Relevant bibliographies by topics / Rome (Italy). San Domenico (Church)

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Rome (Italy). San Domenico (Church)'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Rome (Italy). San Domenico (Church)"

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Pruno, E., C. Marcotulli, G. Vannini, and P. Drap. "UNDERWATER PHOTOGRAMMETRY METHODS FOR A PECULIAR CASE-STUDY: SAN DOMENICO (PRATO-ITALY)." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-5/W5 (April 9, 2015): 171–76. http://dx.doi.org/10.5194/isprsarchives-xl-5-w5-171-2015.

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San Domenico Church (Prato, Tuscan, Italy) is a very peculiar case of terrestrial archaeology surveyed with underwater archaeological photogrammetric approach. The vault of the choir was completely filled by a very important numbers of potteries, which is very interesting building technique. To document this technique a complete photogrammetric survey was realized, layer by layer, following underwater archaeology system. It is interesting to note that in underwater archaeology such a case is quite rare, in fact or the wreck is in shallow water and the digging can be made (but this case is now
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Randazzo, Luciana, Matteo Collina, Michela Ricca, et al. "Damage Indices and Photogrammetry for Decay Assessment of Stone-Built Cultural Heritage: The Case Study of the San Domenico Church Main Entrance Portal (South Calabria, Italy)." Sustainability 12, no. 12 (2020): 5198. http://dx.doi.org/10.3390/su12125198.

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In recent decades, increasing attention is being paid to the multidisciplinary approach that allows the performance of both a preventive conservation and a more invasive restoration action. In this context, the present study aims to acquire information and data from field surveys undertaken in San Domenico Church, Southern Calabria, in order to provide a tool for the recording and the inventory of damage and decay phenomena, and assess their causes and scale. The subsequent calculation of damage indices also provided useful information in order to allow the prioritization of conservation and p
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Manzo, Elena. "Sacred Architecture in the Neapolitan Baroque Era. Space, Decorations, and Allegories." Resourceedings 2, no. 3 (2019): 46. http://dx.doi.org/10.21625/resourceedings.v2i3.624.

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In Naples (Italy), the passage from Renaissance to Baroque architectonic language could be identified between 1580 and 1612. During this era, one of the most significant topics of the architectonic research on the sacred space was the right compromise among the Counter-Reformation patterns, the central space and the oval plan. Giovanni Antonio Dosio and Dionisio di Bartolomeo were the most representative architects of this passage. They provide the access to new experimental varieties. So, when the architect Cosimo Fanzago arrived in Naples in 1612, the city was almost ready to use the emblema
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Rovella, Natalia, Stefania Bosco, and Donatella Barca. "Archaeometric Study of the White Marbles from “Madonna Della Febbre” Altar in San Domenico Church (Cosenza, Southern Italy)." Minerals 12, no. 3 (2022): 284. http://dx.doi.org/10.3390/min12030284.

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San Domenico Church was built between 1441 and 1468 and represents one of the most important historical buildings of the Cosenza area (Calabria, Southern Italy) thanks to its architectonic style and the works inside, such as the “Madonna della Febbre”, a notable marble altar dated back to the XVI century. The church, as well as the sculptural group, underwent various interventions over time, unfortunately scarcely documented; thus, in this paper, the characterization of six white marble samples coming from the altar, was carried out to determine their provenance. The samples were analyzed by m
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Ricca, Michela, Emilia Le Pera, Maurizio Licchelli, et al. "The CRATI Project: New Insights on the Consolidation of Salt Weathered Stone and the Case Study of San Domenico Church in Cosenza (South Calabria, Italy)." Coatings 9, no. 5 (2019): 330. http://dx.doi.org/10.3390/coatings9050330.

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This paper presents the results of a laboratory experimentation carried out on stone materials in the framework of the CRATI project (Knowledge and Restoration through Advanced Integrated Technologies) aimed at testing new products with consolidating properties by means of an integrated methodological approach. After the preliminary characterization of stone materials collected in the pilot site, the second stage of the activities within the project were focused on the formulation and testing of products for the conservation of the same materials against decay, especially salt crystallization,
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Santis, F. De, I. Allegrini, M. C. Fazio, and D. Pasella. "Characterization of Indoor Air Quality in the Church of San luigi Dei Francesi, Rome, Italy." International Journal of Environmental Analytical Chemistry 64, no. 1 (1996): 71–81. http://dx.doi.org/10.1080/03067319608028336.

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Sturm, Saverio. "1622, the Fatal Year for the Discalced Carmelites: The Canonisation of Teresa, the Crystallisation of Conventual Typologies, and the Reinvention of Iconography." Journal of Early Modern Christianity 9, no. 2 (2022): 341–73. http://dx.doi.org/10.1515/jemc-2022-2033.

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Abstract 1622 was a crucial year for the Discalced Carmelite Order. This essay intends to highlight and connect a series of events surrounding the fateful canonisation of the foundress Teresa of Ávila on 12 March 1622. On 6 January of that year, the Congregation of Propaganda Fide had been founded with the fundamental contribution of Carmelite missionaries. On 8 May 1622, the important Carmelite Church of San Paolo Apostolo in Rome was re-consecrated to Santa Maria della Vittoria, with celebrations and popular processions, in memory of the “victory” of the White Mountain in 1620 over the Prote
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Chiabrando, Filiberto, Dario Piatti, and Fulvio Rinaudo. "Multi-Scale Modeling of the Basilica of San Pietro in Tuscania (Italy). From 3D Data to 2D Representation." Geoinformatics FCE CTU 6 (December 21, 2011): 300–306. http://dx.doi.org/10.14311/gi.6.37.

