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Bidgood, Lee, and Shara K. Lange. "Banjo Romantika." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/3655.
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This informal presentation will include discussion with the filmmakers about the background and production of the film "Banjo Romantika," as well as sneak peeks at a selection of key scenes from the film. For more information, visit http://music.virginia.edu/colloquium-lee-bidgood-and-shara-lange-banjo-romantika
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Bidgood, Lee. "Banjo Romantika [Soundtrack album]." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu_books/183.
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The film has moved many audiences, opening new spaces for discussion, art, and movement. Releasing this soundtrack album will provide new opportunities to spark conversations about where bluegrass music can belongs and how we can share a global discourse across cultural boundaries.https://dc.etsu.edu/etsu_books/1203/thumbnail.jpg
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Bidgood, Lee. "Banjo Romantika: Screening and Discussion." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1084.
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Banjo Romantika introduces the musicians who play this unique bluegrass hybrid. Czechs first heard bluegrass during World War II when the Armed Forces Network broadcast American music for soldiers. The music represented freedom to dissatisfied Czechs living in a communist state. Czechs’ love for the music was solidified when Pete Seeger visited and performed in 1964. Inspired by classic American bluegrass sounds, an assortment of musicians from across the formerly communist Czech Republic have melded the past, the political and the present into a lively musical tradition entirely its own.Screening and discussions occurred on the following dates and places:
Czech and Slovak Cultural Association / Minnesota Bluegrass and Old Time Music Association, St. Paul, MN (11/18/2017) William King Museum Speaker Series, Birthplace of Country Music Museum, Bristol, VA (02/07/2017)Mid-Atlantic Chapter of the Society of Ethnomusicology Annual Conference, Charlottesville, VA (03/05/2016)Appalachian Studies Association, Johnson City (03/27/2015)Society for Ethnomusicology, Pittsburgh, PA (11/13/2014)IBMA World of Bluegrass Business Conference, Raleigh, NC (09/28/2014)International Country Music Conference, Nashville, TN (05/24/2014)Colgate University, (9/20-21/2016)Merlefest, Wilkesboro, NC (4/24/2015)College of Charleston (3/19/2015)West Virginia University (11/12/2014)University of Virginia Dept. of Music, Charlottesville, VA (11/8/2013)Walker Arts and History Center, Cary, NC (9/26/2013)Fulbright Distinguished Scholar Series, American Center at the U.S. Embassy, Prague, Czech Republic (6/20/2013)Banjo Jamboree Bluegrass Festival, Čáslav, Czech Republic (6/21/2013, 6/22/2013)Jerome College of Prague, Prague, Czech Republic (6/24/2013)Moravská Zemská Knihovna, Brno (6/27/2013)White Stork Bluegrass Festival, Luka nad Jihlavou (7/8/2013)
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Bidgood, Lee. "Banjo Romantika: Film and Community Effort." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/1042.
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Bidgood, Lee, and Shara K. Lange. "Banjo Romantika: Across Genres & Disciplines." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/3653.
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Lange, Shara K. "Screening: Banjo Romantika: American Bluegrass Music and the Czech Imagination." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/3649.
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Hrubiš, Tomáš. ""Sbohem a řetěz"." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2014. http://www.nusl.cz/ntk/nusl-232399.
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Bidgood, Lee. "Collaboration, Fieldwork, and Film." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/1039.
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Excerpt: I never imagined that I would help produce a documentary film based on my ethnographic fieldwork. Meeting documentary filmmaker Shara Lange during new faculty orientation at the university where we were both newly hired eventually led to our film Banjo Romantika (2013)—a full-length feature based on my research on bluegrass music in the Czech Republic, in which I play a key role as writer, producer, and on-screen character. Taking part in this film project has led me to consider how film enriches relationships with field colleagues, providing new opportunities for teaching and learning. I find that collaborations like ours can reframe and extend ethnomusicological work in productive ways.
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Lennman, Jonatan. "Running in the Romantic Zone / Löpning i den romantiska zonen : Landskap, arkitektur, rörelse." Thesis, Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7695.
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Arbetet bygger på ett intresse för förhållandet mellan staden Stockholm och den omgivande landsbygden och vildmarken, det vill säga de resurser som staden förbrukar, och hur det förhållandet tar sig uttryck i stadens rekreationslandskap. Det kan delas in i tre delar: en researchdel med fokus på en vald “zon” i Stockholm, en designdel med ett gestaltningsförslag till en byggnad samt en performativ del: genomförandet av ett löpevenemang genom landskapet, Romantic Run 2020. Vid spetsen på en av Stockholms ”gröna kilar”, Tyrestakilen, där Nackareservatet möter staden, finns en plats som jag ser som särskilt romantisk. Vi stadsbor springer, cyklar och tränar oss igenomett landskap som vi samtidigt formar till en dröm om ett lantligt förflutet, ofta klädda i avancerade sportkläder och utrustning. Det är ett fantastiskt vackert landskap. Där finns kolonilotter som antyder att det finns ideal om självförsörjning. Viss skog har sparats sen generationer, annan mark brukas som förr för att bärga hö. Där finns en konstgjord alptopp som är en win-win-lösning när olika delar av staden rivits för att bebyggas på nytt (Globenområdet, Hammarby sjöstad). Inom zonen finns både ett naturreservat och ett byggvaruhus. I det senare handlar vi trävaror som genom sin närhet ser ut att ha en koppling till den närliggande skogen, men så enkelt är det inte om man tänker några steg längre. Sammantaget flödar zonen över av exempel och bilder av vår tids mest centrala motsägelse: den urbana konsumtionen av resurser som utvinns utom synhåll, medan miljön allra närmast förblir (eller görs) orörd och perfekt. Det är psykologins förnekelse men på systemnivå som blir extra synlig här. Ett sätt att ändra utvecklingen kan vara att främja nya “läsningar” av det närliggande landskapet.
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Topínková, Anita. "Noc ve mlýně." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2014. http://www.nusl.cz/ntk/nusl-232420.
