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Journal articles on the topic 'Room of one's own (Woolf, Virginia)'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Mao, Douglas. "Rebecca West and the Origins of A Room of One's Own." Modernist Cultures 9, no. 2 (2014): 186–212. http://dx.doi.org/10.3366/mod.2014.0083.

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This essay argues that Virginia Woolf's treatment of the wellsprings of valid art in A Room of One's Own (1929) is significantly indebted to Rebecca West's exploration of similar questions in “The Strange Necessity” (1928). Noting substantial evidence that Woolf was familiar with West's text by the time she wrote Room, the essay observes that both authors argue for the power of material conditions in art-making even as they work to deflect charges of succumbing to a reductive or soul-deadening materialism. In mounting this proactive defense, West relies in part upon a peripatetic narrator whos

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Cramer, Patricia Morgne. ""Everyone chooses their love after their own fashion": The Waves as a Modernist Symposium." Journal of Modern Literature 46, no. 4 (2023): 43–62. http://dx.doi.org/10.2979/jmodelite.46.4.03.

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Abstract: In A Room of One's Own , when Virginia Woolf urges women writers to expose the "dark spots" in men's psychology, she signals her own intentions for The Waves . In The Waves , Woolf targets men's masculinity, elite educations, brutalized boyhoods (at public schools), and their too-easy belonging to literary traditions as causes of male writers' truncated creativity. Louis, Bernard, and Neville exhibit the writerly disabilities Woolf associates with virility in Room . They are also linked to T.S. Eliot, Desmond MacCarthy, and Lytton Strachey, and to modernist experimentalism, realism,

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Cramer, Patricia Morgne. ""Everyone chooses their love after their own fashion": The Waves as a Modernist Symposium." Journal of Modern Literature 46, no. 4 (2023): 43–62. http://dx.doi.org/10.2979/jml.2023.a908973.

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Abstract: In A Room of One's Own , when Virginia Woolf urges women writers to expose the "dark spots" in men's psychology, she signals her own intentions for The Waves . In The Waves , Woolf targets men's masculinity, elite educations, brutalized boyhoods (at public schools), and their too-easy belonging to literary traditions as causes of male writers' truncated creativity. Louis, Bernard, and Neville exhibit the writerly disabilities Woolf associates with virility in Room . They are also linked to T.S. Eliot, Desmond MacCarthy, and Lytton Strachey, and to modernist experimentalism, realism,

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4

Ilie, Loredana. "Breaking Barriers: Virginia Woolf's A Room of One's Own and the Feminist Pursuit of Creative Freedom." LiBRI. Linguistic and Literary Broad Research and Innovation. 13, no. 1 (2025): 17–22. https://doi.org/10.70594/libri/13.1/2.

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Abstract The article exposes how Woolf vividly illustrates the societal constraints, through the imagined figure of Judith Shakespeare, that stifled women's talents, juxtaposing Judith’s unrealised potential against her brother William's celebrated success. Woolf underscores how financial dependence and relentless domestic demands limited women's literary contributions, steering them toward forms like the novel, which could better accommodate interruptions. The essay’s narrative also examines gendered subjectivity, challenging patriarchal constructs in language and identity. Woolf

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Ilie, Loredana. "Breaking Barriers: Virginia Woolf's A Room of One's Own and the Feminist Pursuit of Creative Freedom." LiBRI. Linguistic and Literary Broad Research and Innovation 13, no. 1 (2025): 17. https://doi.org/10.70594/libri/13.1/2.

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<p dir="ltr"><span>The article exposes how Woolf vividly illustrates the societal constraints, through the imagined figure of Judith Shakespeare, that stifled women's talents, juxtaposing Judith’s unrealised potential against her brother William's celebrated success. Woolf underscores how financial dependence and relentless domestic demands limited women's literary contributions, steering them toward forms like the novel, which could better accommodate interruptions. The essay’s narrative also examines gendered subjectivity, challenging patriarchal constructs in language and identi

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Oliveira, Maria Aparecida de. "VIRGINIA WOOLF E A CRÍTICA FEMINISTA." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 23, no. 2 (2019): 18–27. http://dx.doi.org/10.34019/1982-0836.2019.v23.29177.

