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1

Paletta, Georgia Toumazou. "Prometheus: the classical and the romantic conception." The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407485740.

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2

Kidd, Billy. "Friendship in young adult heterosexual romantic relationships." ScholarWorks, 2008. https://scholarworks.waldenu.edu/dissertations/629.

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Friendship is one of the pillars that supports satisfying, long-term, romantic relationships and marriage. Yet little is known about how romantic friendship is contextually experienced. This lack of knowledge limits the options of researchers and therapists. The purpose of this phenomenological study was to further substantiate a romantic friendship construct. The research question asked how friendship is experienced in heterosexual romantic relationships. Participants in two West Coast metropolitan areas, ages 18 to 29, were selected by convenience sampling. As per Giorgi's phenomenological method, themes were abstracted from the transcripts of focus group and individual interviews. The themes were then shortened and entered into an Atlas.ti software environment. Finally, they were coded into psychological language and analyzed. A romantic friendship affiliation was shown to be the ideal style of relationship for future long-term partnering. Yet the participants' actual lived experiences in serious romantic-friendship relationships were quite limited. Instead, their focus was on establishing economic independence and a full sense of adult identity, as well as improving their communication skills. Therefore, individual cases could not be contrasted, and substantive conclusions were not reached regarding the actual behavioral expression of heterosexual romantic friendship affiliations. A contrast study in Birmingham, Alabama, with participants with high IQs, had similar results. Both studies were supported by psychoneuroendocrine, attachment, social constructionist, and system theories. An important implication for social change was that researchers must account for the participants' ambivalence concerning long-term partnering, their alternative life-course choices, and their desires for economic independence, when studying young, urban, mobile, single-adult romantic relationships.
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3

White, Corissa L. "When sexual and romantic attractions are directed toward disparate genders." Thesis, Alliant International University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3701217.

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Many pair-bond relationships begin as a result of romantic attraction and sexual desire. Romantic attraction comprises feelings of love, affection, intimacy, and a desire to spend time with another person; sexual desire involves sexual attraction, arousal, and behavior (Diamond, 2003). This dissertation explored how individuals reconcile their experience of predominant sexual desire toward members of one gender (e.g. women) and predominant romantic attraction toward members of another gender (e.g. men).

To study this experience, a small, qualitative study was performed. Participants were recruited via flyers to answer interview questions regarding their romantic and sexual attractions and the impact of those feelings on their relationships with others and their own mental health. The experiences of four participants were then analyzed via phenomenological analysis. Two of the participants identified as male, and two as female. All participants were graduate students. Three of the participants described complicated attractions, reporting that they were romantically and sexually attracted to members of one gender, while also being romantically or sexually attracted to members of another gender.

Participants discussed several aspects of this experience, including: being unsure how to identify their sexual orientations (two participants noted that they do not identify as bisexual because they feel the term implies a sense of equality between romantic and sexual attraction); the extent to which they have discussed attractions with other people (three participants reported that they do not discuss their attractions with their families); the impact their attractions have had on relationships (two participants reported they feel their attractions have impacted their dating lives); and the struggles and benefits participants report related to their variant attractions.

While each of the participants' sexual and romantic preferences was different from the others', all report that acceptance by friends and family improved psychological well-being. Counter to this sense of well-being, however, are limitations in modern language regarding personal identities. All of the participants noted that they chose a label that is closest to what they perceive their collective attractions to be, and that they experience personal confusion about how to label themselves, which translates to confusion when discussing their identities with others.

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Maye, Valerie Renee. "Reviving the Romantic and Gothic traditions in contemporary zombie fiction." Thesis, State University of New York at Buffalo, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10255511.

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This paper combines concepts from Romantic and Gothic literature with ecocriticism in order to discuss eco-zombies in Mary Shelley’s Frankenstein as well as the film, 28 Days Later and the texts that follow the film: the graphic novel, 28 Days Later: The Aftermath by Steve Niles, and the comic books series, 28 Days Later, by Michael Alan Nelson. Throughout this paper, nature, primarily through the eco-zombie interpretation of it, is read as a character in order to determine how much agency nature has over the human characters within the texts and film being discussed. The use Todorov’s narrative theory, in this paper, depicts the plots of these stories, specifically the changes to the lives of these characters and how they are affected by nature in various ways, to depict nature’s ever growing assertiveness over the humans that encounter it as well as how those humans attempt to overcome the disruptions that nature places on their sense of self. Both Frankenstein’s monster and the infected in 28 Days Later, when seen as eco-zombies, and therefore granting agency to nature, exert power of humans through physically affecting them as well as mentally.

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Turner, Benedick G. "Romantic love and charisma: a study of three medieval romances." Thesis, Boston University, 1997. https://hdl.handle.net/2144/27785.

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Boston University. University Professors Program Senior theses.
PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
2031-01-02
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Bock, Elinor Rae. "Common Ground| A Look at Entrainment in Romantic Relationships." Thesis, The New School, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3566429.

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Past research has shown that entrainment facilitates social bonding in intimates and strangers. The current study investigated if synchronicity in romantic couples is disrupted by relationship discord. Rocking chair movements were used as an objective measure of synchronicity. Couples rocked together for 3 minutes to assess their baseline synchronicity, and again for 3 minutes after inducing a threat to the relationship in one member of each couple. It was hypothesized that satisfied couples would be more entrained than dissatisfied couples at baseline, as well as after inducing a relationship threat. Results indicated no significant difference in rocking between satisfied and dissatisfied couples at baseline. However, results supported that synchronicity was significantly disrupted in dissatisfied couples, but not satisfied couples, after the threat was induced. These results suggest that relationship satisfaction acts as a buffer to relationship threats and/or that satisfied couples are more likely to remain entrained even in the face of hardship.

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7

Moore, Teresa J. "A phenomenological study of romantic love for women in later life." Thesis, Capella University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3728038.

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The population of older adults living longer and healthier lives is increasing. As age increases, the likelihood of single status increases. Without someone to offer peer intimacy, loneliness becomes a factor for decreased well-being. Research is needed to gain insight into later life romantic love and commitment to offer support for those seeking companionship, love, and intimacy to live more generative and robust later lives, ameliorating the physical and emotional effects of loneliness. Women are more likely to be alone in late life and research is needed to explore experiences with the phenomenon of love in later life from their perspective. This study employed a qualitative transcendental phenomenological methodology, gathering data from interviews, observations, and documentation in order to provide an interpretive description of all the women in the study with the shared experience of love and commitment to a new partner in later life. The study offers insight to families, caregivers, community service providers, and medical professionals supporting the partnership needs of older women. The results also provide a voice for late life women, an underrepresented population in research and literature, who choose love and commitment in later life.

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Axelsson, Magnus. "Passive and Active Romantic Heroines and their Patriarchs : A Comparative Feminist Study of Gender Portrayal with a Focus on Romantic Love in Jane Eyre and Bridget Jones’s Diary." Thesis, Högskolan Dalarna, Engelska, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-30485.

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Fang, Qijuan. "Attachment, Bullying, and Romantic Relationships in College Students." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1494865432747648.

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Porst, Luke. "The Last of the Romantic Comedies: The Death and the Eventual Rebirth of the Genre." Ohio University Honors Tutorial College / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1461077800.

