Relevant bibliographies by topics / Rome (Italy). Basilica Costantiniana

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Rome (Italy). Basilica Costantiniana'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Rome (Italy). Basilica Costantiniana"

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Coates-Stephens, Robert. "Dark age architecture in Rome." Papers of the British School at Rome 65 (November 1997): 177–232. http://dx.doi.org/10.1017/s0068246200010631.

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ARCHITETTURA DELLA DARK AGE A ROMANonostante un notevole numero di recenti scavi e ricerche, la visione generalmente accettata dell'architettura della Roma alto medievale resta quella di Richard Krautheimer. Il suo quadro ciclico consiste di una serie di fasi distinte che vanno dalla ‘basilica costantiniana a forma di T’, attraverso il ‘rinascimento sistino’ della metà del quinto secolo, al periodo bizantino del sesto e dell'inizio del settimo secolo, seguito dalla ‘Dark Age’ della durata di un secolo, ed infine, dal tardo ottavo secolo, il ‘rinascimento carolingio’. L'architettura del decimo
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Muijtjens, Philip. "The Funerary Chapel of Cardinal Bessarion in the Basilica of SS XII Apostoli in Rome: Commemoration and Competition." Zeitschrift für Kunstgeschichte 88, no. 1 (2025): 1–33. https://doi.org/10.1515/zkg-2025-1002.

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Abstract Between 1463 and 1467, Cardinal Bessarion (ca. 1403–1472) constructed one of the biggest funerary chapels in Quattrocento Italy. Based on newly discovered archival material, this article will examine how Bessarion’s self-fashioning for the afterlife in his chapel built on existing patterns of patronage in the basilica of Santi Apostoli while consciously standing in contrast to them. I will argue that competition for space and visibility within the basilica of Santi Apostoli were key factors informing Bessarion’s choices for his chapel during its construction. A deeper understanding of
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Kalas, Gregor. "Architecture and élite identity in late antique Rome: appropriating the past at Sant'Andrea Catabarbara." Papers of the British School at Rome 81 (September 26, 2013): 279–302. http://dx.doi.org/10.1017/s0068246213000111.

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The conversion of a fourth-century secular basilica into the church of Sant'Andrea Catabarbara in Rome during the 470s invites a discussion of how architectural adaptation contributed to the identity of its restorer, Valila. More than a century after the praetorian prefect of Italy, Junius Bassus, founded the basilica in 331, a Goth named Valila, belonging to the senatorial aristocracy, bequeathed the structure to Pope Simplicius (468–83). References to Valila's last will in the church's dedicatory inscription were inserted directly above Junius Bassus's original donation inscription, inviting
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TANGARI, NICOLA. "Mensural and polyphonic music of the fourteenth century and a new source for the Credo of Tournai in a gradual of the Basilica di Santa Maria Maggiore in Rome." Plainsong and Medieval Music 24, no. 1 (2015): 25–69. http://dx.doi.org/10.1017/s0961137115000029.

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ABSTRACTAn early fourteenth-century gradual produced for use in Avignon and today preserved in Rome at the Basilica di Santa Maria Maggiore is a new source for understanding the musical and liturgical exchange between France and Italy in the fourteenth century. The present article will consider compositions written after the main body of the gradual, and found now in the initial fascicle and on the last three folios of the manuscript. These folios contain a hitherto unknown source for the Credo of Tournai as well as other works not recorded elsewhere; for example, a polyphonic Gloria, a polyph
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Cardarelli, Ettore, and Gerardina Di Filippo. "Integrated geophysical methods for the characterisation of an archaeological site (Massenzio Basilica — Roman forum, Rome, Italy)." Journal of Applied Geophysics 68, no. 4 (2009): 508–21. http://dx.doi.org/10.1016/j.jappgeo.2009.02.009.

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Chiabrando, Filiberto, Dario Piatti, and Fulvio Rinaudo. "Multi-Scale Modeling of the Basilica of San Pietro in Tuscania (Italy). From 3D Data to 2D Representation." Geoinformatics FCE CTU 6 (December 21, 2011): 300–306. http://dx.doi.org/10.14311/gi.6.37.

