUD PAIR” BY P. KULISH." Literary Studies, no. 59 (2020): 112–19. http://dx.doi.org/10.17721/2520-6346.1(59).112-119.
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The short story “The proud pair” by P. Kulishtraditionally regarded in the romantic traditions context. But the plot, the main motives, the characters in thestory, the speech organization of the text are convinced that the elements of romanticism and sentimentalism are intertwined in poetry. At the center of the plot is a tragic love story of Marusya Kovbanivna and Prochor Osaulenko. They were parted due to misunderstanding, then married with others husband and wife, but could not live without each other. The story ends with a tragic interlude. In the short story traits of sentimentalism are presents, such as depicts exaggerated feelings, events that can move the reader, expresses democracy in the image of heroes, emphasizes nobility in their characters, there is a tragic ending.In the image of Marusya pride is hyperbolized as a leading character trait, and it is presented in the title of the story. The genre definition of the work is a story ballad. However, the poetics combines the stylefeatures of romanticism and sentimentalism (portraiture of the heroine, description of the wedding).
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Rückert, George. "Translation as sentimental education: Zhukovskij’s Sel’skoe kladbishche." Sign Systems Studies 36, no. 2 (2008): 399–416. http://dx.doi.org/10.12697/sss.2008.36.2.07.
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Vasilij Zhukovskij’s Sel’skoe kladbische, a translation of Thomas Gray’s Elegy Written in a Country Churchyard, occupies a special place in Russian literary history. First published in 1802, it was so widely imitated by later Russian poets that it came to be regarded as a “landmark of Russian literature”, not only at a boundary between two cultures (English and Russian) but also at a boundary within Russian culture itself — the transition from Neoclassical to Romantic aesthetics. Zhukovskij’s translation of Gray can be read as the end result of a long process of personal education in the sign system of Sentimentalism, in both its European and its Russian variants, which then reproduced itself in an impersonal way within his culture as a whole. Zhukovskij did not merely reinscribe Gray’s poem into Russian. Rather, he used it to deploy the developing Russian Sentimentalist (Karamzinist) style within a wide range of lyric registers, thereby providing models for other Russian lyric poets. In this sense, his work exemplifies Juri Lotman’s dictum that “the elementary act of thinking is translation” — it made it possible for Russian poets to think within an entirely new, though by no means foreign system of signs.
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Noor, Muhammad Arsyad, Irfan Effendi, and Ahsan Rasyid. "Ekspresi Romantik dalam Puisi Asyiq min Falishtin Karya Mahmud Darwish (Analisis Aliran Romantisme)." `A Jamiy : Jurnal Bahasa dan Sastra Arab 13, no. 1 (2024): 330. http://dx.doi.org/10.31314/ajamiy.13.1.330-347.2024.
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The poem Asyiq min Falishtin is a poem with a romantic flow. This poem contains expressions of Mahmud Dharwis' feelings of longing for the peace and prosperity of Palestine, as well as describing the sadness and suffering suffered by the land of Palestine, so this poem is synonymous with expressions of feelings expressed in the form of expressions. This research is to analyze aspects of romantic expression in this poetry, which does not only focus on romance but the expression of feelings. By using descriptive qualitative research methods, it can be seen that Asyiq min Falisthin's poetry is poetry with a romantic flow, this is proven by the presence of romantic elements, namely the content of the poem tells about me who was hit by longing for the country of Palestine, using words that go back to nature, by calling herself "I" shows individualism, telling about how much the author longs and loves her and the suffering of the people of her country due to colonialism, shows primivism, uses elements of sentimentalism by expressing excessive emotions of sadness and depicting life as if it were strange.
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Suslova, Inga V. "Between Sentimentalism and Appocalipsis: Landscape in the Novels by Michel Houellebecq." World Literature in the Context of Culture, no. 14 (20) (2022): 71–80. http://dx.doi.org/10.17072/2304-909x-2022-14-71-80.
