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Relevant bibliographies by topics / Romanticismo francese

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Academic literature on the topic 'Romanticismo francese'

Author: Grafiati

Published: 11 March 2023

Last updated: 31 July 2025

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Journal articles on the topic "Romanticismo francese"

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ISBELL, J. "Review. Immagini di Faust nel romanticismo francese. Balmas, Enea." French Studies 45, no. 4 (1991): 470. http://dx.doi.org/10.1093/fs/45.4.470.

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LLOYD, R. "Review. Licantropi e meteore. Saggi sul romanticismo francese. Contrappunti. Pompili, Bruno." French Studies 40, no. 4 (1986): 474. http://dx.doi.org/10.1093/fs/40.4.474.

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Farinella, Calogero. "Caleb Williams, o l’umamanità divisa: letteratura e politica in William Godwin." ACME 74, no. 1 (2021): 99–116. http://dx.doi.org/10.54103/2282-0035/16794.

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Storico dai molteplici interessi, bibliotecario, musicista, uomo di cultura e grande modernista, studioso, in particolare, dell’Italia settecentesca, Calogero Farinella ci ha prematuramente lasciati nel giugno del 2019, a poco più di sessanta anni. Le sue pubblicazioni sulla Genova del Settecento e sulla scienza illuminista (veronese specialmente: Francesco Bianchini, Anton Mario Lorgna e l’Accademia dei Quaranta) fanno e faranno sempre data negli studi di storia della cultura. Allievo tra i più brillanti di Salvatore Rotta (1926-2001), dal quale mutuò la passione per il XVIII secolo in partic

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Guzmán Guzmán, María Aránzazu. "La literatura francesa decadentista, con textos inéditos de un ciclo de conferencias de Emilia Pardo Bazán." Epos : Revista de filología, no. 29 (January 1, 2013): 165. http://dx.doi.org/10.5944/epos.29.2013.15188.

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Emilia Pardo Bazán impartió, entre los meses de marzo y abril de 1918, un ciclo de conferencias sobre literatura francesa decadentista en el Ateneo de Madrid. La escritora, que ya había publicado tres volúmenes sobre literatura francesa, acerca del Romanticismo, la Transición y el Naturalismo, proyectaba publicar un cuarto estudio sobre el Decadentismo con parte de la documentación de estas conferencias, pero dicho proyecto nunca vio la luz. En este artículo analizo las seis conferencias inéditas que componían el ciclo, y edito aquellas parcialmente conservadas en el Archivo de la Real Academi

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García Castañeda, Salvador. "Ana María Freire. “Índice bibliográfico de la Colección del Fraile”. Madrid: Ministerio de Defensa, 2008, 2ª. edición, 504 pp.; “Entre la Ilustración y el Romanticismo. La huella de la Guerra de la Independencia en la literatura española”. Alicante, 2008." BOLETÍN DE LA BIBLIOTECA DE MENÉNDEZ PELAYO 85, Único (2022): 540–45. http://dx.doi.org/10.55422/bbmp.708.

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Aquí se reseñan dos obras de Ana María Freire, cuyas fechas de publicación son parecidas. La primera obra es la segunda edición de su propia tesis doctoral, Índice bibliográfico de la Colección del Fraile. Freire da importancia a un personaje poco conocido, Fray Salvador Joaquín de Sevilla, un capuchino que escribió extensas obras que aún se conservan en distintas instituciones oficiales. La colección se basa en documentos de su hermano, tarea que no le debió de parecer muy ardua debido a su experiencia como bibliotecario y a su curiosidad, paciencia y laboriosidad. En la colección hay diverso

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Diaby, Bakary. "Counting the Bodies: Ferguson and Ferguson1." Essays in Romanticism 27, no. 2 (2020): 153–65. http://dx.doi.org/10.3828/eir.2020.27.2.5.

