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Journal articles on the topic 'Rooms-museums'

Author: Grafiati

Published: 3 June 2025

Last updated: 1 August 2025

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1

Sauge, Birgitte. "Arkitektur og utstillinger som berører. En studie av nyere basisutstillinger i norske kunst- og kunstindustrimuseer." Nordlit, no. 36 (December 10, 2015): 293. http://dx.doi.org/10.7557/13.3695.

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<p>The intention with this article is to describe current exhibition practices at some Norwegian fine art- and design museums and to relate these practices to the visitors and their experiences, by comparing data concerning the plans and interior designs of gallery rooms and the organization of the displays.</p><p>This investigation is based on data from a survey of 19 permanent exhibitions in 12 fine arts and design museums, conducted in 2011–12; the Norwegian museum architecture and museum displays with its more than 100 year old traditions; and Charlotte Klonk’s book <e

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Nadraha, M., O. Turchak, and I. Huzenko. "Regulatory and legal framework for the organization of military-historical museums (rooms of combat traditions) in the Armed Forces of Ukraine." Analytical and Comparative Jurisprudence, no. 4 (November 27, 2022): 221–25. http://dx.doi.org/10.24144/2788-6018.2022.04.40.

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The article deals with the analysis of Regulatory and legal framework for the organization of military history museums (rooms of combat traditions) in the Armed Forces of Ukraine. It was established that the activity of military-historical museums is based on the laws of Ukraine, which regulate the activities of the museum business in general, normative legal acts of the Ministry of Culture and Information Policy of Ukraine, as well as the Ministry of Defense. The basic normative legal act in the field of operation of military-historical museums in Ukraine is the Law of Ukraine "On Museums and

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Wilkinson, Clare, and Hannah Little. "“We had to be very clear that they weren't going to try to break into any of the cases”: what potential do ‘escape rooms’ offer as a science communication technique?" Journal of Science Communication 20, no. 01 (2021): C07. http://dx.doi.org/10.22323/2.20010307.

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‘Escape rooms’ are a recent cultural phenomena, whereby a group of ‘players’, often friends or colleagues, are ‘locked’ in a room and must solve a series of clues, puzzles, or mysteries in order to ‘escape’. Escape rooms are increasingly appearing in a range of settings, including science centres and museums, libraries and university programmes, but what role can an escape room play in science communication? In this commentary, we explore the emerging literature on escape rooms as well as thoughts from a small number of escape room creators in the U.S. and U.K.

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Liss, Julia E. "Bone Rooms: From Scientific Racism to Human Prehistory in Museums." History: Reviews of New Books 45, no. 3 (2017): 80. http://dx.doi.org/10.1080/03612759.2017.1294938.

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Hofmann, Alexander. "Bone Rooms: From Scientific Racism to Human Prehistory in Museums." American Nineteenth Century History 18, no. 2 (2017): 196–98. http://dx.doi.org/10.1080/14664658.2017.1340402.

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Molineux, Catherine. "Bone Rooms: From Scientific Racism to Human Prehistory in Museums." Journal of American History 103, no. 4 (2017): 1056–57. http://dx.doi.org/10.1093/jahist/jaw557.

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Aranui, Amber. "Bone rooms: from scientific racism to human prehistory in museums." Museum History Journal 12, no. 2 (2019): 193–95. http://dx.doi.org/10.1080/19369816.2019.1644723.

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Sciurpi, Fabio, Cristina Carletti, Gianfranco Cellai, and Cristina Piselli. "Indoor Air Quality in the Uffizi Gallery of Florence: Sampling, Assessment and Improvement Strategies." Applied Sciences 12, no. 17 (2022): 8642. http://dx.doi.org/10.3390/app12178642.