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The article analyzes landscape images and motifs of four of the most "visual" novels by the modern French writer Michel Houellebecq. It is clarified that the works under study realize the traditional type of hero for the author (an alienated person) and the plot organization, a "sentimental journey" to the countryside. Rural landscapes are idyllic, made in a classic sentimental-romantic manner, contain traditional attributes of nature, urban are aggressive, monochrome, recreated with the participation of minimalism techniques. In the process of analyzing landscapes in novels, a complex of allusions to modern visual practices and painting of the XIX century is revealed. It is concluded that the inability of Houellebecq’s character to unite with nature expresses the extreme degree of alienation of modern man.
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Ismi Kusumaningroem and Ria Candra Dewi. "REPRESENTASI UNSUR-UNSUR ROMANTISME PADA DRAMA KOREA “HYME OF DEATH”." Sasando : Jurnal Bahasa, Sastra Indonesia, dan Pengajarannya Lembaga Penelitian dan Pengabdian Masyarakat Universitas Pancasakti Tegal 7, no. 1 (2024): 24–32. http://dx.doi.org/10.24905/sasando.v7i1.259.
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Abstrak Penelitian ini bertujuan untuk mendeskripsikan unsur romantisme dalam drama Korea Hyme of Death. Penelitian ini menggunakan metode penelitian deskriptif kualitatif dengan teknik analisis data yang terdapat pada adegan, dialog, setting, dan latar cerita yang ada pada drama tersebut. Hasil dari penelitian menunjukan bahwa dari ke enam unsur romantisme yang dikemukana oleh Noyes pada drama Hyme of Death memenuhi ke enam unsur romantisme. Keenam unsur romantisme antara lain individualism, kekaguman pada alam, kemurungan, sentimentalism, primitivisme, dan eksotisme. Dari keenam unsur romantisme aspek kemurungan sangat mendominasi dalam drama tersebut. Unsur kemurungan menjadikan drama ini semakin kompleks dan menguras emosi serta air mata dibuktikan dengan adanya kesedihan akan cinta antara Kim Woo Jin dan Yum Sim Doek sebagai tokoh utama dalam drama yang tak mungkin akan bersatu hingga akhirnya membuat mereka memutuskan untuk mengahiri hidupnya dengan bunuh diri bersama. Mereka berprinsip jika hidup seperti mati mungkin mati adalah pilihan. Kata Kunci: Representasi, Unsur-unsur, Romantisme, Drama Korea, Hyme of Death. Representation Romanticism Elements in Korean Drama“The Hymn of Death” Abstract This research purposes to describe the romanticism elements in the Korean Drama “The Hymn of Death”. This research method used is a qualitative descriptive method with analysis date used are scene, dialogue, setting and background of the story. the results of the research that the six elements of romanticism by Noyes proved that the romantic elements. The six elements are individualism, love for nature, Sadness, sentimentalism, primitivism, and exotism. For the six elements prove that the romantic elements in this drama but the sadness elements is dominate. The sadness in this drama showed that the love relationship between the major character Kim Woo Jin dan Yum Sim Doek is very emotional dan drain the tries. They are impossible to be happy live together until they make a decision to suicide. They claim that if we life likes a death maybe death is the best choice Keywords: Representation, Value, Romanticism, Korea Drama, The Hymn of Death.
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Khan, Farkhanda Shahid. "A Critical Exploration of Fear and Loathing in Selected Romantic Fiction." Journal of English Language, Literature and Education 4, no. 3 (2023): 69–94. http://dx.doi.org/10.54692/jelle.2023.0501155.
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Gothic is a twisting lens, an amplifying mirror; however, the pictures it shows to us have authenticity, and cannot be grasped in ordinary forms. At the end of the 18th and beginning of the 19th centuries, this genre was the only truthful alternative for psychology and the historical sciences, the only method to reach and understand those fierce territories where penetration of knowledge was restricted or late. Romantic writers broadened the range of gothic positively whilst providing a greater understanding of the connections between terror and other aspects, violence, spectatorship, the body, imagination, and cultural politics of emotions. Including Graveyard Poetry, the subtle and the sublime, and sentimentalism, the origin of the Gothic goes parallel to the origins of the novel. Furthermore, the research also unveils that my selected writers, by using the elements of fear and loathing have manifested people’s double standards, who want to rule the world by not giving space to other creatures; nonetheless, want to use other creatures for their benefit and ease. Keeping in a trial the scholarship on gothic theory given by David Punter and Aristotle’s view of tragedy this qualitative study critically examines the selected Romantic texts to trace the elements of fear and loathing bringing horror for some and tragedy for others.