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Gilb, Elisha Marie. "Transgender Experience of Romantic Relationship| The Transcendent Function and Buddhism's Middle Way." Thesis, Pacifica Graduate Institute, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10127287.

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This phenomenological study explored transgender individuals’ lived experiences of romantic relationship. This study utilized the concepts of Jung’s transcendent function and Buddhism’s middle way in order to articulate the transgender individuals’ felt experience of romantic relationships. Eight participants were interviewed and provided the research data, which was then examined in order to articulate and describe the experiences of the participants. This researcher found that most of this study’s participants pursued the fulfillment of their genuine gender individualities and participated in romantic relationships that are built on the full expression of their authentic gender identities. Additionally, many participants reported that their relationships were built around values such as support, negotiation, communication, and compromise. Further, multiple participants described the presence of the third, or in other words, the multiple or plural spectrum, via the ways of working through romantic relationship issues by forming contracts and an openness to co-create defined relationship boundaries. This research arrives at an understanding of the transgender romantic relationship and subsequently, human relationships through depth psychological understanding. The findings are discussed in connection to the themes provided by the participants: the personal evolution of their transgender experience, the experiences of living in a romantic relationship, and the experiences of the third. Further areas of depth psychological research, study, and clinical implications are also discussed.

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Swanicke, Helena Ann. "How women are portrayed in the romantic comedies Pillow Talk (1959) and When Harry Met Sally (1989)." Thesis, Drew University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10099210.

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This study examines how women are portrayed in Pillow Talk and When Harry Met Sally, two iconic romantic comedies from different time periods, 1959 and 1989, respectively. The analysis relies primarily on three film scholars, Tamar Jeffers McDonald, Mark Rubinfeld, and Hilary Radner. With the sex comedy Pillow Talk and the neo-traditional comedy When Harry Met Sally highlighting different time periods, and reflecting a society’s desires, anxieties, and assumptions, these different romantic comedy subgenres deliver male and female gazes, which lead us on a historical journey. The romantic story is comically entertaining, while supporting traditional gender roles, family values, and a patriarchal ideology. Through an examination of the narrative elements, an overriding theme emerges in both time periods; females are seeking fulfillment through marriage. Contributing factors in both plots are race, social class, work, friendship, male/female communication, intimacy, and sexual mores. This work creates a paradigm for analyzing other romantic comedies and genres of film in order to understand what they say about social values.

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Andorka, Michael J. "Gay Men, Minority Stress, and Romantic Relationships." University of Akron / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=akron1374254325.

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Clarke, Kimberly. "Literary Inventions of Black Interiority, Criminal Desires and Secrecy in the Romantic Era Novel." Thesis, The George Washington University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10929208.

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Anglophone, Protestant literary traditions figure heavily in the historicization of the novel and the central role privacy plays in the narrativization of concealment. Protestantism’s focus on piety through individual self-reflection has been credited as the catalyst for the nineteenth-century inward turn of the novel and its invention of private life and the private individual. Within this Protestant-influenced novel, privacy constitutes one’s political legitimacy and is a concept that has also dominated how literature within and beyond the Anglosphere has imagined the interior qualities that constitute race and racial difference.

A different tradition, influenced by a Catholic context that sees black self-identity and interiorities as inherently insurgent in their inscrutability, opacity, and secrecy, subverts this Protestant literary tradition. While the literary invention of interiority during the inward turn of the novel depends on evolution of public and private divisions, this dissertation will examine how several Catholic-influenced novels posit that the invention of black interiority depends on secrecy not only as disruptive but also as generative, where the language and specter of black humanity emerge as racialized threat after the Haitian Revolution and as a means of undermining the racism and patriarchalism within privacy and the inadequacy of the fixed ideals it creates.

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Caplan, Matthew A. "The Relationship Between Gay Male Romantic Relationships,Self- esteem, Internalized Homonegativity, and Body Dissatisfaction." Thesis, Alliant International University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10973930.

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Global self-esteem is a central component of the self, and research has consistently demonstrated its influence on relationship quality. Literature has also shown that self-evaluations of one’s perceived social acceptability and physical attractiveness are especially important to one’s evaluation of oneself and one’s relationships. Internalized homonegativity and body dissatisfaction–particularly evident among gay males–share many similarities with some domains of self-esteem and have also been linked with relationship quality. However, less is known about these two variables and how they influence the relationship quality of gay men. This study examined whether global self-esteem and the variables particularly relevant to gay men, internalized homonegativity and body dissatisfaction, were associated with the relationship quality among gay men, while controlling for three relationship-related demographic variables: cohabitation status (whether the couple is living together or apart), relationship status (whether the relationship is open or closed), and number of partners. The dependency regulation model and sociometer theory provided the theoretical context for this study. A sample of 147 gay male participants were recruited through online advertisements to complete anonymous surveys assessing relationship quality, global self-esteem, internalized homonegativity, and body dissatisfaction. Three hypotheses were tested using a hierarchical linear regression model. The results demonstrated that global self-esteem, internalized homonegativity, and body dissatisfaction each significantly predicted relationship quality; however, global self-esteem was nonsignificant when examined concurrently with internalized homonegativity. The clinical implications of this study were explored, and suggestions were made for future stories to explore this topic with a more diverse population sample (e.g., drawing from different ethnic groups, greater variation in age across the lifespan, and both rural and urban communities) as well as possibly using a relatively new measure, the Gay and Lesbian Relationship Satisfaction Scale (GLRSS), which has been developed specifically for the gay and lesbian populations.

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Castellanos, Patricia. "The romantic relationships of Latina adolescent mothers| Longitudinal effects of relationship satisfaction, social support, and relationship strain." Thesis, Kent State University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3618906.

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The demands and challenges of early parenthood place adolescent mothers at high risk for developing adjustment difficulties. The current longitudinal study examined the types of relationships that Latina adolescent mothers have with their partners, based on the young mother's level of acculturation and enculturation. The study also examined positive (e.g., partner support, relationship satisfaction) and negative (e.g., relationship strain) aspects of romantic relationships that impact both relationship continuity and the adolescent mothers' psychological adjustment. One hundred and twenty five Latina adolescent mothers (M age=19.49 years; SD=1.34; of primarily Puerto Rican origin) who reported having a partner and their young children participated in this study at T1; one hundred and eight of these mothers returned for a second assessment 6 months later (T2). The majority of participants resided with their partners (70.4%) and approximately 42% of the young mothers were in relatively long-lasting (3 or more years) relationships with their partners. Around 19% of mothers were married, and marriage and co-residence with partner related to higher perceived instrumental support. Mothers' cultural orientation was related to characteristics of these relationships. Less acculturated mothers and mothers who were highly enculturated were more likely to be married and living with partners. The partners of more enculturated mothers were also more likely to be the child's biological father. Roughly 78% of participants who had a partner at T1 and returned for T2 reported the same partner at T2. Although a few demographic and relationship characteristics were related to continuity (e.g., co-residence and relationship with child's father, having Latino partners, and longer relationships), relationship satisfaction was the only unique predictor of continuity. In regard to associations with mother's psychological distress, non-tangible support, satisfaction, and strain at T1 related to distress at T2. However, strain was the only unique predictor of distress; satisfaction had a marginal effect. Importantly, the association between strain and distress was moderated by satisfaction, such that strain predicted more distress at low and medium levels of satisfaction, but not at higher levels of satisfaction. Results are discussed in light of Latino cultural values, developmental issues, and implications for intervention.

