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Journal articles on the topic 'Romantika'
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Bogunović Hočevar, Katarina. "Refleksija ob pojmu romantika v glasbi." Musicological Annual 43, no. 2 (December 1, 2007): 265–76. http://dx.doi.org/10.4312/mz.43.2.265-276.
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Zdi se, da je raba pojma romantična glasba ali glasbena romantika v vsakodnevni govorici že tako močno zakoreninjena in samoumevna, da se ponovno preverjanje pomena na videz kaže kot nepotrebno. Pretres nekaterih razprav sodobnega muzikološkega diskurza pa kaže povsem drugačno podobo: opredelitve pojma in pristopi pri tem so si tako zelo različni, da se zdi kakršna koli dokončna definicija pojma nemogoča. Toda iskanja bistva in legitimnih vzrokov za nastanek romantike v glasbi ne smemo omejiti zgolj na muzikološka dognanja, temveč zahteva poznavanje duhovnozgodovinske antropologije novoveškega človeka.
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Mualimin, Mualimin. "Manajemen Dakwah melalui Bantuan Kemanusiaan Korban Banjir di Kabupaten Sambas." Ilmu Dakwah: Academic Journal for Homiletic Studies 11, no. 1 (June 30, 2017): 111–32. http://dx.doi.org/10.15575/idajhs.v11i1.1104.
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Bencana alam merupakan fenomena yang sudah tidak lagi asing bagi masyarakat Indonesia. Diantara bencana alam yang sering terjadi di Indonesia adalah banjir. Akibat banjir yang terjadi, begitu banyak kerugian yang harus ditanggung oleh pemerintah dan masyarakat. Kerugian yang ditimbulkan banjir ini akan semakin kompleks lagi jika daerah yang terkena banjir tersebut merupakan daerah terpencil, tertinggal seperti di desa Semangak dan Sepantai kecamatan Sejangkung kabupaten Sambas. Berbagai upaya dapat dilakukan untuk memberikan bantuan kepada korban banjir dua daerah ini. Diantara upaya tersebut seperti yang dilakukan oleh asrama Romantika yaitu dengan memberikan bantuan makanan dan pakaian layak pakai. Kegiatan filantropi yang dilakukan oleh asrama Romantika mencapai hasil yang melampaui target awal. Keberhasilan ini merupakan indikasi bahwa proses manajemen dalam kegiatan filantropis ini berjalan dengan baik. Masalah yang menjadi fokus dalam penelitian ini adalah tentang proses formulasi, implementasi dan evaluasi dalam manajemen filantropi bantuan untuk bencana banjir di kabupaten Sambas oleh asrama Mahasiswa tahun 2015. Oleh karena itu tujuan penelitian ini adalah untuk menjelaskan proses formulasi, implementasi dan evaluasi dalam manajemen filantropi bantuan untuk bencana banjir di kabupaten Sambas oleh asrama Mahasiswa tahun 2015. Penelitian ini adalah penelitian kualitatif. Metode yang digunakan dalam analisis data adalah deskriptip analitis. Berdasarkan analisa disimpulkan bahwa proses manajemen filantropi dalam bantuan untuk bencana banjir di kabupaten Sambas oleh asrama Mahasiswa tahun 2015 telah dilakukan dengan baik. Masing-masing tahapan dalam manajemen filantropi ini menggunakan pendekatan dan metode yang relevan. Proses formulasi yang digunakan dalam manajemen filantropi asrama Romantika adalah model perencanaan skenario. Proses implementasi dalam manajemen filantropi asrama Romantika menggunakan pendekatan job deskription. Sedangkan proses evaluasi yang dilakukan dalam manajemen filantropi asrama Romantika menggunakan model CIPP.
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Napitupulu, Dedi Sahputra. "Romantika Sejarah Kejayaan Islam di Spanyol." MUKADIMAH: Jurnal Pendidikan, Sejarah, dan Ilmu-ilmu Sosial 3, no. 1 (February 2, 2019): 7–18. http://dx.doi.org/10.30743/mkd.v3i1.886.
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Bogunović Hočevar, Katarina. "Romantika kot glasbenozgodovinsko obdobje - med zakoreninjenostjo in negotovostjo." Musicological Annual 45, no. 1 (June 1, 2009): 17–27. http://dx.doi.org/10.4312/mz.45.1.17-27.
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Aliefta, Dhea Rizka Noor, Mulyono Mulyono, and Maharani Intan Andalas IRP. "ROMANTIKA KESEDERHANAAN DALAM NOVEL HUJAN BULAN JUNI KARYA SAPARDI DJOKO DAMONO: KAJIAN STILISTIKA." Jurnal Sastra Indonesia 7, no. 3 (April 16, 2019): 179–83. http://dx.doi.org/10.15294/jsi.v7i3.29843.
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Sapardi adalah seorang sastrawan yang memiliki nilai keromantisan yang tinggi. Dalam novelnya yang berjudul Hujan Bulan Juni, menggambarkan romantika kesederhanaan mengenai konflik liku-liku kehidupan percintaan yang dialami kedua tokoh yang dibantu tokoh-tokoh lainnya, konflik tersebut dapat diteliti menggunakan gaya bahasa melalui pendekatan stilistika dengan metode deskriptif kualitatif. Penelitian ini bertujuan untuk mengetahui romantika kesederhanaan melalui gaya bahasa dalam novel tersebut serta untuk mengetahui fungsi gaya bahasa yang mengungkapkan keseluruhan maknanya. Novel Hujan Bulan Juni merupakan novel serius, karena menggambarkan perjalanan kehidupan dan percintaan tokoh. Merupakan novel romansa, karena pengarang menggunakan bahasa-bahasa kiasan yang berbentuk narasi bersifat puitis. Gaya bahasa yang mengungkapkan romantika kesederhanaan terdapat empat gaya kalimat, empat gaya kata, bahasa figuratif dengan delapan permajasan, idiom, dan peribahasa, tiga citraan, dan sisipan sajak berfungsi sebagai penekanan antar tokoh, mewujudkan peristiwa, menciptakan makna, menghidupkan objek, suasana, dan alur.
Sapardi is a person who has high of romace value. In his novel, Hujan Bulan Juni, describe the romance of the simplicity of the conflict between the twists and turns of the love life experienced by the two figures assisted by other figures, the conflict can be examined using the style of language through a stylistic appoarch with qualitative descriptive method. This study aims to determine the romance of simplicity through the style of language in the novel as well as to know the function of language style the expresses the whole meaning. Hujan Bulan Juni novel is a serious novel, because it describes of journey of life and romance of a character. It is a romance novel, because the author uses figurative language in the form of narrative is poetic. The style of language that reveals romantic simplicity lies in four sentence styles, four word styles, figurative languages with eight rhimes, idioms, and proverbs, three images, and poet inserts functioning as intercultural emphases, realizing events, creating meaning, animating objects, plot.
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ŞAHİN, Güngör. "Sanatsal Dokunuşla Tasarlanan Bir Aşk Romanı: Romantika." Journal of Turkish Studies 12, Volume 12 Issue 7 (January 1, 2017): 345–68. http://dx.doi.org/10.7827/turkishstudies.11537.
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Lovizer, Lilla. "Dosztojevszkij íráspoétikájához." Iskolakultúra 31, no. 4 (April 1, 2021): 74–89. http://dx.doi.org/10.14232/iskkult.2021.04.74.
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A Megalázottak és megszomorítottak című Dosztojevszkij-regényt ma az író kevésbé népszerű művei között szokás számontartani; mintegy a dokumentarista kéziratra épülő-, illetve a sok tekintetben ars poetikus elbeszélés kiforratlan, átmeneti képződményeként. A szakirodalom számára azonban ezzel együtt is az életmű olyan egyedülálló darabja, mely a hatvanas évek elejére beálló alkotói szemléletváltást a maga egészében jeleníti meg.