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Jin, Wen. "Sentimentalism and the “Cult of Qing”: Writing Romantic Love in 18th-Century England and Late Ming China." Fudan Journal of the Humanities and Social Sciences 7, no. 4 (2014): 551–62. http://dx.doi.org/10.1007/s40647-014-0043-x.
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Fallon, David. "‘Can you say I am an old man?’: Sentiment and the Mask of Ageing in Thomas Holcroft's Duplicity (1781)." Romanticism 25, no. 3 (2019): 237–48. http://dx.doi.org/10.3366/rom.2019.0429.
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This article examines how in its representation of old age Thomas Holcroft's play Duplicity (1781) registers the impact of concerns over the welfare of his own ageing father as well as the influence of French sentimental comedy. Via a comparison with the rough comedy directed at the character of Solomon Flint in Samuel Foote's The Maid of Bath (1778), the article shows Holcroft's more sympathetic comic treatment of his elderly character Vandervelt. The play represents a progressive shift, associated with the influence of sentimentalism, in the representation of the old man, and anticipates some of the ways in which Romantic writers paid greater attention to questions of interior experience in relation to ageing. The article notes, however, a residual use of the old man as a personification when it comes to national identity, but one orientated towards a pacific resolution of Anglo-Dutch rivalry.
Dissertations / Theses on the topic "Romantic sentimentalism"
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Decourt, Laetitia. "La mosaïque, le miroir et la bibliothèque. L’ironie romantique dans la prose littéraire des écrivains « mineurs » en Russie : les années 1820-1830." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040235.
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Au cours des années 1820-1830, l’ironie romantique a contribué à élargir le champ de la prose et de la langue littéraires, en se modelant sur une situation de communication orale puis en adoptant le ton de la lettre intime. Les figures de l’ironie romantique telles que la métalepse, l’auteur-narrateur tout-puissant ont servi à la fois de laboratoire pour la formation d’une langue littéraire et de schémas narratifs adaptés aux exigences de l’époque, de tribune aux réflexions sur le destin et le contenu de la prose littéraire russe, et d’« incubateur » pour le nouveau lecteur, en créant des lecteurs-interlocuteurs fictifs. Le corpus comprend : Gajdamak (1826-1827) d’O.M. Somov ; Rukopis’ […] Xabarova (1828) de P.L. Jakovlev ; Ispytanije (1830), Večer na kavkazskix vodax v 1824 godu (1830) et Strašnoe gadanie (1831) d’A.A. Bestužev-Marlinskij ; Strannik (1831-1832) d‘A.F. Vel’tman ; Pestrye skazki (1833) de V.F. Odoevskij ; Fantastičeskie putešestvija barona Brambeusa (1833), Bol’šoj vyxod u Satany (1834) et Teorija obrazovannoj besedy (1835) d’O.I. Senkovskij. La haute conscience intertextuelle des œuvres, leur poétique du jeu métaleptique, leur ambition encyclopédique et métalittéraire ont exprimé les processus qui transformaient la littérature russe de l’intérieur (références à Karamzin, Žukovskij, Puškin, Gogol’) et de l’extérieur (la littérature européenne). L’ironie romantique a donc permis l’évolution consciente et accélérée de la littérature russe vers le roman en prose et le réalisme du second XIXe siècle. Elle apparaît comme un phénomène de mode, mais aussi comme une source d’inspiration pour les théories formaliste et bakhtinienne, et pour le postmodernisme russe<br>Between 1820 and 1840, Romantic irony has contributed to widen the spectrum of Russian literary prose and language, fashioning itself after a situation of oral communication, then adopting the tone and structure of the intimate letter. Figures of Romantic irony such as the reader-conversationalist, the author as sole master, the metalepsis, served not only as a laboratory for the formation of a literary language and narrative plots adapted to contemporary demands, but also as a tribune for debates on the fate and content of Russian literary prose, and as an incubator for the new reader. Works such as Gajdamak (1826-1827) by O.M. Somov, Rukopis’ […] Xabarova (1828) by P.L. Jakovlev, Ispytanije (1830), Večer