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O presente artigo estabelece as relações entre a A room of one’s own e a crítica feminista, observando como essa tem revisto e ressignificado o ensaio de Virginia Woolf. Serão problematizadas questões como a exclusão feminina dos espaços públicos, das esferas políticas e, consequentemente, da literatura e da história. Depois disso, abordaremos a personagem Judith Shakespeare. Por último, duas questões problematizadas serão tratadas nesta análise, a primeira refere-se à tradição literária feminina e a segunda refere-se à própria frase feminina. Palavras-chave: Crítica feminista, Judith Sh

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Diyar Tayeb, Govand. "The Financial Autonomy in Virginia Woolf’s “A Room of One’s Own”." Academic Journal of Nawroz University 12, no. 4 (2023): 259–65. http://dx.doi.org/10.25007/ajnu.v12n4a1771.

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The essay “A Room of One’s Own” by Virginia Woolf was published in 1929 and was based on two papers at Newnham College Arts Society and Girton College in October 1928. This essay investigates the relationship between gender, economic freedom, and creative expression. Woolf contends that for women to reach their full intellectual and artistic potential, they must have their own physical space as well as a reliable source of money. The researcher goes into the historical, social, and economic issues that contributed to women's financial insecurity in the early twentieth century. The researcher a

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Neha and Dr Sachin Kumar. "Subverting the patriarchy: A Feminist Reading of Virginia Woolf’s A Room of One’s Own." International Journal of English and Studies 07, no. 04 (2025): 114–24. https://doi.org/10.47311/ijoes.2025.7.04.124.

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Virginia Woolf's A Room of One's Own (1929) is foundational in feminist literary criticism. Essentially, it argues that women have never had equal opportunities to men in literature because they have not had the 'money' and 'freedom' in Woolf's words. Woolf herself evidently was subject to such conditions. This paper looks at Woolf's idea that financial independence and intellectual freedom are essential for creativity. It discusses how she uses the fictional character Judith Shakespeare to illustrate the obstacles women face, and how she criticizes the maledominated literary world. The paper

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9

Gan, Wendy. "Solitude and Community: Virginia Woolf, Spatial Privacy and A Room of One's Own." Literature & History 18, no. 1 (2009): 68–80. http://dx.doi.org/10.7227/lh.18.1.5.

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Colorado Prieto, Natalia. "Virginia Woolf: The Translations of "A Room of One's Own" and "Three Guineas" to Construct a Feminine Genealogy." Epos : Revista de filología, no. 35 (May 25, 2020): 81. http://dx.doi.org/10.5944/epos.35.2019.25503.

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En este artículo se lleva a cabo un análisis comparativo de las traducciones al español de los ensayos feministas A Room of One’s Own y Three Guineas de Virginia Woolf, así como un estudio de la correlación entre las ideas feministas de Woolf y la situación de las mujeres españolas en el momento en el que las traducciones fueron publicadas y en la actualidad. El objetivo de este trabajo es determinar hasta qué punto las decisiones de los traductores influyeron en la transmisión del mensaje que pretendía transmitir Woolf, y la conexión entre dichas traducciones y la situación de las mujeres en

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Ahmed, Sana Nazir, Sulaiman Ahmad, and Kalsoom Afzaal. "Exploring Subjectivity and Modernist Language Techniques: Time, Gender, and Identity in Virginia Woolf's A Room of One’s Own." Journal of Social Sciences Review 4, no. 4 (2024): 169–80. https://doi.org/10.54183/jssr.v4i4.439.

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This research examines the advantages and drawbacks of modernist ideas through Virginia Woolf's perspective, emphasizing her interaction with time, modernism, and the notion of gender equality. This study explores A Room of One’s Own, emphasizing Woolf's distinctive take on modernist themes, her portrayal of gender, and her criticism of societal conventions. The analysis highlights Woolf's skill in connecting personal struggles with wider cultural and philosophical issues, especially those impacting women's lives and identities. Moreover, the research explores how Woolf reinterprets character

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Neves, Caroline Resende, and Nícea Helena de Almeida Nogueira. "VIRGINIA WOOLF E SEU PAPEL COMO CRÍTICA LITERÁRIA." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 23, no. 2 (2019): 28–38. http://dx.doi.org/10.34019/1982-0836.2019.v23.29178.

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Em 2019, Um teto todo seu celebrou seus 90 anos de publicação e Três guinéus foi traduzido e publicado no Brasil pela primeira vez. Esses dois eventos, mais a participação na palestra A room of my own (Um teto todo meu) organizado pelo Durham Book Festival (Festival do Livro de Durham), onde os participantes discutiram os desafios que as escritoras ainda enfrentam nos dias atuais, nos inspirou a publicar o presente artigo, para analisar o papel de Virginia Woolf como crítica e apresentar algumas de suas teorias mais relevantes. Palavras-chave: Virginia Woolf. Autoria feminina. Crítica fe

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Kwon, Seokwoo. "Dual voice and submerged authorial intention in Virginia Woolf 's A Room of One's Own." LINGUA HUMANITATIS 23, no. 1 (2021): 103–18. http://dx.doi.org/10.16945/2021231103.