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This article examines the political and interpretive possibilities of Romantic Idealism for understanding contemporary American race relations. Working with Frances Ferguson’s Solitude and the Sublime, it puts Romantic aesthetics into a mutually constructive dialogue with afropessimist thought. That is, the underlying logic of Black Lives Matter proves to be one composed of Romantic “counting” as well as an afropessimist stance on Black alterity. Black Lives Matter, in this sense, features an aesthetics of omission and accumulation that reveals how Romantic Idealism intersects with a more expa

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Schmidt-Welle, Friedhelm. "Traducción y transculturación del romanticismo europeo en Esteban Echeverría." Cuadernos de Literatura 21, no. 41 (2017): 114. http://dx.doi.org/10.11144/javeriana.cl21-41.ttre.

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En este artículo se analizan los procesos de traducción cultural, apropiación y transculturación del Romanticismo Europeo —sobre todo del francés— en la ensayística de Esteban Echeverría. En sus textos, existe una relación íntima entre romanticismo, liberalismo y modernidad. El autor se apropia de ciertos elementos de lo romántico, como el concepto de la modernidad y los principios de la Revolución francesa, pero rechaza otros como la revolución estética, la formulación radical del sujeto moderno, la cultura popular como base de la cultura nacional, o la emancipación de las mujeres. La apropia

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O'Grady, Deirdre. "Da Dante a Mercadante: Francesca da Rimini voce del belcanto ottocentesco." Dante e l'Arte 8 (March 7, 2022): 183–202. http://dx.doi.org/10.5565/rev/dea.145.

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Questo studio rintraccia l’evoluzione della figura di Francesca da Rimini da voce poetica dantesca, a voce scenica del Romanticismo italiano per arrivare sulla scena lirica ottocentesca in veste di primadonna, espressione del belcanto ottocentesco. In questo nuovo contesto Francesca si esprime come voce del Romanticismo medievale. Questo itinerario la libera dall’essere strumento della dottrina tomistica per diventare una figura che medita su una filosofia tutta nuova, che la spinge a riflettere sulla natura della colpevolezza e sul suo rapporto con l’innocenza. Nel campo della musica, il mano

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Pagni, Andrea. "Presencia de La poesía francesa moderna de Enrique Díez-Canedo y Fernando Fortún en Los heraldos negros y Trilce." Archivo Vallejo 3, no. 6 (2020): 97–127. http://dx.doi.org/10.31381/archivovallejo.v3n6.5212.

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Este artículo se centra en el impacto de la presencia de La poesía francesa moderna en la poesía y la poética de César Vallejo. Primero examino cómo Vallejo procesa y cita sus lecturas en su tesis El Romanticismo en la poesía castellana y describo someramente la antología de Díez-Canedo y Fortún. Luego, sitúo a Vallejo y su lectura de la poesía simbolista francesa traducida en el contexto socio-literario peruano entre 1914 y 1922, año de publicación de Trilce. Finalmente, analizo la presencia de la antología en los poemas «Simbolista», primera versión de «Retablo», de Los heraldos negros, y en

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Gladieu, Marie-Madeleine. "Resonancia de poemas franceses en Los heraldos negros." Archivo Vallejo 4, no. 4 (2019): 347–59. http://dx.doi.org/10.34092/av.v4i4.99.

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Si es indudable la influencia de poetas románticos y modernistas, hispanoamericanos y españoles, la lectura de obras de poetas franceses del siglo XIX y comienzos del XX, románticos, parnasianos, simbolistas y otros dejó en este poemario huellas no menos ciertas. María Rosa Sandoval leía para el grupo de jóvenes poetas textos de Baudelaire, Nerval, Verlaine, Samain, Laforgue, Mallarmé, etc. Vallejo escuchó, entre otros poemas que también examinaremos, Un coup de dés, que despertó en él una serie de resonancias debidas a los sonidos del francés cf. La música verlainiana—, interpretadas de varia

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Dissertations / Theses on the topic "Romanticismo francese"

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REGGIANI, Greta. "Visioni dell'Altra: fascino e terrore, bellezza e fatalità della figura femminile nei racconti fantastici di Théophile Gautier e di altri maestri del Romanticismo francese." Doctoral thesis, Università degli Studi di Verona, 2007. http://hdl.handle.net/11562/338159.