na kavkazskix vodax v 1824 godu (1830) and Strašnoje gadanije (1831) by A.A. Bestužev-Marlinskij , Strannik (1831-1832) by A.F. Vel’tman, Pestryje skazki (1833) by V.F. Odojevskij, Fantastičeskije putešestvija barona Brambeusa (1833), Bol’šoj vyxod u Satany (1834) and Teorija obrazovannoj besedy (1835) by O.I. Senkovskij, show a vivid self-consciousness, a widely shared concern for intertextuality and common poetics involving metaleptic games, encyclopaedic ambition. These reveal the transformation of Russian literary prose, working simultaneously from within (Karamzin, Žukovskij, Puškin, Gogol’) and from outside. Romantic irony in Russian literary prose therefore allowed a conscious and rapid evolution of Russian literature toward the novel in prose and the realism of the second XIXth century. Thus, Romantic irony appears not only as a fashion, but also as a distant source of inspiration for Formalist and Bakhtinian theories, and for postmodernist literature
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CUCCI', GAIA. "A ROLLER-COASTER RIDE: NON NORMATIVE EXPERIENCES AND ROMANTIC COMPETENCE IN ADOLESCENT ROMANTIC RELATIONSHIPS." Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/39100.
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Sebbene lo sviluppo di relazioni sentimentali sia un esperienza normativa dell’adolescenza, diversi fattori di rischio connessi ad essa possono sfociare in problemi per l’adattamento e la salute dell’adolescente. L’esperienza sentimentale in adolescenza non può essere considerata come un percorso lineare, ma dovrebbe essere studiata come un percorso dove diversi di fattori interagiscono l’un l’altro, comportando esiti diversi in base a variabili individuali e contestuali. Inoltre, lo sviluppo di relazioni sentimentali è un processo “in divenire”, pertanto possono emergere e coesistere aspetti di incoerenza.
La tesi parte da queste riflessioni, considerando aspetti normativi e atipici dell’esperienza sentimentale in adolescenza. Il lavoro è diviso in due studi principali. Il primo tratta di due esperienze non normative: l’Adolescent Dating Violence (capitolo I) e il Sexting (capitolo II), con l’obiettivo di identificarne i fattori associati. Il secondo studio si focalizza sul costrutto di Competenza Romantica. Il modello skill-based di Competenza Romantica può fornire una cornice teorica utile per la concettualizzazione e la valutazione dell’esperienza romantica considerandone la complessità. Inoltre, una misura specifica di tale costrutto viene descritta e valutata (capitoli III e IV). Infine l’associazione tra Competenza Romantica, Adolescent Dating Violence e Sexting viene indagata preliminarmente (capitolo V).<br>Despite the development of romantic relationships is a normative experience of adolescence, several risk factors connected to the this experience may lead to problems for adolescents’ adjustment and health. The adolescent romantic experience cannot be considered as a linear way, rather it should be studied as a path where an interplay of factors leads to several different outcomes basing on personal and contextual characteristics. Also, the development of the romantic experience is an “in-progress path”, thus inconsistencies may emerge and coexist.
The dissertation starts from this reflection, considering both normative and non-normative aspects of the adolescent romantic experience. The work is divided in two main studies. The first one, is focused on two non-normative experiences: Adolescent Dating Violence (chapter I) and Sexting (chapter II). The main aim is to identify factors that can be associated to those phenomena. The second study deals with the construct of Romantic competence and a specific measure to assess it is evaluated. The skill-based model of Romantic competence is a theoretical framework useful to both conceptualize and evaluate the romantic experience considering its complexity (chapter III and IV). Finally the association between Romantic competence, Adolescent Dating Violence and Sexting is preliminarily explored (chapter V).
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CUCCI', GAIA. "A ROLLER-COASTER RIDE: NON NORMATIVE EXPERIENCES AND ROMANTIC COMPETENCE IN ADOLESCENT ROMANTIC RELATIONSHIPS." Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/39100.