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Thạch Thị, Cương Quyền. "From the female writer in A Room of One’s Own to the female reader in The Reader: feminist voices." Science & Technology Development Journal - Social Sciences & Humanities 5, no. 2 (2021): 1056–65. http://dx.doi.org/10.32508/stdjssh.v5i2.583.

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Virginia Woolf (1882-1941) is the pioneers of the very first movement of feminism. Her work A Room of One's Own (1929) shows gender discrimination with discourse of feminism and of literary creativeness, and also thoughts for fighting for gender equality. For Woolf, a liberal writer is the one who has his/her own room to work and is adequately educated. Despite of the wide gap of generation, the novel The Reader (1995) by Bernhard Schlink (1944-) continued with feminism from the view of female readers. It also shows his view point of a liberal reader who has the right to participate in literar

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Fonseca, Susan Campos. "¿Una habitación propia en el Jazz Latino?/A Room of One's Own in a “Latin Jazz”?" IASPM Journal 1, no. 2 (2011): 1–11. http://dx.doi.org/10.5429/368.

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Resumen: En su libro Carambola. Vidas en el jazz latino (FCE, 2005), el filósofo, músico y neuromusicólogo belga Luc Delannoy plantea, en el capítulo “Apuntes de identidad”, la siguiente pregunta: “¿Identidad de sexo y de género?” proponiendo el asunto cuestionando “¿existe un elemento femenino en el jazz latino?¿dónde esta?” El filósofo belga encontrará en su pregunta inicial un camino para abordar el estudio de identidades múltiples en un género musical donde las voces creativas de compositoras, cantautoras e interpretes se desdibujan bajo la imagen dominante de la “cantante”, un campo de es

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Abraham, T. "A Pre-Feministic and Post-Feministic View of Virginia Woolf in A Room of One’s Own." International Journal of Research Publication and Reviews 6, no. 3 (2025): 2168–70. https://doi.org/10.55248/gengpi.6.0325.1174.

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Salamova, Aziza Sahib. "Feminist Ideas of V. Woolf on The Material of the Essay “A Room of One's Own” and “Professions for Women”." International Journal of Research and Review 10, no. 5 (2023): 273–78. http://dx.doi.org/10.52403/ijrr.20230534.

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The term “feminism” (from Lat. femina – woman) was first introduced by French socialist theorist Charles Fourier in the beginning of the 19th century. Fourier wrote how what he called the “new woman” had the potential to change social life and the role of womanhood. He went as far as stating that “the empowerment of women is the main source of social progress”. Parallel to this new era of critical understanding, art needed to take not only new forms, but also contain completely new content. It is therefore not surprising that a peculiar refraction of the female image in English literature beca

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Schmidt, Katharina. "Money and a Room of One’s Own?! A Feminist Deconstruction of the Situation of Female Jazz Musicians 1960–1980." European Journal of Musicology 16, no. 1 (2017): 81–93. http://dx.doi.org/10.5450/ejm.2017.16.5780.

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‘What does it take for a woman to be able to write a novel?' asks Virginia Woolf in A Room of One's Own. The answer is surprisingly mundane: She needs money and a room of her own. Although Woolf writes at length about passion and talent, she concludes that material preconditions are actually more crucial. Similarly, the present article argues that there has been no lack of interest in jazz among female musicians, but a lack of socially accepted possibilities for professionalisation. This article endeavours to deconstruct some of the socio-cultural contexts and frameworks of music-making in a f

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Mignot, Élise. "Le pronom personnel one dans A Room of One’s Own de Virginia Woolf." Etudes de stylistique anglaise, no. 9 (March 1, 2015): 9–29. http://dx.doi.org/10.4000/esa.779.

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Favre, Valérie. "La dynamique paradoxale de l’enfermement dans A Room of One’s Own de Virginia Woolf : entre contrainte et dépassement du genre." Textures, no. 23 (January 1, 2018): 231–40. https://doi.org/10.35562/textures.215.

