Relevant bibliographies by topics / Rome – Drama

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Rome – Drama'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Rome – Drama"

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Zucca, Lorenzo. "The Barroso Drama: All Roads Lead to Rome." European Constitutional Law Review 1, no. 2 (2005): 175–81. http://dx.doi.org/10.1017/s1574019605001756.

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Italian governmental crisis at the origin of Rocco Buttiglione's nomination. Hearing before Civil Liberties committee and unprecedented rejection of Buttiglione. October events trigger changes in Italian governmental team. The EU: a Catholic conspiracy?
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Giorgio, Jean-Pierre De. "Defining dialogue in ancient Rome." Dialogue and Representation 2, no. 1 (2012): 105–21. http://dx.doi.org/10.1075/ld.2.1.06gio.

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This article investigates the process whereby Greek dialogue was reinvested in the Roman world, based on a study of Cicero’s De oratore. This work is considered in the light of classical theories of the literary genre developed in the 1st century BCE, under the influence of Hellinistic research, and in the light of the modern notion of interaction. Situated on the frontier between drama and the social practice of conversation, philosophical dialogue established itself as a legitimate constitutive discourse in the field of Roman literature.
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Kragelund, Patrick. "Historical Drama in Ancient Rome: Republican Flourishing and Imperial Decline?" Symbolae Osloenses 77, no. 1 (2002): 5–51. http://dx.doi.org/10.1080/00397670260399324.

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Holderness, Graham. "‘Our Troy, our Rome’." Critical Survey 34, no. 4 (2022): 93–112. http://dx.doi.org/10.3167/cs.2022.340406.

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In Titus Andronicus, the many classical literary sources of the play function as templates for its events, as if the tragedy had already been anachronistically pre-written by poets of the Augustan era. The literature of the past, like history, serves, in Titus’s own words, as ‘a pattern, precedent and lively warrant’ (5.3.57) for present action and behaviour. When literature and drama appear to become the basis and precedent for human experience, then there is a two-way process of consolidation and de-realisation. Dramatic and poetic literature can start to look more like history; but at the s
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Willson, Flora. "Opera's Orbit: Musical Drama and the Influence of Opera in Arcadian Rome." Journal of Modern Italian Studies 17, no. 4 (2012): 477–78. http://dx.doi.org/10.1080/1354571x.2012.690588.

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Garczewska, Anna. "Roman law in Tv series ‘Rome’." Collectanea Philologica, no. 19 (December 30, 2016): 129–36. http://dx.doi.org/10.18778/1733-0319.19.11.

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‘Is there some other form of law?’ – that is how Gaius Iulius Caesar (played by Ciaran Hinds) in the TV series ‘Rome’ comments on Roman Law. ‘Rome’ (2005–2007) is a historical drama set in the last days of the Roman Republic. It is one of the most interesting shows helping to visualize Rome. One of the elements portrayed in the series is Roman Law. Although there is a criminal trial presented in one of the episodes the audience is rarely acquainted with law and its rules directly, Roman legal system can be discovered mostly through characters’ actions. There are many legal elements e.g.: penal
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Forment, Bruno. "Opera’s Orbit: Musical Drama and the Influence of Opera in Arcadian Rome (review)." Notes 68, no. 4 (2012): 780–82. http://dx.doi.org/10.1353/not.2012.0050.

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Eijsbouts, W. T. "The Barroso Drama: Campidoglio, Rome – 29 October 2004: How the Form Was Brought to Matter." European Constitutional Law Review 1, no. 2 (2005): 155–74. http://dx.doi.org/10.1017/s1574019605001550.

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Meeting of constitutional form and matter. Matter in the sense of Machiavelli's ‘political life’, clashes between the establisment and the people. EU investiture struggle and its outcomes. Structural elements of the EU Constitution: authority, representation, political federalism.
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INGLEHEART, JENNIFER. "OVID, TRISTIA 1.2: HIGH DRAMA ON THE HIGH SEAS." Greece and Rome 53, no. 1 (2006): 73–91. http://dx.doi.org/10.1017/s0017383506000052.