Ebben a művében Dosztojevszkij nyíltan szembefordul saját negyvenes évekbeli, romantikus múltjával, s kíméletlen karikatúrát fest a „schillerista idealizmus” különféle megnyilvánulási formáiról. Épp emiatt fontos azonban látni azt is, hogy ebben az eljárásban – a regény közismerten összetett irodalmi kódoltsága mellett – legnagyobb segítségére még mindig ugyanaz az E. T. A. Hoffmann szolgál, akit Dosztojevszkij kamaszkora óta szakadatlanul csodált, s akinek legjellemzőbb szövegalkotó technikái eleve is a korai német romantika esztétikai- filozófiai nézeteihez való szkeptikus-ironikus viszonyt tükrözték. Jelen tanulmány kifejezetten a hozzá fűződő intertextuális jelentésképződést vizsgálja, arra a kérdésre keresve választ, hogy miként generálják a különféle Hoffmann-szövegek a regényi szüzsét; mennyiben élnek tovább és/vagy hogyan íródnak át (destruálódnak) Dosztojevszkij művében a tőle származó romantikus minták.
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Nagode, Aleš. "Romantičnost slovenskega »romantičnega« samospeva." Musicological Annual 42, no. 2 (December 1, 2006): 65–72. http://dx.doi.org/10.4312/mz.42.2.65-72.
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Avtor se posveča upravičenosti uporabe besedne zveze »romantični samospev« kot oznake za slovensko ustvarjanje 19. stoletja v tej zvrsti. Svoje opazovanje izpeljuje iz dveh možnih razumevanj pojma »romantika«: 1. kot oznake za glasbeno ustvarjalnost med leti 1820 in 1850; in kot oznake za del glasbene ustvarjalnosti 19. stoletja, zaznamovan z estetsko idejo »romantične presežnosti«, ki se kaže v poudarjenem preseganju dotedanjih vsebinskih in oblikovnih omejitev.
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HALL, K. M. "Review. La Romantika Periodo. Enkondukoj, notoj kaj tradukoj de Gaston Waringhien." French Studies 40, no. 1 (January 1, 1986): 82. http://dx.doi.org/10.1093/fs/40.1.82.
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Nikulina, Т. M., D. P. Kurunina, and E. A. Galichkina. "NEW CULTIVAR OF PUMPKIN ‘ROMANTIKA’ SUITABLE FOR FARMING PRODUCTION, GARDENING LANDS AND PROCESSING." Vegetable crops of Russia, no. 5 (February 5, 2018): 78–79. http://dx.doi.org/10.18619/2072-9146-2017-5-78-79.
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Veszprémi, Nóra. "Veszprémi Nóra „Romantika és Művészeti Közízlés A Reformkori Magyarországon” Című Doktori (PhD) Értekezésének Vitája." Müvészettörténeti Értesitö 62, no. 1 (June 1, 2013): 153–67. http://dx.doi.org/10.1556/muvert.62.2013.1.14.
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Rochim, Aditya Fatur, Een Nurhasanah, and Dian Hartati. "ROMANTIKA KEHIDUPAN PADA LIRIK LAGU FOURTWNTY SEBAGAI PENGAYAAN BAHAN AJAR INTERAKTIF DALAM MATERI PUISI DI SMA." Jurnal Metamorfosa 9, no. 1 (January 31, 2021): 57–68. http://dx.doi.org/10.46244/metamorfosa.v9i1.1325.
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This research is motivated by the fact that students do not understand language styles. This study aims to (1) describe the results of the language style analysis on the album "Lelaku" and "Ego and Brain Function". (2) compile interactive teaching materials for poetry in high school. This research uses descriptive qualitative method. The research subjects were 10 Fourtwnty songs. The object of research is the lines, phrases, or words in the song lyrics of Fourtwnty. The data collection technique used was documentation study and using internet media. The results of the study (1) show that 10 Fourtwnty songs use 22 types of language styles, namely simile, metaphor, allegory, personification, depersonification, antithesis, correction, hyperbole, oxymoron, climax, sarcasm, anastrophe and inversion, synekdoke, parallelism, euphemism, epithet, assonance, anaphora, epizuekis, anadilopsis, and epanalepsis. Based on a number of language styles found in the 10 songs of Fourtwnty, the meaning of the ten songs is that life has twists that force a person to keep learning and improving oneself. Everyone must aspire to happiness and serenity in life. However, on the other hand, a person must also be prepared to face life's problems. Grieving before being happy, grieving before being happy, or even getting lost before finding the right path. All of that is part of the romance of human life. (2) the results of the analysis are used as interactive teaching materials.
Abstrak
Penelitian dilatarbelakangi dengan adanya fakta bahwa siswa kurang memahami gaya bahasa. Tujuan penelitian ini untuk (1) mendeskripsikan hasil analisis gaya bahasa pada album “Lelaku” dan ”Ego dan Fungsi Otak”. (2) menyusun bahan ajar interaktif materi puisi di SMA. Metode penelitian ini adalah kualitatif deskriptif. Subjek penelitian adalah 10 lagu Fourtwnty. Objek penelitian adalah larik-larik, frasa, atau kata dalam lirik lagu Fourtwnty. Teknik pengumpulan data yang menggunakan studi dokumentasi dan memanfaatkan media internet. Hasil penelitian (1) menunjukan bahwa 10 lagu Fourtwnty menggunakan 22 jenis gaya bahasa yaitu gaya bahasa simile, metafora, alegori, personifikasi, depersonifikasi, antitesis, koreksi, hiperbola, oksimoron, klimaks, sarkasme, anastrof dan inversi, sinekdoke, paralelism, eufimisme, epitet, asonansi, anafora, epizuekis, anadilopsis, dan epanalepsis. Berdasarkan sejumlah gaya bahasa yang ditemukan pada 10 lagu Fourtwnty, maka makna yang tersimpul dari kesepuluh lagu tersebut bahwa kehidupan memiliki lika-liku yang memaksa seseorang harus tetap belajar dan memperbaiki diri. Semua orang pasti mencita-citakan kebahagiaan dan ketenangan dalam hidup. Tetapi, di sisi lain seseorang juga harus siap menghadapi berbagai permasalahan hidup. Berduka sebelum bahagia, bersedih sebelum senang, atau bahkan tersesat sebelum menemukan jalan yang benar. Semua itu adalah bagian dari romantika kehidupan manusia. (2) hasil analisis dimanfaatkan menjadi bahan ajar interaktif.
Kata Kunci: Puisi, Lirik Lagu, Gaya Bahasa, Bahan Ajar Interaktif
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FALUSI, Márton. "ARANY JÁNOS LÍRÁJÁNAK ÉS VERSES EPIKÁJÁNAK RECEPCIÓJA A KORTÁRS MAGYAR KÖLTÉSZETBEN." Hungarológiai Közlemények 18, no. 2 (January 23, 2018): 49. http://dx.doi.org/10.19090/hk.2017.2.49-70.
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A tanulmány Arany János verses epikájának és lírájának kortárs recepcióját elemzi. Röviden bemutatja az életmű értékelésének hullámzásait, a verses epikus és a lírikus korszakok különféle értelmezési irányait, majd a kortárs magyar költészet Arany Jánoshoz való viszonyulását vizsgálja Nagy László, Juhász Ferenc, Orbán Ottó, Ágh István, Kányádi Sándor, Térey János és Lövétei Lázár László munkásságának középpontba állításával. A tanulmány alaptézise szerint fordulat következett be a hagyománytörténésben: a XX. században Arany János lírája látszott korszerűbbnek, mára viszont fölerősödött az epikus struktúrák recepciója. A szerző úgy véli, hogy a magyar költészet történetében akkor erősödnek föl az epikus struktúrák, amikor a költők az individualitás és a kollektivitás etikai problémáit nem ontikusan elválasztva, hanem szinoptikusan összenézve kezelik, s ennek révén tesznek kísérletet az olyan dichotómiák feloldására, mint klasszicizálás és romantika, látszat és valóság, egyéniesség és közösségiség, személyesség és tárgyiasság, affirmáció és alakváltoztatás, valóságreferencia és nyelvi játékosság, sajátszerűség és idegenség, eredetiség és mintakövetés, haza és haladás.
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Mavruk Özbiçer, Seyda, and Meral Atıcı. "University students’ emotional intelligence and romantic relationship satisfaction: A quantitative studyÜniversite öğrencilerinin duygusal zeka düzeyleri ile romantik ilişki doyumları: Nicel bir çalışma." Journal of Human Sciences 15, no. 1 (March 4, 2018): 265. http://dx.doi.org/10.14687/jhs.v15i1.5163.