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Le présent article s’attache à faire émerger la dynamique du paradoxe qui gouverne l’articulation entre les notions de genre et d’enfermement esquissée par Virginia Woolf dans A Room of One’s Own et tâche de démontrer que c’est par l’entremise de cette dynamique du paradoxe que Woolf en appelle au dépassement de l’enfermement genré dans cet essai. Pour ce faire, on y examine le traitement woolfien de l’enfermement genré, tant au sens littéral, spatial, du terme qu’au sens de binarisme normatif du genre, en s’interrogeant notamment sur la dimension paradoxale de la pièce à soi et de l’idéal and

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Pinho, Davi. "O CONTO DE VIRGINIA WOOLF – OU FICÇÃO, UMA CASA ASSOMBRADA." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 23, no. 2 (2019): 03–17. http://dx.doi.org/10.34019/1982-0836.2019.v23.29176.

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O presente artigo se debruça sobre o conto “Casa Assombrada”, coletado no único volume de contos que Virginia Woolf publicou em vida, Monday or Tuesday (1921), para investigar de que maneira seus contos intensificam a crise dos gêneros literários que seus romances encenam, por um lado; e para entender como tal crise é análoga à questão política que assombra toda sua obra, por outro lado: o gênero enquanto questão identitária. Em diálogo com a filosofia e com a crítica woolfiana, este estudo articula essa “crise dos gêneros” (gender x genre) e, ao mesmo tempo, produz uma contextualização histór

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ADŽIJA, Maja. "PERCEPTION OF FUTURE AND UTOPIA ELEMENTS IN WORKS OF VIRGINIA WOOLF." Lingua Montenegrina 17, no. 1 (2016): 221–34. https://doi.org/10.46584/lm.v17i1.498.

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The author of this paper explores the elements of the future, utopian considerations of the progress of humanity, women’s issues and culture in progress in the selected works of Virginia Woolf. The utopian thought is viewed through her philosophical-literary approach to creation. Virginia Woolf addressed the eternal themes of pacifism and humanism in her fictional works, as well as in her essays in which she discussed the then current socio-political situation. Reading from today’s perspective and our experience of the 20th century however, these can serve as a source in which we can find an a

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Filizola, Marcela. "A linha que atravessa o quadro: da solidão à intimidade em “To the lighthouse’." Cadernos de Letras da UFF 29, no. 58 (2019): 217–34. http://dx.doi.org/10.22409/cadletrasuff.2019n58a621.

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Este artigo tem como objetivo investigar a questão da linguagem e da arte em To the Lighthouse, de Virginia Woolf, ressaltando os movimentos de aproximação e afastamento, solidão e intimidade que apontam para a permeabilidade da vida. Com o intuito de analisar a ligação entre as mulheres no romance, busca-se refletir sobre a noção de precariedade desenvolvida por Judith Butler (Quadros de guerra) em diálogo com o ensaio A Room of One’s Own.

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Marouvo Fagundes, Patricia, Aeolane Coelho Sousa, Keyse Kerolayne Levy, and Maria Suelen Lins dos Santos. "Uma leitura woolfiana de Pride and Prejudice e Persuasion, de Jane Austen." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 26, no. 1 (2022): 96–111. http://dx.doi.org/10.34019/1982-0836.2022.v26.38147.

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Este artigo tem por objetivo mapear a sentença feminina, elaborada por Virginia Woolf em A Room of One’s Own (1929), nos romances Pride and Prejudice (1813) e Persuasion (1818), de Jane Austen. Com base nesse mapeamento, é realizada uma leitura que situa a produção austeniana na tradição literária feminina, considerando-se sua contribuição para uma quebra da sentença masculina, desarticulando sua lógica ao ironicamente promover o riso (BERGSON, 2018) e um olhar crítico às convenções literárias e sociais de seu tempo.

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Shou, Ruoan. "Impressionistic Description in Woolf's Works: Application and Limitation of Modernist Aesthetics." International Journal of Social Sciences and Public Administration 4, no. 2 (2024): 219–24. http://dx.doi.org/10.62051/ijsspa.v4n2.30.

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As a representative writer of modernist literature and feminist literature in the 20th century, Virginia Woolf's works profoundly reflect the complexity of modern society and the unique perspective of women. Through the analysis of works such as Mrs. Dalloway, To the Lighthouse, Orlando and A Room of One's Own, this paper explores Woolf's narrative innovation under the trend of modernist thought and her redefinition of gender roles. The study found that Woolf skillfully combined modernist techniques such as stream of consciousness with feminist ideas to show the themes of gender fluidity and s

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Stobie, Caitlin E. "The Mirrored Monster and Becoming-Wolf: Reflections on Desire in Woolf and Braidotti." Comparative Critical Studies 19, no. 2 (2022): 213–35. http://dx.doi.org/10.3366/ccs.2022.0443.