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Hutton, Shaun Faith. "Substance Use and Romantic Attachment Among African American and Black Caribbean Adult Males." ScholarWorks, 2019. https://scholarworks.waldenu.edu/dissertations/6587.

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Individuals from unfavorable environments tend to carry maladaptive patterns of attachment from infancy through adulthood. Empirically, these styles have been shown to be intergenerational. Substance use disorder has been linked to maladaptive patterns of attachment among adults. However, limited data exists regarding this phenomenon with African American and Black Caribbean males. Bowlby's attachment theory and Ainsworth's patterns of attachment were the theoretical frameworks applied to this quantitative study. The purpose was to determine the effect of ethnicity and alcohol use on anxious and avoidant attachment patterns among a sample of 151 adult males. Using the Experience in Close Relationship and two alcohol use measures, a (2x3) factorial MANOVA showed that the majority of participants reported secure attachment in romantic relationships with moderate alcohol use patterns. There were no significant differences between ethnicity and either attachment patterns, alcohol use and the attachment patterns, or ethnicity and alcohol use and the combined attachment patterns. However, future research using quantitative and qualitative approaches could capture a richer understanding of African American and Black Caribbean males and romantic attachments. The implications for positive social change include the significant benefit that can be derived from learning to create new internal working models. Clinicians working with African American and Black Caribbean males identified with insecure attachment can facilitate change in expected outcomes of interactions with others. Over time, these individuals could benefit from healthier, more adaptive attachment with others, including in romantic relationships.
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Chun, Sara Myung-Su. "The Sun Through My Hair: A Response to (Un)Romantic Imaginations of Asian/American Women." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/268.

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Women of color are still trapped in the colonialist trajectory of Delacroix’s sexualized Women of Algiers (1834) and alienated from the world of Sargent’s Daughters of Edward Darley Boit (1882) in contemporary media images that serve to exocitize, fetishize, and commodify non-white female bodies. These historical and contemporary images form a psychological weight both imposed on women of color by outside perceptions and by now-cemented internal perceptions. While women do not passively absorb media images, it cannot be ignored that the hypersexual Asian/American woman in representation “haunts the experiences and perceptions of Asian women” despite attempts to reject these images and efforts to identify empowering aspects of images of sexual power (Shimizu 2007). Ideas and expectations of sexual openness in women of color seep into our consciousness at many moments in our personal lives and cast doubt on Asian/American women’s engagements with sexuality. Resistance of and escape from objectification as an erotic racial signifier of difference are attempted through abstraction and self portraiture.
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Morris, Craig Eric. "The Breakup Project| Using Evolutionary Theory to Predict and Interpret Responses to Romantic Relationship Dissolution." Thesis, State University of New York at Binghamton, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3713604.

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The formation and maintenance of romantic pair bonds is a well-represented topic in human evolutionary sciences. This extensive body of work, drawn mostly from the field of evolutionary psychology, has proposed mechanisms for attracting a mate (e.g., resource display, physical cues), attaining a mate (e.g., intrasexual competition), and keeping a mate (e.g., competitor derogation, emotional manipulation). However, this evolutionary model of human pair bonding has not fully addressed relationship termination. If we accept that we have an evolved suite of behaviors that encourage and facilitate pair bonding, then we must also look to breakups and ask whether evolution has played a role in shaping “heartbreak”—the post-relationship grief (PRG) which many individuals endure.

The evolutionary model of human mating predicts divergent mating “agendas” for men and women. The first step in our research program was to conduct a modest pilot study to address how and when PRG differs between men and women. This pilot study is included as Chapter One for convenience. Having concluded that many of the existing suppositions about breakups were not supported by our initial inquiry, we set out to expand and revise the current model so that it can be used to make accurate predications regarding a more complex suite of variables (e.g., life history, sexuality). Chapter Two explains the logic and implications of this expansion via the example of a specific breakup scenario: the loss of a woman’s partner to a romantic rival.

After presenting the possible evolutionary cause and adaptive benefits of PRG, we next tested both new and existing hypotheses as they relate to biological sex differences (Chapter Three) and life history variation (Chapter Four) in PRG. This quantitative foundation for ongoing qualitative study concludes with an overview of PRG in a population that is sorely underrepresented in evolutionary literature—individuals whose sexual orientation is not exclusively heterosexual.

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Pacheco, Katie. "The Buddhist Coleridge: Creating Space for The Rime of the Ancient Mariner within Buddhist Romantic Studies." FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/937.

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The popularization of academic spaces that combine Buddhist philosophy with the literature of the Romantic period – a discipline I refer to as Buddhist Romantic Studies – have exposed the lack of scholarly attention Samuel Taylor Coleridge and The Rime of the Ancient Mariner have received within such studies. Validating Coleridge’s right to exist within Buddhist Romantic spheres, my thesis argues that Coleridge was cognizant of Buddhism through historical and textual encounters. To create a space for The Rime within Buddhist Romantic Studies, my thesis provides an interpretation of the poem that centers on the concept of prajna, or wisdom, as a vital tool for cultivating the mind. Focusing on prajna, I argue that the Mariner’s didactic story traces his cognitive voyage from ignorance to enlightenment. By examining The Rime within the framework of Buddhism, readers will also be able to grasp the importance of cultivating the mind and transcending ignorance.
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Covington, Mark C. Jr. "Perceived Parental Rejection, Romantic Attachment Orientations, Levels of “Outness”, and the Relationship Quality of Gay Men in Relationships." Thesis, The George Washington University, 2021. http://pqdtopen.proquest.com/#viewpdf?dispub=28155952.

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This study examined the effects of perceived parental rejection in gay men and romantic relationship quality during the 2020 COVID-19 global pandemic,. Meyer (2003) noted several dimensions of minority stress that LGBTQIA+ individuals are at risk of experiencing, including discrimination based on their sexual orientation, internalizing negative societal attitudes about homosexuality, and expecting rejection due to their sexual orientation. Researchers have just started to identify protective factors that contribute to resilience among gay men (Goldfried & Goldfried, 2001; Holahan et al., 1994; Steinberg, 2001), and this study sought to add to that literature. Perceived parental acceptance has been found to be associated with improved well-being (Steinberg, 2001; Holahan et al., 1994), suggesting that relationships with parents or caregivers have effects well into adulthood. Yet, the literature has failed to examine the effects of early parental rejection and how current attachment styles may mediate past experiences and their effects on current relationship quality. The main goal of the current study was to examine whether recollections of past parental rejection were associated with relationship quality later in their adult intimate relationships (Cassidy, 2008). Outness to family, friends, and others and current attachment styles were assessed as mediating variables for the links between perceived parental rejection and relationship quality. A sample of 275 participants was recruited through Amazon Turk (MTurk), Facebook, Instagram, and Twitter. The mean age of participants was 31.05 years old (SD = 7.94), with a range of 18-65. The sample consisted of 93% of the sample identified as male, with the remainder identifying as transgender (4%), non-binary (0.7%), or other (2.2%). This diverse sample identified their race/ethnicity as either European American (41%), followed by African American (15%), Asian American (14%), Hispanic American (14%), American Indian, or Alaskan Native (12%), Other (4%), and Biracial (1%). The researcher conducted a multiple mediation analysis using Hayes (2018) PROCESS macro to examine the relationship between perceived parental rejection and relationship quality, with attachment anxiety, attachment avoidance, and outness as possible mediators. Consistent with the literature, perceived parental rejection from both mothers and fathers was associated with lower current relationship quality. Overall, the findings of the current study indicate support for attachment anxiety and attachment avoidance mediating the effect of perceived parental rejection on current relationship quality. Attachment Avoidance was found to be a stronger mediator of the relationship between perceived maternal rejection and relationship quality. Attachment anxiety was still a significant predictor, but not as strong when compared to attachment avoidance. Surprisingly in contrast with existing literature, results showed that outness is not a potential mechanism for how perceived parental rejection is related to relationship quality.
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Monk, James Kale. "Commitment and sacrifice in emerging adult cyclical and non-cyclical romantic relationships." Thesis, Kansas State University, 2013. http://hdl.handle.net/2097/15563.