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The assessment of indoor air quality (IAQ) in museums is a complex issue. In this study, a comprehensive investigation methodology was defined and applied to a museum to be validated. This methodology includes the analysis of exposed objects, the optimal conditions for conservation, the building features and the HVAC systems, and the indoor thermo-hygrometric and air quality conditions. In 2019, a survey in the Uffizi Gallery of Florence, one of the most important museums in the world, was carried out to assess the IAQ conditions in the museum, and the workers and visitors’ well-being, by focu

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Ilina, Kira A. "In search of identity: The university museum as a research question (1960s–2020)." Issues of Museology 12, no. 2 (2021): 150–63. http://dx.doi.org/10.21638/spbu27.2021.201.

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The article focuses on the reconstruction of the research understanding of the “university museum” concept. University museums originated at the end of the 17th century as rooms for teaching students. Over time, university museums were eventually opened to the public and included in the missionary activities of a university. They also began to serve as an intermediary between the closed university and the community. The museums became “a shop window for universities, a source of prestige and pride which contributes to the quality of life within a university”. For 50 years researchers have been

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Robison, Andrew. "Curatorial Reflections on Print Rooms and Libraries." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 8, no. 1 (2007): 35–44. http://dx.doi.org/10.5860/rbm.8.1.274.

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The general relationship between libraries and museums is simply too broad a subject for me to wrestle with, although I am very glad that Gerald Beasley in his article in this issue has done such an excellent job of it. I intend, therefore, to focus on something more immediately relevant to my position, namely the relationship between libraries and museum collections of prints, or print rooms. That relationship, as you might expect, is a very close one. Whatever else libraries may collect—from musical instruments to eyeglasses to stuffed animals to other artifacts—and whatever else print rooms

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Burlina, Elena. "From Bonn to Yekaterinburg: chronotope of the modern museum." KANT Social Sciences & Humanities, no. 7 (July 2021): 68–78. http://dx.doi.org/10.24923/2305-8757.2021-7.7.

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The article is devoted to the comparative analysis of innovative trends in domestic and foreign museums. The analysis is interdisciplinary and methodological in nature. The main purpose of the article is to show examples of fundamental changes and the communicative nature of museum forms, dictated by the massization of museums, which changed the quantitative and qualitative composition of the public. According to the author, the museum includes directing and design necessary for communication with the mass audience. In this aspect, the article analyzes the exposition principles of two museums

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Delgado Rubio, Jaime. "The Gods die in museums." AP: Online Journal in Public Archaeology 11 (November 7, 2021): 1. http://dx.doi.org/10.23914/ap.v11i0.308.

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Recently, Johannes Neurath’s book, titled Subdue the gods, doubt the images (2020) was published, which, among other things, warns that, in the archaeological museums of Mexico, including the National Institute of Anthropology and History of Mexico City, there has been an “ontological mistreatment” of the sacred images of the pre-Hispanic era through their removal from their original locations and indistinct placement in large and cold rooms packed with monoliths, without any consideration for the fact that some were – and continue to be – images bestowed with power and influence by many commu

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Frasca, Francesca, Elena Verticchio, Paloma Merello, et al. "A Statistical Approach for A-Posteriori Deployment of Microclimate Sensors in Museums: A Case Study." Sensors 22, no. 12 (2022): 4547. http://dx.doi.org/10.3390/s22124547.

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The deployment of sensors is the first issue encountered when microclimate monitoring is planned in spaces devoted to the conservation of artworks. Sometimes, the first decision regarding the position of sensors may not be suitable for characterising the microclimate close to climate-sensitive artworks or should be revised in light of new circumstances. This paper fits into this context by proposing a rational approach for a posteriori deployment of microclimate sensors in museums where long-term temperature and relative humidity observations were available (here, the Rosenborg Castle, Copenha

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Shafernich, Sandra M. "On‐site museums, open‐air museums, museum villages and living history museums: Reconstructions and period rooms in the United States and the United Kingdom." Museum Management and Curatorship 12, no. 1 (1993): 43–61. http://dx.doi.org/10.1080/09647779309515342.

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Shafernich, S. "On-site museums, open-air museums, museum villages and living history museums: Reconstructions and period rooms in the United States and the United Kingdom." Museum Management and Curatorship 12, no. 1 (1993): 43–61. http://dx.doi.org/10.1016/0260-4779(93)90005-a.

