Relevant bibliographies by topics / Romantic sentimentalism

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Academic literature on the topic 'Romantic sentimentalism'

Author: Grafiati
Published: 4 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Romantic sentimentalism"

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Mikirtumov, Ivan B. "Sentimentalism and romantism: the structure of affect." Philosophy Journal 16, no. 4 (2023): 19–34. http://dx.doi.org/10.21146/2072-0726-2023-16-4-19-34.

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The purpose of this article is to describe the structure of sentimental and romantic affects. These structures set the forms of the life of the soul in sentimentalism and romanticism as spiritual movements that determine the epochs of culture. They remain relevant to the present and compete in it. I am starting from the distinction between emotion and affect, which has become one of the main themes of the “affective turn” in social sciences and humanities. Here I follow Brian Massumi and suggest that emotions and affects are dis­tinct entities. Emotion is formed in ontogenesis and works with d
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TenHouten, Warren D. "Alienation and Emotion: Hegel Versus Sentimentalism and Romanticism." Review of European Studies 11, no. 3 (2019): 1. http://dx.doi.org/10.5539/res.v11n3p1.

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The structuralist and social-psychological perspectives on alienation are described, with attention to Seeman’s contention that the experience of alienation is based more on sentiment than on reason. The passions in early modernity are described, and the eighteenth-century moral sentimentalists Hume, Smith, and Kant are discussed. Romanticism is described as the first self-critique of modernity, as it opposed Enlightenment science, rationalism, and uniformitarianism; it is linked to interiorized emotionality and to diversitarianism. Romantic concepts of alienation include inhibition
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Lenska, S. V. "FEATURES OF POETICS OF SHORT STORY “THE PROUD PAIR” BY P. KULISH." Literary Studies, no. 59 (2020): 112–19. http://dx.doi.org/10.17721/2520-6346.1(59).112-119.

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The short story “The proud pair” by P. Kulishtraditionally regarded in the romantic traditions context. But the plot, the main motives, the characters in thestory, the speech organization of the text are convinced that the elements of romanticism and sentimentalism are intertwined in poetry. At the center of the plot is a tragic love story of Marusya Kovbanivna and Prochor Osaulenko. They were parted due to misunderstanding, then married with others husband and wife, but could not live without each other. The story ends with a tragic interlude. In the short story traits of sentimentalism are p
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Rückert, George. "Translation as sentimental education: Zhukovskij’s Sel’skoe kladbishche." Sign Systems Studies 36, no. 2 (2008): 399–416. http://dx.doi.org/10.12697/sss.2008.36.2.07.

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Vasilij Zhukovskij’s Sel’skoe kladbische, a translation of Thomas Gray’s Elegy Written in a Country Churchyard, occupies a special place in Russian literary history. First published in 1802, it was so widely imitated by later Russian poets that it came to be regarded as a “landmark of Russian literature”, not only at a boundary between two cultures (English and Russian) but also at a boundary within Russian culture itself — the transition from Neoclassical to Romantic aesthetics. Zhukovskij’s translation of Gray can be read as the end result of a long process of personal education in the sign
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Noor, Muhammad Arsyad, Irfan Effendi, and Ahsan Rasyid. "Ekspresi Romantik dalam Puisi Asyiq min Falishtin Karya Mahmud Darwish (Analisis Aliran Romantisme)." `A Jamiy : Jurnal Bahasa dan Sastra Arab 13, no. 1 (2024): 330. http://dx.doi.org/10.31314/ajamiy.13.1.330-347.2024.

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The poem Asyiq min Falishtin is a poem with a romantic flow. This poem contains expressions of Mahmud Dharwis' feelings of longing for the peace and prosperity of Palestine, as well as describing the sadness and suffering suffered by the land of Palestine, so this poem is synonymous with expressions of feelings expressed in the form of expressions. This research is to analyze aspects of romantic expression in this poetry, which does not only focus on romance but the expression of feelings. By using descriptive qualitative research methods, it can be seen that Asyiq min Falisthin's poetry is po
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Suslova, Inga V. "Between Sentimentalism and Appocalipsis: Landscape in the Novels by Michel Houellebecq." World Literature in the Context of Culture, no. 14 (20) (2022): 71–80. http://dx.doi.org/10.17072/2304-909x-2022-14-71-80.