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The Basilica of San Pietro is a Romanic architecture located in the municipality of Tuscania in the Lazio Region about 100 km far from Rome. In 1971 the apse dome collapsed during the earthquake and the important fresco of a Christ Pantocrator was destroyed. In 1975 the dome was reconstructed using reinforced concrete.In 2010 an integrated survey of the Church has been performed using LiDAR techniques integrated with photogrammetric and topographic methodologies in order to realize a complete 2D documentation of the Basilica of San Pietro. Thanks to the acquired data a complete multi-scale 3D
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Bezhuk, O. M. "Religious relics of Italy." Scientific Messenger of LNU of Veterinary Medicine and Biotechnologies 20, no. 91 (2018): 111–15. http://dx.doi.org/10.32718/nvlvet9123.

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Religions have always played a significant role in the formation of the statehood and development of such powerful states as the Byzantine Empire, the Holy Roman Empire, the Kievan Rus, or the Empire of Charlemagne. Peculiarities of the national culture are dictated by its faith. This is due to the fact that folk traditions, mentality, political structure, peculiarities of the historical trajectory of each nation including the religious development, have a tremendous influence on the religious aspects of nations and states. Religious attitudes, religious morality, practice of ceremonies, and c
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Struckmeier, Caroline, Frank Drewnick, Friederike Fachinger, Gian Paolo Gobbi, and Stephan Borrmann. "Atmospheric aerosols in Rome, Italy: sources, dynamics and spatial variations during two seasons." Atmospheric Chemistry and Physics 16, no. 23 (2016): 15277–99. http://dx.doi.org/10.5194/acp-16-15277-2016.

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Abstract. Investigations on atmospheric aerosols and their sources were carried out in October/November 2013 and May/June 2014 consecutively in a suburban area of Rome (Tor Vergata) and in central Rome (near St Peter's Basilica). During both years a Saharan dust advection event temporarily increased PM10 concentrations at ground level by about 12–17 µg m−3. Generally, in October/November the ambient aerosol was more strongly influenced by primary emissions, whereas higher relative contributions of secondary particles (sulfate, aged organic aerosol) were found in May/June. Absolute concentratio
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Tucci, Pier Luigi. "A funerary monument on the Capitoline: architecture and painting in mid-Republican Rome, between Etruria and Greece." Journal of Roman Archaeology 31 (2018): 30–52. http://dx.doi.org/10.1017/s104775941800123x.

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The debate on the relationships between Rome, Italy, and the Mediterranean world in the Archaic and mid-Republican periods remains very lively. Complementing the most recent discoveries and interpretations, I present two unknown mid-Republican documents from the Arx, the N summit of the Capitoline hill (fig. 1). Excavations for the Monument to Victor Emmanuel II brought to light after 1887 many walls and artifacts, which have been studied almost exclusively to produce archaeological maps or catalogues of objects, but the structures sealed beneath the basilica of Santa Maria in Aracoeli toward
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Kinney, Dale. "Liturgy, Space, and Community in the Basilica Julii (Santa Maria in Trastevere)." Acta ad archaeologiam et artium historiam pertinentia 31 (December 31, 2019): 81–100. http://dx.doi.org/10.5617/acta.7801.

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The Basilica Julii (also known as titulus Callisti and later as Santa Maria in Trastevere) provides a case study of the physical and social conditions in which early Christian liturgies 'rewired' their participants. This paper demonstrates that liturgical transformation was a two-way process, in which liturgy was the object as well as the agent of change. Three essential factors - the liturgy of the Eucharist, the space of the early Christian basilica, and the local Christian community - are described as they existed in Rome from the fourth through the ninth centuries. The essay then takes up
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Dissertations / Theses on the topic "Rome (Italy). Basilica Costantiniana"

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Merrill, Aaron Thomas. "The subterranean strata of the basilica San Clemente." Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

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Books on the topic "Rome (Italy). Basilica Costantiniana"

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Marina, Magnani Cianetti, Pavolini Carlo, and Italy. Soprintendenza archeologica di Roma., eds. La basilica costantiniana di Sant'Agnese: Lavori archeologici e di restauro. Electa, 2004.