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Svensson, Lisa. "Romantik under romantiken : Föreställning och framställning av kärlek i skönlitteratur och hos den svenska högadeln 1741-1782." Thesis, Stockholms universitet, Historiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-145708.
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Romance in the era of romanticism A comparative study of representations and conceptions of love in literature and among the Swedish nobility 1741-1782. The period of investigation chosen for this master’s thesis is often said to be the birth of the romantic era, a time when love supposedly conquered marriage. My aim has been to study both fiction and autobiographical texts, such as diaries and letters, to broaden our understanding of conceptions of love in the period of Romanticism. With hopes to provide a new perspective on historical conceptions of love: how people understood and described it in their everyday lives. The men and women of the nobility are often portrayed as unable to afford love, as it were; too much of their good name and wealth were dependent on marriage alliances and the politics of landed property and inheritance. But they too read the famous novels of their day and were influenced by the changes in culture and society, but to what extent? On the basis of a modern definition of romantic love, I have chosen a number of themes for comparison; independence, gender, class and faith. This study shows that the concept of love imagined and the love experienced differ depending on these themes. Love was an idea as well as an emotion experienced. However, the idea proved elusive in the everyday lives of the men and women studied. The novels are critical towards the nobility’s way of life: love ought to be natural and differences in income or status ought not to stand in the way of love. Love in its purest form was perceived to be a way to God. Two souls in love were considered destined by nature for each other. To love was to live, and to live was to love.
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Schneider, Ulrich Johannes. "Theodore Ziolkowski, Clio the romantic muse : historizing the faculties in Germany, Ithaca 2004 (Rezension)." Universitätsbibliothek Leipzig, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-153809.
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Zu bewundern ist an diesem Buch der detailreiche Überblick, die synthetische Kraft der Nacherzählung einer wichtigen Episode deutscher Geistesgeschichte. Die Aufbruchstimmung während und nach der Napoleonischen Besatzung wird plastisch an einigen Protagonisten verdeutlicht, die in Philosophie, Theologie und Historie wirkmächtig gelehrt und geschrieben haben. Wer für Hegel, Schleiermacher und Niebuhr einen gemeinsamen zeitgenössischen Kontext sucht, kann keine bessere Auskunft erhalten als in dieser spannend erzählten Studie über das romantische Denken in Deutschland.
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Sandin, Malin. "Doppelsinnigkeit in der romantischen Kinderliteratur : Überlegungen zu E.T.A. Hoffmanns "Nussknacker und Mausekönig"." Thesis, Stockholm University, Department of Baltic Languages, Finnish and German, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-7453.
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Masevičiūtė, Kristina. "Šiuolaikinio Lietuvos jaunimo kultūriniai romantinės meilės vaizdiniai." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2009~D_20140626_193638-81455.
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Darbo tikslas yra aptarti egzistuojančias romantinės meilės teorijas ir tyrimus bei ištirti jaunų žmonių kultūrinius romantinės meilės modelių vaizdinius Lietuvos kontekste. Siekiant šio tikslo, sprendžiami šie uždaviniai: (1) aptariamos romantinės meilės universalumą postuluojančios teorijos; (2) nagrinėjamos romantinės meilės istoriškumą ir kultūriškumą teigiančios teorijos; (3) aptariamos sociologines romantinę meilę naginėjančias teorijas ir pateikiamas jų empirinis pagrįstumas; (4) aptariamos kultūrinių romantinės meilės modelių teorines prielaidos; (5) derinant skirtingus metodus, aptariama, kokie kultūriniai romantinės meilės vaizdiniai vyrauja tarp jaunų žmonių Lietuvos kontekste. Tyrimo metodai: mokslinės literatūros ir antrinių duomenų analizė, kiekybinio bei kokybinio tyrimo duomenų analizė. Darbe analizuojamos romantinės meilės teorijos, siekiant išnarplioti romantinės meilės termino daugiareikšmiškumą. Evoliucinė perspektyva romantinę meilę įpina į platesnį poravimosi ir palikuonių auginimo strategijos mechanizmą. Feministinė teorija romantinę meilę laiko represyviu diskursu įkalinančiu moteris tradiciniuose lyčių vaidmenyse. . Darbe romantinę meilę tirsiu kaip kultūrinį modelį, remiantis prof. Victoro de Muncko teorinėmis prielaidomis apie kultūrinį modelį. Sociologinė tarpasmeninių santykių teorinė analizė fiksuojanti intymumo kaitos procesą, darbe tarnauja kaip kontekstas, kuriame kultūriniai romantinės meilės modeliai veiksmų strategijoms suteikia naujas... [toliau žr. visą tekstą]The purpose of the study is to discuss the existing theories and researches on the issues of romantic love and to explore the images of cultural models of romantic love among young people in Lithuanian context. In order to achieve this goal, the study aimed to: (1) discuss theories, which postulate the universality of romantic love; (2) analyze theories, which maintain historical and cultural value of romantic love; (3) discuss and give empirical ground to the theories, which examine sociological aspects of romantic love; (4) discuss the premises of the cultural patterns of romantic love; (5) combining different methods, to discuss what cultural images of romantic love dominate among young people in Lithuanian context. Research methods: the analysis of the academic literature and secondary data, the analysis of the quantitative and qualitative research data. The study analyses the existing theories of romantic love, in order to understand the polysemy of this concept. From an evolutionary perspective romantic love is part of more global mating and caretaking strategies. Feminism considers romantic love to be a repressive discourse, which imprisons women in traditional gender roles. In this study romantic love will be analyzed as a cultural model, according to the theory of cultural model offered by Prof. Victor de Munck. Theoretical analysis of social interpersonal relationships, exploring intimacy tendencies, serves as a context in which cultural models of romantic love... [to full text]
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Stankovic, Aurora. "Romantiska komedier på DVD-omslag." Thesis, Karlstads universitet, Fakulteten för humaniora och samhällsvetenskap (from 2013), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-28248.