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The aim of this study is to investigate the relationship between emotional intelligence and romantic relationship satisfaction among university students. Forms used for people’s emotional intelligence Schutte Emotional Intelligence Scale, for romantic relationship satisfaction Hendrick Relationship Satisfaction Scale, for demographic variable Personal Info Form. 546 university student joined to research. 274 of them in Çukurova University; 272 of them in Mersin University; 282 of them at 4th grade and 264 of them at the 3rd grade. All of them filled the Schutte Emotional Intelligence Scale and Personal Info Form. 410 students who have romantic relationship filled the Hendrick relationship satisfaction scale; 261 of them women and 149 of them are men. The age range of the participants is 20 to 28. Data were analyzed by pearson correlation, simple linear regression analysis, Mann Whitney U. test and Kruskal Wallis H. test. Results showed that emotional intelligence is predicting romantic satisfaction. Emotional intelligence and romantic satisfaction is not different in gender. There is little positive and meaningful relationship in emotional intelligence, romantic satisfaction and age. Emotional intelligence of the people who have darlings is higher than those who doesnt. Romantic relationship satisfaction of people with high emotional intelligence is high too. Results showed that people with high emotional intelligence satisfy their partners’ romantic relationship satisfaction better.Extended English summary is in the end of Full Text PDF (TURKISH) file.ÖzetBu araştırmanın amacı, üniversite öğrencilerinin duygusal zekâ düzeylerine göre yaşadıkları romantik ilişkilerdeki ilişki doyumlarını incelemektir. Araştırmaya katılan bireylerin duygusal zekâ düzeylerini belirlemek için Gözden Geçirilmiş Schutte Duygusal Zekâ Ölçeği; romantik ilişki doyumlarını belirlemek için Hendrick İlişki Doyum Ölçeği; demografik özelliklerini belirlemek için de Kişisel Bilgi Formu kullanılmıştır. Araştırmaya 546 üniversite öğrencisi katılmıştır. Araştırmaya katılan öğrencilerin tamamı Schutte Duygusal Zekâ Ölçeği’ni ve Kişisel Bilgi Formu’nu doldurmuştur. Hendrick İlişki Doyumu Ölçeği’ni romantik ilişkisi olan 410 kişi doldurmuştur; bunların 261’i kadın, 149’u da erkektir. Katılımcıların yaş ranjı 20 ile 28’dir. Veriler pearson korelasyon, basit doğrusal regresyon analizi, Mann Whitney U. testi ve Kruskal Wallis H. testi ile çözümlenmiştir. Sonuçlar, duygusal zekânın romantik ilişki doyumunu yordadığını göstermektedir. Duygusal zekâ ve romantik ilişki doyumu cinsiyete göre farklılık göstermemektedir. Duygusal zekâ ve romantik ilişki doyumu ile yaş arasında düşük düzeyde pozitif yönde istatistiksel olarak anlamlı bir ilişki vardır. Sevgilisi olanların duygusal zekâ düzeyleri sevgilisi olmayanlara kıyasla daha yüksek olduğu bulunmuştur. Duygusal zeka düzeyi yüksek olan öğrencilerin romantik ilişki doyumları da yüksektir. Sonuçlar duygusal zekâ düzeyi yüksek olan öğrencilerin romantik ilişki doyumlarının da yüksek olduğunu göstermektedir.
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Kovács, Gábor. "Dosztojevszkij hatása Gárdonyi kisregényeinek prózaművészetére." Iskolakultúra 31, no. 4 (April 1, 2021): 3–11. http://dx.doi.org/10.14232/iskkult.2021.04.3.
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Gárdonyi Géza Ki-ki párjával című 1918-as regényének keletkezéséről és forrásairól a Gárdonyi-monográfiák mindegyike ugyanazt ismétli: idézi Gárdonyi József könyvének a megírás körülményeit tárgyaló rövid fejezetét, majd pedig utal az első recenzió felismeréseire. Hatvani Lajos a Nyugat 1923/22. számában megjelent Gárdonyi Géza utolsó regénye című recenziójában a posztumusz kiadott könyvről ezt írta: a „Ki-ki a párjával megállhat Arany és Petőfi legjava termése s megállhat Gottfried Keller falusi Rómeó és Júliája, meg Flaubertnek az egyszerű szívű cselédlányról írott nagy novellája mellett” (Hatvani, 1923). Ezzel a gesztussal Hatvani sajátosan jellemzi Gárdonyi művének irodalomtörténeti kontextusát. Egyfelől nyilvánvalóan jelöli ki azt a századfordulón konzervatívnak tekintett magyar szöveghagyományt (romantika és későromantika), amelyhez odasorolja az írót. Másfelől két világirodalmi összehasonlítási pontot is felajánl: a magyar regényt érdemes Gottfried Keller 1856-ban megjelent Falusi Rómeó és Júlia vagy éppen Flaubert 1877-ben kiadott Egy jámbor lélek című története felől olvasni. Bár mindkét megállapítás tartalmaz részigazságokat, valójában erősen vitatható és nehezen igazolható szövegelemzéssel. Időszerű 100 év után más megközelítést is felvetni. Tanulmányomban amellett érvelek, hogy a Ki-ki párjával legjelentősebb írásművészeti ihletését Dosztojevszkij A félkegyelmű című regényének olvasása nyújtotta.
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Mahyudi, Johan. "JEJAK WORDSWORTH, COLERIDGE, DAN SHELLEY PADA SEJUMLAH SAJAK CHAIRIL ANWAR YANG DILENGKAPI NAMA WANITA." LINGUA: Journal of Language, Literature and Teaching 12, no. 1 (March 1, 2015): 71–84. http://dx.doi.org/10.30957/lingua.v12i1.72.
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Almost all critiqus admit the quality of Chairicl Anwar’s verses as of impressed. On a poem he exlicitly dedicated to a certain woman he loved, Chairil Anwar impressively exposed his romantic articulation in the poet. Results of inquiry upon three poems of Chairil Anwar indicated the root of romantic initiators that derived from romantic expressions of Wordsworth, Coleridge, and Shelley. Innovations on the romantic expression the poets delivered for critiques, romantism has been a new mainstream in the literary critique. This article presents how Chairil Anwar strongly expresses romantic articulations in his three poems Cerita Buat Dien Tamaela (A Story for Dien Tamalea), Sajak Putih (A White Verse), Hampa (Empty), and Senja di Pelabuhan Kecil (Twilight in a Small Port). The findings evidently indicated that Chairil Anawar adapted Wordsworth romantism version, and Senja di Pelabuhan Kecil was a poet Chairil Anwar ideally devoted romantism spirit.
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Krakauer, Benjamin. "Banjo Romantika: American Bluegrass and the Czech Imagination. Shara K. Lange, director; Lee Bidgood and Shara K. Lange, producers. Light Projects, 2013, DVD." Journal of the Society for American Music 9, no. 3 (August 2015): 378–80. http://dx.doi.org/10.1017/s1752196315000292.
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Vassallo, Peter. "Italia Romantica: English Romantics and Italian Freedom (review)." Romanticism 12, no. 3 (2006): 279–81. http://dx.doi.org/10.1353/rom.2007.0011.
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VLAŠKI, STANKO. "ROMANTIZAM I ROMANTIČNA UMETNOST U HEGELOVOJ "ESTETICI"." ARHE 13, no. 26 (May 11, 2017): 119. http://dx.doi.org/10.19090/arhe.2016.26.119-139.
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Izlaganje se vodi pitanjem o prirodi odnosa između Hegelovog poimanja romantične forme umetnosti kao umetnosti hrišćanskog sveta i njegove kritike centralnih aspekata poetike nemačkog romantizma kao duhovnog kretanja kojem je Hegel bio savremenik. Nakon poređenja Hegelovog i romantičarskog sagledavanja potrebe za umetnošću i osvrta na Hegelovu karakterizaciju romantične forme ideala, autor pokušava da ukaže na mogućnost da su osnovi poetike nemačkog romantizma, a pre svega romantičarska teorija ironije, za Hegela pojmljivi i kao hrišćanski i kao nedovoljno hrišćanski. Oni su hrišćanski utoliko što se u njima radikalizuje svest o granicama same umetničke forme, a nedovoljno hrišćanski zbog toga što poopštavaju ograničenost te forme i ne dopuštaju ono što za Hegela jeste više ozbiljenje duha.