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Waves and water, the lens of a lighthouse, a lady’s looking-glass: reflecting surfaces abound in the writings of Virginia Woolf. These figurations, in turn, are repeated as a formative image, a reflective motif, in the theory of Rosi Braidotti. This article explores the material implications of both authors’ mirrors, arguing that they distort repronormative depictions of women as maternal figures. Particularly, I view the autopoietic theorization of desire in Braidotti’s oeuvre through the lens of Woolf’s major fiction and non-fiction from 1927 to 1941. With references to works including A Roo

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Chakraborty, Milan. "Exploring the Fictional Miss Shakespeare in Woolf’s “Shakespeare’s sister”." International Journal of English Literature and Social Sciences 8, no. 6 (2023): 100–101. http://dx.doi.org/10.22161/ijels.86.14.

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The concerned paper tries as much as it can to sketch a feministic preview of “Shakespeare’s sister”, included in the famous essay “A Room of Ones Own” by Virginia Woolf, one of the most dominant female writers of English literature by virtue of exploring the fundamental problems of women, familial as well as social, regarding the various means whereby they can thrive like greatest male poets, dramatists as well as novelists of the era. Throughout the essay, Wolf endeavours to singe root and branch the man-made form of the patriarchal society, which hinders the women to have a specific space f

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Freitas, Marinela. "As irmãs de Fernando Pessoa." Cadernos de Literatura Comparada, no. 49 (2023): 207–18. http://dx.doi.org/10.21747/21832242/litcomp49v3.

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In the same year that Fernando Pessoa and António Botto published the Anthology of Modern Portuguese Poems in Lisbon, Virginia Woolf published, in London, her famous book A Room of One’s Own, in which Woolf reflected on what life would have been like for William Shakespeare’s sister if she had existed and had revealed the same literary talent as her brother. Inspired by this speculative feminist exercise, this paper proposes that we think about what would have happened if Fernando Pessoa’s three sisters (Maria Clara, Henriqueta and Madalena) had turned out to be modernist poetic geniuses like

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Gilbert, Nora. "A Servitude of One’s Own." Nineteenth-Century Literature 69, no. 4 (2015): 455–80. http://dx.doi.org/10.1525/ncl.2015.69.4.455.

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Nora Gilbert, “A Servitude of One’s Own: Isolation, Authorship, and the Nineteenth-Century British Governess” (pp. 455–480) Much has been written, both during the Victorian era and in recent literary and cultural-historical criticism, about the plight of the nineteenth-century British governess, a plight that is largely attributed to her uncomfortable position of “status incongruence,” as M. Jeanne Peterson has usefully labeled it. Because the governess was deemed inferior to the family she worked for but superior to the family’s domestic servants, her free time was not uncommonly spent on her

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Klinman, Judith P. "Moving Through Barriers in Science and Life." Annual Review of Biochemistry 88, no. 1 (2019): 1–24. http://dx.doi.org/10.1146/annurev-biochem-013118-111217.

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This first serious attempt at an autobiographical accounting has forced me to sit still long enough to compile my thoughts about a long personal and scientific journey. I especially hope that my trajectory will be of interest and perhaps beneficial to much younger women who are just getting started in their careers. To paraphrase from Virginia Woolf's writings in A Room of One's Own at the beginning of the 20th century, “for most of history Anonymous was a Woman.” However, Ms. Woolf is also quoted as saying “nothing has really happened until it has been described,” a harbinger of the enormous

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Chen, Xinle. "A comparative analysis of Woolf's Androgynous Theory and beauvoir's feminist theory: a literature review." Advances in Humanities Research 12, no. 2 (2025): None. https://doi.org/10.54254/2753-7080/2025.23445.

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This paper takes Virginia Woolf's theory of the androgynous mind and Simone de Beauvoir's feminist doctrine as entry points to dissect the convergences and divergences in the evolution of their feminist thought. Through an analysis of the original texts A Room of One's Own and The Second Sex, it compares their distinctive interpretations of the paths to female awakening: Woolf regards economic autonomy and creative freedom as means to break free from the shackles of patriarchal society, while Beauvoir employs the scalpel of existentialism to expose women's construction as the Other. Both unvei

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Augustyn, Joanna. "Czekając na „własny pokój”. Skarga Krystyny de Pizan w Wizji Krystyny jako głos w historii kobiet." Terminus 25, no. 3 (68) (2024): 349–60. http://dx.doi.org/10.4467/20843844te.23.020.18208.

