Relevant bibliographies by topics / Rome. Santa Maria Maggiore (church)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Rome. Santa Maria Maggiore (church)'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Rome. Santa Maria Maggiore (church)"

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Miles, Margaret R. "Santa Maria Maggiore's Fifth-Century Mosaics: Triumphal Christianity and the Jews." Harvard Theological Review 86, no. 2 (April 1993): 155–72. http://dx.doi.org/10.1017/s001781600003114x.

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The fifth-century mosaics of Santa Maria Maggiore in Rome represent the oldest surviving program of mosaic decoration in a Christian church. Its political context includes the steady drain of political authority and power to the Eastern empire from the early fourth century forward, the proscription of paganism at the end of the fourth century, and the massively disruptive Sack of Rome by Alaric in 410 CE. In the vacuum of political power in the West, the papacy under Sixtus III made a strong claim for a new basis of Roman power—the religious primacy of the city of Peter and Paul under papal leadership. The building and decoration of Santa Maria Maggiore played an important role in the consolidation and public announcement of papal power.
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Noreen, Kirstin. "The icon of Santa Maria Maggiore, Rome: an image and its afterlife." Renaissance Studies 19, no. 5 (November 2005): 660–72. http://dx.doi.org/10.1111/j.1477-4658.2005.00130.x.

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Imposa, Sebastiano, and Sabrina Grassi. "Georadar survey inside the Santa Maria Maggiore church of Ispica (Sicily-Italy)." Environmental Earth Sciences 73, no. 5 (July 27, 2014): 1939–49. http://dx.doi.org/10.1007/s12665-014-3542-9.

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4

Tsykunov, I. V. "Cosmatesque matrix: syntax of style in Basilica of Santa Maria Maggiore in Rome." Язык и текст 4, no. 1 (2017): 83–94. http://dx.doi.org/10.17759/langt.2017040109.

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Cosmatesque style mosaic is not only the decorative ornament that has decorated medieval temples; it is the developed symbolical system, which represents religious concepts and ideas of a universe structure. Cosmatesque structure includes hierarchy of levels that is similar to phonetic, lexical and grammatical levels of language in its functions. Figures of this style can be include in composition, structurally and functionally corresponding to the sentences and texts developing in a narrative. This article to analyse Cosmatesque syntax and interpretation of concepts of craftsmen Cosmati, on the example of Basilica of Santa Maria Maggiore in Rome. The author of this article assumes that the basilica floor represents the Christological cycle made of plots of the New Testament. Nevertheless, as at that time there was a ban on images of the Scripture Christological cycle is presented by symbolical design of craftsmen Cosmati.
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Gill, Meredith J. ""Where the Danger Was Greatest": A Gallic Legacy in Santa Maria Maggiore, Rome." Zeitschrift für Kunstgeschichte 59, no. 4 (1996): 498. http://dx.doi.org/10.2307/1482889.

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Tsykunov, I. V. "Prayer in stone: symbols cosmatesque in the Basilica of Santa-Maria-Maggiore in Rome." Язык и текст 3, no. 3 (2016): 31–72. http://dx.doi.org/10.17759/langt.2016030305.

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All the architectural elements of a medieval temple, like itself, are common symbolic space where all details represent the idea of God and face either the faithful or to the Creator himself. And in this system are not the masters of mosaic floors Cosmati alien element - in fact, it is nothing like prayer, created in stone, but the prayer of living presented in the complex language of mosaic figures of Christian imagery. In the article on the example of the Roman basilica of Santa-Maria-Maggiore are considered rich semiotic cosmatesque opportunity to express ideas and concepts of his age. Author restores the value style characters, based on the texts of the era and the reconstruction of views of the Middle Ages made by historians of art and religion.
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Riccioni, Stefano. "Rewriting Antiquity, Renewing Rome. The Identity of the Eternal City through Visual Art, Monumental Inscriptions and the Mirabilia." Medieval Encounters 17, no. 4-5 (2011): 439–63. http://dx.doi.org/10.1163/157006711x598802.

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AbstractDuring the eleventh and twelfth centuries the Church began a process of renovation (renovatio) and the city of Rome was given new meanings. Antiquity is part of the identity of the Eternal City; the reuse or reframing of aspects of antiquity inevitably transformed the image of Rome. Public spaces, architecture and objects were given new Christian readings. Inscriptions, present both in sacred and secular settings, played an important role. A similar rewriting can also be found in travel literature and descriptions of the city, such as in the Mirabilia urbis Rome, where ancient monuments were re-interpreted to demonstrate the superiority of Christianity. Inscriptions were used as symbols of authority, as can be seen in the altar of the church of Santa Maria in Portico, in the papal thrones (San Clemente, Santa Maria in Cosmedin, San Lorenzo fuori le mura) and also in mosaics (San Clemente, Santa Maria in Trastevere). Inscriptions appeared on porticoed atriums built on new churches and added to older foundations, and they were used to renew ancient monuments and places. The Roman Commune used a similar strategy with civil buildings. The image of Rome was transformed through restoration and new construction that used spolia as meaningful objects, and inscriptions for their authoritative value.
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Lidova, Maria. "The Imperial Theotokos: Revealing the Concept of Early Christian Imagery in Santa Maria Maggiore in Rome." Convivium 2, no. 2 (November 2015): 60–81. http://dx.doi.org/10.1484/j.convi.5.111178.