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The Basilica of San Pietro is a Romanic architecture located in the municipality of Tuscania in the Lazio Region about 100 km far from Rome. In 1971 the apse dome collapsed during the earthquake and the important fresco of a Christ Pantocrator was destroyed. In 1975 the dome was reconstructed using reinforced concrete.In 2010 an integrated survey of the Church has been performed using LiDAR techniques integrated with photogrammetric and topographic methodologies in order to realize a complete 2D documentation of the Basilica of San Pietro. Thanks to the acquired data a complete multi-scale 3D
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Remus, Anna, Selman Tezcan, Jiacheng Sun, Gabriele Milani, and Renato Perucchio. "Seismic Failure Assessment Using Energy Outputs of Finite Element Analysis: A Strategy for Complex Heritage Masonry Structures Modeled with Concrete Damaged Plasticity Material." Buildings 15, no. 3 (2025): 318. https://doi.org/10.3390/buildings15030318.

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The structural assessment of masonry construction often requires the use of nonlinear 2D and 3D finite element analysis. This work describes a strategy for using energy outputs from such analyses to accurately assess failure conditions precipitated by increasing lateral load. The methodology relies on the analogy between plastic strains and fracture that is inherent to the concrete damaged plasticity (CDP) macro-model used to represent the quasi-brittle behavior of masonry material. At critical conditions, energy imparted to a structure by loading can no longer be completely stored as elastic
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Mazurczak, Urszula. "Panorama Konstantynopola w Liber chronicarum Hartmanna Schedla (1493). Miasto idealne – memoria chrześcijaństwa." Vox Patrum 70 (December 12, 2018): 499–525. http://dx.doi.org/10.31743/vp.3219.

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The historical research of the illustrated Nuremberg Chronicle [Schedelsche Weltchronik (English: Schedel’s World Chronicle)] of Hartmann Schedel com­prises the complex historical knowledge about numerous woodcuts which pre­sent views of various cities important in the world’s history, e.g. Jerusalem, Constantinople, or the European ones such as: Rome, some Italian, German or Polish cities e.g. Wrocław and Cracow; some Hungarian and some Czech Republic cities. Researchers have made a serious study to recognize certain constructions in the woodcuts; they indicated the conservative and contractu
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Dissertations / Theses on the topic "Rome (Italy). San Domenico (Church)"

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Merrill, Aaron Thomas. "The subterranean strata of the basilica San Clemente." Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

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Books on the topic "Rome (Italy). San Domenico (Church)"

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1918-, Spiazzi Raimondo, ed. San Domenico e il monastero di San Sisto all'Appia: Raccolta di studi storici, tradizioni e testi d'archivio. ESD, 1993.

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Bernardini, Virginia. Ss. Domenico e Sisto. Istituto nazionale di studi romani, 1991.

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Crespi, Marcella. Il complesso conventuale di S. Domenico in Lodi. A cura dell'"Archivio storico lodigiano", 1990.

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Bella, Carlo La. San Saba. Istituto nazionale di studi romani, 2003.

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Bettini, Sergio. Baldassarre Peruzzi e la Cappella Ghisilardi: Origine, occultamento e recupero di un'opera nella Basilica di San Domenico a Bologna. Diabasis, 2004.

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Giuseppe, Rocchi, and Ser-Giacomi Giulio, eds. La Basilica di San Domenico di Perugia. Quattroemme, 2006.

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7

Boyle, Leonard E. A short guide to St. Clement's, Rome. Collegio San Clemente Via Labicana 95, 1989.

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Boyle, Leonard E. A short guide to St Clement's, Rome. 7th ed. [s.n.], 1987.

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Boyle, Leonard E. A short guide to St. Clement's, Rome. Collegio San Clemente Via Labicana 95, 1989.

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Claudia, Pedrini, and Musei civici di Imola, eds. Arte gotica a Imola: Affreschi ritrovati in San Francesco e in San Domenico. Musei civici di Imola, Museo di San Domenico, Rocca sforzesca, Palazzo Tozzoni, 2008.

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Book chapters on the topic "Rome (Italy). San Domenico (Church)"

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Kateusz, Ally, and Luca Badini Confalonieri. "Women Church Leaders in and around Fifth-century Rome." In Patterns of Women's Leadership in Early Christianity. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198867067.003.0013.

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This chapter considers artistic representations, showing evidence of ‘Women Church Leaders in and around Fifth-century Rome’. It focuses on two artefacts that portrayed women church leaders operating in this broad context. It addresses frescoes of deceased women painted with open gospel books in the San Gennaro Catacombs in Naples; it proposes that the most logical interpretation of the iconographic motifs associated with them is that they were women bishops, perhaps two of the women about whom Pope Gelasius complained to male bishops in southern Italy c.496. For cultural context it next consi
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Conference papers on the topic "Rome (Italy). San Domenico (Church)"

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Ricca, Michela, Raffaella Greca, Carlo Riente, et al. "Diagnostic study and efficiency evaluation of treatments against rising damp and salts crystallization in ornamental stones: the case of the green stone sacristy washbasin in the Church of San Domenico in Cosenza (Calabria, Italy)." In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. IMEKO, 2023. http://dx.doi.org/10.21014/10.21014/tc4-arc-2023.180.

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Ricca, Michela, Raffaella Greca, Carlo Riente, et al. "Diagnostic study and efficiency evaluation of treatments against rising damp and salts crystallization in ornamental stones: the case of the green stone sacristy washbasin in the Church of San Domenico in Cosenza (Calabria, Italy)." In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. IMEKO, 2023. http://dx.doi.org/10.21014/tc4-arc-2023.180.

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