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Dissertations / Theses on the topic 'Roses in fiction'

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Published: 4 June 2021

Last updated: 27 July 2025

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1

Delatte, Isabella Imber. "Roses and Foxes." Kent State University Honors College / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors155472117699106.

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2

Gerstle, Mary Valerie. "CANNED ROSES." University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin990448249.

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3

Samperi, Ida Maria. "Critical fiction, fictional criticism : Christine Brooke-Rose's experimentalism between theory and practice." Thesis, University of Edinburgh, 2009. http://hdl.handle.net/1842/4067.

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This thesis focuses on the mature development of Christine Brooke-Rose’s experimental fiction, taking particular interest in the exemplary texts Between and Thru. I argue that these texts both critically refigure and respond to central aspects of the poststructuralist debate. I investigate Between and Thru specifically in relation to the theories of Irigaray, Barthes (in the case of Between), Derrida and Kristeva (in the case of Thru), demonstrating how the two novels develop these theorists’ core tenets in an innovative manner that critics have failed to recognise up to this point. Starting –

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Reinhart, Marilee J. "The evolution of women's roles in horror fiction." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1990. http://www.kutztown.edu/library/services/remote_access.asp.

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5

Gibson, Mary Claire. "Social Binaries in Contemporary Beur Fiction." Thesis, Virginia Tech, 2017. http://hdl.handle.net/10919/77937.

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This study examines the term beur as well as the category it defines, both in terms of individuals who identify as beur, and the genre of literature that stems from the beur population in contemporary France. I begin by first suggesting that the notion of beur as a category and label serves as a third space in the binary of French culture and Maghrebi culture. This third space is necessary as the children of Maghrebi immigrants in France find themselves in between each culture and the sphere of influence that follows. The term is then problematized. The theme of binaries and the third spaces t

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Lesk, Andrew. "The play of desire Sinclair Ross's gay fiction /." Ottawa : National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.nlc-bnc.ca/obj/s4/f2/dsk3/ftp04/NQ60597.pdf.

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7

Dafydd, Seiriol. "Intercultural and intertextual encounters in Michael Roes' travel fiction." Thesis, Swansea University, 2013. https://cronfa.swan.ac.uk/Record/cronfa42453.

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This thesis focuses on intertextuality in four key examples of Michael Roes' fictional travel literature. It places Roes' oeuvre within the wider context of both supposedly factual and avowedly fictional travel writing. I argue that Roes' use of intertextuality is inextricably linked to his vision of a cosmopolitan intercultural encounter and that his work offers alternative perspectives with which contemporary debates about identity can be understood. The four main chapters reveal that each novel acclaims, undermines, or throws new' light on its respective intertexts in different ways. The ch

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8

Barletta, Sandra A. "Cougars, grannies, evil stepmothers, and menopausal hot flashers : roles, representations of age and the non-traditional romance heroine." Thesis, Queensland University of Technology, 2014. https://eprints.qut.edu.au/72686/3/Sandra_Barletta_Thesis.pdf.

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Cougars, Grannies, Evil Stepmothers, and Menopausal Hot Flashers: Roles, Representations of Age and the Non-traditional Romance Heroine is an examination of the stereotyped roles of age and the under-representation of women over forty as worthy protagonists in romance fiction.

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Seemann, Brian Charles. ""What is it?" exploring the roles of women throughout Raymond Carver's short fiction /." Diss., Click here for available full-text of this thesis, 2006. http://library.wichita.edu/digitallibrary/etd/2006/t015.pdf.

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10

Ward, Kathryn Ann. "Clients, Colleagues, and Consorts: Roles of Women in American Hardboiled Detective Fiction and Film." Connect to resource, 1988. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1225394427.

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11

Lenaghan, Sara Mae. "The concept of doubling and the roles of male characters within gothic narrative fiction." Thesis, Teesside University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.517533.

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Hay, Sarah LeeAnn. "Defining and producing "good" fiction the roles of the author, editor, and agent in the publication of "Refresh, Refresh" /." [Ames, Iowa : Iowa State University], 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1473216.

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Canepari-Labib, Michela. "Word-worlds : the refusal of realism and the critique of identity in the fiction of Christine Brooke-Rose." Thesis, University of Sussex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266448.