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Vassallo, Peter. "Roderick Cavaliero's Italia Romantica: English Romantics and Italian Freedom." Romanticism 12, no. 3 (October 2006): 279–81. http://dx.doi.org/10.3366/rom.2006.12.3.279.
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Mohamad, Mohamad Haj. "Aesthetics and Violence in Romantic Poetry." English Language and Literature Studies 8, no. 2 (May 14, 2018): 69. http://dx.doi.org/10.5539/ells.v8n2p69.
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Violence, as exhibited by some romantic poets, works as the dormant, and sometimes explicit, whim to think of and go for. Violence may not only be a temporal tendency but rather a philosophical trend embraced by romantics so that they can offset deep frustration generated by failure to create a better world. Shelley, Blake and Lord Byron do not mind conveying a tendency to go violent in order to bring about a better world, while E.A. Poe gives abnormal images, to define man’s need to liberate himself from restrictions of time and place. Emotions, imaginations and the search for beauty that are, sometimes, seen embodied in their approach to liberty mark the touchstone that romantics felt attached to, which explains why the world needs a hero, a savior, the concept that romantics believed in.This paper sets to investigate this issue of violence, its nature and how it functions in the works of selected romantic men of letters and how it can be affiliated to beauty and ethical and aesthetical values. Edgar Allan Poe will be dealt with along with fellow English romantic figures for, next to his romantic philosophy, he had a prominent tendency for functional violence coupled with aesthetical values.
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Nikulina, Tamara M., and Dina P. Kurunina. "Selection of competitive of pumpkin varieties for the Lower Volga region." Vegetable crops of Russia, no. 4 (September 7, 2019): 54–57. http://dx.doi.org/10.18619/2072-9146-2019-4-54-57.
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Relevance One of the priority directions of selection is the creation of varieties that are most adapted to local conditions with high productivity. Methods The object of study – varieties and hybrids of pumpkin of three Botanical species: Cucurbita maxima, Cucurbita moschata and Cucurbita pepo. The purpose of the work is the creation and introduction into production of high-yielding varieties of pumpkin with high quality fruits, resistant to bio-and abiotic conditions of the lower Volga region. Research objectives: the study of varietal diversity and identification of genetic sources adapted to the conditions of the region; artificial hybridization, evaluation of the obtained source material on the main economic and valuable features, selection of the best hybrid combinations and testing them in comparison with the best zoned varieties. Results The collection identified genetic sources of productivity: Chino, Sviten, Kham, Creen Warted Habbard, Zukat, Arina, Madam; the quality of the fruit: Sorme poire, Burgess Buttercup Wintes, Malishka, Duchess, Konfetka. Using the selected genetic sources in crossbreeding, new hybrid combinations were obtained, after testing of which the source material for breeding was formed in the hybrid nursery. The table shows the characteristics of the best hybrid populations of pumpkin species S. maxima, S. moschata. The best zoned varieties of table pumpkin created in recent years. Izyashnaya – medium-ripe, shortleaved, high-yielding (17.0-26.0 t/ha), with high quality fruits (12.0-16.0% solids); Izobilie – yield (18.0-25.0 t/ha), drought-resistant; Romantika – medium-ripe, resistant to powdery mildew, yielding (16.0-20.0 t/ha), high quality fruits (10.0-15.0% dry-VA, 60.4 mg% carotene).
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Nurmaliyah, Yayah. "HAKIKAT MANUSIA MENURUT MUHAMMAD IQBAL." TAJDID : Jurnal Ilmu Keislaman dan Ushuluddin 21, no. 1 (July 2, 2019): 95–107. http://dx.doi.org/10.15548/tajdid.v21i1.253.
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Sejarah mencatat bahwa umat Islam pernah berada di posisi terdepan dalam peradaban dunia. Belakangan sebuah kenyataan juga tidak terbantahkan ketika umat Islam harus mengakui keunggulan komunitas lain dalam berbagai aspek kehidupan. Sebagai upaya mengembalikan kejayaan masa lalu, Muhammad Iqbal menyeru umat Islam untuk tidak terbuai dengan kegemilangan atau romantika masa lalu dan melarang untuk taqlid buta pada pemikiran masa lalu yang mengakibatkan hilangnya kreasi dan inovasi dalam menghadapi realitas perkembangan zaman. Muhammad Iqbal juga menyeru umat Islam untuk tidak bersikap apriori terhadap Barat, sebaliknya dapat memanfaatkannya dan meresponsnya dengan kritis. Hal ini disebabkan Muhammad Iqbal cukup lama mengikuti pendidikan di Barat yang dipenuhi oleh semangat penelaahan dan penelitian ilmu pengetahuan yang tinggi, sehingga ia dengan jelas melihat dan merasakan langsung bergantinya aktifitas ilmiyah dari Timur ke Barat. Hal ini cukup membuatnya kagum dan menginginkan umat Islam untuk mengikuti semangat Barat dalam melakukan kajian-kajian ilmiyah yang notebene pernah dilakukan sebelumnya. Muhammad Iqbal juga menyadari bahwa faktor tersebut di atas tidak akan bermanfaat apa-apa apabila umat Islam sendiri tidak memiliki semangat dan kemauan untuk berobah. Kemunduran umat Islam dewasa ini secara garis besar disebabkan oleh 2 faktor; internal dan eksternal. Kedua faktor itu harus dibenahi demi mengembalikan kecemerlangan masa lalu. Dengan mengutip QS. Al-Ra’d ayat 11, Muhammad Iqbal mencoba mengembangkan gagasannya mengenai khudi yang notabene merupakan hakikat dari kemanusiaan itu sendiri. Menurutnya moralitas suatu bangsa ditentukan oleh pandangan masyarakatnya mengenai khudi ini, dan segala sesuatu di alam ini memiliki khudinya sendiri-sendiri. Setiap khudi akan bergerak maju sehingga mencapai titik perkembangannya masing-masing.
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Johnston, Kenneth R. "Romantic Anti-Jacobins or Anti-Jacobin Romantics?" Romanticism on the Net, no. 15 (1999): 0. http://dx.doi.org/10.7202/005862ar.
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METE, Barış. "John Fowles' Nature Writing and English Romanticism." Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi 59, no. 1 (June 26, 2019): 511. http://dx.doi.org/10.33171/dtcfjournal.2019.59.1.26.
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Bu çalışma, İngiliz Romantizmi ile yirminci yüzyıl İngiliz roman yazarı John Robert Fowles'un doğa yazımının kuramsal tartışmalarında yer alan doğa yorumlamaları arasındaki ilişkinin yapısını incelemektedir. Romantik akımın İngiliz Edebiyatı'nda on sekizinci yüzyıl sonunda ortaya çıkışının, dönemin edebiyat kuramında doğa kavramının tanımlamaları açısından büyük bir gelişmeye işaret ettiği bu doğrultuda belirtilmektedir. Romantizm esas anlamda, o dönemde İngiltere'de sürdürülmekte olan edebiyat çalışmalarına doğa kavramının yeni bir algısını tanıtmıştır. Doğa kavramı Rönesans İngilteresi'nde Sir Philip Sidney'in klasik Aristocu edebiyat tanımının yorumları ile başlayarak, yazar ve eser arasındaki bağı tümüyle nitelendirmiştir. Bu bağ çerçevesinde doğa çağdaş gerçekliği, daha belirgin bir ifade ile gerçeği belirtmiştir. Bu türde klasik bir doğa kavramı, takip eden iki yüzyıl boyunca özellikle de John Dryden, Alexander Pope ve Samuel Johnson'ın tartışmaları ile İngiltere'de edebiyat çalışmalarını tekelinde tutmuştur. İlk olarak Romantizm akımıyla doğa kavramı gezegenin bütün belirleyici özellikleri ile yeryüzünü ifade etmeye başlayan bir kavram haline gelmiştir. Romantik kuram ayrıca, şairin öznelliğinin geleneksel eleştiri öğretisi karşısındaki önceliğini de vurgulamıştır. Bu çalışma bu nedenle, Fowles'un doğa yazımının aynı zamanda insanın doğayı suistimaline dikkat çekmeyi de amaçlayan Romantik bir yaklaşım olduğunu ileri sürmektedir. Fowles'un doğa yazımı aynı zamanda bu soruna olan genel kayıtsızlığa karşı bir itiraz olarak da okunmalıdır.