Full textAbstract:
Sebbene lo sviluppo di relazioni sentimentali sia un esperienza normativa dell’adolescenza, diversi fattori di rischio connessi ad essa possono sfociare in problemi per l’adattamento e la salute dell’adolescente. L’esperienza sentimentale in adolescenza non può essere considerata come un percorso lineare, ma dovrebbe essere studiata come un percorso dove diversi di fattori interagiscono l’un l’altro, comportando esiti diversi in base a variabili individuali e contestuali. Inoltre, lo sviluppo di relazioni sentimentali è un processo “in divenire”, pertanto possono emergere e coesistere aspetti di incoerenza.
La tesi parte da queste riflessioni, considerando aspetti normativi e atipici dell’esperienza sentimentale in adolescenza. Il lavoro è diviso in due studi principali. Il primo tratta di due esperienze non normative: l’Adolescent Dating Violence (capitolo I) e il Sexting (capitolo II), con l’obiettivo di identificarne i fattori associati. Il secondo studio si focalizza sul costrutto di Competenza Romantica. Il modello skill-based di Competenza Romantica può fornire una cornice teorica utile per la concettualizzazione e la valutazione dell’esperienza romantica considerandone la complessità. Inoltre, una misura specifica di tale costrutto viene descritta e valutata (capitoli III e IV). Infine l’associazione tra Competenza Romantica, Adolescent Dating Violence e Sexting viene indagata preliminarmente (capitolo V).<br>Despite the development of romantic relationships is a normative experience of adolescence, several risk factors connected to the this experience may lead to problems for adolescents’ adjustment and health. The adolescent romantic experience cannot be considered as a linear way, rather it should be studied as a path where an interplay of factors leads to several different outcomes basing on personal and contextual characteristics. Also, the development of the romantic experience is an “in-progress path”, thus inconsistencies may emerge and coexist.
The dissertation starts from this reflection, considering both normative and non-normative aspects of the adolescent romantic experience. The work is divided in two main studies. The first one, is focused on two non-normative experiences: Adolescent Dating Violence (chapter I) and Sexting (chapter II). The main aim is to identify factors that can be associated to those phenomena. The second study deals with the construct of Romantic competence and a specific measure to assess it is evaluated. The skill-based model of Romantic competence is a theoretical framework useful to both conceptualize and evaluate the romantic experience considering its complexity (chapter III and IV). Finally the association between Romantic competence, Adolescent Dating Violence and Sexting is preliminarily explored (chapter V).
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Navarro, Gómez Sara. "Relaciones Sentimentales en Personas con Trastorno Límite de la Personalidad." Doctoral thesis, Universitat Ramon Llull, 2020. http://hdl.handle.net/10803/669208.
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El Trastorn Límit de la Personalitat (TLP) és un trastorn mental greu, crónic i complex que ha sigut objecte d’estudi desde fa molts anys. Concretament, una de les àreas més interesants del funcionament interpersonal en les persones amb TLP són les relacions sentimentals (RS) donat al seu alt component d’intimitat i proximitat emocional. En aquest context general, la present tesis doctoral va tenir com objectiu principal conèixer les principals variables psicològiques relacionades amb el estatus de RS (estable mínim de 12 mesos vs. sense RS) que presentaven les persones amb TLP. Primerament, es va realitzar una revisió teórica sobre els descobriments científics del tema fins l’actualitat per definir les variables implicades en el funcionament interpersonal en les RS en persones amb TLP. Posteriorment, es va realitzar un estudi comparatiu transversal entre les persones amb TLP amb una RS (n=23) i sense una RS estable (n=26). L’anàlisi estadístic va mostrar diferències significatives entre els grups en diferents variables psicopatològiques i relacionals (p.e., agressivitat, salud psicològica, autoestima, episodis traumàtics en la infantesa), presentant major disfuncionalitat interpersonal en el grup TLP amb una RS. Seguidament, es va comparar a les persones amb TLP i a les seves parelles, obtenint diferències significatives en el funcionament relacional (p.e., estil de vinculació, estil de comunicació, satisfacció emocional i dimensions de personalitat).