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L’Avision de Christine, a 15-century text by the medieval 15th-century writer Christine de Pizan, communicates a didactic and political message. One of its parts, which serves the purpose of building the position and authority of the writer, is Christine’s personal complaint, presented from the perspective of a widow and writer struggling with everyday adversities and limitations of being a woman. A departure point for this article is Virginia Woolf ’s famous essay A Room of One’s Own, in which conditions indispensable for a successful writer are described: the titular room with a lock, income

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Pinelli, Luca. "Moving Mothers of Women: Virginia Woolf Simone de Beauvoir, and Motherhood in Motion." Elephant and castle, no. 31 (December 30, 2023): 77–88. http://dx.doi.org/10.62336/unibg.eac.31.476.

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This article builds and expands on the notion that Virgin-ia Woolf and Simone de Beauvoir are the ‘mothers’ of sec-ond-wave feminisms. It comprises three interrelated move-ments. First, Simone de Beauvoir’s paraphrase of Woolf’s A Room of One’s Own is explored, in particular through the ‘myth’ of Judith Shakespeare. This movement naturally leads to a discussion of the women’s literature anthologies of the 1970s and 80s in the United States. An intermezzo attempts to show the inherent plurality of the category of ‘second-wave feminism’ by mapping Beauvoir’s trajectory in France, the United Stat

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García-Alcaide, María. "Anónimo era una mujer." Arte y Políticas de Identidad 24 (June 28, 2021): 132–47. http://dx.doi.org/10.6018/reapi.484781.

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“Anónimo era una mujer”, escribió Virginia Woolf en su libro Una habitación propia. Recuperamos su cita con el objetivo de comprender cómo la literatura ha estado siempre ligada al hombre, mientras que la mujer permanecía en un plano invisible a lo largo de la Historia. Las escritoras firmaban bajo pseudónimo, escondiendo sus nombres por miedo, vergüenza o presión social; algunas permitían el intrusismo de sus maridos, quienes se otorgaban los méritos de sus obras, y otras simplemente caían en el olvido. Es necesario recuperar la memoria para darles el lugar que se merecen, especialmente en el

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Gómez Sobrino, Isabel. "La correspondencia epistolar y la poesía de Ernestina de Champourcin y Carmen Conde: «Una habitación propia» como taller de autenticidad estética." Castilla. Estudios de Literatura, no. 8 (August 15, 2017): 436. http://dx.doi.org/10.24197/cel.8.2017.436-458.

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En el presente ensayo se estudia la relación entre la correspondencia epistolar de Ernestina de Champourcin y Carmen Conde con la simultánea escritura de sus poemas. A la luz del concepto de habitación propia como espacio imprescindible y necesario para la creación literaria expresado por Virginia Woolf en A Room of One’s Own, las cartas sirven como habitación propia donde ambas poetas pretenden conseguir su autenticidad estética coartada por la sociedad patriarcal en los comienzos del siglo XX en España. La presencia del interlocutor, el desdoblamiento del yo poético y los poemas metapoéticos

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Basirizadeh, Fatemeh Sadat, and Mahnaz Soqandi. "A Comparative Study of the Psychoanalytical Portrayal of the Women Characters by Virginia Woolf and Zoya Pirzad." Britain International of Humanities and Social Sciences (BIoHS) Journal 1, no. 1 (2019): 1–8. http://dx.doi.org/10.33258/biarjohs.v1i1.8.

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Looking backwards at a century of capricious discourses, now after another turn of the century, one easily comes to the common point in all Feministic discourses; which all are as efforts to prove women's presence and their equality to men in various aspects of life. The passage of the decades did not mutate the nature of all these feminine studies; just have posed the topic in diverse areas; for the whole body of the Feminist dialogisms and ideas were appointed by patriarchal discourses. This indicates that the current feminist dialogisms are not totally feminine discourses, rather, feminine-

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Malpezzi, Chiara. "What food do we feed girls as artist upon?" Ars Educandi 17, no. 17 (2020): 89–104. http://dx.doi.org/10.26881/ae.2020.17.06.

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Virginia Woolf in A room of one’s own (1929) builds a strong connection between food and the material conditions of women writers, asking herself: what food do we feed women as artists upon? From this point of view, food can be considered a metaphor for the achievement of both artistic and gender equality. Hence, my paper aims to outline the relevance of this under-investigated topic in children’s literature, focusing on feminist Künstellromans, namely stories about a female artist’s journey to maturity. Drawing from the methodology of Nodelman, I will investigate two opposite narrative situat

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Malpezzi, Chiara. "What food do we feed girls as artist upon?" Ars Educandi 17, no. 17 (2020): 89–104. http://dx.doi.org/10.26881/ae.2020.17.06.