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Box, Louise Voll. "Enlightened “Museums of Images” or Decorative Displays? Elizabeth Seymour Percy and the Eighteenth-Century Print Room." Eighteenth-Century Life 45, no. 3 (2021): 135–57. http://dx.doi.org/10.1215/00982601-9273027.

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In the second half of the eighteenth century, “print rooms”—created by pasting prints and paper ornaments directly onto walls—were a short-lived mode of fashionable English interior decoration. Concurrently, collections of prints continued to be bound into albums or stored in portfolios in private libraries. Although they took different forms, print rooms and print albums shared characteristics that marked them as “enlightened” cultural practices: both featured prints arranged in preconceived aesthetic or intellectual schemes that presented elite, pan-European cultural subjects, imagery, and i

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Pierdicca, Roberto, Manuel Marques-Pita, Marina Paolanti, and Eva Malinverni. "IoT and Engagement in the Ubiquitous Museum." Sensors 19, no. 6 (2019): 1387. http://dx.doi.org/10.3390/s19061387.

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In increasingly hyper-connected societies, where individuals rely on short and fast online communications to consume information, museums face a significant survival challenge. Collaborations between scientists and museums suggest that the use of the technological framework known as Internet of Things (IoT) will be a key player in tackling this challenge. IoT can be used to gather and analyse visitor generated data, leading to data-driven insights that can fuel novel, adaptive and engaging museum experiences. We used an IoT implementation—a sensor network installed in the physical space of a m

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Coppolino, Francesca, and Bruna Di Palma. "Museums of Landscape. A Project for the Tuscia’s Archaeological Heritage." Athens Journal of Architecture 10, no. 2 (2024): 175–204. http://dx.doi.org/10.30958/aja.10-2-3.

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In recent decades, numerous initiatives have seen the aims of Italian architects and archaeologists converge on the necessity to found the country’s future on the basis of a renewal of cultural heritage that represents it. “Patrimonio al futuro” (Volpe, 2015), “Il nuovo dell’Italia è nel passato” (Carandini, 2012), “Architettura e patrimonio: progettare in un paese antico” (Franciosini and Casadei, 2015) are just some of the most recent publications that testify to this orientation. The contribution presents a proposal, winner of the first prize in an idea’s competition, focused on the valoris

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L.M. Rodríguez Peralta, L.M.P.L. Brito, B.A.T. Gouveia, D.J.G. Sousa, and C.S. Alves. "Automatic monitoring and control of museums’ environment based on Wireless Sensor Networks." Electronic Journal of Structural Engineering, no. 01 (June 1, 2010): 12–34. http://dx.doi.org/10.56748/ejse.12901.

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In museums, it is critical to properly conserve the existing artwork. For this purpose, it is fundamental to continuously monitor its environment, either in storage or exhibition rooms. Contrarily to traditional measuring equipments and procedures used in museums, the deployment of a Wireless Sensor Network (WSN) can help to implement these measurements continuously, in a real-time basis, and in a much easier and cheaper way. This is the main objective of the WISE-MUSE project, which proposes the use of WSNs for museums’ environmental and structural monitoring, and automatic environmental cont

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Yao, Si Hang, and Sungho Yoon. "A Study of the Exhibition Characteristics of Modern Art Museums from the Perspective of Heterotopia." Korea Institute of Design Research Society 9, no. 4 (2024): 947–63. https://doi.org/10.46248/kidrs.2024.4.947.

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This study explores the characteristics of planning spaces in contemporary art museums and their application in exhibitions through Foucault's theory of 'Heterotopia.' It examines four case studies: “Electronic Forest” at the National Museum of Modern and Contemporary Art in Seoul, Korea; “INFINITY CHINA AEROSPACE” at Today Art Museum in Beijing, China; “Refik Anadol: Unsupervised” at the Museum of Modern Art in New York, USA; and “Yayoi Kusama: Infinity Mirror Rooms” at Tate Modern in London, UK. The study analyzes how these museums utilize space design, interactive experiences, and digital t

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Sciurpi, Fabio, Cristina Carletti, Gianfranco Cellai, and Cristina Piselli. "Assessment of the Suitability of Non-Air-Conditioned Historical Buildings for Artwork Conservation: Comparing the Microclimate Monitoring in Vasari Corridor and La Specola Museum in Florence." Applied Sciences 12, no. 22 (2022): 11632. http://dx.doi.org/10.3390/app122211632.