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The purpose of this thesis is to analyze DVD covers for the genre romantic comedy from the 2000s as a way to obtain patterns and codes provided by the genre. The theoretical framework consists of previous research that analyzed various posters, theories about semiotics, genre, and visual rhetoric. These theories will help answer the main question and help with the analysis. The objects for observation are ten DVD covers from the genre romantic comedy and a qualitative content analysis is used for this thesis. The movies are from the US and they are all high in Box Office. Box Office stands for how many tickets were sold and how much money a film has earned. The use of numbers from Box Office shows that the movie had a successful marketing prior coming out as DVD. The analysis focuses also on movies from the year 2003 – 2012 as a way to get a ten years gap and also get the contemporary movies. The results show that there are codes and patterns provided from various DVD covers. Visual expressions as clothing, angles, perspectives, postures, facial expressions and colors say a lot about how the genre is visualized. It's also important for these visual expressions to work together – as they tell a story about the relationships and the characters, and also what the movie is going to be about. The main conclusion is that the woman is usually the one who is in focus and she is the active one. This doesn't necessary mean that the woman is in a higher position when it comes to the society or that she'll always have the upper hand in the relationship, but she is the one that has the upper hand right now. It's also clear that the DVD covers show when the couples aren't happily ever after.Syftet med uppsatsen är att analysera DVD-omslag för genren romantisk komedi från 2000-talet för att få fram mönster och koder som ges från genren. Det teoretiska ramverket består av tidigare forskning som analyserat olika affischer - samt teorier om semiotik, genre och visuell retorik. Dessa teorier används för att svara på frågeställningen och för att hjälpa till vid analysen. En kvalitativ innehållsanalys har analyserat tio olika DVD-omslag för genren romantisk komedi. Filmerna som analyserats är från USA och anses som höga inom Box Office. Begreppet Box Office står för hur många biljetter som har sålts och hur mycket pengar en film tjänat in. Användingen av siffor från Box Office visar att filmen hade en lyckad marknadsföring innan den kom ut på DVD, vilket gör att den används för denna analys. Analysen fokuserar sig också bara på filmer från år 2003 – 2012 då man får ett mellanrum på tio år och filmerna blir samtida. Resultatet från den kvalitativa metoden visar att det finns koder och mönster som ges från olika DVD-omslag. Visuella uttryck som kläder, vinklar, perspektiv, kroppshållning, ansiktsuttryck och färger påverkar mycket hur ett DVD-omslag uppfattas och säger mycket om hur genren visualiserats. Det är också viktigt att dessa visuella uttryck arbetar ihop då de tillsammans berättar något om relationerna, karaktärerna och vad filmen kommer att handla om. Slutsatsen visade att kvinnan oftast är den som är i fokus och aktiv. Detta betyder inte nödvändigt att kvinnan är i en högre position i samhället eller att hon kommer alltid att ha övertaget i relationen, men att hon styr just nu. Det är också tydligt att DVD-omslagen inte visar när paren är lyckliga i alla sina dagar.
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Schneider, Ulrich Johannes. "Theodore Ziolkowski, Clio the romantic muse : historizing the faculties in Germany, Ithaca 2004 (Rezension)." Niemeyer, 2006. https://ul.qucosa.de/id/qucosa%3A12961.
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Zu bewundern ist an diesem Buch der detailreiche Überblick, die synthetische Kraft der Nacherzählung einer wichtigen Episode deutscher Geistesgeschichte. Die Aufbruchstimmung während und nach der Napoleonischen Besatzung wird plastisch an einigen Protagonisten verdeutlicht, die in Philosophie, Theologie und Historie wirkmächtig gelehrt und geschrieben haben. Wer für Hegel, Schleiermacher und Niebuhr einen gemeinsamen zeitgenössischen Kontext sucht, kann keine bessere Auskunft erhalten als in dieser spannend erzählten Studie über das romantische Denken in Deutschland.
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Arvidsson, Kristoffer. "Den romantiska postmodernismen : konstkritiken och det romantiska i 1980- och 1990-talets svenska konst /." Göteborg : Univ. Göteborg, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=017012770&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
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Teoli, Maria-Luisa. "La ballata romantica in Italia /." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56622.
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This work deals with the existence of a wide body of ballads in Italy during the romantic era. It disproves Giovanni Berchet's contention in his "Lettera semiseria", the manifesto of Italian Romanticism. He argued that Italy did not have popular literature and, being unaware of an existing tradition, he translated and proposed two of Burger's ballads as examples to be followed.The first two chapters of this thesis concentrate on the origins of the popular ballad and its first occurrence in Italy.
The third chapter examines the major ballad writers in Italy. Particular attention is given to Luigi Carrer and Giovanni Prati.
The final chapters are a discussion of Italy's minor ballad writers, followed by a conclusion.
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CUCCI', GAIA. "A ROLLER-COASTER RIDE: NON NORMATIVE EXPERIENCES AND ROMANTIC COMPETENCE IN ADOLESCENT ROMANTIC RELATIONSHIPS." Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/39100.
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Sebbene lo sviluppo di relazioni sentimentali sia un esperienza normativa dell’adolescenza, diversi fattori di rischio connessi ad essa possono sfociare in problemi per l’adattamento e la salute dell’adolescente. L’esperienza sentimentale in adolescenza non può essere considerata come un percorso lineare, ma dovrebbe essere studiata come un percorso dove diversi di fattori interagiscono l’un l’altro, comportando esiti diversi in base a variabili individuali e contestuali. Inoltre, lo sviluppo di relazioni sentimentali è un processo “in divenire”, pertanto possono emergere e coesistere aspetti di incoerenza.