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Lundin, Johan. "A talk about Roles in a Setting." Thesis, Konstfack, Textil, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5250.

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A TALK ABOUT ROLES IN A SETTING (2015) is a performative work by the artist Johan Lundin. A choreographed presentation is performed for 12 participants in a scenography describing public and private environments. The production process and performance of the work is describing how roles and circumstances change when an environment is observed through a perspective where fiction is allowed to be used as methodology to engineer new reality images. Through the terms role and setting this publication is focusing on describing how the visual image of the body and its movement has an influence on ho

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15

White, Glyn. "Reading the graphic surface : the presence of the book in fiction by B.S. Johnson, Christine Brooke-Rose and Alasdair Gray." Thesis, University of East Anglia, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302085.

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This thesis develops a critical vocabulary for dealing with the visual appearance of prose fiction where it is manipulated for effect by authors. It explores why literary criticism and theory has dismissed such features as either unreadable experimental gimmicks or, more recently, as examples of the worst kind of postmodernist decadence. Through the examination of three problematical texts (B.S. Johnson's Albert Angelo, Christine Brooke-Rose's Thru and Alasdair Gray's Lanark: a Life in Four Books), the thesis demonstrates that an awareness of the graphic surface can make significant contributi

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Latvala, Nina, and Elin Lönn. "Bland hjältar och julstök : En genusanalys av tio julkalendrar från fem årtionden." Thesis, Linnéuniversitetet, Institutionen för samhällsvetenskaper, SV, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-10558.

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Each December thousands of Swedish families sit down to watch the annual "Christmas calendar", a series containing 24 episodes. Since the start in 1960, the Swedish public service television company, Sveriges Television, have broadcast a Christmas calendar every year, and is now seen as a firm tradition, attracting audiences of all ages, though the main audience is children. Research has shown that children’s television programs to a certain extent have the same function as news journalism has in agenda setting. Media, together with feedback and interaction with other individuals, plays a big

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Herington, Caitlin. "Beyond the princess, the priestess and the galactic kitchen sink: Reformulation of feminine roles in certain work of Lois McMaster Bujold." Thesis, Federation University Australia, 2018. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/175282.

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In this thesis I examine the Science Fiction and Fantasy works of Lois McMaster Bujold in the Vorkosigan Series and Chalion Series, in particular the way she reformulates women’s roles and identities in society through the characters presented in these novels. I use the term Speculative Fiction as an umbrella term that encompasses both Science Fiction and Fantasy as modes of speculation, in that they both rely on extrapolation and estrangement as narrative features. My main proposition is that Bujold is an important transitional figure in speculative fiction between second and third wave femin

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18

Ross, Larry J. "The use of Tolkien's 'The lord of the rings' trilogy in contemporary pre-evangelism." Theological Research Exchange Network (TREN), 2008. http://www.tren.com/search.cfm?p001-1235.

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Thesis (D. Min.)--Dallas Theological Seminary, 2008.<br>Includes abstract. Appendix A: Pastor's guide to The lord of the rings : a resource for fellow pastors who love "The lord of the rings" / by Larry J. Ross. Includes bibliographical references (leaves 110-112).

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De, Wet Michelle. "Fiction en tant qu histoire: une etude de l evolution des roles de la femme dans le vingtieme siecle dans le roman La Poussiere des Corons par Marie-Paul Armand." Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/d1008392.

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Georges Duby and Michelle Perrot’s work, Histoire des femmes en Occident, Antoine Prost and Gérard Vincent’s work A History of Private Life as well as Chantal Antier’s work Les Femmes dans la Grande Guerre and Carol Mann’s work Femmes dans la Guerre, show that women have been largely ignored in the annals written about the twentieth century. This period was one marked by two World Wars, which had an enormous impact on women, especially in terms of their roles in society. These events resulted in women moving from the home to the world of work. These writers acknowledge that women in the twenti

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20

Sims, Caroline. "Detecting Gender : Images of the Contemporary Woman in Crime Fiction by Patricia Cornwell and Peter Robinson." Thesis, University of Gävle, Department of Humanities, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-7289.

