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Relevant bibliographies by topics / Roth, Philip, Roth, Philip

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Academic literature on the topic 'Roth, Philip, Roth, Philip'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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Journal articles on the topic "Roth, Philip, Roth, Philip"

1

Decout, Maxime. "Opération Philip Roth." Tsafon, no. 76 (December 1, 2018): 177–82. http://dx.doi.org/10.4000/tsafon.1489.

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Halio. "Meeting Philip Roth." Philip Roth Studies 15, no. 1 (2019): 59. http://dx.doi.org/10.5703/philrothstud.15.1.0059.

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Shostak. "My Philip Roth." Philip Roth Studies 15, no. 1 (2019): 135. http://dx.doi.org/10.5703/philrothstud.15.1.0135.

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Hayes. "Philip Roth and Pleasure." Philip Roth Studies 15, no. 1 (2019): 62. http://dx.doi.org/10.5703/philrothstud.15.1.0062.

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Kauvar, Elaine M. "Talking about Philip Roth." Contemporary Literature 48, no. 4 (2007): 613–28. http://dx.doi.org/10.1353/cli.2008.0008.

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Gessner, David. "Philip Roth, Nature Boy." Ecotone 5, no. 1 (2009): IX—XIV. http://dx.doi.org/10.1353/ect.2009.0016.

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Lévy, Paule. "Autour de Philip Roth." Revue française d’études américaines N° 166, no. 1 (April 26, 2021): 3–7. http://dx.doi.org/10.3917/rfea.166.0003.

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Kartiganer, Donald. "Ghost-Writing: Philip Roth's Portrait of the Artist." AJS Review 13, no. 1-2 (1988): 153–69. http://dx.doi.org/10.1017/s0364009400002336.

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In writing a trilogy of novels on the life and times of Nathan Zuckerman, American Jewish Writer, Philip Roth has waded manfully into a tradition even more thickly and brilliantly populated than the one he selected as literary background for The Breast. If the grotesque metamorphosis of David Kepesh into a six–foot, one–hundred–and–fifty–pound female breast compels us to compare Roths novel with some of the great texts of Kafka and Gogol, in Zuckerman Bound Roth invokes the more formidable context of James, Proust, Joyce, Lawrence, Mann, and Gide (to mention only a few), several of whose artist–portraits are identified in the trilogy and all implied. Roth has said in an interview that the novelty of this particular portrait is that it describes the comedy that an artistic vocation can turn out to be in the U.S.A.1 The comedy pertains not only to the career of Zuckerman himself, a series of zany encounters with writers, readers, and critics, whose responses to one Zuckerman fiction become the action of the next, but also to Roths typical strategy of challenging and recreating any prior tradition or convention, however sacrosanct. The crux of Rothian comedy is to expose, embarrass, and ridicule, to break bonds and boundaries, pieties and platitudes.

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Anna Nemes. "Translating Philip Roth into Hungarian." Philip Roth Studies 13, no. 2 (2017): 71. http://dx.doi.org/10.5703/philrothstud.13.2.0071.

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Timothy Parrish. "The Plot Against Philip Roth." Philip Roth Studies 13, no. 2 (2017): 95. http://dx.doi.org/10.5703/philrothstud.13.2.0095.

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Dissertations / Theses on the topic "Roth, Philip, Roth, Philip"

1

Kinzel, Till. "Die Tragödie und Komödie des amerikanischen Lebens : eine Studie zu Zuckermans Amerika in Philip Roths Amerika-Trilogie /." Heidelberg : Winter, 2006. http://www.gbv.de/dms/bs/toc/515926825.pdf.

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Van, Reet Brian Morgan Speer. "Roth and war two cases /." Diss., Columbia, Mo. : University of Missouri--Columbia, 2009. http://hdl.handle.net/10355/6461.

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Title from PDF of title page (University of Missouri--Columbia, viewed on Feb 19, 2010). The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Thesis advisor: Dr. Speer Morgan. Includes bibliographical references.

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Gooblar, David. "Philip Roth : the major phases." Thesis, University College London (University of London), 2008. http://discovery.ucl.ac.uk/1444184/.