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The current energy crisis and the necessity to minimize energy waste suggest the need to assess non-air-conditioned buildings in terms of the need to install an air-conditioning system and to size and control it efficiently. This applies to historical museum buildings hosting artworks that require specific microclimate conditions for their preservation. With this view, this work analyzes the suitability of non-air-conditioned historical museum buildings to properly preserve exhibits. Therefore, two non-air-conditioned museums located in the historical city center of Florence, Italy, are consid

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Lucas, A. M. "REDMAN, Samuel J. Bone rooms: from scientific racism to human prehistory in museums." Archives of Natural History 45, no. 1 (2018): 182–83. http://dx.doi.org/10.3366/anh.2018.0501.

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Aso, Noriko. "Samuel J. Redman. Bone Rooms: From Scientific Racism to Human Prehistory in Museums." American Historical Review 122, no. 4 (2017): 1231–32. http://dx.doi.org/10.1093/ahr/122.4.1231.

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Binkowski, Kraig. "Light and wood: An intimate and human space within the art libraries of Louis I. Kahn." Art Libraries Journal 43, no. 1 (2017): 16–23. http://dx.doi.org/10.1017/alj.2017.43.

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In the libraries of the Yale Center for British Art and the Kimbell Art Museum, Louis I. Kahn created spaces and atmospheres that are particularly conducive to reading about and viewing art. In these rooms, natural light combines with sympathetic materials and forms a timeless dance with thought and contemplation. This paper focusses on the unique library carrels which form the physical bridge between light and dark, inside and outside, and constitute a microcosm of Kahn's thoughts about reading, libraries and museums.

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Carletti, Cristina, Gianfranco Cellai, Cristina Piselli, Fabio Sciurpi, Giuseppe Russo, and Eike D. Schmidt. "Uffizi Gallery monitoring for IAQ assessment." E3S Web of Conferences 343 (2022): 02002. http://dx.doi.org/10.1051/e3sconf/202234302002.

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In museums, poor indoor air quality combined with unsuitable thermal and hygrometric conditions can affect the visitors and staff wellbeing as well as cause the deterioration processes of the exhibit objects. In order to assess indoor air quality of the museum, a survey was carried out in some rooms of the Uffizi Gallery of Florence by the researchers of the Laboratory of Environmental Physics of the University of Florence. Indoor temperature, relative humidity, chemical and microbiological pollutants were sampled, and the results analyzed and discussed. To do that a general methodology of inv

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Sawoszczuk, Tomasz. "Ocena możliwości zastosowania analizy lotnych związków organicznych do detekcji aktywności mikrobiologicznej na przykładzie badań przeprowadzonych w Muzeum Narodowym w Krakowie." Krakow Review of Economics and Management/Zeszyty Naukowe Uniwersytetu Ekonomicznego w Krakowie, no. 918 (December 10, 2015): 83–104. http://dx.doi.org/10.15678/krem.723.

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An evaluation of the viability of using volatile organic compound (VOC) measurements to detect mould was part of a VOC analysis carried out on the indoor air in selected rooms at the National Museum in Cracow. The simple assumption in this method is that moulds can be detected in any given place based on the identification of microbial volatile organic compounds (MVOCs) that they emit into their surroundings. This mould detection procedure provides an alternative to the much more time-consuming traditional microbiological tests. Combining the results of VOC and microbial analysis with data fro

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Długosz-Lisiecka, Magdalena, Marcin Krystek, Paweł Raczyński, Ewa Głuszek, Barbara Kietlińska-Michalik, and Mariusz Niechwedowicz. "Indoor 222 Rn concentration in the exhibition and storage rooms of Polish geological museums." Applied Radiation and Isotopes 121 (March 2017): 12–15. http://dx.doi.org/10.1016/j.apradiso.2016.12.020.