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Virginia Woolf in A room of one’s own (1929) builds a strong connection between food and the material conditions of women writers, asking herself: what food do we feed women as artists upon? From this point of view, food can be considered a metaphor for the achievement of both artistic and gender equality. Hence, my paper aims to outline the relevance of this under-investigated topic in children’s literature, focusing on feminist Künstellromans, namely stories about a female artist’s journey to maturity. Drawing from the methodology of Nodelman, I will investigate two opposite narrative situat

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Marín del Ojo, Patricia, and Lucía-Pilar Cancelas-Ouviña. "Acercando las voces feministas de Sylvia Plath y Virginia Woolf a la Educación Secundaria Obligatoria y Bachillerato." Clepsydra. Revista de Estudios de Género y Teoría Feminista, no. 24 (2023): 105–26. http://dx.doi.org/10.25145/j.clepsydra.2023.24.06.

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This research shows how the gender perspective can be introduced into Compulsory Secondary Education and Baccalaureate by focusing on the work of two Anglo-Saxon women writers considered to be bastions of feminism: Virginia Woolf (1882-1941) and Sylvia Plath (1932-1963). The research design follows a methodology known as Design-Based Research (de Benito Crosetti y Salinas Ibáñez 2016) which offers as a product a reading guide in the form of a literary constellation (Jover 2009, Garvis 2015) that includes the following selection of English-language adaptations for young people: Mrs Dalloway (19

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Ruotolo, Lucio. "Women & Fiction: The Manuscript Versions of A Room of One's Own, and: Leonard and Virginia Woolf as Publishers: The Hogarth Press, 1917-41 (review)." MFS Modern Fiction Studies 39, no. 2 (1993): 395–97. http://dx.doi.org/10.1353/mfs.0.0779.

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Bengoechea, Mercedes, and Caroline Wilson. "Book Review: EMBODYING THE SEXED SUBJECT IN A ROOM OF ONE'S OWN Virginia Woolf, translation by Maria Milagros Rivera Garretas Un cuarto propio (A Room of One's Own) Madrid: horas y Horas, Colección La Cosecha de Nuestras Madres, 2003, 152 pp., ISBN 84-96004-02-3." European Journal of Women's Studies 16, no. 2 (2009): 185–90. http://dx.doi.org/10.1177/1350506808101766.

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LUKŠIĆ, Sandra. "EXPLORING INTERPERSONAL COMPONENTS OF LANGUAGE IN A WORK OF FICTION." Lingua Montenegrina 23, no. 1 (2019): 83–97. https://doi.org/10.46584/lm.v23i1.674.

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This paper investigates interpersonal meanings in a work of fiction created by the use of various modal expressions and the ideology that lies behind two different modal systems constructed in it. The analysis of modality is conducted on the corpus of the essay A Room of One’s Own by Virginia Woolf within the framework of discourse analysis (DA) and pragmatics. Within DA the research is focused on the function of modal expressions in the overall discourse organization, while the pragmatic aspect is more focused on the dominant role of context in determining the meaning of frequently very poly

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Budilova, Oleksandra, Maryna Volkova, Svitlana Honsalies-Munis, Tetiana Aksiutina, and Oksana Vovkodav. "Gender Identity and Literary Expression: Examining the intersection of literature and sociocultural shifts." Traduction et Langues 23, no. 03 (2024): 111–34. https://doi.org/10.52919/translang.v23i03.1015.

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This study explores how perceptions of gender identity have evolved by analyzing works from different cultural and historical contexts in English, American, and Ukrainian literature. The research seeks to connect gender roles with literature, highlighting the diversity of identity expressions and their impact on the development of gender awareness. The study employed various qualitative research methods, including content analysis, inductive reasoning, and comparative analysis. Literary works by notable authors such as Virginia Woolf, Charlotte Brontë, and Olha Kobylianska were analyzed. The f

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Barton, Anna. "LONG VACATION PASTORALS: CLOUGH, TENNYSON, AND THE POETRY OF THE LIBERAL UNIVERSITY." Victorian Literature and Culture 42, no. 2 (2014): 251–66. http://dx.doi.org/10.1017/s1060150313000417.