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9

Bolgia, Claudia. "An Engraved Architectural Drawing at Santa Maria in Aracoeli, Rome." Journal of the Society of Architectural Historians 62, no. 4 (December 1, 2003): 436–47. http://dx.doi.org/10.2307/3592496.

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The use of tracings-drawings engraved on floors or walls showing an architectural detail to scale-was an important stage of the Gothic building process. Although examples of such engravings have survived all over Europe, very few Italian tracings are preserved. Two hitherto unknown examples, found in the Roman church of Santa Maria in Aracoeli, are presented here for the first time. One portrays the profile of a small base and was probably a trial drawing. The other is a two-light-and-oculus tracery pattern, and is particularly interesting because it is drawn to full scale and was cut into a reused slab of ancient marble. In this essay, I reconstruct the geometric process of generating the design and analyze the position of the tracing, with its peculiar Roman features, within the European Gothic context. I also consider the engraved drawing's possible function (guideline for template- and stone-cutters, or slab from which the tracery was to be cut directly), destination (sepulchral monument, window, or ciborium), and dating.
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10

TANGARI, NICOLA. "Mensural and polyphonic music of the fourteenth century and a new source for the Credo of Tournai in a gradual of the Basilica di Santa Maria Maggiore in Rome." Plainsong and Medieval Music 24, no. 1 (April 2015): 25–69. http://dx.doi.org/10.1017/s0961137115000029.

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ABSTRACTAn early fourteenth-century gradual produced for use in Avignon and today preserved in Rome at the Basilica di Santa Maria Maggiore is a new source for understanding the musical and liturgical exchange between France and Italy in the fourteenth century. The present article will consider compositions written after the main body of the gradual, and found now in the initial fascicle and on the last three folios of the manuscript. These folios contain a hitherto unknown source for the Credo of Tournai as well as other works not recorded elsewhere; for example, a polyphonic Gloria, a polyphonic Credo, a troped Sanctus and a Credo in cantus fractus.
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Dissertations / Theses on the topic "Rome. Santa Maria Maggiore (church)"

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Matos, Michael Anton Hahn Cynthia J. "The icon of the Madonna Della Clemenza patronage, placement, purpose /." Diss., 2005. http://etd.lib.fsu.edu/theses/available/etd-04102005-191335.

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Thesis (M.A.)--Florida State University, 2005.
Advisor: Dr. Cynthia Hahn, Florida State University, School of Visual Arts and Dance, Dept. of Art History. Title and description from dissertation home page (viewed June 8, 2005). Document formatted into pages; contains vii, 70 pages. Includes bibliographical references.
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Kalas, Gregor A. "Sacred image, urban space image, installations, and ritual in the early medieval Roman forum /." 1999. http://catalog.hathitrust.org/api/volumes/oclc/49623530.html.

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Books on the topic "Rome. Santa Maria Maggiore (church)"

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El orden continuado: Las transformaciones arquitectónicas de la Basílica de Santa María la Mayor en Roma. Valladolid: Secretariado de Publicaciones e Intercambio Editorial de la Universidad de Valladolid, 2001.

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2

Figure, liturgia e culto, arte: Ricerche dall'archivio della Basilica papale di Santa Maria Maggiore. Roma: Lisanti Editori, 2011.

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Sainte-Marie-Majeure: Une basilique de Rome dans l'histoire de la ville et de son église, Ve-XIIIe siècle. Rome: Ecole française de Rome, 2001.

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vaticana, Biblioteca apostolica. Bibliothecae apostolicae vaticanae corpus manuscriptorum musicalium. Citta del Vaticano: Biblioteca apostolica vaticana, 1994.

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--Humanis divina iunguntur--: Un percorso museale della Basilica Liberiana. Roma: Lisanti, 2011.

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6

Ostrow, Steven F. Art and spirituality in Counter-Reformation Rome: The Sistine and Pauline chapels in S. Maria Maggiore. Cambridge [England]: Cambridge University Press, 1996.

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Die Kanoniker von S. Giovanni in Laterano und S. Maria Maggiore im 14. Jahrhundert: Eine Prosopographie. Tübingen: M. Niemeyer Verlag, 1999.

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Ostrow, Stephen F. The Sistine Chapel at S. Maria Maggiore : Sixtus V and the art of the Counter Reformation. Ann Arbor, MI: University Microfilms International, 1988.

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9

La Città di vita di Matteo Palmieri: Ipotesi su una fonte quattrocentesca per gli affreschi di Michelangelo nella volta Sistina. Palermo: Duepunti, 2006.

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10

Der Weg zur Ewigkeit führt über Rom: Die Frühgeschichte des Papsttums und die Darstellung der neutestamentlichen Heilsgeschichte im Triumphbogenmosaik von Santa Maria Maggiore in Rom. Wiesbaden: Franz Steiner, 2010.

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Book chapters on the topic "Rome. Santa Maria Maggiore (church)"

1

Carnevali, Laura, and Fabio Lanfranchi. "Design and Graphical Analysis of the Church of Santa Maria della Misericordia in the Verano Cemetery in Rome." In Graphical Heritage, 297–309. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47983-1_27.

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You might also be interested in the extended bibliographies on the topic 'Rome. Santa Maria Maggiore (church)' for particular source types:
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