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Master of Science
Department of Family Studies and Human Services
Amber V. Vennum
Patterns in, and quality of, early romantic relationships have been found to impact future relationship outcomes (Donnellan et al., 2005; Overbeek et al., 2007). Commitment and satisfaction with sacrifice have been cited as important constructs in relationship health and stability as they indicate investment in the relationship (Stanley & Markman, 1992; Rusbult, 1983). Little research has been done on the bi-directional relationship of these two constructs. Many authors indicate that commitment predicts sacrifice (e.g. Van Lange, Rusbult, et al., 1997), but others argue that sacrifice predicts subsequent commitment (e.g. Kelley, 1979). The purpose of this study was to explore the time-ordering of these constructs and whether a history of relationship breakup and renewal (termed cyclicality) moderated this relationship in an emerging adult population (n = 246). Using a cross-lagged model over three time points, the present study found support for a bi-directional relationship between commitment and satisfaction with sacrifice that was not moderated by a history of cyclicality. However, partners with a history of breakup and renewal did report lower dedication at Time 3, indicated by a group mean difference. Implications for theory, research, and intervention are discussed.
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Roskelley, Amanda Rebekah. "The Modern Mr. Darcy: An Analysis of Leading Men in Contemporary Romantic Comedy Film." BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/6074.

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This thesis is an observation and analysis of male performance in romantic comedy films released between 2005 and 2015. As a lasting genre, rom-com, like all forms of media, has the potential to influence society. Gender plays a vital role in the generic template of these films. Because women are the dominant consumers of this genre, what they observe as gender performance is important. This genre has been dissected under the eye of feminism and female gender performance but the changes in masculinity have been largely overlooked.This paper identifies common characteristics in leading men of this decade's rom-coms. After establishing the roles that gender, and men specifically, have played in the historical establishment of the genre, the modern man is proven to be significantly different than his predecessors. This research has identified three common facets of the modern leading man that are in stark contrast to the portrayals of the past: he is emotionally vulnerable, he is pointedly tender and domestic, and he is a strong proponent of the romantic relationship throughout the film. In response to the more autonomous and career-driven female leads of these modern films, the men have filled the genre-necessary void of domestic nurturers. This is seen through actions and characteristics such as their artistic careers, interactions with children, and commitment to the relationship.
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Harris, Wanda Raquel. "The Influence of Spiritual and Emotional Intelligence on Romantic Relationships of African Americans." ScholarWorks, 2019. https://scholarworks.waldenu.edu/dissertations/6212.

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The use of religion-based spirituality was examined as a factor in strengthening and increasing emotional intelligence and regulation, facilitating relationship choices and maintenance, and as a key factor in the decision-making process of dating and partner selection among African Americans. The theoretical framework for this study included Gardner's theory of multiple intelligences, on which both theories of spiritual and emotional intelligence stand, and Bowlby's theory of attachment. A multiple regression analysis was conducted to analyze relationships between spiritual and emotional intelligences and attachment styles among African American adults. In a criterion-based purposeful sample of 98 African American participants aged 27 and older, a negative correlation was found between high levels of spiritual and emotional intelligence in African Americans and attachment styles, meaning secure attachment styles were found in African Americans with higher levels of both spiritual and emotional intelligence. The study contributes to the validity and reliability of the SISRI, SSEIT, and the ECR-R among African Americans. Scores on these instruments in the study were within normal range. The information in this study may serve as a foundation for future studies on the importance of religion-based spirituality and the strengthening of emotional intelligence to facilitate successful romantic and marital relationships among African Americans, leading to stronger families and communities.
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Le, Van Curtis Donald. "Interpreting with "All Possible Caution, on Mental Tiptoe": Nabakov's Post-Romantic Renewal of Perception in Lolita." Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3201.

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Although presenting the concept of love in a form not accepted by societal conventions does indeed estrange the conception of love in Nabakov's Lolita, it does nothing to explain how readers accept Humbert's passion, without immediately and consistently disregarding it as lewd and inappropriate. I will argue that Nabakov estranges the romantic conceptions not by defamiliarizing the occasion of love (i.e. by making the romance a manifestation of pedophilia), but rather by defamiliarizing and complicating the acts of both reading and interpreting. First, I will make associations between the Romantics and Nabokov, regarding their shared desire to renew the habitual acts of both perceiving and interpreting human life, which they accomplish through methods of isolating the emotions effected by acts--not the acts themselves. After which, I will examine the theories of phenomenology and externalist philosophy to cement the concepts of anticipation and hermeneutics, starting in general and then narrowing to the act of reading. In following, I will demonstrate how Nabokov agitates this anticipation for readers, making the very act of reading Lolita a new experience, in which Romantic themes do not appear cliché and outdated. On the whole, I will maintain that it is this disruption in interpretation that absolves Humbert's ills, allowing Lolita to maintain its status as one of the greatest love stories of the twentieth century.
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Liang, Ying. "How do romantic relationships impact mental health? The role of traditional values-a cross-cultural comparison." Thesis, Kent State University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3618873.

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The current study sought to examine the role of traditional values in China and the United States as one of the important social psychological mechanisms through which romantic relationships affect mental health. The work is guided by the Social Structure and Personality framework, focusing on the meaning construction dictated by traditional values in the stress process, while also addressing the structural and cultural origins of meanings. Specifically, I used path models to examine how those internalized values moderate the impacts of romantic relationships on the mental health of Chinese and American college students and also compared the effects across gender and nations with Multi-group SEM method. The results show that traditional values work as a major social-psychological mechanism influencing Chinese students only by exacerbating the impacts of breakups on their depression. In terms of gender and national patterns, the most important finding is that the unconditional main effect of traditional values differs across gender and nations and Chinese women are mostly harmed by those values. The results partially support the theoretical construction and also add to both the meaning studies in the stress process and the substantive research of romantic relationships and mental health.

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Horikawa, Nobuko. "Not Just Child's Play| Neo-Romantic Humanism in Ogawa Mimei's Stories." Thesis, Portland State University, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10285140.