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Brimblecombe, Peter, Marie-Christine Pachler, and Pascal Querner. "Effect of Indoor Climate and Habitat Change on Museum Insects during COVID-19 Closures." Heritage 4, no. 4 (2021): 3497–506. http://dx.doi.org/10.3390/heritage4040193.

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COVID-19 spread globally and, as there was little immunity, quarantine, isolation, and social distancing became widely practiced. As people were restricted to their homes in many countries, public venues, such as museums, galleries, and historic houses, were typically closed. This allowed insect abundance, under changed conditions, to be explored using traps from the Technical Museum, Schönbrunn Palace, Hofburg Museum, and Weltmuseum in Vienna. The trap contents reveal an increase in Lepisma saccharinum, the common silverfish, as well as in the Zygentoma Ctenolepisma longicaudatum and C. calvu

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GOMES BARBOSA, Sofia, António CARVALHO, and António E. COSTA. "Acoustic characterization of the Municipal Museum Abade Pedrosa." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 270, no. 11 (2024): 828–39. http://dx.doi.org/10.3397/in_2024_2662.

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The 2016 interventions concerning the rehabilitation of the Municipal Museum Abade Pedrosa in Santo Tirso, Portugal were analyzed to verify in what way acoustics interferes in the museum enjoyment. In situ measurements were done in every exhibition room: Reverberation Time, RASTI and the Equivalent Sound Level (LAeq). RT[500, 1k, 2k Hz] values were between 2.5 and 3.9 s. The RASTI mean values varied between 0.44 and 0.55 s. LAeq values of background noise reached a top value of 43 dB(A) in the 1000 Hz frequency band and a global value of 57 dB(A) in every room. A multicriteria analysis was car

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Jagodzińska, Katarzyna. "O istocie muzeum, czyli Justyny Żak W kręgu muzealnych przedmiotów." Przegląd Kulturoznawczy, no. 3 (45) (2020): 312–20. http://dx.doi.org/10.4467/20843860pk.20.030.12590.

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About the nature of museums, the review of the book W kręgu muzealnych przedmiotów by Justyna Żak The review concerns the book W kręgu muzealnych przedmiotów by Justyna Żak, published in 2020 by the Wydawnictwo Uniwersytetu Warszawskiego. The book deals with the nature of museum objects and objects that fill museum rooms and do not have the status of museum objects, being elements of arrangement, reproductions or reconstructions. In a broader sense it is a reflection on the nature of museums, in which the notion of authenticity is of key importance. The book’s asset is a broad perspective of a

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Zucker, Evan L., and Margaret R. Clarke. "Visitors' Movement Patterns at Conference Poster Sessions." Perceptual and Motor Skills 76, no. 1 (1993): 212–14. http://dx.doi.org/10.2466/pms.1993.76.1.212.

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Visitors to educational environments (museums and zoos) show patterns of movements that often preclude seeing some exhibits. The directions of movement by 102 individuals and 31 groups entering poster sessions at professional meetings, another type of educational environment, were observed. Gender differences, perhaps influenced by the way in which posters were ordered in the rooms, were evident. Patterns of movement were similar to those reported for museum gallery visitors in the session where posters were not arranged in a particular order. Implications of movement patterns for enhanced sci

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Karachencev, Ivan S., and Nadezhda M. Dmitrienko. "THE LEGAL BASIS FOR THE FORMATION OF THE MUSEUM SCIENCE OF IMPERIAL TOMSK UNIVERSITY." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 42 (2021): 257–63. http://dx.doi.org/10.17223/22220836/42/23.

