Relevant bibliographies by topics / Rooms-museums

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Rooms-museums'

Author: Grafiati
Published: 3 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Rooms-museums"

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Sauge, Birgitte. "Arkitektur og utstillinger som berører. En studie av nyere basisutstillinger i norske kunst- og kunstindustrimuseer." Nordlit, no. 36 (December 10, 2015): 293. http://dx.doi.org/10.7557/13.3695.

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<p>The intention with this article is to describe current exhibition practices at some Norwegian fine art- and design museums and to relate these practices to the visitors and their experiences, by comparing data concerning the plans and interior designs of gallery rooms and the organization of the displays.</p><p>This investigation is based on data from a survey of 19 permanent exhibitions in 12 fine arts and design museums, conducted in 2011–12; the Norwegian museum architecture and museum displays with its more than 100 year old traditions; and Charlotte Klonk’s book <e
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Nadraha, M., O. Turchak, and I. Huzenko. "Regulatory and legal framework for the organization of military-historical museums (rooms of combat traditions) in the Armed Forces of Ukraine." Analytical and Comparative Jurisprudence, no. 4 (November 27, 2022): 221–25. http://dx.doi.org/10.24144/2788-6018.2022.04.40.

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The article deals with the analysis of Regulatory and legal framework for the organization of military history museums (rooms of combat traditions) in the Armed Forces of Ukraine. It was established that the activity of military-historical museums is based on the laws of Ukraine, which regulate the activities of the museum business in general, normative legal acts of the Ministry of Culture and Information Policy of Ukraine, as well as the Ministry of Defense. The basic normative legal act in the field of operation of military-historical museums in Ukraine is the Law of Ukraine "On Museums and
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Wilkinson, Clare, and Hannah Little. "“We had to be very clear that they weren't going to try to break into any of the cases”: what potential do ‘escape rooms’ offer as a science communication technique?" Journal of Science Communication 20, no. 01 (2021): C07. http://dx.doi.org/10.22323/2.20010307.

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‘Escape rooms’ are a recent cultural phenomena, whereby a group of ‘players’, often friends or colleagues, are ‘locked’ in a room and must solve a series of clues, puzzles, or mysteries in order to ‘escape’. Escape rooms are increasingly appearing in a range of settings, including science centres and museums, libraries and university programmes, but what role can an escape room play in science communication? In this commentary, we explore the emerging literature on escape rooms as well as thoughts from a small number of escape room creators in the U.S. and U.K.
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Liss, Julia E. "Bone Rooms: From Scientific Racism to Human Prehistory in Museums." History: Reviews of New Books 45, no. 3 (2017): 80. http://dx.doi.org/10.1080/03612759.2017.1294938.

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Hofmann, Alexander. "Bone Rooms: From Scientific Racism to Human Prehistory in Museums." American Nineteenth Century History 18, no. 2 (2017): 196–98. http://dx.doi.org/10.1080/14664658.2017.1340402.

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Molineux, Catherine. "Bone Rooms: From Scientific Racism to Human Prehistory in Museums." Journal of American History 103, no. 4 (2017): 1056–57. http://dx.doi.org/10.1093/jahist/jaw557.

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Aranui, Amber. "Bone rooms: from scientific racism to human prehistory in museums." Museum History Journal 12, no. 2 (2019): 193–95. http://dx.doi.org/10.1080/19369816.2019.1644723.

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Sciurpi, Fabio, Cristina Carletti, Gianfranco Cellai, and Cristina Piselli. "Indoor Air Quality in the Uffizi Gallery of Florence: Sampling, Assessment and Improvement Strategies." Applied Sciences 12, no. 17 (2022): 8642. http://dx.doi.org/10.3390/app12178642.

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The assessment of indoor air quality (IAQ) in museums is a complex issue. In this study, a comprehensive investigation methodology was defined and applied to a museum to be validated. This methodology includes the analysis of exposed objects, the optimal conditions for conservation, the building features and the HVAC systems, and the indoor thermo-hygrometric and air quality conditions. In 2019, a survey in the Uffizi Gallery of Florence, one of the most important museums in the world, was carried out to assess the IAQ conditions in the museum, and the workers and visitors’ well-being, by focu
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Ilina, Kira A. "In search of identity: The university museum as a research question (1960s–2020)." Issues of Museology 12, no. 2 (2021): 150–63. http://dx.doi.org/10.21638/spbu27.2021.201.

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The article focuses on the reconstruction of the research understanding of the “university museum” concept. University museums originated at the end of the 17th century as rooms for teaching students. Over time, university museums were eventually opened to the public and included in the missionary activities of a university. They also began to serve as an intermediary between the closed university and the community. The museums became “a shop window for universities, a source of prestige and pride which contributes to the quality of life within a university”. For 50 years researchers have been
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Robison, Andrew. "Curatorial Reflections on Print Rooms and Libraries." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 8, no. 1 (2007): 35–44. http://dx.doi.org/10.5860/rbm.8.1.274.