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During the early twentieth century, Japan was modernizing in all areas of science and art, including children’s literature. Ogawa Mimei (1882-1961) was a prolific writer who advanced various literary forms such as short stories, poems, essays, children’s stories, and children’s songs. As a writer, he was most active during the late Meiji (1868-1912) to Taishō (1912-1926) periods when he was a socialist. During that time, he penned many socialist short stories and children’s stories that were filtered through his humanistic, anarchistic, and romanticist ideals. In this thesis, I analyze Mimei’s socialist short stories and children’s stories written in the 1910s and 1920s. I identify both the characteristics of his writing style and the themes so we can probe Mimei’s ideological and aesthetic ideas, which have been discounted by contemporary critics. His socialist short stories challenged the dogmatic literary approach of Japanese proletarian literature during its golden age of the late 1920s and early 1930s. His socialist children’s stories also deviated from the standard of Japanese children’s literature in the 1950s and 1960s. In this thesis, I break away from the narrow views that confined Mimei to certain literary standards. This thesis is a reevaluation of Mimei’s literature on his own terms from a holistic perspective.

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Chittham, Phakkanun. "Warm, competent, or both? : trait perception in friendship, acquaintanceship, siblings, and romantic relationship : explicit, implicit, and transgression studies." Thesis, University of Essex, 2017. http://repository.essex.ac.uk/20092/.

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The findings regarding trait preference or what we find desirable in a relationship partner such as a friend, a romantic partner, or a colleague are abundant. However, the evidence from the actual choice paradigm is not as substantial. Thus, the thesis focused on the established relationships by asking participants to report personality of their real partners. The studies included friendship, acquaintanceship, long-term romantic relationship, and sibling relation because these relationships are common. Given the predominance of close friendship, it was used as the comparison point. Closeness was tested if it could differentiate the relationships and influenced trait perception. The findings suggested that romantic partner showed a greater closeness compared to close friend, but the trait perception was similar. Between close friend and sibling, the former was deemed closer. However, no difference in trait perception was found. As predicted, the contrast was clearer when close friend was compared to acquaintance. Close friend was perceived as significantly closer, also more competent and warmer. Personality traits were organized into two groups. The first is warmth or social-oriented qualities such as caring and sociable. The second is competence or task-oriented attributes such as capable and skilled. Hence, the two groups of traits were also compared. In terms of the importance of warmth and competence, the relationship partners were not consistently perceived as higher in warmth than competence. This implied that warmth was not necessarily more important than competence as the previous studies suggested.
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Pillsworth, Elizabeth Grace. "Long-term romantic partner choice and sexual strategies in human evolution studies conducted in the United States and Ecuador /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1679375151&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Wall, Brian Robert. "Inheritance and insanity : transatlantic depictions of property and criminal law in nineteenth century Scottish and American fiction." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/21707.

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Participants in the critical enterprise of “Law and Literature” tend to center their arguments on the question of literature’s utility to the study and practice of law. I focus instead on the reciprocal corollary: how can an understanding of law influence a critical reading of literature? Taking cues from discussions in Renaissance studies of law and literature and drawing on my own legal training, I assert that transatlantic literary studies provides both a conceptual framework for positing a reciprocal relationship between law and literature and, in nineteenth century Scottish and American depictions of property and criminal law, a crucial test case for this exploration by uncovering new “legal fictions” within these texts. I begin my first chapter by situating my work within recent critical work in Law and Literature. While most scholarship in the “law in literature” subcategory since James Boyd White’s influential 1973 text The Legal Imagination has focused on how (and if) literary studies can help current and future legal practitioners through what Maria Aristodemou calls “instrumental” and “humanistic” mechanisms, recent work, particularly by a dedicated group of interdisciplinary scholars in Renaissance studies, has focused on the law’s benefit to literary studies in this field. I explore the critical mechanisms employed by these scholars as well as by scholars in nineteenth century literary studies such as Ian Ward. I then turn to transatlantic literary studies, arguing that the approaches outlined by Susan Manning, Joselyn Almeida, and others provide a framework that can give nineteenth-century literary studies a similar framework to that proposed by Aristodemou: an “instrumental” method of giving greater precision to discussions of how historical institutions and hierarchies are depicted in nineteenth century literature, and a “humanistic” method of extending beyond historicist approaches to see beyond the often artificial demarcations of literary period and genre by finding commonalities that transcend disciplinary and historical borders. I conclude this introduction by identifying the legal and literary parameters of my project in the legal-political tensions of late-eighteenth and early-nineteenth century Scotland and America. My second chapter focuses on property law and the question of inheritance, reading Walter Scott’s Rob Roy and The Bride of Lammermoor alongside Nathaniel Hawthorne’s The House of the Seven Gables to demonstrate how the narratives play with two dueling theories of inheritance law – meritocratic and feudal – and how those dueling legal theories impact the events of the tales themselves. After outlining tensions between older but still prevalent ideas of feudal succession and newer but admittedly flawed in execution notions of meritocratic land transfer, I explore how Scott’s and Hawthorne’s narratives demonstrate the inability of their characters to reconcile these notions. Both Rob Roy and The House of the Seven Gables seem to demonstrate the triumph of deserving but legally alienated protagonists over their titled foes; both novels, however, end with the reconciliation of all parties through ostensibly love-based weddings that perform the legal function of uniting competing land claims, thus providing a suspiciously easy resolution to the legal conflict at the heart of both stories. While reconciliation makes the legal controversies at the heart of these stories ultimately irrelevant, the legal nihilism of The Bride of Lammermoor takes the opposite tactic, demonstrating both the individual shortcomings of the Ashton and Ravenswood families and the systemic failure of Scottish property law’s feudalism to achieve equitable outcomes. I next turn to the question of insanity in Edgar Allan Poe’s “The Tell-Tale Heart” and James Hogg’s “Strange Letter of a Lunatic,” arguing that both narratives complicate the legal definition of insanity by showing gaps between the legislative formulation and actual application to their fictional defendants. After developing the different viewpoints towards criminal culpability articulated by the American (but based on English law) and Scottish versions of the insanity defense, I turn first to Poe’s “The Tell-Tale Heart.” Poe’s narrator, I argue, deliberately develops a narrative that takes him outside the protections of the insanity defense, insisting on his own culpability despite – or perhaps because of – the implications for his own punishment. Meanwhile, Hogg’s narrative, both in its original draft form for Blackwood’s and its published version in Fraser’s, paints a different picture of a narrator who avoids criminal punishment but finds himself confined in asylum custody. These two areas of inheritance and insanity collide in my exploration of Robert Louis Stevenson’s Strange Case of Dr Jekyll and Mr Hyde and Frank Norris’s McTeague, where I illustrate the relationship between the urban demographics and zoning laws of both the real and fictional versions of London and San Francisco and the title characters’ mentally ill but probably not legally insane murderers. After demonstrating Stevenson’s and Norris’s link between psychology and the complex amalgamations of their fictional cityscapes, I demonstrate how these cityscapes also allow them to sidestep rather than embrace mental illness as an excuse for their murderous protagonists’ crimes, indicting the institutions at the center of their texts as equally divided and flawed.
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Carter, Elizabeth Lee. "Taming the Gypsy: How French Romantics Recaptured a Past." Thesis, Harvard University, 2014. http://nrs.harvard.edu/urn-3:HUL.InstRepos:13064929.