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The article analyzes landscape images and motifs of four of the most "visual" novels by the modern French writer Michel Houellebecq. It is clarified that the works under study realize the traditional type of hero for the author (an alienated person) and the plot organization, a "sentimental journey" to the countryside. Rural landscapes are idyllic, made in a classic sentimental-romantic manner, contain traditional attributes of nature, urban are aggressive, monochrome, recreated with the participation of minimalism techniques. In the process of analyzing landscapes in novels, a complex of allu
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Ismi Kusumaningroem and Ria Candra Dewi. "REPRESENTASI UNSUR-UNSUR ROMANTISME PADA DRAMA KOREA “HYME OF DEATH”." Sasando : Jurnal Bahasa, Sastra Indonesia, dan Pengajarannya Lembaga Penelitian dan Pengabdian Masyarakat Universitas Pancasakti Tegal 7, no. 1 (2024): 24–32. http://dx.doi.org/10.24905/sasando.v7i1.259.

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Abstrak Penelitian ini bertujuan untuk mendeskripsikan unsur romantisme dalam drama Korea Hyme of Death. Penelitian ini menggunakan metode penelitian deskriptif kualitatif dengan teknik analisis data yang terdapat pada adegan, dialog, setting, dan latar cerita yang ada pada drama tersebut. Hasil dari penelitian menunjukan bahwa dari ke enam unsur romantisme yang dikemukana oleh Noyes pada drama Hyme of Death memenuhi ke enam unsur romantisme. Keenam unsur romantisme antara lain individualism, kekaguman pada alam, kemurungan, sentimentalism, primitivisme, dan eksotisme. Dari keenam unsur romant
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Khan, Farkhanda Shahid. "A Critical Exploration of Fear and Loathing in Selected Romantic Fiction." Journal of English Language, Literature and Education 4, no. 3 (2023): 69–94. http://dx.doi.org/10.54692/jelle.2023.0501155.

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Gothic is a twisting lens, an amplifying mirror; however, the pictures it shows to us have authenticity, and cannot be grasped in ordinary forms. At the end of the 18th and beginning of the 19th centuries, this genre was the only truthful alternative for psychology and the historical sciences, the only method to reach and understand those fierce territories where penetration of knowledge was restricted or late. Romantic writers broadened the range of gothic positively whilst providing a greater understanding of the connections between terror and other aspects, violence, spectatorship, the body
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Jin, Wen. "Sentimentalism and the “Cult of Qing”: Writing Romantic Love in 18th-Century England and Late Ming China." Fudan Journal of the Humanities and Social Sciences 7, no. 4 (2014): 551–62. http://dx.doi.org/10.1007/s40647-014-0043-x.

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Fallon, David. "‘Can you say I am an old man?’: Sentiment and the Mask of Ageing in Thomas Holcroft's Duplicity (1781)." Romanticism 25, no. 3 (2019): 237–48. http://dx.doi.org/10.3366/rom.2019.0429.

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This article examines how in its representation of old age Thomas Holcroft's play Duplicity (1781) registers the impact of concerns over the welfare of his own ageing father as well as the influence of French sentimental comedy. Via a comparison with the rough comedy directed at the character of Solomon Flint in Samuel Foote's The Maid of Bath (1778), the article shows Holcroft's more sympathetic comic treatment of his elderly character Vandervelt. The play represents a progressive shift, associated with the influence of sentimentalism, in the representation of the old man, and anticipates som
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Dissertations / Theses on the topic "Romantic sentimentalism"

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Decourt, Laetitia. "La mosaïque, le miroir et la bibliothèque. L’ironie romantique dans la prose littéraire des écrivains « mineurs » en Russie : les années 1820-1830." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040235.

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Au cours des années 1820-1830, l’ironie romantique a contribué à élargir le champ de la prose et de la langue littéraires, en se modelant sur une situation de communication orale puis en adoptant le ton de la lettre intime. Les figures de l’ironie romantique telles que la métalepse, l’auteur-narrateur tout-puissant ont servi à la fois de laboratoire pour la formation d’une langue littéraire et de schémas narratifs adaptés aux exigences de l’époque, de tribune aux réflexions sur le destin et le contenu de la prose littéraire russe, et d’« incubateur » pour le nouveau lecteur, en créant des lect
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CUCCI', GAIA. "A ROLLER-COASTER RIDE: NON NORMATIVE EXPERIENCES AND ROMANTIC COMPETENCE IN ADOLESCENT ROMANTIC RELATIONSHIPS." Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/39100.