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Gallio, Paola. The basilica of Saint Praxedes. 3rd ed. Edizione d'Arte Marconi, 2009.

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Ferrua, Antonio. La Basilica e la catacomba di S. Sebastiano. 2nd ed. Pontificia Commissione di archeologia sacra, 1990.

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Carlo, Giavarini, and Centro interdipartimentale di scienza e tecnica per la conservazione del patrimonio storico-architettonico., eds. The Basilica of Maxentius: The monument, its materials, construction, and stability. L'Erma di Bretschneider, 2005.

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Caperna, Maurizio. La Basilica di Santa Prassede: Il significato della vicenda architettonica. Basilica di S. Prassede, 1999.

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Cerioni, Anna Maria. The Basilica of Saint Paul outside the Walls. Pontificia Amministrazione della Patriarcale Basilica di San Paolo, 1991.

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E, Boyle Leonard, and Gy Pierre-Marie, eds. Aux origines de la liturgie dominicaine: Le manuscrit Santa Sabina XIV L 1. Ecole française de Rome, 2004.

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E, Boyle Leonard, and Gy Pierre-Marie, eds. Aux origines de la liturgie dominicaine: Le manuscrit Santa Sabina XIV L 1. École française de Rome, 2004.

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E, Boyle Leonard, and Gy Pierre-Marie, eds. Aux origines de la liturgie dominicaine: Le manuscrit Santa Sabina XIV L 1. Ecole française de Rome, 2004.

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E, Boyle Leonard, Krupa Pawels, Gy Pierre-Marie, et al., eds. Aux origines de la liturgie dominicaine: Le manuscrit Santa Sabina XIV L 1. École française de Rome, 2004.

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Book chapters on the topic "Rome (Italy). Basilica Costantiniana"

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Fiocchi Nicolai, Vincenzo. "Considerazioni sui più antichi monumenti cristiani di Albano (Roma): basilica costantiniana e catacomba di S. Senatore." In Strumenti per la didattica e la ricerca. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0376-0.20.

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Recent geophysical research and an analysis of the architectural structures actually recognisable in the current cathedral church of Albano Laziale (Rome), dedicated to S. Pancrazio, allow us to confirm the hypothesis, already advanced at the end of the 19th century, that the basilica is nothing other than the ancient church built by the emperor Constantine in the city of Appia, dedicated to St. John the Baptist, as we know from the Liber Pontificalis. Dimensions of the church are also significant in this sense, completely mirroring those of the Constantinian basilica discovered a few years ag
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Liverani, Paolo, Ian Haynes, and Lex Bosman. "Dai Castra Noua alla Basilica Lateranensis, trasformazioni della Roma costantiniana." In Topographie et urbanisme de la Rome antique. Presses universitaires de Caen, 2022. http://dx.doi.org/10.4000/books.puc.28989.

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Story, Joanna. "Alcuin and the Epitaph." In Charlemagne and Rome. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780199206346.003.0004.

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Abstract The chapter examines the evidence for Alcuin’s authorship of the memorial verses that were cut onto the marble slab to adorn Hadrian’s tomb in the south transept of St Peter’s basilica. It reviews Alcuin’s career and his travels in Francia and Italy while working for the archbishops of York, before moving to Charlemagne’s court and retirement at the monastery of St Martin’s at Tours in western Francia. The content and structure of Alcuin’s epitaph for Hadrian is analysed, and the superiority of the extant inscribed version is emphasised, especially regarding internal verse patterns th
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"Atoms Go South: The Italians Volta, Avogadro, and Cannizzaro (Italy)." In Traveling with the Atom A Scientific Guide to Europe and Beyond. The Royal Society of Chemistry, 2019. http://dx.doi.org/10.1039/9781788015288-00222.

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No chapter on Italian science could be complete without mentioning Galileo whose works mark the beginning of modern science. In Rome, we visit Campo de' Fiori to contemplate the hooded statue of Giordano Bruno who was burned at the stake for holding views akin to those of Galileo. Galileo sites in Pisa are followed by those in Florence including the Galileo Museum and his tomb in the Basilica di Santa Croce. Next, we discuss Alessandro Volta's background, his correspondence with Ben Franklin, his skepticism regarding Luigi Galvani's “animal electricity”, and the construction of his “voltaic pi
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Story, Joanna. "Charlemagne, St Peter’s, and the Imperial Coronation." In Charlemagne and Rome. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780199206346.003.0009.