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In this dissertation, I examine the evolution of the Gypsy trope in Romantic French literature at a time when nostalgia became a powerful aesthetic and political tool used by varying sides of an ideological war. Long considered a transient outsider who did not view time or privilege the past in the same way Europeans did, the Gypsy, I argue, became a useful way for France's writers to contain and tame the transience they felt interrupted nostalgia's attempt to recapture a lost past. My work specifically looks at the development of this trope within a thirty-year period that begins in 1823, just before Charles X became France's last Bourbon king, and ends just after Louis-Napoleon declared himself Emperor of France in 1852. Beginning with Quentin Durward (1823), Walter Scott's first historical novel about France, and the French novel that looked to it for inspiration, Victor Hugo's Notre-Dame de Paris (1831), I show how the Gypsy became a character that communicated a fear that France was recklessly forgetting and destroying the monuments and narratives that had long preserved its pre-revolutionary past. While these novels became models in how nostalgia could be deployed to seduce France back into a relationship with a particular past, I also look at how the Gypsy trope is transformed some fifteen years later when nostalgia for Napoleon nearly leads France into two international conflicts and eventually traps the French into what George Sand called a dangerous "bail avec le passé." In new readings of Prosper Mérimée's Carmen (1845) and George Sand's La Filleule (1853), I argue that both authors personify the dangers of recapturing the past, albeit in two very different ways. While Mérimée makes nostalgia and the Gypsy accomplices, George Sand gives France an admirable Gypsy heroine, a young woman who offers readers a way out of nostalgia's viscous circle. I conclude by arguing that nostalgia and this Romantic trope found their way back into France at the dawn of a new millennium, and the Gypsy has once again been typecast in art and politics as deviant for refusing to dwell in or on the past.
Romance Languages and Literatures
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Fairweather, Angela. "The moderating role of meaning and defense mechanisms in the association between child sexual abuse and romantic relationship dysfunction." [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002495.

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LaMar, Desireah A. "Exploring differences in approaches to conflict and satisfaction among Mexican American and European American romantic partners within the United States." Scholarly Commons, 2016. https://scholarlycommons.pacific.edu/uop_etds/239.

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This qualitative study investigated conflict within intercultural romantic relationships between Mexican American and European American partners within the United States. The goal of this study was to explore and understand the causes of differences in conflict and resulting relationship satisfaction in this largely underexplored area of intercultural relationships. Seven couples were interviewed and asked a total of 27 questions aimed at finding answers to the main research questions, which were: (1) in what ways do Mexican American and European American partners in romantic relationships experience conflict in their relationship; and (2) in what ways do Mexican American and European American partners try to resolve conflict; and (3) how do their conflict styles and ability to resolve conflict impact their relationship satisfaction? The interviews were transcribed and analyzed for themes related to the research questions. The most frequently occurring themes discovered were: (1) gender expectations, (2) family obligations, (3) finances, (4) experience of being the minority, and (5) language barriers and exclusion. Implications and suggestions for future research are provided.
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Bouxsein, Benjamin D. "An Analysis of the Depiction of Romantic Relationships in Western Cinema Compared to Cultural Perceptions of Relationships." Ohio University Honors Tutorial College / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1556721347157763.

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Palmer, Elizabeth Northup Palmer. "Using distance regulation for the study of sibling relationship quality, romantic relationships, and interpersonal and intrapersonal factors." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1500469586490535.

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36

Hoffman, Rachel Gavronsky. "The Artist and Her Muse: a Romantic Tragedy about a Mediocre and Narcissistic Painter Named Rachel Hoffman." Scholar Commons, 2004. https://scholarcommons.usf.edu/etd/1081.

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Imagine a theater. Build one in your mind. I do not care if it is the largest theater in the universe or if it is the size of a shoebox. The theater can be an elaborate construction with gilded cherubs and priceless jewels. If you would prefer the theater to be a minimal design, imagine it that way. Maybe the theater is made out of glass or crystal. You can be all alone in the theater or maybe you are seated next to an alien, a cave man, or a robot. As the curtain rises an enormous pipe organ is spewing out J.S. Bach’s Toccata and Fugue in D minor. The sound is colossal. The stage is designed to look like a filthy and bleak art studio. Sculptures that look like decaying flesh hang from the ceiling. Papers and dirty painting rags are scattered all over the floor. A roach crawls towards some moldy food in the wastebasket. A piece of beef jerky sits next to a pile of paint tubes and paintbrushes. Canvases are stacked against the wall. Dried paint is splattered everywhere. A woman enters stage left. As she begins to speak, the music fades… “My most recent paintings are meant to serve as gateways between daily life and an exotic utopian fantasy. These strange psychological spaces function as portals into a new frontier inhabited with the most stupendous creatures. Active volcanoes, carnivorous plants, terrible lizards, pink Chihuahuas, flesh-eating insects, unidentified flying objects, and a host of other amazing things coexist in this cruel tropical paradise. “Everything I do is a self-portrait and a disguise. I imagine the characters in my paintings to be mutant clones. The act of painting is like looking in the mirror. I like to spend most of my time doing one or the other. I am driven by an insatiable urge to see what I truly look like. I suffer from an unfulfilled desire to meet myself. I am frustrated with impressions and reflections. These confessions reveal my work as possibly the most disgusting display of narcissism in the entire history of art. “The act of painting is an absurd and self-indulgent enterprise. I paint with the ridiculous and frivolous purpose of delighting the eye. Nevertheless, my hope is that my paintings capture an important aspect of my utopian fantasy with their sumptuous surroundings embellished with rainbows, natural disasters, butterflies, exotic grasses and bizarre costumes. “My paintings can be read on many different levels from surface to deep allegory. The finished product is the result of hours upon hours of painting, pondering, and dreaming. Below the surface lies a nauseating abyss. “My work is a delicious feast for the aesthetic consumer. I am a villainous mad scientist with a hunger for immortality. My eyes are gluttonous fools. I am a mystery and a deception. Vermillion is my opulent fetish. Lemon yellow is my nemesis.” The music grows louder again. The woman begins to cackle. She then takes a deep breath and a deeper and more dramatic bow. She exits stage right--you find that you want to applaud--but unfortunately, this story is not over. I suggest that you get yourself a snack like some popcorn, chocolate, or gummy bears before reading any further. The curtain slowly and elegantly comes down.
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Lim-Midyett, Maria Eleanor S. "Mimeses of human desire a genealogical study of sexual desire and romantic passion as represented in twentieth century works of Chinese fiction /." online access from Digital dissertation consortium, 1999. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9954334.

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Vierra, Jessica Helen. "TO BE OR NOT TO BE: AN EXPLORATORY STUDY OF INTERCULTURAL DIFFERENCES IN MEXICAN AMERICAN AND CAUCASIAN AMERICAN ROMANTIC RELATIONSHIPS." CSUSB ScholarWorks, 2019. https://scholarworks.lib.csusb.edu/etd/921.

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Intercultural romantic relationships have increasingly become more common in the United States between Mexican American and Caucasian American males and females. Predominantly, this study investigates how Mexican Americans and Caucasian Americans in intercultural romantic relationships visualize conflict in their relationship. The research question: What are the intercultural communication differences in romantic relationships between Mexican Americans and Caucasian Americans? Research findings support cultural differences being related to power, cultural gender differences, language barriers, child care, and religion. Although there is a vast amount of research focused on intercultural relationships, it seems there are few studies that have investigated intercultural communication differences between romantic couples. Participants in this study reported intercultural communication differences that involved communication conflict. Themes found in the data where intercultural communication differences occurred are: childcare, power, cultural gender differences, religion, and family influences.
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Breidenbaugh, Margaret Estelle. ""Just for me": Bourgeois Values and Romantic Courtship in the 1855 Travel Diary of Marie von Bonin." Miami University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=miami153333393238569.