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Sebbene lo sviluppo di relazioni sentimentali sia un esperienza normativa dell’adolescenza, diversi fattori di rischio connessi ad essa possono sfociare in problemi per l’adattamento e la salute dell’adolescente. L’esperienza sentimentale in adolescenza non può essere considerata come un percorso lineare, ma dovrebbe essere studiata come un percorso dove diversi di fattori interagiscono l’un l’altro, comportando esiti diversi in base a variabili individuali e contestuali. Inoltre, lo sviluppo di relazioni sentimentali è un processo “in divenire”, pertanto possono emergere e coesistere aspetti
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CUCCI', GAIA. "A ROLLER-COASTER RIDE: NON NORMATIVE EXPERIENCES AND ROMANTIC COMPETENCE IN ADOLESCENT ROMANTIC RELATIONSHIPS." Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/39100.

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Sebbene lo sviluppo di relazioni sentimentali sia un esperienza normativa dell’adolescenza, diversi fattori di rischio connessi ad essa possono sfociare in problemi per l’adattamento e la salute dell’adolescente. L’esperienza sentimentale in adolescenza non può essere considerata come un percorso lineare, ma dovrebbe essere studiata come un percorso dove diversi di fattori interagiscono l’un l’altro, comportando esiti diversi in base a variabili individuali e contestuali. Inoltre, lo sviluppo di relazioni sentimentali è un processo “in divenire”, pertanto possono emergere e coesistere aspetti
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Navarro, Gómez Sara. "Relaciones Sentimentales en Personas con Trastorno Límite de la Personalidad." Doctoral thesis, Universitat Ramon Llull, 2020. http://hdl.handle.net/10803/669208.

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El Trastorn Límit de la Personalitat (TLP) és un trastorn mental greu, crónic i complex que ha sigut objecte d’estudi desde fa molts anys. Concretament, una de les àreas més interesants del funcionament interpersonal en les persones amb TLP són les relacions sentimentals (RS) donat al seu alt component d’intimitat i proximitat emocional. En aquest context general, la present tesis doctoral va tenir com objectiu principal conèixer les principals variables psicològiques relacionades amb el estatus de RS (estable mínim de 12 mesos vs. sense RS) que presentaven les persones amb TLP. Primerament, e
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Books on the topic "Romantic sentimentalism"

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Becker, Max. Narkotikum und Utopie: Musik-Konzepte in Empfindsamkeit und Romantik. Bärenreiter, 1996.

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H, Hagstrum Jean, and Conger Syndy M, eds. Sensibility in transformation: Creative resistance to sentiment from the Augustans to the Romantics : essays in honor of Jean H. Hagstrum. Fairleigh Dickinson University Press, 1990.

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Romantic Vacancy: The Poetics of Gender, Affect, and Radical Speculation. State University of New York Press, 2019.

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Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. Subjectivities. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0024.

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The chapter continues to trace attention to emotions, begun in the context of Sentimentalism and further developed in the works of the pre-Romantic period. The discovery of the self-promoted active autobiographical writing practiced by men and women throughout the century. The masonic interest in the “inner man,” evident in diary writing early in the century, survived to manifest itself in Leo Tolstoy’s intense focus on self-analysis. The chapter presents Herzen’s formidable memoir My Past and Thoughts as a work crossing the boundary between the personal and historical. The chapter then moves
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Ahern, Stephen. Affected Sensibilities: Romantic Excess And The Genealogy Of The Novel, 1680-1810 (Ams Studies in the Eighteenth Century). AMS Press, 2007.

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Wilson Kimber, Marian. Sentimentality and Gender in Musically Accompanied Recitations. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040719.003.0004.

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Musical accompaniment for poetry recitation not only enhanced the dramatic narrative, but it served as what Joanne Dobson has dubbed the “sentimental keepsake,” common to nineteenth-century literature. Accompanied recitations typically featured appropriate romantic or religious topics, depicting nostalgic memories of dancing with lost loves, singing soldiers longing for home, and sufferers’ faith in the face of death. Dances, parlor songs, or hymns were played when they were mentioned in poetic texts. Songs served as an audible expression of grief, loss, memory, and the fragility of human conn
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Book chapters on the topic "Romantic sentimentalism"

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Rowe, John Carlos. "Romantic Sentimentalism in Henry James's Daisy Miller: A Study (1878)." In Our Henry James in Fiction, Film, and Popular Culture. Routledge, 2022. http://dx.doi.org/10.4324/9781003297987-4.

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Fermanis, Porscha. "Introduction: Romantic Histories of Feeling." In Romantic Pasts. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474481885.003.0001.

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This introductory chapter traces the complex relationship between feeling and the making of the modern historical method in late eighteenth- and early nineteenth-century Britain. Focusing on ‘official’ history rather than on quasi- or para-historical genres, it makes the case that debates about the role and status of feeling played a central role in determining both the moving boundaries between history and fiction, and how historical methods developed as the nineteenth century progressed. In suggesting that sentimentalism was not an uncontested way of representing even the most radical disass
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Tunbridge, Laura. "‘Once again … speaking of’ Heine, in Song." In Song Beyond the Nation. British Academy, 2021. http://dx.doi.org/10.5871/bacad/9780197267196.003.0007.