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Cucciniello, O. "MILANESI A PARIGI. LA FORTUNA CRITICA FRANCESE DEGLI ARTISTI DI FORMAZIONE LOMBARDA ALLE ESPOSIZIONI DI PARIGI NELLA SECONDA METÀ DELL'OTTOCENTO." Doctoral thesis, Università degli Studi di Milano, 2016. http://hdl.handle.net/2434/373759.

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Milanese people in Paris. The French critical reception of the artists that studied in Lombardy on the exhibitions in Paris during the second half of the 19th Century. The topic of the dissertation is the critical reception of the Lombard art in the second half of the 19th Century in Paris, between printed and archival sources from these years, based on the Parisian universal exhibitions and the annual Salon. As the universal exhibitions are a mirror of the society, important changes in art and politics that characterized the period, both in Italy and in France, are clearly reflected by the

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FIACCADORI, CHIARA. "FRANCESCO SCARAMUZZA (SISSA, 1803 - PARMA, 1886)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2016. http://hdl.handle.net/10280/10488.

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Il presente studio si propone di ricostruire, in una dimensione monografica, la figura di Francesco Scaramuzza, personalità artistica prolifica che ha determinato nella prima metà dell’Ottocento il nuovo corso della pittura parmense. Interprete e portatore di un Romanticismo atipico, fu debitore, a suo modo, tanto della lezione dei Nazareni quanto, più tardi, della svolta lombarda verso i temi contemporanei, senza mai trascurare l’amata impronta correggesca. L’artista attraversa tre distinti momenti di committenza, dal governo restaurato di Maria Luigia d’Asburgo, dopo la parentesi napoleonica

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FIACCADORI, CHIARA. "FRANCESCO SCARAMUZZA (SISSA, 1803 - PARMA, 1886)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2016. http://hdl.handle.net/10280/10488.

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Il presente studio si propone di ricostruire, in una dimensione monografica, la figura di Francesco Scaramuzza, personalità artistica prolifica che ha determinato nella prima metà dell’Ottocento il nuovo corso della pittura parmense. Interprete e portatore di un Romanticismo atipico, fu debitore, a suo modo, tanto della lezione dei Nazareni quanto, più tardi, della svolta lombarda verso i temi contemporanei, senza mai trascurare l’amata impronta correggesca. L’artista attraversa tre distinti momenti di committenza, dal governo restaurato di Maria Luigia d’Asburgo, dopo la parentesi napoleonica

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Costello, Lauren Michelle. "A sociological study of the formation of the Romantic identity in France." Thesis, Boston University, 2005. https://hdl.handle.net/2144/32860.

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Thesis (B.A.)--Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-01

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Cavalcante, Cristovam Bruno Gomes [UNESP]. "O perfeito mágico das letras francesas: aproximações entre o conto fantástico e a poesia de Théophile Gautier." Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/140151.

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Submitted by Cristovam Bruno Gomes Cavalcante null (cbgc13@hotmail.com) on 2016-06-29T13:34:53Z No. of bitstreams: 1 DissertaçãoCompleta_Cristovam (1).pdf: 1132842 bytes, checksum: eefe8fc59411468245d6adbaeaaa670d (MD5)<br>Approved for entry into archive by Ana Paula Grisoto (grisotoana@reitoria.unesp.br) on 2016-06-30T18:29:39Z (GMT) No. of bitstreams: 1 cavalcante_cbg_me_arafcl.pdf: 1132842 bytes, checksum: eefe8fc59411468245d6adbaeaaa670d (MD5)<br>Made available in DSpace on 2016-06-30T18:29:39Z (GMT). No. of bitstreams: 1 cavalcante_cbg_me_arafcl.pdf: 1132842 bytes, checksum: eefe8fc5

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Mendes, Maria Lúcia Dias. "No limiar da História e da Memória: um estudo de \'Mes Mémoires\', de Alexandre Dumas." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8146/tde-01112007-143905/.

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A tese faz uma leitura da obra Mes mémoires de Alexandre Dumas a partir da visão de Georges Gusdorf sobre as escrituras do eu. A pesquisa parte da hipótese de que mesmo sendo uma obra memorialística mescla interesses e técnicas utilizadas por Dumas em outras obras. No início, as idéias de Philippe Lejeune e de Georges Gusdorf são apresentadas, e o conceito de memória esboçado. Devido à profunda ligação entre memória e História, analisou-se as mudanças ocorridas no início do século XIX na historiografia e literatura francesas, influenciadas por Walter Scott e como Dumas as assimilou em sua obra

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Baril, Joselle. "Quatre poètes au jardin des Oliviers." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79822.