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This thesis is a study of the major phases of the career of Philip Roth. In the nearly fifty years since his first book, Roth has published close to thirty works, creating a body of work now as large and as varied as any twentieth century writer. In an attempt to chart the progression of this career, I break down Roth's oeuvre into six chronological phases, beginning in the late 50s and ending at the start of the new century. Having carried out extensive research into Roth's archive in the Library of Congress, contemporary reception of the books, and a variety of often overlooked cultural contexts, I have attempted to offer a new and original take on Roth's most interesting and distinctive preoccupations. Beginning with Goodbye, Columbus, Roth's first book, I examine the author's complicated relationship with, and treatment of, the idea of Jewish community in America. The second chapter follows Roth's vexed pursuit of, and eventual rejection of, an ideal of literary seriousness in the 1960s, especially in relation to the example of the New York Intellectuals. Chapter 3 looks at Roth's preoccupation with two figures from twentieth century European Jewish history, Franz Kafka and Anne Frank, who figure in a number of Roth's books during the 1970s. Chapter 4 examines the important role that psychoanalysis plays in Roth's books, from the burlesque of an analytic session of Portnoy's Complaint, to an apparent break with psychoanalytic thinking in 1986's The Counterlife. The next phase is Roth's "autobiographical" period of 1988 to 1993, during which he produced four books each at a different point along a continuum between autobiography and fiction. In these works, Roth comes to grips with the ethical issues that his fiction had played with for so long. Finally, the last chapter looks at Roth's final books of the century, investigating how his assessment of three periods of twentieth century American history shows a fascination with individuals who attempt to break free from the forces of determination. Rather than, as is commonly espoused, a break with his earlier work, I argue that the "American Trilogy" continues concerns that have preoccupied Roth from the very start of his career.

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Wöltje, Wiebke-Maria. ""My finger on the pulse of the nation" intellektuelle Protagonisten im Romanwerk Philip Roths." Trier Wiss. Verl. Trier, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2836178&prov=M&dok_var=1&dok_ext=htm.

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Silverstein, Joni L. "Escapism in the novels of Philip Roth." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 78 p, 2008. http://proquest.umi.com/pqdweb?did=1456299741&sid=6&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Phelan, James. "Philip Roth as moral artist at mid-career." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/17416.

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As a serious young man in the nineteen-fifties and early sixties, Philip Roth believed writing fiction was an exalted calling with a high moral purpose. He was a committed social realist with a Lionel-Trilling-like ethics of fiction and a grand, unrealized ambition to write about public life. Then, fifteen years into his career, he wrote Portnoy’s Complaint (1969), a rollicking extravaganza of scurrilous comic invention and exaggerated grievance. Revelling in wildness and transgression, he found a voice that galvanized his talent as nothing before had done. Yet he still seemed to feel bound by his old ethical commitments. This was not the artistic breakthrough he had been hoping for. My paper considers how Roth works at reconciling his deep-seated sense of moral responsibility as a writer with his inescapable talent for imaginative recklessness in three novels, each of which marks a turning point in the middle of his career, Portnoy, The Ghost Writer (1979), and The Counterlife (1986). I take this moral/aesthetic problem to be an important preoccupation of Roth’s and make that preoccupation the basis for readings of the novels. In doing so, I try to show that his ethics and aesthetics are much deeply entangled than is usually acknowledged. In Portnoy he does all he can to contain Alex Portnoy’s rampaging monologue inside a morally proper narrative frame. With The Ghost Writer, he eschews his old ethics of fiction and makes a complex declaration of aestheticism by appropriating Anne Frank’s life story and voice to his pointedly reckless fiction. The Israel chapters of The Counterlife are a watershed in his career. In them, he puts his aesthetic wildness to work for his moral probity, while opening his fiction up to the public scene. He presents a dialogical, non-normative moral fiction investigating the question of Israeli settlement on the West Bank by imaginatively projecting himself into a range of ethically engaged Israeli subject positions and having the characters he invents debate the controversy in variations on his characteristic voice. In the mid-eighties as in the early sixties, Roth’s objective as a moral writer is the "expansion of moral consciousness."

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Nechita, Alina-Laura. "Le corps dans l'œuvre romanesque de Philip Roth." Thesis, Université Paris-Saclay (ComUE), 2017. http://www.theses.fr/2017SACLV055.