La tesi parte da queste riflessioni, considerando aspetti normativi e atipici dell’esperienza sentimentale in adolescenza. Il lavoro è diviso in due studi principali. Il primo tratta di due esperienze non normative: l’Adolescent Dating Violence (capitolo I) e il Sexting (capitolo II), con l’obiettivo di identificarne i fattori associati. Il secondo studio si focalizza sul costrutto di Competenza Romantica. Il modello skill-based di Competenza Romantica può fornire una cornice teorica utile per la concettualizzazione e la valutazione dell’esperienza romantica considerandone la complessità. Inoltre, una misura specifica di tale costrutto viene descritta e valutata (capitoli III e IV). Infine l’associazione tra Competenza Romantica, Adolescent Dating Violence e Sexting viene indagata preliminarmente (capitolo V).Despite the development of romantic relationships is a normative experience of adolescence, several risk factors connected to the this experience may lead to problems for adolescents’ adjustment and health. The adolescent romantic experience cannot be considered as a linear way, rather it should be studied as a path where an interplay of factors leads to several different outcomes basing on personal and contextual characteristics. Also, the development of the romantic experience is an “in-progress path”, thus inconsistencies may emerge and coexist. The dissertation starts from this reflection, considering both normative and non-normative aspects of the adolescent romantic experience. The work is divided in two main studies. The first one, is focused on two non-normative experiences: Adolescent Dating Violence (chapter I) and Sexting (chapter II). The main aim is to identify factors that can be associated to those phenomena. The second study deals with the construct of Romantic competence and a specific measure to assess it is evaluated. The skill-based model of Romantic competence is a theoretical framework useful to both conceptualize and evaluate the romantic experience considering its complexity (chapter III and IV). Finally the association between Romantic competence, Adolescent Dating Violence and Sexting is preliminarily explored (chapter V).
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Pouvreau, Ruth. "Schöpferische Weltbetrachtung zum Verhältnis von Einbildung und Erkenntnis in Texten der deutschen Romantik /." Amsterdam ; New York : Rodopi, 2002. http://catalog.hathitrust.org/api/volumes/oclc/50780556.html.
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Peters, Friedrich Ernst. "Thomas Mann und die Romantik." Universität Potsdam, 2013. http://opus.kobv.de/ubp/volltexte/2013/6126/.
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Essay über Thomas Mann, sein Verhältnis zur Romantik und die romantischen Elemente in seinem Werk. Die Gliederung des Textes folgt mit sieben Abschnitten dem Vorbild des "Zauberberg" (1924), der eine wichtige Rolle in Peters' Ausführungen spielt. Kommentare zu Thomas Manns Bildungsroman sind eingebettet in Betrachtungen zu der Polarität von Klassik und Romantik oder zu Künstlertum und Bürgertum. Der 4. Abschnitt des Essays befasst sich mit den "himmelblauen" Vorurteilen zur Romantik und hebt die ganzheitliche Weltkonzeption der Romantiker hervor sowie deren humanistisch geprägtes, am Universalmenschen der Renaissance orientiertes Bildungsideal.
Das Manuskript von "Thomas Mann und die Romantik" befindet sich im zweiten Heft des Manuskriptes von "Heine Steenhagen wöll ju dat wiesen!" und steht in einem metadiskursiven Verhältnis zu Peters' parodistischem Bildungsroman: im 7. und letzten Kapitel seines Essays befasst sich Peters mit Romantheorie auf der Grundlage von Zitaten aus Novalis und Thomas Mann ("Versuch über das Theater"). Er unterstreicht hier zentrale Merkmale des Bildungsromans und entwickelt so die Poetik zu "Heine Steenhagen".
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Meissner, Thomas. "Erinnerte Romantik Ludwig Tiecks "Phantasus"." Würzburg Königshausen und Neumann, 2005. http://deposit.d-nb.de/cgi-bin/dokserv?id=2911754&prov=M&dok_var=1&dok_ext=htm.
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Berg, Junker Maria Constance. "Neural correlates of romantic love and romantic attachment." Thesis, Högskolan i Skövde, Institutionen för biovetenskap, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-16055.
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In the field of neuroscience, being in love and feeling romantically attached to a partner is described as a dynamic process. Romantic love may be viewed as a motivational system, changing throughout time and place, fluctuating on the interest and motivation of the individual. Early memories and attachment towards a caregiver, lay the foundation for later attachment behavior, also known as attachment styles. In this thesis, an exploratory approach is present. The thesis aims to introduce and describe the neural correlates of romantic love and romantic attachment. Brain regions concerned with reward, emotion and thought processing, such as the reward circuitry network of the brain and the limbic system, are being investigated. So are other brain areas involved in romantic love and romantic attachment. Research findings suggest that brain areas responsible for affection, emotional control, learning, memory and social judgment are all involved in the complex processes of being in love and feeling romantically attached. These findings are represented by the involvement of the frontal lobe, cerebral cortex, limbic system, orbitofrontal cortex, and hippocampus, anterior cingulate cortex (ACC), ventral tegmental area (VTA), caudate tail, including the reward pathways of the brain. Distribution and regulation of neurotransmitters such as; vasopressin, oxytocin, dopamine, corticosterone and serotonin are all present in the state of romantic attachment and romantic love. Overlapping evidence confirms the involvement of the reward circuitry network, together with the limbic system as crucial in the formation and maintenance of a romantic relationship.
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Vardy, Alan Douglas. "Romantic ethics /." Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/9362.
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Mikulková, Marcela. "Neon - romantic." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2011. http://www.nusl.cz/ntk/nusl-232319.
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Ruffino, Ian. "Romantic photographs." The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu1328207807.
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Chambless, Cathleen F. "Nec(Romantic)." FIU Digital Commons, 2015. http://digitalcommons.fiu.edu/etd/1933.
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NEC(ROMANTIC) is a poetry collection thematically linked through images of insects, celestial bodies, bones, and other elements of the supernatural. These images are indicative of spells, but the parenthesis around romantic in the collection’s title also implies idealism. The poems explore the author’s experiences with death, grief, love, oppression, and addiction. NEC(ROMANTIC) employs the use of traditional forms such as the villanelle, sestina, and haiku to organize these experiences. Prose poetry and a peca kucha ground the center of NEC(ROMANTIC) which alternates between lyrical and narrative gestures.