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This article is dedicated to solving the actual scientific problem about the legislative foundations of museum construction. The materials of Imperial Tomsk University make it possible to examine the application of such important act documents as the University Charter of 1863 and the tsarist decree on the opening of the university in Tomsk in 1888. The authors analyze the content of the legislativ acts, find out the list of museums allowed by the authorities. The historical paradox in the museum history of Tomsk University is revealed. According to the University Charter of 1863, there were f

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L. M. Rodríguez Peralta, L. M. P. Leão Brito, and B. A. Teixeira Gouveia. "The WISE-MUSE Project: Environmental Monitoring and Controlling of Museums based on Wireless Sensors Networks." Electronic Journal of Structural Engineering, no. 01 (January 1, 2009): 46–57. http://dx.doi.org/10.56748/ejse.10901.

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A major concern to all museums’ managers is to properly conserve the artwork in museums and, for that to be achieved, it is fundamental to monitor the museum’s environment. Therefore, it is critical to continuously measure some environmental parameters, such as temperature, relative humidity, light and, also, pollutants, either in storage or exhibition rooms. The deployment of a Wireless Sensor Network (WSN) in a museum can help implementing these measurements continuously, in a real-time basis, and in a much easier and cheaper way than traditional procedures. In this paper, we describe an exp

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Chylińska, Dagmara. "Current paleoanthropology and paleoarchaeology in the museums of Poland in the tourism context. Invisible heritage?" Sprawozdania Archeologiczne 75, no. 2 (2024): 13–36. http://dx.doi.org/10.23858/sa/75.2023.2.3517.

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The heritage of prehistory, in the fields of both palaeoanthropology and palaeoarchaeology, constitutes a huge physical and interpretative resource, even though the majority of artefacts have never left museum storage rooms. The current significant development in research into human fossils does lead to considerations about the current ways of exhibiting museum collections regarding this kind of heritage. In Poland, artefacts of prehistory, including human fossils, are distributed between different kinds of museums ‒ historical, archaeological, natural history, and geological ones, as well as

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Kirik, Ekaterina, Aleksey Bogdanov, Olga Sushkova, et al. "Fire Safety in Museums: Simulation of Fire Scenarios for Development of Control Evacuation Schemes from the Winter Palace of the Hermitage." Buildings 12, no. 10 (2022): 1546. http://dx.doi.org/10.3390/buildings12101546.

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The manuscript is focused on the problems of evacuation in case of fire from the buildings of museums as places with a mass presence of people. Features specific to museums and how they affect safe evacuation conditions are discussed. Most attention is paid to evacuation management, since the vast majority of museum visitors are not familiar with the layout of the building. In this case, the actions of staff in evacuation management are decisive. The paper considers the development of evacuation schemes, taking into account the spread of fire hazards in the building and the development of inst

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Watson, James T. "Review: Bone Rooms: From Scientific Racism to Human Prehistory in Museums by Samuel J. Redman." Public Historian 39, no. 1 (2017): 119–20. http://dx.doi.org/10.1525/tph.2017.39.1.119.

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Luptáková, Vladimíra. "Formovanie a fungovanie Pamätných izieb v Národnej kultúrnej pamiatke Kalište pod správou Vlastivedného múzea (1962 - 1973)." Acta historica Neosoliensia 27, no. 2 (2024): 159–78. https://doi.org/10.24040/ahn.2024.27.02.159-178.

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In 2023, the Scientific Council of the Central Slovakia Museum approved the scientific research task called „Kalište in the collections of institutions“. The aim of the task is to compile a catalogue summarising the knowledge about the creation and development of permanent exhibitions/memorial rooms in the Kalište National Heritage Site, about the transfers of administration between different museums or institutions, and about the past and present view of its use and direction. In the first year of the scientific research task, all years were systematically examined from the preserved document

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Brimblecombe, Peter, and Pascal Querner. "Changing Insect Catch in Viennese Museums during COVID-19." Heritage 6, no. 3 (2023): 2809–21. http://dx.doi.org/10.3390/heritage6030150.