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Rodríguez Cemillán, Dolores. "ROCK'N ROMANTIk." mAGAzin Revista intercultural e interdisciplinar, no. 16 (2005): 68–72. http://dx.doi.org/10.12795/magazin.2005.i16.12.
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Erzsébet, Király. "SzemleVeszprémi Nóra. Fölfújt pipere és költői mámor. Romantika és művészeti közízlés a reformkori Magyarországon. Határesetek 3., L’Harmattan Kiadó – Könyvpont Kiadó, Budapest 2015. 240 oldal, 40 illusztráció." Művészettörténeti Értesítő 66, no. 1 (June 2017): 177–88. http://dx.doi.org/10.1556/080.2017.66.1.10.
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Cantor, Paul A. "The Politics of the Epic: Wordsworth, Byron, and the Romantic Redefinition of Heroism." Review of Politics 69, no. 3 (June 2007): 375–401. http://dx.doi.org/10.1017/s0034670507000733.
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Traditionally, the epic focused on the heroic deeds of great public figures, but the Romantics remade the genre into something more personal, making the poet himself the hero of their epics. The Romantic disillusionment with politics, flowing from the failure of the French Revolution, lies behind their revaluation of heroism. The turn to nature, which the Romantics present as immediate, turns out to be mediated by their political experience. Wordsworth's The Prelude and Byron's Childe Harold's Pilgrimage are good examples of the Romantic transformation of the epic and provide a case study in the relation of politics and literature, specifically the politics of literary form.
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Tagay, Özlem, Fatma Çalışandemir, and Perihan Ünüvar. "Contact disturbance and self-esteem as the predictors of the abuse perceived in romantic relationshipRomantik ilişkilerde algılanan istismarın yordayıcıları olarak temas engelleri ve benlik saygısı." Journal of Human Sciences 15, no. 2 (April 11, 2018): 707. http://dx.doi.org/10.14687/jhs.v15i2.4996.
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Abuse in romantic relationships, in a general sense, includes provision of power and control by means of physical, psychological and sexual senses by couples who are in an emotional relationship. The aim of this study is to examine the relationship between young adults’ perceived abuse in romantic relationships and their self-esteem and contact disturbances. Work group of the study consisted of a total of 255 young adults including 182 women (71.4%) and 73 men (28.6%) whose age ranged between 21 and 35. Considering relationship status in the work group, it was specified that 91 of young adults did not have any relationships, 67 of them had a relationship, 23 of them were engaged, 72 of them were married and 2 of them were divorced. Research data was collected through Romantic Relationships Assessment Scale, Contact Disturbances Scale and Rosenberg Self-Esteem Scale. For the analysis of data obtained, Pearson Moment Correlation technique and multiple linear regression analysis were used. When research results were examined, it was found that full contact disturbances predicted perceived abuse in romantic relationships significantly in positively and self-esteem predicted perceived abuse significantly negatively.Extended English summary is in the end of Full Text PDF (TURKISH) file. ÖzetRomantik ilişkilerde yaşanan istismar en genel anlamda duygusal beraberliği olan çiftlerin birbirlerine karşı fiziksel, psikolojik ve cinsel anlamda baskı yoluyla güç ve kontrol sağlamasıdır. Bu çalışmanın amacı genç yetişkinlerin romantik ilişkilerinde algıladıkları istismar ile temas engelleri ve benlik saygısı arasındaki ilişkiyi incelemektedir. Araştırmanın çalışma grubunu Burdur ilinde yaşayan lisans mezunu ve lisan son sınıfa devam eden yaşları 21 ile 35 arasında değişen 182 kadın (%71,4) ve 73 erkek (%28,6) olmak üzere toplam 255 genç yetişkin oluşturmaktadır. Çalışma grubunun ilişki durumuna bakılacak olursa genç yetişkinlerin 91’i ilişkisinin olmadığını, 67’si flört yaşadığını, 23’ü nişanlı olduğunu, 72’si evli olduğunu, 2’si boşanmış olduğunu belirtmiştir. Araştırmanın verileri Romantik İlişkileri Değerlendirme Ölçeği, Temas Engelleri Ölçeği ve Rosenberg Benlik Saygısı Ölçeği ile elde edilmiştir. Elde edilen verilerin analizi için Pearson Momentler Çarpımı Korelasyon tekniği ve çoklu doğrusal regresyon analizi kullanılmıştır. Araştırma sonuçları incelendiğinde tam temas engelinin romantik ilişkilerde algılanan istismarı pozitif yönde anlamlı düzeyde yordadığı ve benlik saygısının ise romantik ilişkilerde algılanan istismarı negatif yönde anlamlı düzeyde yordadığı bulunmuştur.
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Diego Saglia. "Italia Romantica: English Romantics and Italian Freedom (review)." Byron Journal 37, no. 1 (2009): 80–81. http://dx.doi.org/10.1353/byr.0.0017.
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Omiya, Von Kanichiro. "Von kokugaku zur Japanischen Romantik." Jahrbuch für Internationale Germanistik 52, no. 2 (January 1, 2020): 185–210. http://dx.doi.org/10.3726/ja522_185.
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Die Japanische Romantik (nippon rōman ha) ist die selbstgewählte Bezeichnung der literarischen Bewegung in Japan in den 30er Jahren des vorigen Jahrhunderts, die sich jedoch nicht allein auf Dichter und Schriftsteller beschränkte, sondern deren Gleichgesinnte sich auf unterschiedliche Bereiche verteilten, wie z. B. auch einige Politiker und Offiziere am Rande dieser Bewegung mitwirkten. Ihr künstlerisches Ideal war die geistige Wiederherstellung des ,,Altjapanischen“ bzw. des ,,japanischen Altertums“, das als ,,eigene“ kulturelle Tradition von den Überlieferungen ,,fremder“ Herkunft streng zu unterscheiden sei. Der Verdacht dürfte bereits naheliegen, dass die Japanische Romantik mit solch einem tendenziösen Programm ideologisch nicht tadellos wäre, genauso wie die deutsche Neuromantik im frühen 20. Jahrhundert. Ein berechtigter Verdacht ist das insofern, als die Japanische Romantik eine nahezu parallele Erscheinung zum japanischen Militärfaschismus war und einige Romantiker in der Tat die japanische Außenpolitik mitsamt den militärischen Einmarsch in asiatische Länder, vor allen in China, unter der Vorwand einer, wie es genannt wurde, ,,Emanzipation der asiatischen Völker von den westlichen Kolonialmächten“2 billigten. Damit kann man die Japanische Romantik – vorläufig – als eine östliche Spielart der ,,politischen Romantik“3 oder als deren verspätete Variante betrachten.
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Vlaski, Stanko. "Transcendental philosophy within perspectives of the romantic fragmentariness." Filozofija i drustvo 26, no. 1 (2015): 69–87. http://dx.doi.org/10.2298/fid1501069v.
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The relation of Jena romantics to Kant?s transcendental philosophy could be considered from the point of view of the romantic theory of the fragment. The author claims that fragmentariness had a transcendental character in the philosophical ref lections of Friedrich Schlegel and Novalis. That is the reason that they have acquired the opportunity of approaching to the immanent tension of Kant?s philosophical project. The problem of ref lection of relation between systematicity and incompleteness of knowledge and of man?s theoretical and practical side is among the most important. The author tries to evaluate the importance of Fichte?s version of critical idealism for romantics, considering the crucial romanticists? intention of historization of transcendental idealism with the help of the fragment. Final chapter refers to recent interpretations of the romantic fragment which tend to ignore this intention.
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Kaya, İrfan. "Modernitenin Ayna İmgesi Olarak Romantizm ve İslamcılıkta Romantik Modernleşmenin Ortaya Çıkışı." Cumhuriyet İlahiyat Dergisi 22, no. 3 (December 15, 2018): 1483–507. http://dx.doi.org/10.18505/cuid.459744.
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Jokubaitis, Alvydas, and Linas Jokubaitis. "Romantizmas ir valstybininko idėja." Politologija 89, no. 1 (October 8, 2018): 3–22. http://dx.doi.org/10.15388/polit.2018.1.11662.