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In the first poem of Tristia 1, Ovid claims me mare, me uenti, me fera iactat hiems (‘the sea, the winds, the savage winter storm harass me repeatedly’, 1.1.42). This is no mere rhetorical flourish: the immediacy of the present tense becomes apparent in the second poem in the collection, which purports to be the poet's words as he faces a storm at sea. Critics tend to treat this poem as a literary exercise, focusing upon Ovid's exploitation of epic descriptions of the sea as a vast elemental force, subject to the machinations of the gods. In particular, interest has centred upon Ovid's debt to
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MAN'KOVSKII, ARKADII. "ROME AND CARTHAGE BY A.V. TIMOFEEV: ON THE PROBLEM OF THE GENESIS OF “HISTORICAL FANTASY” AS A GENRE VARIETY OF RUSSIAN ROMANTIC DRAMA OF THE 19TH CENTURY." Literaturovedcheskii Zhurnal, no. 3 (2021): 142–63. http://dx.doi.org/10.31249/litzhur/2021.53.10.

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The paper explores the genre of scarcely studied play by Russian minor writer Alexei V. Timofeev (1812-1883) Rome and Carthage (1837). Timofeev’s contemporary literary critic Osip Senkovskii treated like poet’s failure his use of romantic techniques in the play on ancient plot. Taking into account this opinion the paper analyzes the paratextual elements in the play, the way of describing characters, the division of the play into acts, the connection of the plot events with historical facts. The paper argues that the play approaches the kind of romantic drama, which the author suggests to call
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Dissertations / Theses on the topic "Rome – Drama"

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Cremin, Mark Edward Whitemore. "The role of imagination in classroom drama." Thesis, University of London, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408522.

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Chesaina, Ciarunji. "Women in African drama : representation and role." Thesis, University of Leeds, 1987. http://etheses.whiterose.ac.uk/914/.

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The purpose of this study is to examine the representation and role of women in African theatre. The discussion is based on published and unpublished plays by African writers selected from a pan-African perspective. The thesis is divided into two major parts: Women in Society; The Portrayal of Women by Major Playwrights. Part I follows a thematic approach aimed at examining the position of women in three different areas which form the chapters for the part : Women, Tradition and Social Change; The Urban Woman and Women in Politics. Part II of the thesis analyses major African playwrights' pres
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Morstad, Marissa D. "Drama's role in school counseling." Online version, 2003. http://www.uwstout.edu/lib/thesis/2003/2003morstadm.pdf.

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Lolley, Sarah. "Medical professionalism and the fictional TV medical drama House MD." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=112537.

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This thesis is an exploration and analysis of what audiences may be learning about medical professionalism from the fictional television (TV) medical drama House MD. Fictional TV medical dramas are an important form of medical narrative in that they are usually created by writers with no medical training. As such, they carry a higher risk of portraying the practice of medicine inaccurately. A review of the scholarly literature reveals that there is a precedent for fictional TV medical dramas to affect viewers' perception of the practice of medicine and health behaviours, and viewers' understan
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Thacker, Jonathan. "Role-play and the world as stage in the 'comedia' /." Liverpool : Liverpool Univ. Press, 2002. http://www.gbv.de/dms/sub-hamburg/341398217.pdf.

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Diamond, Catherine Theresa Cleeves. "The role of cross-cultural adaptation in the "Little Theater" movement in Taiwan /." Thesis, Connect to this title online; UW restricted, 1993. http://hdl.handle.net/1773/6650.

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Blake, Thomas W. Silverstein Marc. "Staging and upstaging revolt the maternal function in twentieth century drama /." Auburn, Ala, 2009. http://hdl.handle.net/10415/1811.