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The COVID-19 pandemic led to significant changes in societies across the globe. In many countries in Europe, national lockdowns during the spring of 2020 meant that museums were closed, and maintenance and housekeeping were at a minimum. We compared the insect monitoring data of 15 museums in and around Vienna between the years 2018 and 2022 to see potential effects of the two lockdowns (spring 2020 and winter 2020/21) on insect populations. In Vienna, these changes altered the presence of pests, most notably an increase in silverfish by late spring (March–May 2020). We also found increased nu

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Neubig, Céline. "What Educational Escape Rooms can Learn from the World's Best Rooms." European Conference on Games Based Learning 18, no. 1 (2024): 648–57. http://dx.doi.org/10.34190/ecgbl.18.1.2839.

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In the context of playful learning, escape games have the potential to enrich learning experiences through interactive problem-solving and narrative engagement. However, educational escape games differ significantly from the commercial offerings they reference in name and game mechanics. They often draw on the concepts of escape rooms that were popular a decade ago, relying primarily on traditional puzzle types such as code deciphering and number locks. Meanwhile, commercial escape rooms have evolved significantly over the past ten years, now offering highly immersive experiences based on capt

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Svyrydenko, N. "Music in museum (second half of 20th century, Ukraine)." Musical art in the educological discourse, no. 3 (2018): 61–65. http://dx.doi.org/10.28925/2518-766x.2018.3.6165.

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Due to the process of early music revival, started in the USSR from the 60s of the 20th century, there are searches of the appropriate premises, in which early music could be perceived naturally, where one can feel a single style in combination of rooms, music, instrumentation and performance style that would increase the perception of each of the components of the creative process. Such most suitable premises are found out to be the halls of museums — former mansions, or palaces, which serve as museums in our time. The practice of conducting concerts in museums was introduced in Western Europ

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Astakhova, Irina S. "SCIENTIFIC HERITAGE OF OUTSTANDING SCIENTISTS IN THE EUROPEAN NORTH-EAST OF RUSSIA: MEMORIAL OFFICES AND PROJECTS." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 40 (2020): 218–28. http://dx.doi.org/10.17223/22220836/40/19.

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Some of the most promising means of preserving scientific heritage, accessibility of archives and popularization of science are memorial museums or projects memorializing the memory of outstanding scientists. In the European North-East of Russia immortalizations of heritage is carried with respect to interests of scientists - geological, biological and socio-economic sciences. Three stages of the formation of the scientific community in the region have been identified. The first stage is related to the initial research of scientists who visited the European North in the 18th – begining of 20th

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İlhan, Ayşe Çakır, Müge Artar, Ayşe Okvuran, and Ceren Karadeniz. "Museum Training Programme in Turkey: Story of Friendship Train and Children’s Education Rooms in the Museums." Creative Education 05, no. 19 (2014): 1725–32. http://dx.doi.org/10.4236/ce.2014.519192.

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MATSUSHIMA, Jumpei, Kakeru INUIYA, Ryo MURATA, and Koichi YASUDA. "SPATIAL INTEGRATION DESIGN IN CONTEMPORARY ART MUSEUMS THROUGH THE SUPERPOSITION OF “ROOMS LAYOUT” AND “FINISHES LAYOUT”." Journal of Architecture and Planning (Transactions of AIJ) 85, no. 767 (2020): 49–57. http://dx.doi.org/10.3130/aija.85.49.

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Iqbal, Muhammad, M. Abdullah Umar, and Rahma Oktavia. "Efektifitas Fasilitas Umum Mall Tempat Ibadah Sebagai Penunjang Pariwisata Kota Bandar Lampung." Jurnal Ekonomi Syariah dan Pariwisata Halal 3, no. 2 (2024): 9–16. https://doi.org/10.70371/jseht.v3i2.241.

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Bandar Lampung has a strategic location and of course has quite a lot of tourist destinations. Tourism in Bandar Lampung is quite diverse, ranging from Hills, Beaches, Museums, Artificial Tourist Attractions and Malls. The purpose of the study was to see the effectiveness of public facilities in the form of places of worship as a support for tourism in Bandar Lampung. This research method is a qualitative method. Data sources were obtained from researchers visiting research objects and conducting surveys, then the survey results were studied using theories related to Sharia management, then pr

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Ferdyn-Grygierek, Joanna, and Krzysztof Grygierek. "Proposed Strategies for Improving Poor Hygrothermal Conditions in Museum Exhibition Rooms and Their Impact on Energy Demand." Energies 12, no. 4 (2019): 620. http://dx.doi.org/10.3390/en12040620.