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[straipsnis ir santrauka lietuvių kalba; santrauka anglų kalba]
Straipsnio tikslas – atskleisti romantizmo ir valstybininko idėjos santykių dvilypumą. Vienu atžvilgiu romantizmas yra valstybininko idėją iš politinio mąstymo šalinantis veiksnys. Tai atskleidžia Carlo Schmitto Politische Romantik koncepcija, kurios branduolį sudaro su politika nesuderinamo romantiško subjektyvizmo idėja. Kitu atžvilgiu romantizmas yra pagrindinis tautinę valstybę suformavęs veiksnys. Šią valstybę ginantis valstybininkas neįsivaizduojamas be romantiško tautos mito. Vidurio ir Rytų Europos tautų istorija rodo Schmitto požiūrio į romantizmą vienpusiškumą. Šis autorius pernelyg akcentuoja pirmąjį romantizmo veiksnį, užmiršdamas apie antrąjį. Vidurio ir Rytų Europos valstybių politinė istorija rodo, kad romantizmas ne tik šalina valstybę ir valstybininko sampratą, bet ir yra daugiausia prie politinio tautos mito kūrimo prisidėjęs veiksnys.
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Rodriguez, Michael Angelo. "Romantic Agony: Fancy and Imagination in Samuel Beckett's." Samuel Beckett Today / Aujourd'hui 18, no. 1 (October 1, 2007): 131–42. http://dx.doi.org/10.1163/18757405-018001010.
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In , Samuel Beckett contributes to a discussion regarding an important Romantic distinction between Fancy and Imagination, suggesting that no matter how much Fancy, particularly its passive aspect, predominates in this text, the dynamic function of Imagination is never absent. Contrary to popular scholarly consensus, therefore, a close examination of reveals a dynamic text that demonstrates the Romantic aspects of Beckett's own creative process, thereby aligning him more with the German and English Romantics than with the so-called post-modernists.
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Heneghan, Fiacha D. "Are the Frühromantiker Platonists?" Idealistic Studies 49, no. 2 (2019): 123–43. http://dx.doi.org/10.5840/idstudies20191016104.
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How to classify the artistic and philosophical movement of Early German Romanticism (die Frühromantik) remains a topic of ongoing disagreement. I consider the views of two of the leading interpreters—Frederick Beiser and Manfred Frank—and argue that the latter’s are closer to the truth. Beiser, however, has noticed a lacuna in the literature surrounding the metaphysics and epistemology of the Romantics, namely their debt to an ascendant Plato during their intellectual development. This is right, but Beiser’s idealist reading of the Romantics leans heavily on Platonic sources that are fundamentally incompatible with a consistent anti-foundationalist strain in Romantic thought. I argue that it is unlikely that Plato influenced the Romantics in the way Beiser suggests.
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Wina Lova Riza, Arif Rahman Hakim, and Lulu Lutfiah Damayanti. "PENGARUH ATTACHMENT STYLE DAN KEPUASAN HUBUNGAN ROMANTISTERHADAP PERILAKU DATING VIOLENCE PADA MAHASISWA UNIVERSITAS BUANA PERJUANGAN KARAWANG ANGKATAN 2016." Psychopedia Jurnal Psikologi Universitas Buana Perjuangan Karawang 6, no. 1 (June 3, 2021): 38–48. http://dx.doi.org/10.36805/psychopedia.v6i1.1466.
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The phenomenon of dating violence is often encountered and shows a number that continues to increase every year. This can affect individual satisfaction in their romantic relationships. This study aims to examine the effect of attachment style and romantic relationship satisfaction toward dating violence behavior. The subjects in this study were students of University Buana Perjuangan Karawang 2016. This study used a quantitative approach with snowball sampling techniques. The sample used was 251 from 936 students. The data analysis technique used is multiple linear regression with an error rate of 5%. The research instrument used three Likert scale questionnaire such as the Experiences in Close Relationships-Revised (ECR-R) questionnaire, the Relationship Assessment Scale, and the Conflict Tactics Scale. The results of the research obtained a significant value of 0.053; p>0.05 indicates that there is no influence between attachment style and romantic relationship satisfaction toward dating violence behavior. Keywords: Attachment style, dating violence, romantic relationship satisfaction, student dating.
Fenomena kekerasan dalam pacaran sering banyak dijumpai dan menunjukkan angka yang terus meningkat setiap tahunnya. Hal ini dapat berpengaruh pada kepuasan individu dalam menjalani hubungan romantisnya. Penelitian ini bertujuan untuk menguji pengaruh attachment style dan kepuasan hubungan romantis terhadap perilaku dating violence. Subjek pada penelitian ini adalah Mahasiswa Universitas Buana Perjuangan Karawang angkatan 2016. Penelitian ini menggunakan pendekatan kuantitatif dengan teknik pengambilan snowball sampling. Sampel yang digunakan sebanyak 251 dari 936 mahasiswa. Teknik analisis data yang digunakan adalah regresi linear berganda dengan taraf kesalahan 5%. Instrumen penelitian menggunakan tiga kuesioner skala likert, yaitu kuesioner Experiences in Close Relationships-Revised (ECR-R), Relationship Assessment Scale, dan Conflict Tactics Scale. Hasil penelitian diperoleh nilai signifikan 0,053; karena p > 0,05 menunjukkan bahwa tidak terdapat pengaruh antara attachment style dan kepuasan hubungan romantis terhadap perilaku dating violence. Kata Kunci: Attachment style, dating violence, kepuasan hubungan romantis, mahasiswa berpacaran.
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Epstein, James. "Among the Romantics: E. P. Thompson and the Poetics of Disenchantment." Journal of British Studies 56, no. 2 (March 31, 2017): 322–50. http://dx.doi.org/10.1017/jbr.2017.6.
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AbstractThis article examines key themes in the political and intellectual life of E. P. Thompson. It argues for the centrality of romanticism to his work; it focuses on his unfinished study of the early Romantics. Thompson drew parallels between socialist hopes and disappointments of his own day and the reactions of the early romantic poets to the failed promise of the French Revolution. This article charts the trajectory of the early Romantics as they moved from political engagement to retreat, and relates this trajectory to Thompson's own politics. Thompson discerned a pattern whereby intellectuals and artists moved through stages from political engagement to disenchantment and then to “apostasy” or default. Disenchantment could be a productive condition; at issue was how the poet handled the “authenticity of experience,” how disenchantment was dealt with in verse. Both Thompson and the Romantics privileged the concept of “experience” which they set in opposition to abstract theory. The article's final section turns to themes that Thompson had intended to address but left unfinished, including shifting views of patriotism and the defeated cause of women's rights. For Thompson the romantic impulse was ultimately linked to utopian desire, to the capacity to imagine that which is “not yet.”
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Романько, Yuriy Romanko, Мельник, and Andrey Melnik. "YIELD CAPACITY AND QUALITY OF SOYBEAN SEEDS WHEN APPLYING SENICCATION AND DESICCATION UNDER THE CONDITIONS OF LEFT-BANK FOREST-STEPPE OF UKRAINE." Bulletin Samara State Agricultural Academy 1, no. 2 (May 5, 2016): 15–18. http://dx.doi.org/10.12737/19057.
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The research purpose was to identify high-quality variety features of formation of yield capacity and quality of soybean seeds when applying seniccation and desiccation in the Left-bank forest-steppe of Ukraine. The research subject is Anna, Romance, Vasilkovskaya varieties of soybean, the elements of technology of cultivation (desiccation and seniccation), yield capacity and quality of seeds. The experiment was carried out according to the two-factor scheme in a 4-times repeat at the Institute of Agriculture of the Northeast of NAAS of Ukraine. The research results showed that the duration of vegetation was influenced both by varietal characteristics and the application of desiccation and seniccation. On average, the smallest period from the growing phase to the full ripeness was stated on the variant with Reglon Super 2.0 l/ga and Basta 2.0 l/ga desiccation (36-37 days). The maximum level of yield capacity on the average in 2007-2009 was obtained from Vasilkovskaya variety – 2.50 t/ga. Annushka variety provided significantly lower yields (2.0 t/ha), as it was proved by the calculated NSR05. In terms of yield capacity Romantika variety took an intermediate position of 2.38 t/ga. On the variants with the application of seniccation and desiccation a positive trend of their influence on the yield capacity of soybean seeds in all studied varieties was stated. So, on average, an increase of yield capacity was stated when applying: seniccation 5.0% solution of ammonium nitrate per 0.38 t/ga; 8.0% solution of urea per 0.45 t/ga; Reglon Super 2.0 l/ga per 0.24 t/ga; Basta 2.0 l/ga 0.3 t/ga as compared to the control. Application of seniccation favored the increase of protein content: urea solution by 0.7%; solution of ammonium nitrate by 0.5% compared to the control. On the variants of desiccation the protein content was at (33.9-34.1%). Oil content of the seed of studied varieties ranged from 20.0 to 24.1%.