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In the course of the romantic movement, the vision of the poetic ministry has been expressed by several poets through the figure of Jesus at the Mount of Olives. While Lamartine appropriates the suffering of Christ in order to proclaim himself to be a poet-prophet, Vigny refuses the silence of God. He, thus, accomplishes his poetic mission against God. Whereas Hugo does not take into consideration the meaning of Jesus' agony in order to make the Gethsemane a place of glory, Nerval rejects the notion of a Christlike mission. Hence, by putting into words the death of God, he foretells wha

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Paixao, Grace Alves da. "Natureza e artificialidade nas mulheres das poesias de Victor Hugo e Charles Baudelaire." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8146/tde-12112010-161229/.

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O objetivo da presente pesquisa é comparar as figuras femininas das poesias de Victor Hugo e Charles Baudelaire, tendo como eixo de análise a expressão da natureza e da artificialidade. O trabalho realiza-se especialmente a partir da leitura de poemas e consiste numa reflexão sobre as comparações entre os poetas encontradas na fortuna crítica, em uma apresentação geral de suas obras voltada para o estudo do progresso, da função do poeta e da paisagem em relação ao contexto do século XIX, e na análise de correlações e diferenças nas imagens de mulheres de suas poesias.<br>The aim of this resear

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Persillet, Chloé. "Peindre pour réenchanter le monde : poïétique et technocritique." Electronic Thesis or Diss., Montpellier 3, 2024. http://www.theses.fr/2024MON30077.

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Ce travail de thèse, qui prend pour objet ma propre pratique picturale, interroge la portée critique de la peinture à l’heure où l’idéologie du progrès et l’hégémonie de la technologie accroissent toujours plus leur emprise sur l’expérience sensible de notre rapport au monde, menant à un désinvestissement du réel qui se traduit dans la sphère artistique par sa dé-définition, entre mécanisation de l’œuvre et désartification de l’art. En replaçant au cœur du processus de création le travail d’atelier et la matérialité de l’œuvre, mon travail se propose de soutenir en quoi le réinvestissement de

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Books on the topic "Romanticismo francese"

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Annarosa, Poli, ed. Rappresentazioni del sacro nel romanticismo francese. Centro interuniversitario di ricerche sul viaggio in Italia, 2001.

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Convegno su Rappresentazioni del sacro nel romanticismo francese (2000 Verona, Italy). Rappresentazioni del sacro nel romanticismo francese. Centro interuniversitario di ricerche sul "Viaggio in Italia", 2002.

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Balmas, Enea Henri. Immagini di Faust nel romanticismo francese. Schena, 1989.

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Randi, Elena. Anatomia del gesto: Corporeità e spettacolo nelle poetiche del romanticismo francese. Esedra, 2001.

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Randi, Elena. Anatomia del gesto: Corporeità e spettacolo nelle poetiche del romanticismo francese. Esedra, 2001.

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Adinolfi, Pierangela. Passione e virtù: L'idea di felicità nella prima stagione del romanticismo francese. Edizioni dell'Orso, 1999.

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Scavalla, Stefano. Dal Romanticismo tedesco all'Impressionismo francese: L'evoluzione stilistica e formale del linguaggio musicale nella letteratura pianistica. Stamen, 2019.

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Yáñez, Adriana. El nihilismo y la muerte de Dios. Universidad Nacional Autónoma de Mexico, 1996.

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Crossley, Ceri. French Historians and Romanticism. Taylor & Francis Inc, 2003.

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Lavin, Marilyn Aronberg. Piero della Francesca. Thames and Hudson, 1992.

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Book chapters on the topic "Romanticismo francese"

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Steiner, Enit K. "Romantic Education, Concealment, and Orchestrated Desire in Rousseau’s Emile and Frances Brooke’s Julia Mandeville." In Romanticism, Rousseau, Switzerland. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137475862_2.