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<p>Den här studien har sitt fokus inom krimnalromangenren. Det finns två huvudlinjer. Först koncentrerar studien sig på vilka strategier två kvinnliga protagonister är tvungna att anta för att nå yrkesmässig framgång i en mansdominerad miljö. För att var mer specifik så undersöks Chief Medical Examiner Kay Scarpetta från serien om Scarpetta av Patricia Cornwell och D.S Annie Cabbot från serien om Inspector Banks av Peter Robinson och deras förhållande till auktoritet, makt, äktenskap och moderskap. Fin-de-Siècle ger den underliggande definitionen av kön genom sin skeva syn på vad som anses var

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Slagle, Judith Bailey. "Appropriating the Restoration: Fictional Place and Time in Rose Tremain’s Restoration: A Novel of Seventeenth-Century England." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/721.

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Excerpt: It was the sixties—albeit the 1660s—a time for tricksters, rakes, subversive women and sexual energy on the stage. It was a time of fun for those with the means to partake of it. The “good old days” are, of course, always better from a distance, but writers on through the twentieth century found the Restoration an apt setting for their fictions about prostitution, political intrigue, and tragic or comic historical events, especially for the cinema.

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Garza, Kimberly Rose. "The Last Karankawas: Stories." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505288/.

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Garza, Kimberly Rose. ""The Last Karankawas": Stories." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc1505288/.

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Slagle, Judith Bailey. "Appropriating the Restoration: Fictional Place and Time in Works by Daniel Defoe, Sir Walter Scott and Rose Tremain." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/3220.

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While authors have appropriated literary works for centuries, they have also appropriated historical settings and places well outside their own realities, creating new works in historical settings that reflect a new cultural purpose. The Restoration and eighteenth century are frequent subjects of popular formula-fiction romances due to the distinctive, easily replicated atmospheres; but the period has also inspired serious, traditional historical fiction and fictionalized biography as well as productions of novels from the period. This panel focuses on the long eighteenth century and the perio

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25

Lopoukhine, Juliana. "The poetics and politics of urban spaces; sexual difference under pressure in British women's fiction 1910-1930: Rose Macaulay, Katherine Mansfield, Virginia Woolf & Jean Rhys." Thesis, Keele University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.572425.

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From 1910 to 1930, and in the aftermath of the First World War, history and politics were focused on the city. The city crystallised what was at once a temporal crisis and a period rich in potential. It was, at the same time, a laboratory for a new Modernist aesthetics in literature and the stage on which women at last arrived. The writings of Virginia Woolf, Jean Rhys, Katherine Mansfield and Rose Macaulay take on the historical and socio-political determinations that, for women, structured urban space like a grid. The subjectivities of their female characters constitute positions which allow

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26

Ruben, Jennifer Lynn. "Illusionary Strength; An Analysis of Female Empowerment in Science Fiction and Horror Films in Fatal Attraction, Aliens, and The Stepford Wives." Wright State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=wright1355753729.

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27

Isenhower, Zachary Charles. "Fading roles of fictive kinship: mixed-blood racial isolation and United States Indian Policy in the Lower Missouri River Basin, 1790-1830." Thesis, Kansas State University, 2012. http://hdl.handle.net/2097/13596.

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Master of Arts<br>Department of History<br>Charles W. Sanders<br>On June 3, 1825, William Clark, Superintendent of Indian Affairs, and eleven representatives of the “Kanzas” nation signed a treaty ceding their lands to the United States. The first to sign was “Nom-pa-wa-rah,” the overall Kansa leader, better known as White Plume. His participation illustrated the racial chasm that had opened between Native- and Anglo- American worlds. The treaty was designed to ease pressures of proximity in Missouri and relocate multiple nations West of the Mississippi, where they believed they would fin

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Noonan-Ganley, Joseph. "The contagion of desire : two case studies of appropriation art." Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:d86430f7-41dd-4b85-b094-2e256b899d9c.

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My doctoral thesis is comprised of two bodies of research: two artworks taking the form of installations (videos, audio recordings, textiles, texts), which will be exhibited for viva. Femme Fabrications, 2016, is made from research into the American artist Joseph Cornell's (1903-1972) source materials held in the Smithsonian American Art Museum alongside research on Jean Wilkinson's 1977 book Flower Fabrications. A series of textile works encased in silk lined boxes trace my step-by-step construction of a rose from organdie. The floral emblem of the white rose (dried), 'death is preferable to

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Dudas, Timea <1990&gt. "The Representation of Women in British First World War Propaganda and Fiction: Identities of women in Non-Combatants and Others by Rose Macaulay and Testament of Youth by Vera Brittain." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/9116.