En conjunt, els resultats obtinguts no confirmen la hipótesis general del present treball degut a que les persones amb TLP amb una RS presenten unes característiques clíniques i interpersonals més disfuncionals que les persones amb TLP que no mantenien una RS estable. Aquests descobriments van ser discutits considerant els resultats d’altres estudis previs sobre el tema.<br>El trastorno límite de la personalidad (TLP) es un trastorno mental severo, crónico y complejo que ha sido objeto de estudio desde hace muchos años. Concretamente, una de las áreas más interesantes del funcionamiento interpersonal en las personas con TLP son las relaciones sentimentales (RS) debido a su alto componente de intimidad y proximidad emocional. En este contexto general, la presente tesis doctoral tuvo como objetivo principal conocer las principales variables psicológicas relacionadas con el estatus de RS (estable mínimo de 12 meses vs. sin RS) que presentan las personas con TLP. Primeramente, se realizó una revisión teórica sobre los hallazgos científicos sobre el tema hasta la actualidad para definir las variables implicadas en el funcionamiento interpersonal de las RS en personas con TLP.
Posteriormente, se realizó un estudio comparativo transversal entre las personas con TLP con una RS (n=23) y sin una RS estable (n=26). El análisis estadístico mostró diferencias significativas entre los grupos en diferentes variables psicopatológicas y relacionales (p.e., agresividad, salud psicológica, autoestima y episodios traumáticos en la infancia), presentando peor funcionalidad emocional y relacional el grupo TLP con una RS. Seguidamente, se comparó a las personas con TLP y a sus parejas, obteniendo diferencias significativas en el funcionamiento relacional (p.e., estilo de vinculación, estilo de comunicación, satisfacción emocional y dimensiones de la personalidad).En conjunto, los resultados obtenidos no confirman la hipótesis general del presente trabajo, ya que las personas con TLP con una RS presentan unas características clínicas e interpersonales más disfuncionales que las personas con TLP que no mantienen una RS estable. Dichos hallazgos fueron discutidos considerando los resultados de otros estudios previos sobre el tema.<br>Borderline Personality Disorder (BPD) is a severe, chronic and complex mental disorder that had been studied for many years. Specifically, one of the most interesting areas of interpersonal functioning in people with BPD is romantic relationships (RR) due to its high component of intimacy and emotional proximity. In this general context, the present doctoral thesis had as a main objective to know the main psychological variables related to the stable RR of people with BPD.
First, a theoretical review was carried out on the scientific findings on the subject until now to define the variables involved in the interpersonal functioning of RR in people with BPD. Then, a cross-sectional comparative study was carried out among people with BPD with a RR (n=23) and without a stable RR (n=26). The statistical analysis showed significant differences between the groups in different psychopathological and relational variables (e.g., aggression, psychological health, self-esteem, childhood traumatic episodes). The BPD group with a RR showed a worse emotional state and high interpersonal dysfunction. Subsequently, people with BPD and their partners were compared obtaining significant differences in interpersonal functioning (e.g., attachment style, communication style, emotional satisfaction and personality dimensions).
Overall, the results obtained do not confirm the general hypothesis of the present study, since people with BPD with a RR have more dysfunctional clinical and interpersonal characteristics than people who do not maintain a stable RR. These findings were discussed considering the results of other previous studies on the subject.
Books on the topic "Romantic sentimentalism"
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Becker, Max. Narkotikum und Utopie: Musik-Konzepte in Empfindsamkeit und Romantik. Bärenreiter, 1996.
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H, Hagstrum Jean, and Conger Syndy M, eds. Sensibility in transformation: Creative resistance to sentiment from the Augustans to the Romantics : essays in honor of Jean H. Hagstrum. Fairleigh Dickinson University Press, 1990.
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Romantic Vacancy: The Poetics of Gender, Affect, and Radical Speculation. State University of New York Press, 2019.
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Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. Subjectivities. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0024.
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The chapter continues to trace attention to emotions, begun in the context of Sentimentalism and further developed in the works of the pre-Romantic period. The discovery of the self-promoted active autobiographical writing practiced by men and women throughout the century. The masonic interest in the “inner man,” evident in diary writing early in the century, survived to manifest itself in Leo Tolstoy’s intense focus on self-analysis. The chapter presents Herzen’s formidable memoir My Past and Thoughts as a work crossing the boundary between the personal and historical. The chapter then moves to examining the presentation of the self in poetry, in elegy and love lyrics.