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Godbey, Margaret J. "Vying for Authority: Realism, Myth, and the Painter in British Literature, 1800-1855." Diss., Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/81444.

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English
Ph.D.
Over the last forty years, nineteenth-century British art has undergone a process of recovery and reevaluation. For nineteenth-century women painters, significant reevaluation dates from the early 1980s. Concurrently, the growing field of interart studies demonstrates that developments in art history have significant repercussions for literary studies. However, interdisciplinary research in nineteenth-century painting and literature often focuses on the rich selection of works from the second half of the century. This study explores how transitions in English painting during the first half of the century influenced the work of British writers. The cultural authority of the writer was unstable during the early decades. The influence of realism and the social mobility of the painter led some authors to resist developments in English art by constructing the painter as a threat to social order or by feminizing the painter. For women writers, this strategy was valuable for it allowed them to displace perceptions about emotional or erotic aspects of artistic identity onto the painter. Connotations of youth, artistic high spirits, and unconventional morality are part of the literature of the nineteenth-century painter, but the history of English painting reveals that this image was a figure of difference upon which ideological issues of national identity, gender, and artistic hierarchy were constructed. Beginning with David Wilkie, and continuing with Margaret Carpenter, Richard Redgrave and Dante Gabriel Rossetti, I trace the emergence of social commitment and social realism in English painting. Considering art and artists from the early decades in relation to depictions of the painter in texts by Maria Edgeworth, Edward Bulwer Lytton, Mary Shelley, Joseph Le Fanu, Felicia Hemans, Lady Sydney Morgan, and William Makepeace Thackeray, reveals patterns of representation that marginalized British artists. However, writers such as Letitia Elizabeth Landon and Robert Browning supported contemporary painting and rejected literary myths of the painter. Articulating disparities between the lived experience of painters and their representation calls for modern literary critics to reassess how nineteenth-century writers wrote the painter, and why. Texts that portray the painter as a figure of myth elide gradations of hierarchy in British culture and the important differentiations that exist within the category of artist.
Temple University--Theses
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Sibley, D. Scott. "Exploring the theory of resilient commitment in emerging adulthood: a qualitative inquiry." Diss., Kansas State University, 2015. http://hdl.handle.net/2097/18950.

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Doctor of Philosophy
School of Family Studies and Human Services
Amber V. Vennum
The purpose of this qualitative study was to explore how emerging adults (18-29 year olds) define commitment in romantic relationships and have created meaning from the positive and negative examples of commitment they have witnessed. Twenty (10 men, 10 women) unmarried emerging adults were interviewed individually. Through the use of grounded theory four themes emerged to explain how emerging adults have constructed their understanding of commitment: complete loyalty, investment in the relationship, continual communication, and parental influence. From observing negative and positive examples of commitment, emerging adults learned to discern healthy and unhealthy characteristics of romantic relationships, are working to be different, and have learned what to do to make a committed relationship work long term including the sub-themes of unitedly persevere, prioritize the relationship, consider your partner, give substantial effort, have fidelity. These results extend our knowledge about the model of resilient commitment, and the critical purpose of meaning making. Implications for intervening with emerging adults to strengthen future romantic relationship stability are discussed.
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Taggart, Molly B. "“What’s Love Got to Do with It?” The Effect of Love Styles on the Motives for and Perceptions of Online Romantic Relationships." Kent State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=kent1322468283.

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43

Shannon, Samuel Tomas. "Relational Ethics and Relationship Cycling." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1483649086650909.

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Gordon, Brandon Lee. "Development and Validation of a Tantric Sex Scale: Sexual-Mindfulness, Spiritual Purpose, and Genital/orgasm De-emphasis." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu154203013060414.

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45

Ziegler, Lena M. "A Revisionist History of Loving Men: An Autoethnography and Community Research of Naming Sexual Abuse in Relationships." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1616688614469166.

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Baker, Bethany. "“They Let Me Loose, Will You Hold Me Tight?” Adult Adoptees and Their Romantic Partners' Experience of Attachment After Participating in the HMT Program." Antioch University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1630015535934381.

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Tempesta, Fernández Antonella. "La sexualidad y el concepto del amor romántico en la cultura chilena (a través de la revista femenina Paula 1967-2018)." Doctoral thesis, Universitat Autònoma de Barcelona, 2020. http://hdl.handle.net/10803/670892.

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La revista femenina Paula neix el 1967, una època on la força de la tradició en els costums i especialment, en l'educació de la dona, és més gran. Dins d'aquestes tradicions i costums es busca ressaltar l'elegància, la discreció, la senzillesa, la naturalitat i la senzillesa com les qualitats apreciades de la dona. Dins d'aquesta societat conservadora és que sorgeix el projecte Paula. D'aquesta manera, la revista busca reivindicar a la dona xilena tocant temes socials, culturals, polítics, de llar i cura, etc., de manera directa i clara. no obstant això, mai es deixen de banda els rols tradicionals de la dona xilena de classe mitjana alta. Aquest estudi se centra en l'anàlisi d'entrevistes i reportatges de la revista femenina Paula. Es parteix de la base que els discursos vehiculats per la publicació es troben carregats de significats referits a la feminitat, que explícitament i implícitament defineixen què és ""ser dona"", posicionant d'una determinada manera en l'ordre social i en les relacions de poder. S'estudia la revista Paula a través del temps per a comprovar si el tractament atorgat a la sexualitat femenina (SF) i a l'amor romàntic (AR) s'aborden com discursos transgressors o tradicionals respecte a l'alliberament femení, així com en què mesura la revista va servir com a via per a transformar les vivències de la població femenina respecte als usos sexuals.
La revista femenina Paula nace en 1967, una época donde la fuerza de la tradición en las costumbres y especialmente, en la educación de la mujer, es mayor. Dentro de dichas tradiciones y costumbres se busca resaltar la elegancia, la discreción, la sencillez, la naturalidad y la simpleza como las cualidades apreciadas de la mujer. Dentro de esta sociedad conservadora es que surge el proyecto Paula. De esta forma, la revista busca reivindicar a la mujer chilena tocando temas sociales, culturales, políticos, de hogar y cuidado, etc., de forma directa y clara. No obstante, nunca se dejan de lado los roles tradicionales de la mujer chilena de clase media alta. Este estudio se centra en el análisis de entrevistas y reportajes de la revista femenina Paula. Se parte de la base de que los discursos vehiculados por la publicación se encuentran cargados de significados referidos a la feminidad, que explícita e implícitamente definen qué es “ser mujer”, posicionándola de una determinada manera en el orden social y en las relaciones de poder. Se estudia la revista Paula a través del tiempo para comprobar si el tratamiento otorgado a la sexualidad femenina (SF) y al amor romántico (AR) se abordan como discursos transgresores o tradicionales respecto a la liberación femenina, así como en qué medida la revista sirvió como cauce para transformar las vivencias de la población femenina respecto a los usos sexuales.
The women's magazine Paula was born in 1967, a time where the strength of tradition in customs and especially, in the education of women, is higher. Within these traditions and customs, the aim is to highlight elegance, discretion, simplicity, naturalness and simplicity as the appreciated qualities of the woman. It is within this conservative society that the Paula project arises. In this way, the magazine seeks to vindicate the Chilean woman by touching on topics social, cultural, political, home and care, etc., directly and clearly. Not However, the traditional roles of the Chilean class woman are never neglected High average. This study focuses on the analysis of interviews and reports from the magazine female Paula. It is assumed that the discourses conveyed by the publication are loaded with meanings referring to femininity, which explicitly and implicitly define what “being a woman” is, positioning it in a certain way in the social order and in power relations. The Paula magazine through time to check if the treatment given to the female sexuality (SF) and romantic love (AR) are addressed as discourses transgressors or traditional regarding female liberation, as well as in what measure the magazine served as a channel to transform the experiences of the population feminine regarding sexual uses.
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Stillman, Johanna. "Love Song." Thesis, Konstfack, Institutionen för Konst (K), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5791.