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Josefsson, Sonja. "Romeo och Juliet som drama och film." Thesis, Karlstads universitet, Centrum för språk- och litteraturdidaktik, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-5310.

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We read different kind of texts every day. We can for example choose to read a book or to watch a film. While we read we can receive and interpret texts. That’s means, for example, that we can have different envisionments about the drama and the film based on it.   Based on Langer’s reception theory about “envisionments”, I’ve wanted to examine and clarify the differences and similarities of envisionments between two texts. I have mainly examined and focused on Romeo and Juliet as drama and film. My study is comparative and qualitative. The background for my examination is found in “a broader
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Sibley, Eleanor. "The role of Athena in fifth century Athenian drama." Thesis, University of Nottingham, 1995. http://eprints.nottingham.ac.uk/28597/.

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The goddess Athena is currently perceived through a series of contradictions. She is both warrior and reconciler, killer and patron of the artisan, a goddess who denies her own womanhood and ignores the existence of women. Using Homer's Iliad and Odyssey and the extant complete plays of Aeschylus, Sophocles, Euripides and Aristophanes, this thesis reconciles each of these contradictions both within themselves and with each other. It finds that Athena had a prominent role as goddess of the polis: as a warrior she protected the polis from the external threat of war, and as a reconciler she prote
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Coston, Micah Keith. "The dramatic role of astronomy in early modern drama." Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:09da8bf1-cf3e-4df6-816b-be7fb13f1753.

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By examining five types of astronomical and celestial phenomena—comets, constellations, the zodiac, planets, and the music of the spheres—this thesis posits not only that early modern dramatists were influenced by established and emerging natural philosophy as habits of thought that manifested in their writing, but also that astronomical phenomena operate within the drama, performance, and in the theatre as elements for creating and developing a distinctly spatial dramaturgy. Using theories from the spatial turn, this thesis maps the positions, edges, disturbances, and motions of celesti
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Books on the topic "Rome – Drama"

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Ibsen, Henrik. Emperor and Galilean: A world historical drama, 1873. SK, 1999.

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Plautus, Titus Maccius. Rome and the mysterious Orient: Three plays by Plautus. University of California Press, 2006.

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1951-, Richlin Amy, ed. Rome and the mysterious Orient: Three plays by Plautus. University of California Press, 2005.

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Dragovitch, Valida. Roma materna: Rome et le personnage de la mère dans les tragédies romaines de Shakespeare. Belles Lettres, 1989.

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Pansiéri, Claude. Plaute et Rome, ou, Les ambiguïtés d'un marginal. Latomus, 1997.

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Celestini, Ascanio. Radio clandestina: Memoria delle Fosse Ardeatine. Donzelli, 2005.

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Leggatt, Alexander. Shakespeare's political drama: The history plays and the Roman plays. Routledge, 1988.

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Philip, Steele. Step into-- the Roman Empire. Hermes House, 2004.

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Philip, Steele. Step into...the Roman Empire. Hermes House, 2000.

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Candiard, Céline. Esclaves et valets vedettes: Dans les comédies de la Rome antique et la France d'Ancien Régime. Honoré Champion éditeur, 2017.

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Book chapters on the topic "Rome – Drama"

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Anderson, Michael. "The comedy of Greece and Rome." In Comic Drama. Routledge, 2022. http://dx.doi.org/10.4324/9781003269496-1.

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Kingsley-Smith, Jane. "Coriolanus: the Banishment of Rome." In Shakespeare's Drama of Exile. Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403938435_6.

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Brown, Peter. "Greek Comedy at Rome." In A Handbook to the Reception of Greek Drama. John Wiley & Sons, Inc, 2016. http://dx.doi.org/10.1002/9781118347805.ch4.

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Harrisson, Juliette. "I, Claudiusand Ancient Rome as Televised Period Drama." In A Companion to Ancient Greece and Rome on Screen. John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781118741382.ch12.