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Fiore, Arianna. "«Francisca de Rímini» di Vicente Colorado: una rilettura drammatica del tardo romanticismo iberico." In L'illustre volgare. Società Editrice Fiorentina, 2022. http://dx.doi.org/10.35948/dilef/978-88-6032-685-0.06.

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Il saggio si concentra sulla Francisca de Rímini (episodio dramático), tragedia in tre atti e in verso pubblicata nel 1897 da Vicente Colorado, un drammaturgo spagnolo della seconda metà dell’Ottocento, e sul debito che tale opera dimostra di avere con la Francesca da Rimini (1815) di Silvio Pellico, che nel 1857 venne messa in scena al Teatro de la Zarzuela di Madrid, tanto da sembrarne una riscrittura.

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Coeckelbergh, Mark. "Romanticism." In New Romantic Cyborgs. The MIT Press, 2017. http://dx.doi.org/10.7551/mitpress/9780262035460.003.0002.

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In chapter 2 historical Romanticism is outlined as it emerged and thrived in Germany, Britain, and France around 1800 and as it reached deep into the nineteenth century. The works and lives of Rousseau, Novalis, Morris, and others are discussed for this purpose. Moreover, he social and political side of Romanticism (Ruskin, Morris, and Marx) and romantic Gothic are discussed. Historical Romanticism is then linked to romanticism more broadly defined. The author argues that in many ways romanticism still persists today and that there is a line to be drawn start from Rousseau in the late eighteen

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DUGGAN, CHRISTOPHER. "Childhood, Youth, and Romanticism." In Francesco Crispi 1818-1901. Oxford University Press, 2002. http://dx.doi.org/10.1093/acprof:oso/9780198206118.003.0002.

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"What Happens When Jane Austen and Frances Burney Enter the Romantic Canon?" In Lessons of Romanticism. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822399100-019.

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Galperin, William. "What Happens When Jane Austen and Frances Burney Enter the Romantic Canon?" In Lessons of Romanticism. Duke University Press, 1998. http://dx.doi.org/10.1215/9780822399100-018.

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GALPERIN, WILLIAM. "What Happens When Jane Austen and Frances Burney Enter the Romantic Canon?" In Lessons of Romanticism. Duke University Press, 1998. http://dx.doi.org/10.2307/j.ctv11cw5nd.21.

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Flynn, Christopher. "Frances Trollope’s America: From Enlightenment Aesthetics to Victorian Class." In Enlightening Romanticism, Romancing the Enlightenment. Routledge, 2016. http://dx.doi.org/10.4324/9781315579832-10.

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"2. La ocupación francesa y el teatro." In El teatro español entre la Ilustración y el Romanticismo. Vervuert Verlagsgesellschaft, 2009. http://dx.doi.org/10.31819/9783954879106-004.

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Bainbridge, Simon. "The Historical Context." In Romanticism. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780199258406.003.0002.

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Abstract The period from the American Declaration of Independence in 1776 to the passing of the Great Reform Bill in 1832 was one of the most dramatic in British history. It is often characterized as ‘the age of revolution’, in reference to events in America and France, to the rise of democracy, and to the various developments known collectively as the ‘industrial revolution’. However, while many historians have emphasized the extent to which Britain was transformed politically, economically, and socially during these years, some have argued that these transformations were produced in what mig

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Conference papers on the topic "Romanticismo francese"

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Zammit, Sarah-Jane. "Notre-Dame as the Memory of Paris: Hugo, the Historical Novel and Conservation." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2023. http://dx.doi.org/10.55939/a5050pxtvl.

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Controversies surrounding the restoration and representation of the narrative and memory of Notre-Dame de Paris are not new. The latest debates remind us that the building has been at the centre of conservation controversies since the nineteenth century. But why is Notre-Dame de Paris central to these debates? The answer appears to lie in its function as a mnemonic device for Paris and the French nation. This paper focuses on the four literary pieces published by Victor Hugo in the period between 1823 and 1832 – ‘Le Bande Noir’ (‘The Black Band’), ‘Note sur la Destruction des Monuments en Fran

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