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Love Song is an essay about romance, passion, obsession, attraction, Eros, intoxication, infatuation, to fall in love and love. Love songs, as artworks, are almost always directed towards a nameless “you” and this essay wants to talk to you. The text might be seen as a way to create and rewrite something, a performance to understand other performances, a dwelling on past relationships, a love letter, or just a text for me to vent you with others that have been thinking about you. I would love to hear Elsa von Freytag-Loringhoven, Chris Kraus, Beyoncé, Bell Hooks, Anaïs Nin and Taylor Swift talk to each other about art and romances, but because that is an impossible dream I try to connect them and many other thinkers, artists and singers through language. One of them, Roland Barthes once wrote: "Language is a skin: I rub my language against the other. It is as if I had worlds instead of fingers, or fingers at the tip of my worlds."[1] Love Song is, more than anything else an attempted to touch you, a strategy to better understand the way you made and make me feel.   [1] Roland Barthes, A Lover’s Discourse – Fragments, original: Fragments d’un discours amoureux, 1977, translation from French: Richard Howard, Edition du Seuil, 1978, p. 73.
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Båth, Katarina. "Ironins skiftningar — jagets förvandlingar : Om romantisk ironi och subjektets paradox i texter av P. D. A. Atterbom." Doctoral thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-319276.

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This dissertation explores the intimate relationship between irony and romantic subjectivity, by drawing on feminist psychoanalytical theory, via an examination of the shiftings of irony, and humor, in the works of the Swedish romanticist P. D. A. Atterbom (1790–1855). It looks at the critical role played by irony in the formation of Romantic subjectivity, and explores irony’s potential to undermine dualistically gendered notions of subject-object relations. For Atterbom, irony is an aesthetic concept closely related to drama, informed not only by German Romantic-ironic theorists such as Friedrich Schlegel and Jean Paul, but also by the works of Shakespeare, Ludwig Tieck, and E. T. A. Hoffmann. The thesis follows the shiftings of Romantic irony in Atterbom’s major literary texts: the cycle of poems Blommorna [The Flowers] (1811), where the Ovidian transformations are used metafictively to play with the relation between poet, poem, and reader; and the literary satire Rimmarbandet [The Rhyme Band] (1810), which, inspired by Tieck’s Der Gestiefelte Kater (1797), uses the metafictive theatre-in-the-theatre motif, as well as carnivalesque and grotesque motifs to expose contrived theatricality and homosocial misogyny in the prevailing culture. The dynamic between the satirist’s subject and the attacked object is a polarized power struggle, where revolt is followed by submission. In this respect, Romantic satire is here conservative. In the fairy tale play Lycksalighetens ö [Island of Felicity] (1824–27), tragedy’s irony is a dialectic between the ideal and the real that strives to create both inner and outer renewal. The play reaches out metafictively to the reader and turns her/him into the poet of a new version of the fairy tale. The reading/writing process inscribed in the work thus becomes a form of renewal and liberation from grief, and old, patriarchal gender roles. Finally, the humorous, unfinished idyll Fågel Blå [Blue Bird] (1814, 1818, 1858) is a work in many pieces, a fragment, a sketch and a non finito that together stages a restorative creative process, where the reader is asked to take part in joining together the scattered parts of Blue Bird itself. To conclude, irony is a feature of Romanticism, which makes the Romantic, literary subject relational and dialogical, open to its Other, and herein lies a form of ethics and an escape from a conventional, patriarchal notion of the self. I discuss this with Julia Kristeva’s theories on how subjectivity changes when it becomes poetic and Jessica Benjamin’s Winnicott-influenced theory of how play can offer a way out from patriarchy’s strict gender roles. The shiftings of irony in Atterbom’s work show a development from the satirical subject, where an aggressive form of self-assertion conceals a lack of individuality – via tragedy’s painstaking efforts to integrate repressed aspects of the self – to the idyll’s more harmonious subject, who has the capacity to laugh at him/herself and see both the grotesque in the holy, and the holy in the grotesque.
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ANSELMO, ANNA. "La "poetica dell'incontrollabilità": l'Endymion di Keats, la lingua e i periodici romantici." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/935.

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"Endymion" è il traît d'union tra i juvenilia di Keats ("Poems", 1817) e i suoi lavori più conosciuti ("Lamia, Isabella ... and other Poems"). Per sua natura, è un'opera di transizione e quindi concede allo studioso un punto di vista privilegiato sullo sviluppo della poetica e della lingua di Keats. Inoltre, l'"Endymion" è l'opera keatsiana più aspramente contestata dalla critica romantica. Gli studiosi moderni hanno analizzato il problema alla luce di considerazioni socio-politiche, il mio lavoro mira invece ad un'analisi più strettamente linguistica. Ricostruisco il contesto linguistico del diciottesimo e diciannovesimo secolo al fine di spiegare il disagio dei recensori nei confronti di "Endymion". Sostengo che il prescrittivismo del Settecento nasce da una profonda ansia relativa alla lingua, causata dalle teorie di Locke. L'atteggiamento prescrittivista influenza la critica romantica e i critici di Keats in particolare, più di quanto potessero fare considerazioni di natura politica. Analizzo le peculiarità linguistiche e strutturali di "Endymion" al fine di provare che Keats elabora una 'poetica dell'incontrollabilità', una serie di strategie stilistiche e testuali, che violano le convenzioni linguistiche e narrative e che vengono quindi percepite come destabilizzanti e stranianti.
"Endymion" is the traît d’union between Keats’s juvenilia ("Poems", 1817)and his better known, and, conventionally, ’mature’ works ("Lamia, Is- abella ... and other Poems", 1820). By its nature, it is a transitional work, and thus gives the scholar special insight into the development of Keats’s poetics and idiom. Moreover, "Endymion" is the Keatsian work which most irritated and provoked contemporary critics; the two pieces of venomous invective it received in the periodical press of the time have become the stuff of scholarly legend. Recent scholarly work has analysed the language of "Endymion" in socio-political terms; my work focuses on more strictly linguistic concerns. I reconstruct the linguistic context of the eighteenth and early nineteenth centuries in order to explain the reviewers’ unease with regard to "Endymion". I maintain that eighteenth-century prescriptivism arose from a deep-seated anxiety regarding language, Lockian in origin, and that the ensuing desire to stabilize and therefore control language informed Romantic criticism in general, and the criticism of Keats’s work in particular, more fundamentally than politics could or did. I analyse the imaginative and linguistic markers of "Endymion" in order to prove that Keats had elaborated a “poetics of uncontrollability”, a series of textual and stylistic strategies, which violated linguistic and narrative standards and were therefore perceived as unsettling.
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