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Le corps est une préoccupation constante chez Philip Roth, écrivain singulier dont la finesse d’observation n’a d’égal que la distance ironique. Corps biologique, corps social, corps monstrueux, corps abject, corps malade, constituent autant d’avatars de l’existence humaine individuelle et collective. De quoi relève cette présence presque obsessionnelle de la dimension corporelle dans les récits de Philip Roth ?Ce travail vise, dans le cadre d’une approche plurielle et transdisciplinaire, à retracer l’évolution du corps dans des textes qui mettent en lumière des crises existentielles et créatrices. Vue sous cet angle, l’œuvre fictionnelle rothienne semble se décliner en quatre mouvements : impasse existentielle, puis ouverture vers l’autre et vers le monde, ensuite tentative de se réinventer en toute impunité, et, enfin, prise de conscience de l’inévitabilité de la mort. Si le corps est d’abord perçu comme un fardeau, une prison, il n’est susceptible de s’alléger, de se libérer, qu’au travers d’une expérience de l’altérité. Le sujet n’advient à lui-même que dans l’espace de l’écriture où la chair se fait verbe. Cette lecture du corps dans le roman rothien s’achève sur l’analyse d’une dématérialisation progressive du corps charnel dans le corps textuel
Philip Roth's fiction has always been preoccupied with the question of the body. In his novels, the body of flesh and blood, the social body, the monstrous body, the abject body, the sickened body, all become avatars of our individual and collective existence. How should one interpret this obsessive presence of the human body in Philip Roth’s fiction?This transdisciplinary dissertation studies the evolution of the body within the context of novels concerned with existential and creational crises. Philip Roth’s fiction may be divided into four stages: first, the insurgence of an existential impasse; second, the opening toward the other and the world, followed, thirdly, by an attempt at freely reinventing oneself, and ending with an awareness of the inevitability of death. While the body appears, at first, as a heavy burden to bear, true encounter with the Other becomes the only means of lightening its load. True freedom only materializes within the textual space where the verb replaces the flesh. This study of the body in Philip Roth’s novels traces, therefore, the gradual dematerialization of the body of flesh into the body of the text

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Connolly, Andrew. "Philip Roth and the American liberal tradition since FDR." Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7882.

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This thesis takes as its focus several works in the late period of Philip Roth’s writing and examines the way in which these particular texts address issues of American national experience since the Depression. In particular, this study looks at Roth’s assessment of a distinctly modern liberal vision that came to prominence during the 1930s and was to dominate American political and cultural life until the late 1960s. In thus covering the wider historical sweep of these novels, the research will draw attention to the way in which such broader matters of American cultural and political life intersect with more local issues of Jewish-American subjectivity and literary style that have been explored recurrently throughout Roth’s greater body of fiction. This study thus aims to show how the more recent ‘historical turn’ in Roth’s novelistic focus is in fact consistent with certain pivotal themes that have helped to define his overall development as a writer.

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Landa, Dora. "O judaismo em Philip Roth: um conceito às avessas." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8152/tde-26042010-150130/.

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O objetivo desse trabalho é analisar algumas das obras de Philip Roth em que a temática judaica é o eixo principal. Meu interesse reside especialmente nos romances em que o Holocausto Judeu na Segunda Grande Guerra e o Estado de Israel com sua complexa situação no Oriente Médio são abordados. Baseei minha análise dessas obras na seguinte hipótese: para se aproximar de recentes situações traumáticas da história judaica, Philip Roth precisou adotar recursos narrativos que lhe permitissem ampliar seu raio de visão, evitando estereótipos e generalizações infrutíferas. Assim, o estilo rothiano carregado de ironia e humor foi alterado. Em O Avesso da Vida parte-se de uma situação absurda: um personagem judeu morto nos Estados Unidos ressurge vivo num assentamento judaico na Cisjordânia e lutando pelo Grande Israel. Esse recurso possibilitou uma abordagem inusitada da tensa relação árabe-israelense. Em Operação Shylock encontramos um duplo impertinente e exasperante, proclamando uma absurda solução para o conflito no Oriente Médio. Finalmente em Complô contra a América o autor adota o recurso da distopia com os Estados Unidos elegendo um presidente nazista, em 1940, com todas as funestas consequências para a comunidade judaica. Entrevistas do autor assim como livros em que analisa extensamente sua própria produção literária e a de outros autores, especialmente Primo Levi e Aharon Appelfeld, também mostraram-se fontes valiosas para a análise do sempre polêmico posicionamento do autor diante de sua condição judaica.
This paper aims to analyse some of Philip Roths work, in which the Jewish subject is the main axis. My greater interest lies basically upon the romances in which the Jewish Holocaust, during the Second World War and the State of Israel with its complex situation in Middle East are aproached. I have based my analysis of his works on the following hipothesis: in order to get closer to recent traumatic situations of the Jewish history, Philip Roth had to use narrative resources that allow him to enlarge his point of view, avoiding stereotypes and fruitless generalizations. Therefore, the Rothian style, highly ironic and humorous, has been altered. In The Counterlife the point of departure is an absurd situation: an American Jewish dead character resurges alive at a Jewish settlement on Cisjordanie, and fighting for the Great Israel. Such resourse enabled a unusual aproach of the tense Arab-Israeli relationship. In Operation Shylock we find an impertinent and exasperating double, that heralds an absurd solution for the Middle East conflict. Eventually, in The Plot Against America, the author adopts distopy as a resource, having the U.S. elect a Nazi president, in 1940, with all the appaling consequences for the Jewish community. Interviews with the author, as well as books in which he extensively analyses his own and other authors literary production, specially Primo Levi and Aharon Appelfeld, also acted as valuable sources for the analysis of the ever polemic positioning of the author towards his Jewish condition.