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Abstract This chapter returns the analysis to St Peter’s basilica, focusing on Charlemagne’s imperial coronation at Christmas 800 and on the inscriptions that were visible there to Frankish viewers. It argues that the form, script, and materials of the epitaph made for Hadrian reflects ideas about empire that were current in the 790s in Carolingian court circles, and that the inscription probably arrived in Rome before the end of 796. It discusses the sources for the early years of the pontificate of Leo III, and the build-up to the attempted assassination of the pope in 799, which precipitate
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Mlsová, Nella. "Ján Kollár and Slavic traces in Italy in the light of the Italian travel Genre." In Inter-Slavic cultural ties. Results and perspectives of research. Institute of Slavic Studies RAS, 2021. http://dx.doi.org/10.31168/0452-7.05.

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The topic of the article is related to the second unfinished book of travel notes by the Czech and Slovak educator and poet Jan Kollar (1793-1852), emerging as a result of his trip to Italy in 1844. It was preceded by essays reflecting the impressions of a trip there in 1841, in which the author, citing curious arguments, puts forward the thesis that Upper (Northern) Italy belonged to the Slavic space in the Middle Ages, In the treatise Staroitalia slavjanská (“Old Italy Slavic”, 1853), Kollar extends the settlement of the Slavs to the whole of Italy, including Sicily. Special attention in the
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Kateusz, Ally, and Luca Badini Confalonieri. "Women Church Leaders in and around Fifth-century Rome." In Patterns of Women's Leadership in Early Christianity. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198867067.003.0013.

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This chapter considers artistic representations, showing evidence of ‘Women Church Leaders in and around Fifth-century Rome’. It focuses on two artefacts that portrayed women church leaders operating in this broad context. It addresses frescoes of deceased women painted with open gospel books in the San Gennaro Catacombs in Naples; it proposes that the most logical interpretation of the iconographic motifs associated with them is that they were women bishops, perhaps two of the women about whom Pope Gelasius complained to male bishops in southern Italy c.496. For cultural context it next consi
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Haynes, I., P. Liverani, S. Piro, and D. Zamuner. "INTEGRATED ARCHAEOLOGICAL AND GEOPHYSICAL INVESTIGATIONS TO STUDY THE AREA OF S. GIOVANNI IN LATERANO BASILICA (ROME, ITALY)." In Archaeological Prospection. Verlag der österreichischen Akademie der Wissenschaften, 2013. http://dx.doi.org/10.2307/j.ctvjsf630.77.

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Schroeder, F., A. Merritt, C. Menkiti, M. Caianiello, D. Potts, and R. Sorge. "Assessing the effects of constructing the Colosseo/Fori Imperiali station on the Basilica di Massenzio in Rome, Italy." In Numerical Methods in Geotechnical Engineering. CRC Press, 2014. http://dx.doi.org/10.1201/b17017-143.

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Conference papers on the topic "Rome (Italy). Basilica Costantiniana"

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Cardarelli, E. "Integrated geophysical methods for the characterisation of an archaeological site (Massenzio Basilica - Roman forum, Rome, Italy)." In 8th EEGS-ES Meeting. European Association of Geoscientists & Engineers, 2002. http://dx.doi.org/10.3997/2214-4609.201406172.

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Ochoa Caballero, María José. "Space, function and symbol. Architectural furniture in domestic spaces." In 3rd Valencia International Biennial of Research in Architecture, VIBRArch. Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/vibrarch2022.2022.15217.

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The Baldaquin of the Saint Peter’s Basilica in Rome represents the spiritual core of the building and holds a distinctive meaning for the complex and the people in it. This piece, defined for this research as architectural furniture, conditions the use of the space it belongs to, affects its scale, gives purpose to its routing, and defines the symbolic reading of the whole.This monumental object is used as a reference, and its personal, social, spatial, and functional implications are relayed across the field of architecture to the domestic space. An approach to furniture to create a home mold
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