NEC(ROMANTIC) is influenced by Sylvia Plath. The author uses Plath’s methods of compression, sound, and rhythm to create a swift, child-like tone when examining emotionally laden topics. Ilya Kaminsky influences lyrical elements of the poems, including surrealism. Spencer Reese’s combination of the natural and personal world is also paramount to this book. Adrienne Rich and Audre Lorde influence NEC(ROMANTIC)’s political poetry.
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Moudrý, Martin. "Pražské romantické varhany." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-177944.
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Vieregge, André. "Nachtseiten die Literatur der Schwarzen Romantik." Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2007. http://d-nb.info/987274651/04.
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Préaux, Alain. "Das Doppelgängermotiv in der Deutschen Romantik." Doctoral thesis, Universite Libre de Bruxelles, 1985. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/279868.
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Melin, Hanna. "” Du är min enda glädje, min kärleks föremål.” : Sekulära och individualistiska kärleksuttryck inom arbetarklassen i 1890-talets Sverige." Thesis, Uppsala universitet, Institutionen för idé- och lärdomshistoria, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-443631.
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The romantic western, heterosexual couple´s love is a social and cultural construction, which has altered in significance and terms between different time periods, places and social or economic groups. The new, modernized ideal of “romantic love” has in earlier research been exclusively linked to the European bourgeois class during the 19th century and their economic and social progress. The modernizing processes in the Western society during this period has also been said to both form and be affected by the romantic ideal of love during the 19th century. Two of the most important processes of modernization in the western society at the time was the secularization and individualization of structures and lives. In this study I explore these modern values and their expressions through and within the romantic love concept typical for the 19th century, within a social and economic group that has not yet been explored in this context; the working class. Through a collection of love letters written by two workers in Sweden during the 1890s I investigate expressions which contain a secular or individualized understanding of love and if and how these expressions differed from the modernity expressed in love letters within the upper-class pairs of the time. My purpose is thus to contribute with a more nuanced and representative account of the origin and practice of the modernized understanding of love, than earlier research has done. In my study I show that the working-class couple in fact seemed to inhabit a more modernized view of love then the contemporary couples from higher parts of society. This was expressed through a lack of Godly love and the absence of religious guilt or conflict related to the worldly love for another person in the letters. The working-class couple also expressed a more modernized understanding of love through a more intense and active need for reflexivity, reciprocity, and confirmation in the building of their relationship. Accept from the fact that this couple still placed God in charge of their future material happiness, the expressions of love within the working-class relationship which I have identified thereby shows a new standpoint to present research; modernization and the romantic love concept during the 19th century do in fact not seem to have been exclusively linked to the upper classes and their material wealth, family structure or gender roles.
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Hoinkis, Tim. "Lektüre, Ironie, Erlebnis system- und medientheoretische Analysen zur literarischen Ästhetik der Romantik [[Elektronische Ressource] /." [S.l. : s.n.], 1997. http://deposit.ddb.de/cgi-bin/dokserv?idn=964517760.
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Andersson, Emilia. "Brustna digitala hjärtan : Om nobbning i spel." Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-12389.
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Pomerantsev, Yevgeniy. "Enchanted truths : romantic and post-romantic models of poetic knowledge /." Ann Arbor, Mich : UMI, 2008. http://opac.nebis.ch/cgi-bin/showAbstract.pl?sys=000281612.
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Deakin, Wayne George. "Recognition and romantic hermeneutics : Hegel and the English romantic tradition." Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/39271/.
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In what follows I seek to articulate a romantic hermeneutics, that is, an interpretive approach to texts acknowledged as central to the canon of English Romanticism, that articulates the human relationship to artistic creation, the natural world and metaphysics. Through this methodological approach I hope to integrate philosophy with the study of English Romanticism, and delineate a coherent, inter-disciplinary corpus of intellectual ideas, all of which can be subsumed under the rubric of “Romanticism.” Using this hermeneutical approach, I offer Hegel's teleological theory as an example of a romantic mythology—that is, a story that attempts to reintegrate the human subject into the natural world whilst at the same time retaining a sense of imaginative autonomy. I offer a reading of Hegel, which combines his social philosophy with his philosophy of art, and integrate the two areas of his work using an expanded understanding of his notion of recognition. What motivates the philosophical approach to English Romanticism, and the use of Hegel as an exemplar of a romantic narrative, is the conviction that the English romantic tradition is philosophically rich in ways not always appreciated by traditional commentary. I posit a connection between seemingly disparate Romanticisms such as those of Wordsworth, Coleridge and the later P.B. Shelley. All of these thinkers and artists present us with varying forms of romantic mythology, each looking to retain a contingent, autonomous subjectivity, whilst retaining a necessary connection to the empirical world. Working on this assumption, I explicate these different romantic narratives, whilst illustrating the structural features common to them all. Central to my thesis is the idea that this philosophical-narratorial template gives the critic a useful hermeneutical reading tool with which to approach texts, which, whilst subsumed under the generic category of Romanticism, offer contradictory conclusions in their treatment of artistic creation, nature and metaphysics. Of course, this is only one approach amongst many, and as such a romantic hermeneutics, that whilst not exhaustive, hopes to add to the other critical prisms through which Romanticism has been explicated as an aesthetic movement, or a substantive canon of texts. I contend that all the major canonical romantic poets covered here approach the problem of philosophical certainty through the romantic ideal that there is an intuitional assent to knowledge through aesthetics. Using a Hegelian approach as an interpretive guide is therefore useful in that Hegel endorses art as a way of apprehending philosophical certainty on the one hand, yet on the other places philosophy on a higher interpretive level. This means that in using Hegel we can gain a double-awareness of our subject matter; we see the strengths of art in its approximation of philosophical certainty, and we can critique it in terms of its relationship to speculative philosophy, which acts as an alternative narrative for attaining philosophical certainty. I aim to argue in this thesis therefore that both the romantic poets and Hegel share a common romantic purpose, which is explored in their romantic mythologies.
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Andolina, Tiffany Lucille. "Self-Monitoring and Romantic Relationships: Individual Differences in Romantic Jealousy." UNF Digital Commons, 2015. http://digitalcommons.unf.edu/etd/603.