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Quadrado, Lauro Iglesias. "A construção do sujeito contemporâneo : Philip Roth e Radiohead." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/78150.

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A produção artística contemporânea aborda com frequência a situação do sujeito urbano imerso em uma objetividade não acolhedora e não totalmente compreensível, em um contexto social tomado por uma quantidade de informação impossível de ser processada em sua totalidade. Partindo de uma consideração sobre as representações desta premissa tanto na linguagem literária quanto na musical, a presente dissertação tem por objetivo averiguar como se dá a construção da figura do sujeito contemporâneo nas obras do escritor estadunidense Philip Roth e da banda britânica Radiohead. Para tanto, foram selecionados como corpus de investigação o romance Everyman (2006), de Roth, e o disco OK Computer (1997), de Radiohead, por serem representativos da totalidade da obra de seus autores e também pela força criativa de suas idiossincrasias. O trabalho considera em que medida os meios de comunicação de massa vêm influenciando, nas últimas décadas, os modos de produção de arte e os conceitos estéticos que os embasam, e analisa de que maneira chegam a definir aspectos do comportamento do indivíduo dos dias atuais, a ponto de moldar suas relações interpessoais. As características interdisciplinares da pesquisa são abordadas através da teoria da transtextualidade proposta por Gérard Genette; as discussões sobre a sociedade contemporânea têm seu lastro teórico em ideias propostas por Gilles Lipovetsky e Zygmunt Bauman. O recorte temporal da discussão sobre cultura de massa inicia a partir do ingresso de aparelhos como o rádio e a televisão nas casas das pessoas por todo o mundo e avança até os dias atuais, enfatizando o papel do computador doméstico na aceleração do ritmo das mudanças, das relações e dos valores. Tudo isso tem reflexos no gosto e nas representações artísticas que vêm sendo produzidas, os quais são investigados neste trabalho, que se estrutura em três partes. A primeira apresenta um histórico das inovações mediais e das suas relações com a arte em geral. A segunda parte apresenta as obras de Philip Roth e do Radiohead e as liga a esse contexto. Por fim, depois de dissecadas as composições dos artistas estudados, elas são incorporadas à discussão sobre a sociedade contemporânea. Em cada seção, sempre que se necessário, outras obras dos autores e outras contribuições teóricas serão utilizadas como reforço das argumentações e exemplificações apresentadas. Ao término do trabalho, espero contribuir para a discussão sobre as questões aqui abordadas, bem como para o incentivo às aproximações acadêmicas entre a música popular e a literatura.
Contemporary artistic production frequently approaches the situation of the urban subject immersed in a non-welcoming and not totally apprehensible objective social context which is filled by a quantity of information impossible to be processed as a whole. Starting from some considerations about the representations of this premise both in literary and musical language, the present thesis aims to investigate the construction of the contemporary subject in the works of the American writer Philip Roth and of the British band Radiohead. As the corpus for this investigation the novel Everyman (2006), by Roth, and the record OK Computer (1997), by Radiohead, were selected, for being representative of the whole oeuvre of their authors, and also of the creative force of their idiosyncrasies. The work considers in which means the mass communication media have been influencing, in the last decades, the ways of art production and the aesthetic concepts which base them, and analyses in which way they come to define aspects of the behavior of individuals these days, reaching the point of shaping interpersonal relations. The interdisciplinary characteristics of the research are approached via the theory of transtextuality proposed by Gérard Genette. The discussions about contemporary society have their theoretical framework in ideas proposed by Gilles Lipovetsky, and Zygmunt Bauman. The temporal cutout of the discussion about mass culture starts from the ingress of devices such as the radio and television in people‘s homes around the world and moves up to present day, emphasizing the role of the home computer in the acceleration of the pace of changes, relations, and values. All these things have their reflex in taste and in the artistic representations which have been produced, and are investigated in this work, which is structured in three parts. The first presents a historical approach to media innovations and their relations with art in general. The second part presents the works of Philip Roth and Radiohead, and connects them to this context. In the final part, after the analysis of the compositions by the studied artists, these works are embodied into the discussion about the contemporary society. In each session, whenever it is necessary, other works by the authors and other theoretical contributions will be used as reinforcement of argumentations and presented exemplifications. Having the work finished, I hope to contribute for the discussion about the issues here approached, as well as to promote academic approximations between popular music and literature.