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In recent years, the revolution in communication and mass media had a significant impact on war operations. However, many don’t realize that the history of propaganda goes way back to the First World War staging the first organized official propaganda campaign to shape public opinion. In my thesis I intend to discuss the events and beliefs that led to the outbreak of the war, to the extensive use of propaganda and most importantly the representation of women reflected in propaganda. In the second chapter I will attempt to define war motivation and focus on the meaning and the operation of prop

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Nanz, Tobias. "Das Rote Telefon: Ein hybrides Objekt des Kalten Krieges." J.B. Metzler, Part of Springer Nature, 2014. https://tud.qucosa.de/id/qucosa%3A34452.

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The ‘Red Phone’, understood as a telephone connection between the Cremlin and the White House, never existed. In this paper I treat it as a hybrid object of knowledge, whose materiality is mixed with facts and fictions. When the fictitious object first appeared in literature and film it was still relatively amorphous and insignificant. Only due to an increased production of signs, symbolic attributions, narrative strategies and rhetorical figures was the notorious Cold War apparatus constituted. As a discursive object the ‘Red Phone’ in turn provides specific information on a form of knowledge

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31

Davies, Hamilton. "The roles of the "empirical" and of the "fictional" in J.G. Farrell's Troubles (1970) and The Singapore grip (1978) and Salman Rushdie's Midnight's children (1981)." Thesis, Kingston University, 1991. http://eprints.kingston.ac.uk/20549/.

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32

Lopoukhine, Juliana. "Poétiques et politiques des espaces urbains dans la fiction féminine des années 1910-1930 en Angleterre : la différence sexuelle à l’épreuve de la ville. Rose Macaulay, Katherine Mansfield, Virginia Woolf & Jean Rhys." Paris 10, 2011. http://www.theses.fr/2011PA100117.

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La ville des années 1910-30 concentre les enjeux politiques et historiques, au lendemain de la première guerre mondiale. Elle est à la fois lieu où s’imprime la crise du temps et terreau de sa potentialité, laboratoire des représentations esthétiques ou littéraires au moment moderniste et scène de l’avènement des femmes. Les récits de Rose Macaulay, Katherine Mansfield, Virginia Woolf et Jean Rhys viennent saisir les déterminations historiques et sociopolitiques comme maillage de places dans les espaces urbains de ces années charnières. La subjectivité des personnages féminins constitue la pos

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Howard, David G. "The hard-boiled detective personal relationships and the pursuit of redemption /." Connect to resource online, 2010. http://hdl.handle.net/1805/2189.

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Thesis (M.A.)--Indiana University, 2010.<br>Title from screen (viewed on July 19, 2010). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Robert Rebein, Jonathan Eller, William Touponce. Includes vitae. Includes bibliographical references (leaves 84-86).

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Oliveira, Raquel Trentin. "A configuração do espaço: uma abordagem de romances Queirosianos." Universidade Federal de Santa Maria, 2008. http://repositorio.ufsm.br/handle/1/3954.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This work presents, as its central concern, a study of the configuration of the narrative space in the novels O Crime do padre Amaro (1875), O Primo Basílio (1878) e Os Maias (1888), by Eça de Queirós. The development of the analysis sheds light upon the fictional form held by the space in the literary text, the perception of space and the ways it operates on the structure and on the semantics of the narrative. These are the major issues which constitute the content of each of the three chapters of this thesis. The analysis m

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Whitcher, Gary Frederick. "'More than America': some New Zealand responses to American culture in the mid-twentieth century." Thesis, University of Canterbury. Humanities, 2011. http://hdl.handle.net/10092/6304.

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This thesis focuses on a transformational but disregarded period in New Zealand’s twentieth century history, the era from the arrival of the Marines in 1942 to the arrival of Rock Around the Clock in 1956. It examines one of the chief agents in this metamorphosis: the impact of American culture. During this era the crucial conduits of that culture were movies, music and comics. The aims of my thesis are threefold: to explore how New Zealanders responded to this cultural trinity, determine the key features of their reactions and assess their significance. The perceived modernity and alterity of

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Wang, Nai-Hsuan, and 王乃萱. "Blooming red rose in dark night:Research of Taiwan Vampire BL fiction." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/s34b9d.

