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Relevant bibliographies by topics / Roth, Philip, Roth, Philip / Journal articles

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Journal articles on the topic 'Roth, Philip, Roth, Philip'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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1

Decout, Maxime. "Opération Philip Roth." Tsafon, no. 76 (December 1, 2018): 177–82. http://dx.doi.org/10.4000/tsafon.1489.

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2

Halio. "Meeting Philip Roth." Philip Roth Studies 15, no. 1 (2019): 59. http://dx.doi.org/10.5703/philrothstud.15.1.0059.

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3

Shostak. "My Philip Roth." Philip Roth Studies 15, no. 1 (2019): 135. http://dx.doi.org/10.5703/philrothstud.15.1.0135.

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4

Hayes. "Philip Roth and Pleasure." Philip Roth Studies 15, no. 1 (2019): 62. http://dx.doi.org/10.5703/philrothstud.15.1.0062.

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5

Kauvar, Elaine M. "Talking about Philip Roth." Contemporary Literature 48, no. 4 (2007): 613–28. http://dx.doi.org/10.1353/cli.2008.0008.

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6

Gessner, David. "Philip Roth, Nature Boy." Ecotone 5, no. 1 (2009): IX—XIV. http://dx.doi.org/10.1353/ect.2009.0016.

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7

Lévy, Paule. "Autour de Philip Roth." Revue française d’études américaines N° 166, no. 1 (April 26, 2021): 3–7. http://dx.doi.org/10.3917/rfea.166.0003.

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8

Kartiganer, Donald. "Ghost-Writing: Philip Roth's Portrait of the Artist." AJS Review 13, no. 1-2 (1988): 153–69. http://dx.doi.org/10.1017/s0364009400002336.

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In writing a trilogy of novels on the life and times of Nathan Zuckerman, American Jewish Writer, Philip Roth has waded manfully into a tradition even more thickly and brilliantly populated than the one he selected as literary background for The Breast. If the grotesque metamorphosis of David Kepesh into a six–foot, one–hundred–and–fifty–pound female breast compels us to compare Roths novel with some of the great texts of Kafka and Gogol, in Zuckerman Bound Roth invokes the more formidable context of James, Proust, Joyce, Lawrence, Mann, and Gide (to mention only a few), several of whose artist–portraits are identified in the trilogy and all implied. Roth has said in an interview that the novelty of this particular portrait is that it describes the comedy that an artistic vocation can turn out to be in the U.S.A.1 The comedy pertains not only to the career of Zuckerman himself, a series of zany encounters with writers, readers, and critics, whose responses to one Zuckerman fiction become the action of the next, but also to Roths typical strategy of challenging and recreating any prior tradition or convention, however sacrosanct. The crux of Rothian comedy is to expose, embarrass, and ridicule, to break bonds and boundaries, pieties and platitudes.

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9

Anna Nemes. "Translating Philip Roth into Hungarian." Philip Roth Studies 13, no. 2 (2017): 71. http://dx.doi.org/10.5703/philrothstud.13.2.0071.

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10

Timothy Parrish. "The Plot Against Philip Roth." Philip Roth Studies 13, no. 2 (2017): 95. http://dx.doi.org/10.5703/philrothstud.13.2.0095.

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11

Brauner. "My Own Private Philip Roth." Philip Roth Studies 15, no. 1 (2019): 39. http://dx.doi.org/10.5703/philrothstud.15.1.0039.

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12

Masiero. "Philip Roth in His Silence." Philip Roth Studies 15, no. 1 (2019): 86. http://dx.doi.org/10.5703/philrothstud.15.1.0086.

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13

Nadel. "Philip Roth: Face to Face." Philip Roth Studies 15, no. 1 (2019): 105. http://dx.doi.org/10.5703/philrothstud.15.1.0105.

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14

Parrish. "Last Words on Philip Roth." Philip Roth Studies 15, no. 1 (2019): 116. http://dx.doi.org/10.5703/philrothstud.15.1.0116.

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15

Victoria Aarons. "Where Is Philip Roth Now?" Studies in American Jewish Literature (1981-) 31, no. 1 (2012): 6. http://dx.doi.org/10.5325/studamerjewilite.31.1.0006.

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16

Dean Franco. "The Philip Roth Bus Tour." Studies in American Jewish Literature (1981-) 32, no. 2 (2013): 191. http://dx.doi.org/10.5325/studamerjewilite.32.2.0191.

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17

Franco, Dean. "Introduction: Philip Roth and Race." Philip Roth Studies 2, no. 2 (October 1, 2006): 83–85. http://dx.doi.org/10.3200/prss.2.2.83-85.