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This chapter explores songs that move across temporal rather than geographical borders. Theodore Adorno’s two lectures on Heine, the lesser-known ‘Towards a Reappraisal of Heine’ (1949) and ‘Heine the Wound’ (1956) provide a way of thinking about the poet’s anti-sentimentality in relationship to notions of his inner exile and about how history can alter the course of an artist’s reception. The chapter focuses on the echoic effects of Heine settings by Wilhelm Killmayer (1927-2017) and Wolfgang Rihm (b. 1952). Both composers allude to aspects of nineteenth-century musical heritage, from the tra
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Risinger, Jacob. "Stoic Moral Sentimentalism from Shaftesbury to Wollstonecraft." In Stoic Romanticism and the Ethics of Emotion. Princeton University Press, 2021. http://dx.doi.org/10.23943/princeton/9780691203430.003.0002.

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This chapter explores one facet of Stoic philosophy that was pivotal to the formation of the modern mind and the modern world emergence. It examines how powerfully the Stoic substratum of eighteenth-century moral sentimentalism shaped Romantic notions of mind and world. It also surveys the often-militant repudiation of Stoicism in eighteenth-century literary culture. The chapter mentions an overlooked but consequential fracture in the moral philosophy of Shaftesbury and Adam Smith, one that Mary Wollstonecraft took up in her own feminist critique of sensibility. Though working in different way
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Jenkins, Thomas E. "Love in the Trinity." In The Character of God. Oxford University PressNew York, NY, 1997. http://dx.doi.org/10.1093/oso/9780195112023.003.0006.

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Abstract The great problem with romantic love is that it makes a character look weak and confused. In neoclassicism, love blends with reason into a serene benevolence. Even in sentimentalism, where love is more properly a passion, one mainly suffers for others, not for oneself. But in romantic love you long for someone else and suffer for yourself. This is why in the end it was almost easier to ascribe romantic anger rather than romantic love to God. If anger in humanitarianism had been associated with weakness, in romanticism it could be associated with strength. Romanticism, in a sense, reve
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Scheer, Monique. "Styles of Sincerity." In Enthusiasm. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198863595.003.0005.

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Chapter 4 deals with whether emotions are real in the sense of “genuine,” drawing on historical and ethnographic material to discuss social processes of assessing sincerity. The way enthusiasm is performed plays a role in whether it is perceived as sincere (and thus believable), which in turns depends on emotional norms, very often unarticulated and therefore more of an aesthetic judgment. It explores the overlap between enthusiasm and sentimentalism as concepts and asks what kind of work these concepts do in discrediting actors and their convictions. Charismatics are accused of sentimentalism
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"1801–1807: the other post-Kantian: Jacob Friedrich Fries and non-Romantic sentimentalism." In German Philosophy 1760–1860. Cambridge University Press, 2002. http://dx.doi.org/10.1017/cbo9780511801846.010.

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Reno, Seth T. "Wordsworthian Love." In Amorous Aesthetics. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781786940834.003.0002.

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This chapter establishes the seminal foundation of Romantic intellectual love in the early poetry of William Wordsworth. I take as a starting point Wordsworth’s emphasis on ‘intellectual love’ as well as his claim that ‘Love of Nature lead[s] to love of Mankind’, arguing that he develops a kind of critical-ecological thinking that leads to a love that ‘rolls through all things’. In particular, I trace the influence of Erasmus Darwin on the evolution of Wordsworth’s theory of love, revealing that the ideological illusion often attributed to Wordsworth’s love of nature has more to do with scienc
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"Staging Sentimentality." In Romantic Music Aesthetics. Cambridge University Press, 2024. http://dx.doi.org/10.1017/9781009491679.002.

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Reznick, Scott M. "“The Sense of Liberty”." In Political Liberalism and the Rise of American Romanticism. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780191996504.003.8.

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Abstract The chapter explores how Harriet Beecher Stowe’s antislavery fiction took on increasingly Romantic dimensions as she interrogated the political significance of emotions in the aftermath of the Compromise of 1850. It places Stowe in a transhistorical conversation about the relationship between intellect and emotion running from Adam Smith and Alexis de Tocqueville to John Rawls and Martha Nussbaum in order to reconceptualize the relationship between liberalism and sentimentality in Uncle Tom’s Cabin (1852) and Dred (1856), both of which pivot around patently Romantic figures. It also e
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