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Books on the topic "Roth, Philip, Roth, Philip"

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Philip Roth. London: Greenwich Exchange, 2003.

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Philip Roth. Ipswich, Massachusetts: Salem Press, a division of EBSCO Publishing, 2013.

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Brauner, David. Philip Roth. Manchester: Manchester University Press, 2007.

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L, Halio Jay. Philip Roth revisited. New York: Twayne Publishers, 1992.

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Milbauer, Asher Z., and Donald G. Watson, eds. Reading Philip Roth. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19119-2.

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Sampson, Steven. Corpus Rothi: Une lecture de Philip Roth. [Paris]: Léo Scheer, 2011.

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Roth, Philip A. A Philip Roth reader. London: Vintage, 1993.

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Philip Roth: Countertexts, counterlives. Columbia: University of South Carolina Press, 2004.

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Roth, Philip A. Conversations with Philip Roth. Jackson: University Press of Mississippi, 1992.

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Roth, Philip A. Conversations with Philip Roth. Jackson: University Press of Mississippi, 1992.

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Book chapters on the topic "Roth, Philip, Roth, Philip"

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Hornung, Alfred. "Philip Roth." In Kindler Kompakt Amerikanische Literatur 20. Jahrhundert, 165–69. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05528-6_35.

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Bach, Gerhard. "Roth, Philip." In Englischsprachige Autoren, 229–32. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02951-5_86.

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Parrish, Timothy. "Philip Roth." In A Companion to Twentieth-Century United States Fiction, 454–61. Oxford, UK: Wiley-Blackwell, 2009. http://dx.doi.org/10.1002/9781444310108.ch43.

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Hornung, Alfred. "Roth, Philip." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18603-1.

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Kalkert, Bernadette. "Roth, Philip: Indignation." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18614-1.

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Starre, Alexander. "Roth, Philip: Nemesis." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18616-1.

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Milbauer, Asher Z., and Donald G. Watson. "An Interview with Philip Roth." In Reading Philip Roth, 1–12. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19119-2_1.

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O’Donnell, Patrick. "‘None Other’: The Subject of Roth’s My Life as a Man." In Reading Philip Roth, 144–59. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19119-2_10.

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Kundera, Milan. "Some Notes on Roth’s My Life as a Man and The Professor of Desire." In Reading Philip Roth, 160–67. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19119-2_11.

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Sinclair, Clive. "The Son is Father to the Man." In Reading Philip Roth, 168–79. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19119-2_12.

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Conference papers on the topic "Roth, Philip, Roth, Philip"

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NEACSU, Cristiana Roxana. "Hegemonic Masculinity in Crisis The Swede s Disobedience in Philip Roth s American Pastoral." In 9th LUMEN International Scientific Conference Communicative Action & Transdisciplinarity in the Ethical Society. LUMEN Publishing House, 2017. http://dx.doi.org/10.18662/lumproc.19.

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Hongmei, Chen. "An Exploration of the Impact of Jewish Dissension on Philip Roth-s Fiction Writing." In 2015 3d International Conference on Advanced Information and Communication Technology for Education (ICAICTE-2015). Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icaicte-15.2015.24.

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