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The general relationship between libraries and museums is simply too broad a subject for me to wrestle with, although I am very glad that Gerald Beasley in his article in this issue has done such an excellent job of it. I intend, therefore, to focus on something more immediately relevant to my position, namely the relationship between libraries and museum collections of prints, or print rooms. That relationship, as you might expect, is a very close one. Whatever else libraries may collect—from musical instruments to eyeglasses to stuffed animals to other artifacts—and whatever else print rooms
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Dissertations / Theses on the topic "Rooms-museums"

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Villa, Lindy. "Rediscovering discovery rooms : creating and improving family-friendly interactive exhibition spaces in traditional museums /." 2006. http://library2.jfku.edu/Museum_Studies/Rediscovering_Discovery_Rooms.pdf.

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Books on the topic "Rooms-museums"

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Zucker, Barbara Fleisher. Children's museums, zoos, and discovery rooms: An international reference guide. London Greenwood, 1987.

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Utley, Beatrice S. Guidelines for museums: The National Society of the Colonial Dames of America museums and museum rooms. The Society, 1994.

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Jan, Royt, ed. Art treasures of Prague: A guide to the galleries, museums and exhibition rooms of Prague, with basic tourist information. Grafoprint, 1992.

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Museum of Photographic Arts (San Diego, Calif.) and Tenazas Design, eds. Still rooms & excavations. [Museum of Photographic Arts?], 1997.

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Smithsonian Institution. Snakes, snails and history tails: Building discovery rooms and learning labs at the Smithsonian Institution. The Institution, 1991.

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Bone rooms : from scientific racism to human prehistory in museums. Harvard University Press, 2016.

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Children's museums, zoos, and discovery rooms: An international reference guide. Greenwood Press, 1987.

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Bone Rooms: From Scientific Racism to Human Prehistory in Museums. Harvard University Press, 2022.

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Zeitverschluss Frozen Time: Das Museum Als Panikraum Museums As Panic Rooms. de Gruyter GmbH, Walter, 2023.

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Zeitverschluss Frozen Time: Das Museum Als Panikraum Museums As Panic Rooms. de Gruyter GmbH, Walter, 2023.

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Book chapters on the topic "Rooms-museums"

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Rosso, Aluminé A. "What Do Museum Visitors Leave Behind? The New Experience and the New Visitor in the Twenty-First Century." In Frontiers in Sociology and Social Research. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-11756-5_6.

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AbstractVisits to museums in the twenty-first century do not merely involve coming in contact with art but also living an interactive and relational experience that has changed the organization of museums, not only the exhibition rooms but also other museum spaces: boutiques, cafés, restaurants, and public areas. This new type of visit implies the role of an original agent: the frontalier visitor who, by inhabiting spaces adjacent to exhibition rooms, expands and reinforces the museum’s boundaries and the museum experience itself. This work is focused on visitors’ footprints as material and vi
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Kontou, Tatiana, Victoria Mills, Boris Jardine, and Joshua Nall. "[Robert Willis et al.], ‘Report to the Syndicate for Museums and Lecture Rooms, University of Cambridge’, 31 December 1853." In Victorian Material Culture. Routledge, 2022. http://dx.doi.org/10.4324/9781315400341-84.

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Cosaert, Annelies, Geert Bauwens, and Estelle De Bruyn. "Enhance Performance and Reduce Energy Use in Storage Areas: Two Belgian Case Studies." In Springer Proceedings in Archaeology and Heritage. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-85655-6_17.

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Abstract Resilient Storage is a project that focuses on designing a protocol for Belgian museums to implement short term energy-savings strategies, decrease CO2 emissions and improve preservation conditions. Cultural institutions’ mandate to optimally preserve their collections often encourages them to invest in Heating, Ventilation and Air-Conditioning (HVAC) systems to strictly control the indoor climate in their collection storage. These HVAC systems induce high operating costs and energy use. Today’s context calls for a combined strategy, one that reduces an institution’s environmental imp
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Hamill, Chris. "The Atlas of Lost Rooms:." In Emerging Technologies and the Digital Transformation of Museums and Heritage Sites. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-83647-4_14.

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Groebner, Valentin. "Frozen Time. Museums as Panic Rooms." In Zeitverschluss | Frozen Time. De Gruyter, 2023. http://dx.doi.org/10.1515/9783111234922-104.

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Politis, Dionysios, and Ionnis Marras. "The Use of Virtual Museums, Simulations, and Recreations as Educational Tools." In E-Learning Methodologies and Computer Applications in Archaeology. IGI Global, 2008. http://dx.doi.org/10.4018/978-1-59904-759-1.ch010.

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The idea of creating a virtual museum is far from new. However, creating a museum that an archaeologist could customize to match his needs is quite innovative. Here we present a system which can be used for online visualization of museums. Although there are plenty of online virtual museums, none of them is customizable. These museums are designed statically and represent certain museums, which makes it rather difficult to change. On the contrary, our Dynamic Virtual Museum is easily managed through database entries, which provide all necessary variables (rooms, models, exhibits) and interact
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Sylvester, Christine. "The Smithsonian Curates America’s Wars in Vietnam and Iraq." In Curating and Re-Curating the American Wars in Vietnam and Iraq. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190840556.003.0004.