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In the opening passage ofA Room of One's Own, Virginia Woolf catches herself, and is subsequently caught out, in a moment of reflection on the banks of a river, within the grounds of a barely fictionalised “Oxbridge University”:Here then was I (call me Mary Beton, Mary Seton, Mary Carmichael or by any name you please – it is not a matter of any importance) sitting on the banks of a river a week or two ago in fine October weather, lost in thought. That collar I have spoken of, women and fiction, the need of coming to some conclusion on a subject that raises all sorts of prejudices and passions,

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Tinedo Rodríguez, Antonio Jesús. "Producción fílmica, género, literatura y traducción audiovisual didáctica (TAD) para el aprendizaje integrado de contenidos y lenguas (AICLE)." DIGILEC: Revista Internacional de Lenguas y Culturas 9 (December 28, 2022): 140–61. http://dx.doi.org/10.17979/digilec.2022.9.0.9155.

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Un mundo globalizado, cambiante e interconectado requiere ciudadanos multilingües y multiculturales que sepan manejarse en diferentes situaciones. La formación de dicha ciudadanía necesita propuestas educativas rigurosas e innovadoras que estén al servicio de las necesidades de la sociedad del siglo XXI. Teniendo en cuenta la elevada exposición a productos audiovisuales y la motivación y el interés que dichos productos suscitan es necesario explorar las diferentes posibilidades para la inclusión de los mismos en los procesos de enseñanza-aprendizaje. El análisis fílmico es una opción con un la

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Fish, Laura. "Woman in the Mirror: Reflections." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 7 (May 1, 2015): 92. http://dx.doi.org/10.12681/syn.16199.

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In A Room of One’s Own (1929) Virginia Woolf asserts: “Women have served all these centuries as looking-glasses possessing the magic and delicious power of reflecting the figure of man at twice its natural size”. (34) The use of the mirror is key to Woolf’s arguments about the position of women in general and in particular that of women writers. Complicating Woolf’s view less than a century later, I examine how black women function as looking-glasses in a dual way: as blacks, we shared the past (and now share the current) fate of black people reflecting the “darker” side of white people, as ma

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Nozen, SeyedehZahra, Bahman Amani, and Fatemeh Ziyarati. "Blooming of the Novel in the Bloomsbury Group: An Investigation to the Impact of the Members of Bloomsbury Group on the Composition of the Selected Works of Virginia Woolf and E.M. Forster." International Journal of Applied Linguistics and English Literature 6, no. 7 (2017): 323. http://dx.doi.org/10.7575/aiac.ijalel.v.6n.7p.323.

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“For masterpieces are not single and solitary births; they are the outcome of many years of thinking in common, of thinking by the body of the people, so that the experience of the mass is behind the single voice…”. Woolf’s belief has been put to the test in the Bloomsbury Group and this paper intends to investigate the validity of her claim through a critical analysis of the selected works of its novelist members. In a central part of London during the first half of the twentieth century a group of intellectual and literary writers, artists, critics and an economist came together which later

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M. Sri Lakshmi and V. Sudheer. "Post-Colonial Feminist Perspectives In Chitra Banerjee Divakaruni’s Select Novels." Creative Saplings 2, no. 10 (2024): 21–30. http://dx.doi.org/10.56062/gtrs.2024.2.10.497.

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Post-colonial literature as an extensive genre includes diasporic, immigrant feminist genres too. The advocate of Post-colonial theory Edward Said has proposed the concept of ‘otherness’. This is considered to be an important theory, especially for diasporas from South Asia bearing a colonial past. It also helps in understanding the effect of power relations between the colonizers and the colonized, the reason for otherness and alienation experienced by immigrants in their respective host lands. The representation of women as an object, sexual toys, and a maid before post-colonial had its tran

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Dr., Sarika Sinha. "VIRGINIA WOOLF: THE FEMINIST ASPECTS OF HER LIFE AND WORKS:." International Journal of Advance and Applied Research 9, no. 6 (2022): 161–63. https://doi.org/10.5281/zenodo.7069802.

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<strong><em>Abstract:</em></strong> <em>Virginia Woolf was one of the most important feminist authors who always raised her voice for the right of the women. In the present paper we are going to shed light on the life of Virginia Woolf, the real incidents of her life which compels her to raise her voice for the feminist. After giving a short introduction my intention is to connect some incidents which frames Virginia Woolf mind towards feminism, how she got affected in her childhood and then she grew as a strong and independent woman. I am taking a few of her novels like “ A Room of one&

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Pearsall, Cornelia D. J. "Whither, Whether, Woolf: Victorian Poetry and A Room of One's Own." Victorian Poetry 41, no. 4 (2003): 596–603. http://dx.doi.org/10.1353/vp.2004.0019.

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