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18

Aarons, Victoria. "Where Is Philip Roth Now?" Studies in American Jewish Literature 31, no. 1 (2012): 6–10. http://dx.doi.org/10.1353/ajl.2012.0001.

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19

Schuh, Melissa. "Philip Roth: Fiction and Power." Textual Practice 29, no. 4 (April 16, 2015): 791–95. http://dx.doi.org/10.1080/0950236x.2015.1033873.

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20

Halio, Jay L. "Special Issue on Philip Roth." Shofar: An Interdisciplinary Journal of Jewish Studies 19, no. 1 (2000): 1–6. http://dx.doi.org/10.1353/sho.2000.0033.

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21

Lyons, Bonnie. "Philip Roth--Countertexts, Counterlives (review)." Shofar: An Interdisciplinary Journal of Jewish Studies 24, no. 3 (2006): 144–45. http://dx.doi.org/10.1353/sho.2006.0067.

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22

Brown, Russell E. "Philip Roth and Bruno Schulz." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 6, no. 4 (October 1993): 211–14. http://dx.doi.org/10.1080/0895769x.1993.10542845.

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23

Michael Kalisch. "Correcting Philip: Reading Franzen Reading Roth." Philip Roth Studies 13, no. 2 (2017): 21. http://dx.doi.org/10.5703/philrothstud.13.2.0021.

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24

Maggie McKinley. "A Political Companion to Philip Roth." Philip Roth Studies 14, no. 1 (2018): 94. http://dx.doi.org/10.5703/philrothstud.14.1.0094.

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25

Kauvar, Elaine M. (Elaine Mozer). "Philip Roth: A Heart with Dichotomies." Contemporary Literature 46, no. 4 (2005): 720–35. http://dx.doi.org/10.1353/cli.2006.0006.

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26

Friedman, Melvin J. "Philip Roth Revisited (review)." Shofar: An Interdisciplinary Journal of Jewish Studies 11, no. 4 (1993): 117–20. http://dx.doi.org/10.1353/sho.1993.0051.

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27

Robin, Régine. "S’inventer comme juif. Les jeux identitaires de Philip Roth." Études littéraires 29, no. 3-4 (April 12, 2005): 23–48. http://dx.doi.org/10.7202/501169ar.

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28

Jacques Berlinerblau. "Philip Roth and the American Liberal Tradition." Philip Roth Studies 14, no. 1 (2018): 97. http://dx.doi.org/10.5703/philrothstud.14.1.0097.

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29

Greenberg, Robert M. "Transgression in the Fiction of Philip Roth." Twentieth Century Literature 43, no. 4 (1997): 487. http://dx.doi.org/10.2307/441747.

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30

Chodat, Robert. "Fictions Public and Private: On Philip Roth." Contemporary Literature 46, no. 4 (2005): 688–719. http://dx.doi.org/10.1353/cli.2006.0002.

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31

Karasik, Olga. "Philip Roth in Russia: Translations and Reception." Literature of the Americas, no. 4 (2018): 280–91. http://dx.doi.org/10.22455/2541-7894-2018-4-280-291.

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32

Weinberger, Theodore. "PHILIP ROTH, FRANZ KAFKA, AND JEWISH WRITING." Literature and Theology 7, no. 3 (1993): 248–58. http://dx.doi.org/10.1093/litthe/7.3.248.

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33

Shipe, M. "PATRICK HAYES. Philip Roth: Fiction and Power." Review of English Studies 66, no. 275 (February 18, 2015): 599–600. http://dx.doi.org/10.1093/res/hgv007.

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34

Decout, Maxime. "L’épopée juive et américaine selon Philip Roth." Analyses 45, no. 3 (July 22, 2015): 201–14. http://dx.doi.org/10.7202/1032452ar.

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L’oeuvre de Philip Roth peut être lue comme la quête d’un épique perdu, capable de justifier l’individu en l’inscrivant dans un processus historique et dans une collectivité avec qui le lien est rompu. Cette quête met en débat deux interrogations constantes : la judéité et l’identité américaine. Car dans cette Amérique où l’héroïsme vire au conformisme et à l’immobilisme, où chacun aspire au confort de la « pastorale », les Juifs américains sont coupés des souffrances historiques qui, en l’absence de dimension religieuse ou spirituelle, demeurent le seul fondement de l’être juif moderne. La dynamique centrale de l’oeuvre pourrait alors être d’opérer une bascule depuis une épopée enchaînée à une épopée délivrée, qui redéfinit les fondements identitaires des personnages.