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To extend the research on self-monitoring and romantic relationships, we explored the connection between self-monitoring and romantic jealousy using a between-subjects design. We hypothesized high self-monitors (like men) would find sexual infidelity more distressing than emotional infidelity, whereas low self-monitors (like women) would find emotional infidelity more distressing than sexual infidelity. Participants completed the 25-item Self-Monitoring Scale (Snyder, 1974) and 6 hypothetical infidelity scenarios (Buss et al., 1999). To statistically control for third variables, participants also completed the 11-item Sociosexual Orientation Inventory (Gangestad & Simpson, 1991). Although we found a main effect for self-monitoring in romantic jealousy, these results did not support our hypotheses. That is, these reliable differences in self-monitoring reflected more or less distress by emotional infidelity. Limitations (e.g., third variables, directionality) and future directions (e.g., potential moderators/mediators for self-monitoring differences in romantic jealousy) of this research are discussed.
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Lujan, Luciana Savioli. "A melancolia romantica em Freud e Nerval." [s.n.], 2001. http://repositorio.unicamp.br/jspui/handle/REPOSIP/313434.
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Orientador: Mario Eduardo da Costa PereiraDissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Ciências Médicas
Made available in DSpace on 2018-08-03T15:29:04Z (GMT). No. of bitstreams: 1 Lujan_LucianaSavioli_M.pdf: 1153103 bytes, checksum: a97467557413e2ce036503265fe1f540 (MD5) Previous issue date: 2001
Resumo: O objetivo deste estudo é compreender o processo subjetivo da melancolia, tomando por referência a obra literária Aurélia, de Gérard de Nerval. O narrador descreve sua paixão intensa e não correspondida pela musa inspiradora que dá título à obra, no contexto da visão romântica do século XIX, e, através de uma poética ¿viagem ao mundo dos Espíritos¿, persegue uma busca transcendental de si mesmo entre sonhos e visões de uma ¿doce melancolia¿. Uma leitura do percurso do sujeito narrador permitirá compreender em que medida ele sucumbe ao processo melancólico por um efeito reativo ante a perda do ser amado, cuja natureza é idealizada e remete a uma perda anterior, arcaica, narcísica. Este processo encontra-se na descrição psicopatológica de Freud em ¿Luto e Melancolia¿, artigo de 1917. Da apreciação de temas psicanalíticos como o narcisismo ou as relações objetais concernentes às relações amorosas do sujeito, compreende-se um universo melancólico dado pelo conjunto simbólico de elementos como a perda, a ausência, o duplo, a morte - simbólica ou não ¿, inspiradores dos ricos devaneios. Aurélia, como obra romântica e, sobretudo, nervaliana, fornece exclusivamente distintas dimensões da melancolia. Para a apreensão de algumas delas - como a relativa a uma estética romântica espiritualizada, da história da cultura ocidental, ou a do pensador que escreve, própria de sua experiência subjetiva ¿ bem como da melancolia pertencente à dinâmica psicopatológica de Freud, fundamenta-se a pesquisa por meio de um levantamento de dados sobre a história do fenômeno melancólico de acordo com os discursos, de um lado, estético/literário da primeira metade do século XIX, quando Nerval escreve esta última obra antes de seu suicídio e, de outro, médico/psicopatológico e psicanalítico freudiano do início do século XX. Tal cuidado permite pontuar o que há de comum entre estes diferentes discursos, os quais seguem caminhos paralelos em direção às profundezas da alma humana, para, então, proceder ao que é novo da melancolia à área da Psicopatologia Fundamental a que se aplica esta pesquisa. Mais especificamente, para a compreensão dos mecanismos subjetivos desta psicopatologia clássica, acompanha-se a abordagem freudiana da obra literária como recurso heurístico, cujo ponto de encontro entre os diferentes campos do saber foi realizado segundo os pressupostos de que a intuição do poeta determinaria o caminho para captar a essência da alma humana, logo formulado como um marco teórico explicativo pertinente ao campo científico em que Freud quis inscrever a psicanálise. Finaliza-se o trabalho com a referência à atualidade clínica da melancolia e sua intrincada relação com a depressão. Ainda se contempla, à luz da psicanálise, cujas origens podem ser encontradas na reação romântica contra a realidade moderna, uma espécie de atualidade para o resgate desta antiga crítica, renovada nos tempos da ultratecnologia aplicada à ciência que, ainda profundamente empírica e pragmática, carente de olhares críticos e do saber que contempla a subjetividade humana, é capaz, por exemplo, de tornar o medicamento psiquiátrico, sob o discurso da efetividade palpável a partir da supressão ou alívio de sintomas, o amuleto simbólico, amparo aos sujeitos desejantes que sofrem das ¿doenças da alma¿ contemporâneas
Abstract: The objective of this research is to understand the subjective process of melancholy, giving as reference the literary work Aurelia, from Gérard de Nerval. The narrator describes his intense and unrequited passion for the poetic muse, who gives title to the work, in the context of nineteenth century romanticism. Through his ¿journey to the Spirit world¿ he pursues a transcendental self-discovery while encompassing dreams and visions of a ¿sweet melancholy¿. A reading of the narrator¿s subjective exploration will elucidate to which degree he succumbs to the melancholic process in his reaction to losing the loved one, whose nature is idealized and refers to a previous loss - archaic, narcissistic. This process can be found in Freud¿s psychopathological description in ¿Mourning and Melancholy¿, an essay from 1917. With an appreciation of psychoanalytic themes such as Narcissism or object relations concerning the subject¿s love life, it is possible to comprehend a melancholic universe formed by a symbolic ensemble of elements such as loss, absence, double, death - symbolic or not - which give inspiration for the richest reveries and daydreams. In Aurelia Nerval explores different dimensions of melancholy. For an understanding of some of them, such as the one related to a spiritualized romantic aesthetic from the history of occidental culture, or that of the philosopher specific to his subjective experience, as well as the melancholy pertaining to the Freudian psychopathological dynamic, this research is established by a survey of the history of melancholy¿s phenomena. It proceeds according to the literary discourses from the first half of the XIX century on the one hand, when Nerval writes his last work before committing suicide and, on the other hand, psychoanalysis from beginning of XX century, which contemplates a romantic view of melancholy in the referred essay. Such a method allows a definition of what is common between the different discourses following parallel paths towards the profundity of the human soul, and shifts towards what is new in Melancholy in Fundamental Psychopathology. More specifically, for the comprehension of the subjective mechanisms of this classical psychopathology, it follows the Freudian¿s approach of literary works as an heuristic resource, whose points of encounter between these different areas of knowledge rely on his presupposition that the poet¿s intuition would determine the way to apprehend the essence of human soul. This presupposition is later formulated into a theory pertaining to scientific fields on which Freud wanted to inscribe Psychoanalysis. The research ends with a reference to the present clinical understanding of melancholy and its concern about depression. A kind of contemporary rescue of the romantic point of view with regard to psychoanalysis, whose origins can be found in the reaction against modern Rationalism, is thus contemplated. This controversy can be reinvigorated in the light of Ultra scientism which though deeply empirical is destitute of experience that contemplates human subjectivity and is capable, for example, of formulating psychiatric medicine under the concept of concreteness, promising the suppression or alleviation of symptoms but not of the illness. So this medicine becomes the symbolic amulet - a prop for subjects who suffer contemporary ¿soul diseases¿
Mestrado
Saude Mental
Mestre em Ciências Médicas
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Macedo, Litiane Barbosa. "Hollywood romantic comedies." reponame:Repositório Institucional da UFSC, 2014. https://repositorio.ufsc.br/xmlui/handle/123456789/123434.