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This chapter explores the evolution of the Smithsonian museums, including failed attempts to establish a national war museum, before focusing on one exhibition at its National Museum of American History. The Price of Freedom: Americans at War is a permanent display of objects related to every war Americans fought from colonial times to the 2003 war in Iraq. At issue is how that exhibition depicts the American wars in Vietnam and Iraq. Ten years before Price of Freedom opened, the Smithsonian Air and Space Museum planned an exhibition on the American bombing of Hiroshima that collapsed from con
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Simaika, Samir, and Nevine Henein. "A New Museum." In Marcus Simaika. American University in Cairo Press, 2017. http://dx.doi.org/10.5743/cairo/9789774168239.003.0016.

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This chapter discusses Marcus Simaika's role in the establishment of the Coptic Museum. It was in 1908 that Simaika made his first attempt to start a small Coptic museum. While engaged in the repair and restoration of the ancient churches as a member of the Comité, Simaika had collected a large quantity of interesting carved wood and stone fragments. He had asked Patriarch Cyril V for permission to move the objects he had collected, along with any spare icons, manuscripts, and carved wooden screens, into two rooms adjoining the Muʻallaqa Church in Old Cairo. When it was constructed, the Coptic
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Lindgren, James M. "“Reminders of the Dignified Life of Our Forefathers”." In Preserving Historic New England. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195093636.003.0009.

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Abstract “Authenticity” and “continuity” were words frequently mentioned by preservationists not simply to define the desired qualities of historic sites but implicitly to show their dissatisfaction with modernity. As a result, Appleton and his colleagues wanted to develop museums that would il lustrate the early lives of Yankees and show their relevance to modern New England. While SPNEA principally focused on preserving threatened buildings, it also worked to recreate the earlier environment by establishing an arts-and-crafts museum, developing period rooms, and building a folk park such as
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Brückner, Martin. "Public Giants." In Social Life of Maps in America, 1750-1860. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469632605.003.0004.

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This chapter argues that the social life of “spectacular” maps contributed to the creation of the American public sphere between 1750 and 1860. Recovering the way in which materially overdetermined maps—that is, wall maps whose representational contents were enhanced or qualified by their visual design and material heft—stood out from the vast array of printed texts, it shows how wall maps became public spectacles. Marshalling inventories, public documents, and visual evidence, the chapter documents map placements inside architectural landscapes that included lecture halls, museums, and the me
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Conference papers on the topic "Rooms-museums"

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KHRYSTOSLAVENKO, Olga, and Raimondas GRUBLIAUSKAS. "Experimental research of scattering coefficient of triangle diffuser made with charcoal." In 12th International Conference “Environmental Engineering”. VILNIUS TECH, 2023. http://dx.doi.org/10.3846/enviro.2023.861.

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The acoustic diffuser is the device that distributes the acoustic energy of intense reflections through their spatial and temporal dispersion. The device for reduction of unvented acoustic effects and improves indoor sound quality. Triangle diffusers are made of wood plates and covered with charcoal elements. The high sound reflection co-efficient of charcoal is in the production of diffusers. Charcoal is an ecologically friendly and natural material. The result of studies of the triangle diffusers made of charcoal showed high values of the sound scattering coefficient, with a maximum value (o
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Pratiwi, Y. "THE COMBINATION OF OTTOMAN, SELJUK, AND CONTEMPORARY ARCHITECTURAL STYLES IN ÇAMLICA MOSQUE, ISTANBUL AS THE LARGEST MOSQUE IN TURKIYE." In 7th International Conference on Sustainable Built Environment. Universitas Islam Indonesia, 2023. http://dx.doi.org/10.20885/icsbe.vol4.art48.

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The Çamlıca Mosque was built in a combination of Ottoman, Seljuk and modern architectural styles. The purpose of this study is to examine the application of Ottoman, Seljuk, and Modern architectural styles to the Çamlıca Mosque and to examine the character of the components in the Çamlıca Mosque from the aspect of the yard, mihrab, minaret, dome and examines the facade, the structure of the building, and the functions of the mosque. This research is unique because it proves which architectural style stands out the most. The method used in this research is descriptive qualitative exploratory by
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Benente, Michela, Valeria Minucciani, and Paolo Dabove. "Technology as a tool to study visitor behaviour in museums: positioning and neuropsychological detection to identify physical & cognitive barriers." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003332.

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Inclusive communication projects in museums and cultural sites often start from generically applicable assumptions referring to the principles of accessible and inclusive design, without considering the peculiarities of a cultural experience.It therefore seems important to study the audiences’ behaviour in museums, with particular attention to the different types of visitors: regular audiences with appropriate backgrounds; occasional audiences with very different backgrounds; and disaffected audiences who do not consider cultural experiences important or rewarding.It is precisely the latter th
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