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Beare, W. "Livius Andronicus and the Coming of Literary Drama to Rome." In The Roman Stage. Routledge, 2024. http://dx.doi.org/10.4324/9781003482192-3.

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Heinrich, Paul. "Role-Play as Drama." In When role-play comes alive. Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5969-8_5.

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Goodman, Lizbeth. "Representing Gender/Representing Self: A Reflection on Role Playing in Performance Theory and Practice." In Drama on Drama. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-25443-9_13.

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Merriman, Victor. "Drama in Public Worlds." In Austerity and the Public Role of Drama. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-03260-9_3.

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Millward, Peter. "Knowledge About Drama." In The Role of Subject Knowledge in the Early Years of Schooling. Routledge, 2022. http://dx.doi.org/10.4324/9781003322283-3.

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Merriman, Victor. "Drama Worlds As Public Worlds." In Austerity and the Public Role of Drama. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-03260-9_4.

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Conference papers on the topic "Rome – Drama"

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Wu, Weiqi, Hongqiu Wu, Lai Jiang, Xingyuan Liu, Hai Zhao, and Min Zhang. "From Role-Play to Drama-Interaction: An LLM Solution." In Findings of the Association for Computational Linguistics ACL 2024. Association for Computational Linguistics, 2024. http://dx.doi.org/10.18653/v1/2024.findings-acl.196.

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Cheong, Ling-An, Chen Wang, Mufeng Zhou, et al. "A 28nm 166.9 TOPS/W x Mb/mm2 DRAM-Free QLC Compute-in-ROM Macro Supporting High Task-Level Inference Energy Efficiency for Tiny AI Edge Devices." In 2024 IEEE Asian Solid-State Circuits Conference (A-SSCC). IEEE, 2024. https://doi.org/10.1109/a-sscc60305.2024.10849083.

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Khorsheed Saeed, Yousif. "A STUDY OF EMOTIONS AND SOCIAL STATUS WITHIN MERCHANT OF VENICE AND HAMLET." In I. International Azerbaijan Congress of Humanities and Social Sciences. Rimar Academy, 2024. https://doi.org/10.47832/azerbaijancongress1-6.

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This paper discusses the two most important elements of emotions and social status within the mentioned dramas. These are the two elements that give the Literature the frame and foundation. The role of Society and Emotions within drama and Literature give a different essence to the plot, the characters as well as the theme of the play. If these crucial elements are not considered, then Drama as well as Literature would not be as exciting and interesting. This paper makes a description of in what aspects the emotions and social status influences the drama and literature. A critical analysis is
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Lu, Serena, Esther Chen, Lang-Yu Huang, Jian-Shing Luo, and Jeremy D. Russell. "Applications of Transmission Electron Microscopy and Secondary Ion Mass Spectrometry on Crystal Defect Analysis and Electronic Characterization of Advanced 512Mb DRAM." In ISTFA 2006. ASM International, 2006. http://dx.doi.org/10.31399/asm.cp.istfa2006p0196.

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Abstract The capabilities of analytical transmission electron microscopy (TEM), such as high spatial resolution, micro-chemical analysis, etc., have led to an increasingly essential role for TEM-based analysis in process development, defect identification, yield enhancement, and root-cause failure analysis with the dynamic random access memory (DRAM) industry. In this article, several examples are reported to carry out the applications of TEM and secondary ion mass spectrometry on crystal defect analysis and electronic characteristics of advanced 512 Mb DRAMs.
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Moļņika, Baiba. "Drama Education for Violence Prevention: Approaches and Challenges." In 80th International Scientific Conference of the University of Latvia. University of Latvia Press, 2022. http://dx.doi.org/10.22364/htqe.2022.60.