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Ahern, Stephen. Affected Sensibilities: Romantic Excess And The Genealogy Of The Novel, 1680-1810 (Ams Studies in the Eighteenth Century). AMS Press, 2007.
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Wilson Kimber, Marian. Sentimentality and Gender in Musically Accompanied Recitations. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040719.003.0004.
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Musical accompaniment for poetry recitation not only enhanced the dramatic narrative, but it served as what Joanne Dobson has dubbed the “sentimental keepsake,” common to nineteenth-century literature. Accompanied recitations typically featured appropriate romantic or religious topics, depicting nostalgic memories of dancing with lost loves, singing soldiers longing for home, and sufferers’ faith in the face of death. Dances, parlor songs, or hymns were played when they were mentioned in poetic texts. Songs served as an audible expression of grief, loss, memory, and the fragility of human connections, topoi at the core of the sentimental literary tradition. That familiar music recalled the domestic sphere enabled platform appearances by women to be acceptable despite their gender.
Book chapters on the topic "Romantic sentimentalism"
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Rowe, John Carlos. "Romantic Sentimentalism in Henry James's Daisy Miller: A Study (1878)." In Our Henry James in Fiction, Film, and Popular Culture. Routledge, 2022. http://dx.doi.org/10.4324/9781003297987-4.
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Fermanis, Porscha. "Introduction: Romantic Histories of Feeling." In Romantic Pasts. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474481885.003.0001.
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This introductory chapter traces the complex relationship between feeling and the making of the modern historical method in late eighteenth- and early nineteenth-century Britain. Focusing on ‘official’ history rather than on quasi- or para-historical genres, it makes the case that debates about the role and status of feeling played a central role in determining both the moving boundaries between history and fiction, and how historical methods developed as the nineteenth century progressed. In suggesting that sentimentalism was not an uncontested way of representing even the most radical disassociations in the development of historical consciousness (such as the English and French Revolutions), it argues for an emerging distinction in the period’s written history between a sentimental historicism (or ‘feeling history’) concerned with the representation of affective states and a psychological historicism (or ‘history of feeling’) concerned with the analysis of motives and mental states.
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Tunbridge, Laura. "‘Once again … speaking of’ Heine, in Song." In Song Beyond the Nation. British Academy, 2021. http://dx.doi.org/10.5871/bacad/9780197267196.003.0007.
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This chapter explores songs that move across temporal rather than geographical borders. Theodore Adorno’s two lectures on Heine, the lesser-known ‘Towards a Reappraisal of Heine’ (1949) and ‘Heine the Wound’ (1956) provide a way of thinking about the poet’s anti-sentimentality in relationship to notions of his inner exile and about how history can alter the course of an artist’s reception. The chapter focuses on the echoic effects of Heine settings by Wilhelm Killmayer (1927-2017) and Wolfgang Rihm (b. 1952). Both composers allude to aspects of nineteenth-century musical heritage, from the tradition of lieder composition in general to intertextual references. Comparison with Heine settings by Robert Schumann (1810-1856) demonstrate how the anti-sentimentalism of the poetry spoke not only to Romantic but also to post-modern generations.
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Risinger, Jacob. "Stoic Moral Sentimentalism from Shaftesbury to Wollstonecraft." In Stoic Romanticism and the Ethics of Emotion. Princeton University Press, 2021. http://dx.doi.org/10.23943/princeton/9780691203430.003.0002.
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This chapter explores one facet of Stoic philosophy that was pivotal to the formation of the modern mind and the modern world emergence. It examines how powerfully the Stoic substratum of eighteenth-century moral sentimentalism shaped Romantic notions of mind and world. It also surveys the often-militant repudiation of Stoicism in eighteenth-century literary culture. The chapter mentions an overlooked but consequential fracture in the moral philosophy of Shaftesbury and Adam Smith, one that Mary Wollstonecraft took up in her own feminist critique of sensibility. Though working in different ways, all three thinkers approached Stoicism as a necessary supplement to sympathetic connection, one that was crucial to life in an increasingly cosmopolitan and interconnected world.