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碩士<br>國立臺灣師範大學<br>台灣語文學系<br>104<br>At 1990 in Taiwan. Lots of BL novels, which homoerotic style contains gothic, vampire. The vampire come from western. In Taiwan, many love story writer add this style in their product, which mixed male homosexual and gothic terror novel. That become another new style. Homosexual lust always behind in various metaphor. The serial of Visit Vampire in the night witten by CIAN,WU, that not only tells process of vampire love, but also a memoirs of self-repression and homosexual desire. This paper will probe the image and metaphor of vampire in BL novel. For exampl

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Hanson, Donna. "Romance fiction as a bridge to understanding changing gender roles in society." Doctoral thesis, 2022. https://researchprofiles.canberra.edu.au/en/studentTheses/08ac561b-c713-4f38-a3c6-012a95702ff2.

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Ella, Jan-Erik. "Through Fiction's Mirror." Doctoral thesis, 2016. http://hdl.handle.net/11858/00-1735-0000-002E-E49C-5.

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Petracca, Eugene Anthony. "Toward a Supreme Fiction: Dante, Chaucer and the Dream of the Rose." Thesis, 2020. https://doi.org/10.7916/d8-22cb-cw32.

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This dissertation examines the rise of first-person fiction in the later Middle Ages, arguing that the modern concept of fiction can to be seen to have emerged during this period. As I show, the Roman de la Rose by Guillaume de Lorris and Jean de Meun, the Commedia of Dante, and Chaucer’s Canterbury Tales each offers a unique response to the question of how truth can be manifested in writing. I analyze key passages of these three poems, as well as earlier writings by Dante and Chaucer – in particular, Dante’s Vita Nuova and Chaucer’s Book of the Duchess, as well as Chaucer’s other dream-poems

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Seemann, Brian Charles. ""What is it?" Exploring the roles of women throughout Raymond Carver’s short fiction." Thesis, 2006. http://hdl.handle.net/10057/298.

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A majority of critics examine Raymond Carver’s fiction in terms of minimalism, but in this thesis, I highlight the themes in Carver’s work rather than emphasize the format. Many women in Carver’s work contrast the futility of their male counterparts by showing a determination to move on with their lives. By looking at each of Carver’s major collections of short stories, one may find a progression in the way women react to the hopeless situations in their lives. Carver’s early stories, found in "Will You Please Be Quiet, Please?", show women who are capable of handling situations, yet unproduct

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Noble, Jean. "Masculinities without men female masculinity in twentieth century fictions /." 2000. http://wwwlib.umi.com/cr/yorku/fullcit?pNQ59150.

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Thesis (Ph. D.)--York University, 2000.<br>Typescript. Includes bibliographical references (leaves [328]-346). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pNQ59150.

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CANEPARI, Michela. "Word-Worlds: The Refusal of Realism and the Critique of Identity in the Fiction of Christine Brooke-Rose." Doctoral thesis, 1999. http://hdl.handle.net/11381/2649866.

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The object of this thesis is to analyse Brooke-Rose's refusal of Realism and the critique of the notion of identity she accomplishes in her novels. My work therefore concentrates on both the question of how far Brooke-Rose's fiction interrogates the idea of Reality proper to Realism and, as a complement to that, how far it is a fiction that questions the notion of identity as defined by Western humanism and corroborated by Realism.

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Wholuba, Anita P. Montgomery Maxine Lavon. ""My soul looks back" exhuming buried (hi)stories in The Chaneysville incident, Dessa Rose, and Beloved /." 2002. http://etd.lib.fsu.edu/theses/available/etd-07012003-170452.

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Thesis (M.A.)--Florida State University, 2002.<br>Advisor: Dr. Maxine L. Montgomery, Florida State University, College of Arts and Sciences, Dept. of English. Title and description from dissertation home page (viewed Oct. 2, 2003). Includes bibliographical references.

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Nolet, Laurence. "Fictions, critiques et théories littéraires dans « La Vie en rose » (1980-1987) : entre écriture féminine et conscience féministe." Thèse, 2019. http://hdl.handle.net/1866/22494.