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In museums, poor microclimate conditions, especially large changes in relative humidity and temperature, can lead to serious deterioration of the exhibits. Properly designed heating, ventilation, and air conditioning (HVAC) systems for precise control of the air parameters are required. However, due to the financial restrictions of museums, complex air-conditioning systems are often not feasible. In this study, we tested and propose novel methods to reduce the short- and long-term fluctuations in the relative humidity in exhibition rooms of a Polish museum. The methods only include indoor temp

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Thompson, Courtney E. "Bone Rooms: From Scientific Racism to Human Prehistory in Museums by Samuel J. RedmanBone Rooms: From Scientific Racism to Human Prehistory in Museums by Samuel J. Redman. Cambridge, Harvard University Press, 2016. 408 pp. $29.95 US (cloth)." Canadian Journal of History 52, no. 2 (2017): 369–71. http://dx.doi.org/10.3138/cjh.ach.52.2.rev22.

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Dovhaliuk, Volodymyr, Adam Ujma, and Yurii Chovniuk. "Investigation of the Mechanism of Moisture Absorption in Colloidal Museum Materials in Order to Improve the Safety of Exhibits and Improve the Hygiene of Museum Rooms." System Safety: Human - Technical Facility - Environment 1, no. 1 (2019): 805–9. http://dx.doi.org/10.2478/czoto-2019-0103.

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AbstractMoisture sorption is one of the most important destruction factors for colloidal capillary-porous exhibits in museums (painting, clothing etc.), which is dependent on microclimate in museum rooms. The analysis of moisture sorption properties, kinetics of sorption and swelling of textile museum exhibits is carried out. Isotherms of desorption of viscose and woollen yarns and fabrics of different density (and threads of them) are identical. The analysis of the isotherms of fabrics of various fibre cloths and threads of them shows that they all are similar in shape to the curves and have

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Oliynyk, Olena. "FEATURES OF SPATIAL AND SYNTAX ANALYSIS OF MUSEUM AND CULTURAL COMPLEXES." Urban development and spatial planning, no. 81 (August 31, 2022): 274–86. http://dx.doi.org/10.32347/2076-815x.2022.81.274-286.

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The article is devoted to the study of spatial planning structures of museum and cultural complexes based on spatial and configurational analysis. The author proposes a re-search methodology based on the methods of spatial analysis and syntax. Features of the spatial analysis of interiors on the examples of museum and cultural complexes are considered. It was found that all of them at the present stage have a tendency to form or deepen the degree of integration: the enfilade, didactic model (British Museum) is supplemented by an integrated core, turning into a more democratic one; multiaxial,

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Ishikawa, Kazuki, Chiemi Iba, Daisuke Ogura, Shuichi Hokoi, and Misao Yokoyama. "Hygrothermal Analysis of a Museum Storage Room for Metal Cultural Artifacts: Quantification of Factors Influencing High Humidity." Energies 14, no. 11 (2021): 3309. http://dx.doi.org/10.3390/en14113309.

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Several methods for appropriate control of the hygrothermal environment in museums to prevent the deterioration of cultural artifacts were presented in previous studies. However, few detailed hygrothermal simulation models have been used considering the hygrothermal performance of building components and airflow through gaps. Furthermore, hygrothermal properties of a type of storage facility with buffer spaces prevailing in Japan have not been quantitatively evaluated. The objectives of this study were to develop a detailed numerical model of a museum storage room with buffer spaces exhibiting

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HIRABAYASHI, Erika, and Yoshinori NATSUME. "UTILIZATION OF THE APPRECIATION SUPPORT WITH THE DIGITIZED COLLECTIONS AND THE LIBRARY ROOMS IN MUSEUMS OF TOKAI AREA." AIJ Journal of Technology and Design 26, no. 63 (2020): 637–42. http://dx.doi.org/10.3130/aijt.26.637.

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