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Jenkins, Thomas E. "Love in the Trinity." In The Character of God. Oxford University PressNew York, NY, 1997. http://dx.doi.org/10.1093/oso/9780195112023.003.0006.
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Abstract The great problem with romantic love is that it makes a character look weak and confused. In neoclassicism, love blends with reason into a serene benevolence. Even in sentimentalism, where love is more properly a passion, one mainly suffers for others, not for oneself. But in romantic love you long for someone else and suffer for yourself. This is why in the end it was almost easier to ascribe romantic anger rather than romantic love to God. If anger in humanitarianism had been associated with weakness, in romanticism it could be associated with strength. Romanticism, in a sense, reverses the neoclassical and sentimental polarization of emotions, making love now look weak and anger strong. Romanticism also can shatter this polarization. Then you get the romantic emotional state par excellence: ambivalence. A character weakened by love may seek to assert himself through anger—at the person loved.
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Scheer, Monique. "Styles of Sincerity." In Enthusiasm. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198863595.003.0005.
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Chapter 4 deals with whether emotions are real in the sense of “genuine,” drawing on historical and ethnographic material to discuss social processes of assessing sincerity. The way enthusiasm is performed plays a role in whether it is perceived as sincere (and thus believable), which in turns depends on emotional norms, very often unarticulated and therefore more of an aesthetic judgment. It explores the overlap between enthusiasm and sentimentalism as concepts and asks what kind of work these concepts do in discrediting actors and their convictions. Charismatics are accused of sentimentalism, enjoying the feeling of the feeling too much, whereas mainline Lutherans are viewed as “going through the motions” without any real feeling behind them. This chapter argues that these groups have different styles of sincerity, and that the conflict over whether the emotions of the “other” group are genuine allows us to see more clearly how sincerity must be analyzed as a performance, not as a state of mind. These performances are informed by both the Enlightened and Romantic ideologies in complex ways that are somewhat unexpected and inform sincere speech in contexts beyond the religious, such as TED talks and other inspirational rhetoric.
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"1801–1807: the other post-Kantian: Jacob Friedrich Fries and non-Romantic sentimentalism." In German Philosophy 1760–1860. Cambridge University Press, 2002. http://dx.doi.org/10.1017/cbo9780511801846.010.
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Reno, Seth T. "Wordsworthian Love." In Amorous Aesthetics. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781786940834.003.0002.
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This chapter establishes the seminal foundation of Romantic intellectual love in the early poetry of William Wordsworth. I take as a starting point Wordsworth’s emphasis on ‘intellectual love’ as well as his claim that ‘Love of Nature lead[s] to love of Mankind’, arguing that he develops a kind of critical-ecological thinking that leads to a love that ‘rolls through all things’. In particular, I trace the influence of Erasmus Darwin on the evolution of Wordsworth’s theory of love, revealing that the ideological illusion often attributed to Wordsworth’s love of nature has more to do with science than transcendent idealism. Together, Darwin and Wordsworth construct an incipient form of what we now call affective neuroscience with intellectual love at its core. Although there are instances in his writing where Wordsworth turns to sentimentalism, self-love, or idealism, I demonstrate how the interconnectedness of the natural world provides Wordsworth with an aesthetic model for envisioning intellectual love.
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"Staging Sentimentality." In Romantic Music Aesthetics. Cambridge University Press, 2024. http://dx.doi.org/10.1017/9781009491679.002.
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Reznick, Scott M. "“The Sense of Liberty”." In Political Liberalism and the Rise of American Romanticism. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780191996504.003.8.
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Abstract The chapter explores how Harriet Beecher Stowe’s antislavery fiction took on increasingly Romantic dimensions as she interrogated the political significance of emotions in the aftermath of the Compromise of 1850. It places Stowe in a transhistorical conversation about the relationship between intellect and emotion running from Adam Smith and Alexis de Tocqueville to John Rawls and Martha Nussbaum in order to reconceptualize the relationship between liberalism and sentimentality in Uncle Tom’s Cabin (1852) and Dred (1856), both of which pivot around patently Romantic figures. It also explores how Stowe emphasized the concept of liberty, and the affective experiences it frequently elicits, as a way to overcome political impasse.