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Violence in schools is a socially and culturally complex phenomenon that affects not only the victim and the abuser but everyone, including eyewitnesses, parents, and educators. Drama education provides a unique experience in reducing violence because it involves both the mind and the emotions The adolescent is the age stage that is influenced by many external and individual factors, such as those related to the change in the training system, age development, change of interests and change of class dynamics, etc. All of these factors can lead to an increase in the risk of stress background and
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YANG, LING, and SHENG-DONG YUE. "AN ANALYSIS OF THE CHARACTERISTICS OF MUSIC CREATION IN MEFISTOFELE." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35726.

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Successful opera art cannot be separated from literary elements, but also from the support of music. Opera scripts make up plots with words. Compared with emotional resonance directly from the senses, music can plasticize the abstract literary image from the perspective of sensibility. An excellent opera work can effectively promote the development of the drama plot through music design, and deepen the conflict of drama with the "ingenious leverage" of music. This article intends to analyze the music design of the famous opera, Mefistofele, and try to explore the fusion effect of music and dra
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Nassima, LOUNIS. "Women in the Algerian Television Drama Semiological Analysis of the Image of women through the Drama Series “El Bedera" and the Series“Domou3 El Galeb"." In I.International Congress ofWoman's Studies. Rimar Academy, 2023. http://dx.doi.org/10.47832/lady.con1-11.

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Algerian women have now achieved a share of progress and development at all levels of socio-economic, political and educational, so as to change their social reality and improve their rank and become involved in the process of social development. From this point of view, the role of the media is to highlight this reality of women's living in Algerian society, especially television, which is one of the media that offers many programs. Among them is the drama of TV series, which is one of the most watched and perhaps influential programs so that it is one of the cultural images and messages capa
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Panov, D. E. "THE MOTIVE OF FELICITY IN A.P. CHEKHOV'S DRAMA «THREE SISTERS»." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. TSU Press, 2023. https://doi.org/10.17223/978-5-907572-02-7-2023-77.

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The article examines an implementation of the felicity motive in A. Chekhov's play «Three Sisters». The role of the motive of happiness in the literary context of the 19th - early 20th centuries is analyzed. The author's understanding of happiness and its role in the structure of the play is revealed. An analysis of the play shows that happiness is illusory and unattainable for the characters, which determines the dramatic basis of human life.
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Ciocan, Tudor Cosmin. "Ludic role of religious rituals. The use of drama for religious ceremony." In The 2nd Virtual International Conference on the Dialogue between Science and Theology. EDIS - Publishing Institution of the University of Zilina, Slovak Republic, 2015. http://dx.doi.org/10.18638/dialogo.2015.2.1.12.

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Lue, Jen-Lang, Jack Lee, Esther Chen, and Jian-Shing Luo. "A Review of TEM Observations of Failures of the Memory Cell in a Deep Trench Capacitor DRAM." In ISTFA 2003. ASM International, 2003. http://dx.doi.org/10.31399/asm.cp.istfa2003p0144.

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Abstract Application of the high resolution of Transmission Electron Microscopy (HRTEM) plays a very important role in structural analysis and materials characterization for process evaluation and failure analysis in the Integrated Circuit (IC) industry. We summarize TEM observation experience of the common memory failures of a BEST deep trench cell with an N-MOS gate used in CMOS DRAM technology. Memory cell failures are categorized into three areas for discussion – the deep trench (DT) capacitor, the transfer gate (GC), and the borderless bit-line contact (CB) between a transistor and a bit
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Reports on the topic "Rome – Drama"

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Lotz, Amanda, Anna Potter, Marion McCutcheon, Kevin Sanson, and Oliver Eklund. Australian Television Drama Index, 1999-2019. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.212330.

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This report examines changes in the production and commissioning of Australian television drama from 1999–2019, a period marked by notable changes in the business of television in Australia and globally. More production companies now make drama in Australia; however, the fact that more companies share less than half the annual hours once produced raises concerns about sustainability. Several major Australian production companies have been acquired by foreign conglomerates and challenge the viability of domestic companies that lack access to international corporate capital and distribution. The
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