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35

Ira Nadel. "Odd Fellows: Hannah Arendt and Philip Roth." Journal of English Language and Literature 64, no. 2 (June 2018): 151–70. http://dx.doi.org/10.15794/jell.2018.64.2.001.

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36

Hirsch, David H. "Conversations with Philip Roth (review)." Shofar: An Interdisciplinary Journal of Jewish Studies 12, no. 4 (1994): 120–23. http://dx.doi.org/10.1353/sho.1994.0104.

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37

Jadwe, Majeed U. "A Reading of Philip Roth’s Everyman as a Postmodern Parody." IAFOR Journal of Literature & Librarianship 10, no. 1 (July 28, 2021): 50–60. http://dx.doi.org/10.22492/ijl.10.1.03.

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Philip Roth’s 2006 novel Everyman borrows its title from the famous fifteenth-century morality play The Summoning of Everyman. Yet, Roth establishes no clear or working connection between his novel and its medieval namesake. Roth scholars and critics have endeavored to identify intertextual continuities between these two works but with no tangible results. This article offers an alternative approach with which to view this problem by exploring the potential parodic nature of Roth’s text. More specifically, the paper theorizes that Roth fashioned a postmodernist brand of parody in his novel to negotiate the politics of representation of the issues of universality and determinism in the Medieval Everyman and the ideological discourses foregrounding their textual construction.

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38

Gurgel, Rodrigo. "Diálogos com a civilização: entre amigos com Philip Roth." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 3, no. 5 (October 30, 2009): 160–63. http://dx.doi.org/10.17851/1982-3053.3.5.160-163.

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39

Mercier, Christophe. "Les œuvres choisies de Philip Roth en Pléiade." Commentaire Numéro160, no. 4 (2017): 922. http://dx.doi.org/10.3917/comm.160.0922.

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40

James D. Bloom. "Philip Roth: Why Write? Collected Nonfiction 1960–2013." Philip Roth Studies 14, no. 2 (2018): 90. http://dx.doi.org/10.5703/philrothstud.14.2.0090.

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41

Gray, Jean. "Exit Ghost Philip Roth Exit Ghost Vintage £7.99." Nursing Standard 23, no. 17 (January 6, 2009): 29. http://dx.doi.org/10.7748/ns.23.17.29.s44.

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42

Brett Ashley Kaplan. "Do You Just Love Philip Roth?" Studies in American Jewish Literature (1981-) 32, no. 2 (2013): 187. http://dx.doi.org/10.5325/studamerjewilite.32.2.0187.

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43

Royal, Derek. "Critical Unmoorings: An Introduction to Philip Roth Studies." Philip Roth Studies 1, no. 1 (April 1, 2005): 4–6. http://dx.doi.org/10.3200/prss.1.1.4-6.

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44

Royal, Derek. "Annual Biblography, Philip Roth Criticism and Resources—2004." Philip Roth Studies 1, no. 2 (October 1, 2005): 185–89. http://dx.doi.org/10.3200/prss.1.2.185-189.

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45

Royal, Derek. "Annual Bibliography, Philip Roth Criticism and Resources—2005." Philip Roth Studies 2, no. 2 (October 1, 2006): 172–76. http://dx.doi.org/10.3200/prss.2.2.172-176.

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46

Levine, Howard B. "Mortal Combat: The Tragic Vision of Philip Roth." Journal of the American Psychoanalytic Association 56, no. 1 (March 2008): 283–93. http://dx.doi.org/10.1177/0003065108317410.

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47

Ogden, Benjamin H. "Formal Antagonisms: How Philip Roth Writes Nathan Zuckerman." Studies in American Fiction 39, no. 1 (2012): 87–101. http://dx.doi.org/10.1353/saf.2012.0002.

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48

Pozorski, Aimee. "Philip Roth: Fiction and Power by Patrick Hayes." MFS Modern Fiction Studies 63, no. 3 (2017): 592–94. http://dx.doi.org/10.1353/mfs.2017.0044.

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49

Halio, Jay L. "Philip Roth and the Jews (review)." Shofar: An Interdisciplinary Journal of Jewish Studies 16, no. 1 (1997): 149–51. http://dx.doi.org/10.1353/sho.1997.0097.

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50

Royal, Derek Parker. "Up Society's Ass, Copper: Rereading Philip Roth (review)." Shofar: An Interdisciplinary Journal of Jewish Studies 24, no. 1 (2005): 152–55. http://dx.doi.org/10.1353/sho.2005.0200.

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