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Özaltunoğlu, Özlem, and Gamze Kurtçu. "Examination of altered pivot chord usage during modulation in Classical and Romantic period lieds." Journal of Human Sciences 18, no. 3 (August 28, 2021): 450–73. http://dx.doi.org/10.14687/jhs.v18i3.6172.
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In diatonic modulation, a common chord is used between the home and destination keys. Modulation made in this way is given names such as "common chord modulation" or "diatonic pivot chord modulation" in different sources. The common chord is the bridge used to transition between keys at the point where modulation takes place. In choosing this bridge, It is widely accepted that the IInd, IVth or VIth degrees of destination key are preferred. In this study; The use of common chords with alteration during modulation is discussed in terms of the prescriptiveness of the Classical period and the stance of the Romantic period against these rules. The lieds selected from the Classical period and the Romantic period were compared in terms of the use of common chords with alteration during modulation. As a sample, 232 lieds selected from Beethoven, Mozart, Reichardt, Zelter, Schubert, Schumann, Brahms, Franz and Jensen were analyzed. In the lieds examined within the scope of the study, it was observed that most of the 3rd of the common chords used during modulation were altered. This alteration is the most useful tool in both the Classical and Romantic periods. The use of common chords is remarkable in that it does not create a usage difference between Classical and Romantic periods. In terms of the composers of the lieds studied; When looking at the use of alteration in common chords; Brahms uses five different alterations in common chords that prepare the tone during modulation; Beethoven and Jensen, on the other hand, differ from the other composers studied within the scope of the research, in that they include only one type of alteration. Extended English summary is in the end of Full Text PDF (TURKISH) file. Özet Diyatonik modülasyonda genellikle, bulunulan ton ve gidilecek ton arasında bir ortak akor kullanılarak yeni tona geçiş yapılır. Bu şekilde yapılan modülasyonlara farklı kaynaklarda, “ortak akor modülasyonu” ya da “diyatonik pivot akor modülasyonu” gibi isimler verilmektedir. Ortak akor, modülasyonun gerçekleştiği noktada, tonlar arası geçişi sağlamak için kullanılan köprüdür. Bu köprünün seçiminde ise gidilecek tonun II., IV. ya da VI. derecelerinin tercih edilmesi yaygın olarak kabul görmektedir. Bu araştırmada; modülasyon sırasında alterasyon içeren ortak akorların kullanımı, Klasik dönemin kuralcılığı ve Romantik dönemin bu kurallara karşı duruşu açısından ele alınmıştır. Klasik dönem ve Romantik dönemden seçilmiş liedler modülasyon sırasında alterasyon içeren ortak akorların kullanımı açısından karşılaştırılmıştır. Örneklem olarak Beethoven, Mozart, Reichardt, Zelter, Schubert, Schumann, Brahms, Franz ve Jensen’den seçilmiş 232 lied incelenmiştir. Araştırma kapsamında incelenen liedlerde, modülasyon sırasında kullanılan ortak akorların en çok 3lülerinin altere edildiği görülmüştür. Bu alterasyon, hem Klasik hem de Romantik dönemde en kullanışlı araç olarak karşımıza çıkmaktadır. Ortak akorların Klasik ve Romantik dönem arasında bir kullanım farkı oluşturmaması dikkat çekicidir. İncelenen liedlerin bestecileri açısından; ortak akorlarda alterasyon kullanımına bakıldığında; Brahms, modülasyon sırasında tonu hazırlayan ortak akorlarda beş farklı alterasyonu da kullanmasıyla; Beethoven ve Jensen ise sadece bir tür alterasyona yer vermeleriyle, araştırma kapsamında incelenen diğer bestecilerden farklılaşmaktadırlar.
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Safron, E. A. "The Legacy of German Romanticism in Russian Urban Fantasy." Nauchnyi dialog, no. 12 (December 31, 2020): 196–207. http://dx.doi.org/10.24224/2227-1295-2020-12-196-207.
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The philosophical views of German romantics, as well as images, motives, chronotopes characteristic of German romanticism, embodied in the domestic urban fantasy are analyzed. Special attention is paid to the techniques of the comparative method. The scientific novelty of the research lies in the almost complete absence of works devoted to the study of urban fantasy. It is noted that this fantasy subgenre has not been considered in detail in the context of the continuation of the traditions of romantic German literature. The theoretical basis of the research is presented by the works of M. M. Bakhtin, N. Ya. Berkovsky, V. M. Zhirmunsky, Yu. M. Lotman, S. S. Levochsky, etc. It was revealed that urban fantasy inherits the main images, themes, motives, symbols that dominated in German romanticism: the motive of a double, the image of a doll, an artist, etc. It was established that the authors of urban fantasy not only reproduce the image of a romantic artist-creator, but depict a character-demiurge. It has been proven that urban fantasy deepens and transforms the romantic “night beginning”: the images of the dead and vampires become plot-forming characters in independent series of works. It is concluded that the authors of urban fantasy, like German romantics, activate the readers’ attention to mythology and folklore, creating new fantastic worlds with their help.
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Свириденко О. М. "ЕПІСТОЛЯРІЙ МИКОЛИ ГОГОЛЯ У СТУДІЮВАННІ КУЛІША-РОМАНТИКА." World Science 3, no. 3(43) (March 31, 2019): 25–28. http://dx.doi.org/10.31435/rsglobal_ws/31032019/6417.
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The article reveals P. Kulish’s studies on M. Gogol. It is established, that the actualization of the letter correspondence genre at the time of Romanticism was determined by the whole complex of literary and non- literary causes. Here we point out to anthropocentrism of Romanticism literature, to the strengthening of the subjective origin in it, to the changes in the human concept and to the change of the artist concept (if we talk about publishing practice of Romantics) where a Romantic was proclaimed to martyr and demigod at the same time and it raised great interest to the writers’ epistolary. It is stated that P. Kulish’s interest to epistolary inheritance of M. Gogol was caused by typical romantic instructions according to which a letter was proclaimed as a priority source of studying addressee’s spiritual biography. Composing letters according to the chronological principle P. Kulish was directed by the aspiration to draw spiritual evolution of their author and that fully suited the publishing practice of Romantics.
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Kotin, Andrey. "Zwischen Sinn und Wahnsinn. Die Metamorphosen des Ich im deutschen romantischen Märchen." Studia Germanica Gedanensia, no. 40 (December 22, 2019): 110–20. http://dx.doi.org/10.26881/sgg.2019.40.09.
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Im vorliegenden Beitrag wird der absolut-generalisierende Menschenbegriff auf das subjektiv-figurative Konzept des Individuums begrenzt. Im Unterschied zu der anthropologischen Philosophie früherer Epochen beschäftigten sich die Denker der Romantik viel intensiver mit dem Ich-Problem als mit der Definition des Menschen bzw. des Menschlichen. Die theoretischen Grundlagen dieser eifrigen Ich-Zentriertheit können besonders gut am Beispiel von Johann Gottlieb Fichtes subjektiven Idealismus beobachtet werden. Davon ausgehend werden die literarischen Manifestationen des Individuellen in den Kunstmärchen deutscher Romantiker (Ludwig Tieck, Adelbert von Chamisso) analysiert.
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Hosne Ara, Jannat E. "Depiction of Nature in the Poetry of Robert Frost and that of the Romantics: Questing for Similitude and Dissimilitude through a Comparative Analysis." International Journal of Linguistics, Literature and Translation 4, no. 7 (July 30, 2021): 174–80. http://dx.doi.org/10.32996/ijllt.2021.4.7.19.