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Stott, Carolyn Anne. "Belleville rouge, Belleville noir, Belleville rose: réprésentations d’un quartier parisien depuis le Moyen Âge jusqu’à l’an 2000." Thesis, 2009. http://hdl.handle.net/2440/50422.

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The suburb of Belleville is situated on the north-eastern outskirts of inner Paris. Its particular blend of social strata, race and architecture has made it a site of interest for historians, writers and artists since the Middle Ages. Thanks in part to the phenomenal success of Daniel Pennac’s six tome Malaussène series, published towards the end of the 20th century and situated in Belleville, the site has continued to enjoy a privileged status among the historical and cultural precincts of Paris. The representation of Belleville in the written and spoken word has a long history, part of whi

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Stott, Carolyn Anne. "Belleville rouge, Belleville noir, Belleville rose: réprésentations d’un quartier parisien depuis le Moyen Âge jusqu’à l’an 2000." 2009. http://hdl.handle.net/2440/50422.

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The suburb of Belleville is situated on the north-eastern outskirts of inner Paris. Its particular blend of social strata, race and architecture has made it a site of interest for historians, writers and artists since the Middle Ages. Thanks in part to the phenomenal success of Daniel Pennac’s six tome Malaussène series, published towards the end of the 20th century and situated in Belleville, the site has continued to enjoy a privileged status among the historical and cultural precincts of Paris. The representation of Belleville in the written and spoken word has a long history, part of which

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(9190382), Riham A. Ismail. "“IN PLACE OUT OF PLACE”: THE CONSTRUCTION AND NEGOTIATION OF IDENTITY AND PLACE IN MUSLIM WOMEN’S FICTIONAL NARRATIVE." Thesis, 2020.

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<p>This dissertation examines the negotiations between narrative, identity, and place in the fictional works of three major contemporary Muslim women descendants of Arab immigrants: Leila Houari, Faiza Guène, and Mohja Kahf. The study focuses on four novels: <i>Zeida de nulle part, Kiffe kiffe demain</i>, <i>Du rêve pour les oufs</i>, and <i>The Girl with The Tangerine Scarf</i>. </p><p><br></p> <p>Two key questions structure my examination of the four novels: 1) How do Muslim women living in a non-Muslim society construct and negotiate their individual and collective identities?; 2) To what

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Tahor, Eran. "Cinematography and visual style: understanding the collaborative roles of the cinematographer in the development and production of South African fictional feature films." Thesis, 2016. http://hdl.handle.net/10539/21859.

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A dissertation submitted to the Faculty of Humanities in fulfilment of the degree of Master of Arts by creative research in Film and Television, University of the Witwatersrand, 2016<br>In this dissertation I examine the roles of the cinematographer in fiction feature film production. I begin the discussion with a historical review of the emergence of cinematography as a specialised field in early cinema. This corresponds with developments in camera technology that enabled accurate framing, lighting and the possibility of movement. In order to provide a framework for further discussion, th

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Nováková, Petra. "Feministická sci-fi literatura: Mechanické století Cherie Priest." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-373773.

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Feminist Science Fiction: Cherie Priest's The Clockwork Century Diploma Thesis Petra Nováková Abstract Marleen S. Barr, one of the pioneers of feminist science fiction criticism, is an outspoken commentator on gender inequality in this genre. In Feminist Fabulation: Space/Postmodern Fiction and Future Females: A Critical Anthology, Barr defines feminist science fiction as metafiction about patriarchal fiction. She speaks out against both authors and critics who recycle narratives restricted by a patriarchal view of the world in which women are silenced and/or relegated to the position of an ac

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Luders, Manuel Shannon D. ""i am on the Coloured Side": The Roles of the White Suitor and the Black Mother in the Tragic Mulatta Narrative." 2013. https://scholarworks.umass.edu/theses/1134.

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What I propose to add to the already established dialogue regarding the tragic mulatta narrative is an investigation into the commonalities of the genre’s endings, as well as to assert that the tragic mulatta genre is present even at the turn of the 21st century with such works as Danzy Senna’s Caucasia. While my investigation by no means covers an exhaustive list of tragic mulatta narratives, the readings provide an overview of the ways in which the narrative has both evolved over time and stayed consistent during the antebellum, post-bellum, Harlem Renaissance, and the present day. I present

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