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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Inglês: Estudos Linguísticos e Literários, Florianópolis, 2014.Made available in DSpace on 2014-08-06T18:12:08Z (GMT). No. of bitstreams: 1 326765.pdf: 1947912 bytes, checksum: 24a5ffd6256800c0a39b95337f4997fd (MD5) Previous issue date: 2014
Comédias românticas têm sido produzidas no cinema popular desde os primeiros filmes com som (Grindon, 2012). Considerando a popularidade deste gênero (Abbott & Jermyn, 2009), e o papel da mídia na construção de identidades como provedor de modelos de como ser e agir (Gauntlett, 2008), a investigação destes tipos de filme pode ajudar a desvendar as representações de gênero de contextos sociais específicos. Além disso, uma perspectiva social semiótica para analisar textos fílmicos pode contribuir para interpretar criticamente como os recursos semióticos são usados em contextos distintos, e como esses recursos constroem a realidade através de discursos, dando oportunidade para questionar estas representações nas quais são normalmente consideradas como naturais. Portanto, o objetivo desta pesquisa é analisar criticamente a representação das protagonistas, Ellie Andrews e Margaret Tate das comédias românticas Aconteceu Aquela Noite (1934) e A Proposta (2009), com base nos estudos de Semiótica Social e Multimodalidade, Linguística Sistêmica-Funcional, Estudos de Gênero e Filme. Este estudo pretende desvendar a construção semiótica-discursiva destas representações, e então contrastá-las a modo de indicar se os discursos sobre feminidade mudaram com o passar dos anos, assim como os papéis das mulheres dentro do contexto de relacionamentos íntimos heterossexuais. Os procedimentos da pesquisa envolvem uma análise verbal e visual detalhada das cenas selecionadas através do sistema de transitividade (LSF) e significados representacionais (GV), e a interpretação dos resultados sob a perspectiva das referencias teóricas deste estudo. Os resultados mostram que, apesar de algumas mudanças progressivas com relação à representação da mulher, ambos os filmes reforçam normas tradicionais de gênero e papeis de feminidade em relações amorosas.
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Arpåker, Martin. "Svensk romantisk sakral körmusik." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1933.
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Peml, Jan. "Pravidla žánru: Romantická komedie." Master's thesis, Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna, 2010. http://www.nusl.cz/ntk/nusl-97121.
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Dreyer, Tom. "Stinkafrikaners : romanteks en besinning." Master's thesis, University of Cape Town, 1999. http://hdl.handle.net/11427/20137.
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Horká, Eva. "Tematické trasy v Německu: nástroj podpory rozvoje cestovního ruchu." Master's thesis, Vysoká škola ekonomická v Praze, 2011. http://www.nusl.cz/ntk/nusl-136295.
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Abstract: The thesis examines the phenomenon of theme/holiday trails in Germany. Main goal of the thesis is to focus on sources for the creation and the sustainable development of these trails. The theoretical part discusses basic terms related to the tourism market, destination marketing and destination management. In the following analytical part is analyzed the situation on the German market: the number and category of trails, their management including financing and an attendance monitoring, Czech-German trails and the Romantic trail. The emphasis is also placed on an analysis of a contribution of theme trails to the development of tourism.
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Crous, Emile David. "Romantik in der Postmoderne : Christian Krachts Faserland." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86419.
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Thesis (MA)--Stellenbosch University, 2014.ENGLISH ABSTRACT: This thesis investigates Romantic motifs in Postmodernism, especially Romantic motifs in Christian Kracht’s postmodern pop novel Faserland. Although in many aspects the era of German Romanticism (ca. 1798 – 1835) in literary history is seen as completed, Romanticism, as demonstrated in this thesis, still plays a significant role in today's postmodern literature. Even though discussions on this subject already exist, by theorists such as Blanning, Safranski and Lüthe, whose views provide the theoretical foundations for this hypothesis, concrete text investigations were yet still absent until now. Based on a comparison between themes and motifs of well-known Romantic texts, such as Heinrich von Ofterdingen (Novalis) , Aus dem Leben eines Taugenichts (Joseph von Eichendorff) as well as Der Sandmann (E.T.A. Hoffmann), and Christian Kracht’s postmodern Faserland, the continuity of Romanticism is illustrated in this study. The study not only provides an in depth analysis of the mentioned texts, but also, by means of comparison, clearly illustrates and evaluates to which extent Romantic thought has altered in a postmodern context.
AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek Romantiese motiewe in Postmodernisme, veral Romantiese motiewe in Christian Kracht se postmoderne poproman Faserland. Alhoewel in baie aspekte die tydperk van die Duitse Romantiek (ongeveer 1798 – 1835) in die literêre geskiedenis as afgehandel beskou word, speel die Romantiek, soos gedemonstreer in hierdie tesis, steeds 'n belangrike rol in vandag se postmoderne literatuur. Hoewel daar reeds besprekings oor hierdie onderwerp bestaan, deur teoretici soos Blanning, Safranski en Lüthe, wie se sienings die teoretiese basis vir hierdie hiptese bied, was konkrete teksondersoeke egter tot nou toe afwesig. Gebaseer op 'n vergelyking tussen die temas en motiewe van bekende Romantiese tekste, soos Heinrich von Ofterdingen (Novalis), Aus dem Leben eines Taugenichts (Joseph von Eichendorff) sowel as Der Sandmann (E.T.A. Hoffmann), en Christian Kracht se postmoderne Faserland, word die kontinuïteit van die Romantiek in hierdie studie geïllustreer. Die tesis bied nie net 'n in diepte ontleding van die genoemde tekste nie, maar illustreer en evalueer ook duidelik, deur middel van vergelyking, tot watter mate Romantiese motiewe in 'n postmoderne konteks verander het.
GERMAN ABSTRACT: Zusammenfassung: In dieser Arbeit wird auf romantische Motive in der Postmoderne, im Besonderen aber auf romantische Motive in dem postmodernen popliterarischen Roman Christian Krachts Faserland eingegangen. Obwohl in der Literaturgeschichte die Epoche der deutschen Romantik (ca. 1798 – 1835) als abgeschlossen gesehen wird, spielt die Romantik, wie in dieser Arbeit gezeigt wird, eine bedeutende Rolle in der heutigen postmodernen Literatur. Auch wenn es bereits Diskussionen zu diesem Thema gibt, von Theoretikern wie Blanning, Safranski und Lüthe, deren Ansichten die theoretischen Grundlagen für diese Hypothese liefern, sind konkrete Textuntersuchungen bisweilen dennoch ausgeblieben. Anhand eines Vergleichs zwischen Themen und Motiven von bekannten romantischen Texten, wie Heinrich von Ofterdingen (Novalis), Aus dem Leben eines Taugenichts (Joseph von Eichendorff) sowie auch Der Sandmann (E.T.A. Hoffmann), und Christian Krachts postmodernen Faserland , wird die Kontinuität der Romantik in dieser Arbeit dargestellt. Die These liefert nicht nur eine eingehende Analyse der genannten Texte, sondern illustriert und bewertet auch deutlich, mit Hilfe von einem Vergleich, inwiefern sich der romantischen Geist sich in einem postmodernen Kontext verändert hat.
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Freitas, Gary. "Romantic attachment styles and coping behaviors in long-distance romantic relationships." College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/1492.
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Thesis (Ph. D.) -- University of Maryland, College Park, 2004.Thesis research directed by: Counseling and Personnel Services. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Malm, Michelle, and Clara Nylund. "Föräldraseparationers påverkan på de uppvuxna barnens romantiska relationer." Thesis, Örebro universitet, Institutionen för juridik, psykologi och socialt arbete, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-69576.
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Separationer har blivit alltmer vanligt i dagens samhälle i Sverige. Idag separerar drygthälften av alla par, vilket kan medföra flera olika typer av konsekvenser för barnen i familjen.Vad tidigare forskning har funnit är att barnens mentala hälsa påverkas negativt men ocksåvissa attitydförändringar till romantiska relationer överlag. Syftet med denna studie var attundersöka om dessa barns framtida romantiska relationer är något som påverkades i och meden föräldraseparation. Även om ålder vid separationen kunde påverka relationerna. Det varnittiofyra studenter vid ett medelstort universitet i Sverige som slumpmässigt valdes ut för attundersökas genom en enkätundersökning. Romantiska relationer definierades genom fyraolika index: trygg; otrygg-undvikande; otrygg-ambivalent; otrygg-desorganiserad. Resultatetvisade att vilken ålder man var vid separationen inte hade någon påverkan på deras framtidaromantiska relationer. Däremot kunde en föräldraseparation till viss del påverka studentersromantiska relationer. Det framkom att en föräldraseparation förutsåg en otryggdesorganiseradanknytning. Däremot sågs ingen signifikant skillnad för resterande tre index. Som slutsats är det inte separationen i sig som påverkar studenternas framtida romantiskarelationer.Separations have become more common in the society of Sweden. Today, about half of the couples separates, which can cause several types of consequences for the children in the family. What previous research has found is that children’s mental health was adversely affected by a separation. Changes in children’s attitudes towards romantic relationships was discovered as well. The purpose of this study was to investigate whether these children’s future romantic relationship are affected by parental separation. How old the children were by the separations were also included in the study. Ninety-four students at a medium-sized university in Sweden were randomly selected to be examined through a survey. Romantic relationship was defined by four different categories: secure; fearful; preoccupied; dismissed. Results showed that how old children were at the parental separation did not affect their future romantic relationships. However, a parental separation could partly affect a student’s romantic relationship. It was found that a parental separation predicted higher levels in the dismissed category. On the contrary, there were no significant differences for the remaining three categories. In conclusion, it is not the separation itself that affects students’ future romantic relationships.
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Milnes, Tim. "Romantic epistemology : Kant and the paradoxes of creation in English romantic theory." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285440.
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Whitehead, S. G. "English pre-romantic and romantic influences in the poetry of V.A. Zhukovskii." Thesis, University of East Anglia, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.380126.
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Evangelista, Stefano-Maria. "Walter Pater's romantic Hellenism." Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400621.
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Epp, Leonard Lawrence. "Coleridge and romantic obscurity." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.432090.
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Schaad, Eric Joseph. "The romantic outlaw narrative /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/6614.
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