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This paper attempts to investigate the depiction of nature in the poetry of Robert Frost and how this treatment simultaneously resembles and differs from that of romantic poetry. Though he belongs to the era of modernism, his poetry carries numerous characteristics of romantic poetry. The researcher tries to compare the poetry of Robert Frost and that of the Romantics how they are identical or dissimilar in the representation of nature. Robert Frost might be called the interpreter of nature and humanity. He shows that he is a close observer of both nature and people. On the other hand, Romantic writers see nature as a source of inspiration, solace in agony, healer in mental illness, rescuer in struggling period, etc. They treat nature as Mother Nature where their poetry tells us the beauty of green forestland, woods, hills and mountains, riverbanks, pastoral scenarios, breezes and winds, fresh air, sunrises, and sunsets, etc. Whereas Robert Frost always tries to make a bridge between nature and humankind as he believes that there is a close relationship between man and nature. He finds a resemblance between the order of nature and human life. Frost depicts the symbolic quality of nature. Nature symbolizes the human world and all creatures including mankind are bound to agree and obey the rules of nature. Thus this article would try to uphold Frost's treatment of nature in comparison with that of the Romantics.
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Broadhead, Alex. "The Romantics in Alternate History from Hawthorne to Clarke: Generic Edges and the Counterfactual Turn." Romanticism 24, no. 2 (July 2018): 203–15. http://dx.doi.org/10.3366/rom.2018.0373.
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In 2009, Damian Walford Davies called for a counterfactual turn in Romantic studies, a move reflective of a wider growth of critical interest in the relationship between Romanticism and counterfactual historiography. In contrast to these more recent developments, the lives of the Romantics have provided a consistent source of speculation for authors of popular alternate history since the nineteenth century. Yet the aims of alternate history as a genre differ markedly from those of its more scholarly cousin, counterfactual historiography. How, then, might such works fit in to the proposed counterfactual turn? This article makes a case for the critical as well as the creative value of alternate histories featuring the Romantics. By exploring how these narratives differ from works of counterfactual historiography, it seeks to explain why the Romantics continue to inspire authors of alternate history and to illuminate the forking paths that Davies's counterfactual turn might take.
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Kerler, David. "Archive Fever and British Romanticism: Blake, Byron, and Keats." Anglia 138, no. 3 (September 15, 2020): 355–83. http://dx.doi.org/10.1515/ang-2020-0034.
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AbstractThe article explores the interrelation of archives, melancholia, and their (de)constructive features in British Romantic poetry. It will argue that the proliferation of archives and archival practices from the late eighteenth century on had a strong influence on the literary‑cultural output of the British Romantics. This shall be scrutinised by drawing on an extended reading of Jacques Derrida’s “Archive Fever” (1995) and Julia Kristeva’s Black Sun, focusing on two basal, closely related aspects: (1) the subject’s feverish desire to archive, and (2) the archive’s (self‑)destructive tendencies. A close reading of paradigmatic writers and their poems (William Blake, Lord Byron, and John Keats) shall illustrate that the notion of “archive fever” turns out to be especially determinant for Romantic subjectivity, aesthetics, and its sujets.
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Croteau, Melissa. "Le Songe d’une nuit d’été of Ambroise Thomas: L’éclat at the end of the tunnel." Cahiers Élisabéthains: A Journal of English Renaissance Studies 99, no. 1 (July 2019): 66–75. http://dx.doi.org/10.1177/0184767819861890.
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This article argues that Ambroise Thomas’s opera Le Songe d’une nuit d’été functions as a Romantic allegory of the coarse artistic genius elevated and sanctified by royal and spiritual powers in an attempt to glorify and justify Shakespeare. Simultaneously, and more importantly, the opera is an appeal to French artists to move away from their adherence to neoclassical symmetry, restraint, and stasis, which persisted even in the work and opinions of the French Romantics.
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Helferich, Christoph. "L'ereditŕ romantica nella psicoterapia corporea." GROUNDING, no. 1 (November 2010): 113–61. http://dx.doi.org/10.3280/gro2010-001012.
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Il saggio parte dalla tensione dialettica tra individuo e mondo nel Romanticismo, tensione accentuata dal grande ruolo attribuito alla dimensione sentimentale nella letteratura di questo periodo. In maniera paragonabile, all'interno dell'incontro terapeutico si ripropone la stessa ricerca di una mediazione tra il paziente e il suo mondo circostante, con la stessa attenzione alla dimensione emozionale della persona. In questo contesto, la psicoterapia corporea, rappresentata qui dalla persona e dall'opera di Alexander Lowen, appare come erede moderno dell'originario impulso romantico di "essere a casa" nel mondo. L'appendice indaga sulla tematica del cuore umano come centro della persona nella letteratura romantica e nell'ingegneria medica di oggi.
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Paul, Joanna. "Reception." Greece and Rome 61, no. 2 (September 12, 2014): 308–11. http://dx.doi.org/10.1017/s0017383514000151.
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A recent special issue of the Classical Receptions Journal marked the twentieth anniversary of the publication of Charles Martindale's Redeeming the Text. Latin Poetry and the Hermeneutics of Reception. Although the rich and various examples of classical reception scholarship that have appeared over the past two decades are by no means all cut from Martindale's cloth, the ‘seminal’ and ‘influential’ nature of his study is surely not in doubt. It is fitting, then, that this issue's round-up of reception publications focuses on a small cluster of recent studies that, like Redeeming the Text, explore the complex reception histories of Latin literature, and do so with a keen eye to the theoretical underpinnings of such scholarship; fitting, too, that our first title, Romans and Romantics, features Charles Martindale among its editors. The eighteen essays in this collection in fact range well beyond literature, with visual culture and the physical fabric of the city of Rome playing an important role; but encounters with Latin texts are a central component of the book, and the overarching theoretical and methodological framework for examining them bears the clear imprint of Martindale's reception manifesto. The introduction emphasizes the importance of remaining alert to the two-way dynamics of reception: not only do the contributors explore the ways in which Romanticism was shaped by antiquity, but they also examine the impact that Romanticism has had on subsequent views of antiquity. Although the idea of reception as a two-way process is often parroted, its implications are not always interrogated and explained so carefully as they are here. Most valuably, Romans and Romantics acknowledges and confronts the overly simple ‘myths’ that attach to our ideas of both the classical and the Romantic, showing how notions of what Romanticism ‘is’ are just as contingent and subject to distortion as those of the classical. So, for example, Timothy Saunders' fascinating chapter on ‘Originality’ successfully challenges the assumption that Romanticism was in some way antithetical or inimical to Roman studies, and that it was responsible for the lasting negative impression of Latin (literary) culture as imitative and inferior. Instead, he argues, ‘Romantic notions of originality’ (85) were more complex than we might assume, and could certainly find space for recognizing and celebrating Rome's creative use of its Greek heritage. Other chapters offer useful studies of the ‘varied, vital, and mutually sustaining’ (v) interactions between Romantics and Romans, including accessible accounts of key authors such as Shelley, Byron, and de Staël. Particularly worthwhile, though, is the final section, ‘Receptions’. By focusing on post-Romantic material, it lays bare our own modern preconceptions of the Romantic movement and encourages contemplation of how receptions of Romanticism are as important as receptions of Rome. Ralph Pite's excellent chapter on Thomas Hardy, for example, shows how this author, and many of his late nineteenth-century contemporaries, might be disappointed by visiting Rome: their expectations of the city, shaped by their own Romantic inheritance, could be undermined by the revelation of the modernized capital of a newly unified Italy, ‘threaten[ing] the post-Romantic traveller's cherished idea of ‘an eternal city frozen in time’’ (328).
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Supriyanto, Teguh. "Romantic Pendulum in Our Literature." ALAYASASTRA 13, no. 1 (September 19, 2017): 1. http://dx.doi.org/10.36567/aly.v13i1.74.
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The aim of this research is to find out and to describe (1) is the romantic ideology dominant in the works of the non- tradition of Balai Pustaka, (2) works of 1970-period, and (3) works of 2000 period. These questions arisen based on the real fact that the romantic ideology influenced the series of the history of Indonesian Literature, further more before modern Indonesian literature arisen, since 9-14 century in the old Javanese. This ideology is also find out in 19 century and in the works of Balai Pustaka tradition in 1920-1945.The data were taken by using random sampling. The structural-semiotics method and dialected method used to analize the data. The results of this research: (1) the works non Bapalai Pustaka tradition mainly in 1920 is dominated of realism ideology. (2) in popular literature (1970) is found out that romantics ideology is pseudo romanticism. The works in 1970, mainly the popular literature is as if as romanticism although pseudo-romanticism. Recently, the romantic ideology is played, distorted, re-bulit by using a “pseudo-romaticism” word.