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Journal articles on the topic 'Royal Fine Art Commission'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

McKean, Charles. "Urban development and the Royal Fine Art Commissions." Town Planning Review 65, no. 3 (1994): 313. http://dx.doi.org/10.3828/tpr.65.3.c6t8877j327vk2pn.

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2

Chetwyn, David J. "Davis, Colin J. for the Royal Fine Art Commission, "Improving Design in the High Street" (Book Review)." Town Planning Review 69, no. 1 (1998): 99. http://dx.doi.org/10.3828/tpr.69.1.ex2n21410888t413.

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3

Carmona, Matthew, and Andrew Renninger. "The Royal Fine Art Commission and 75 years of English design review: the first 60 years, 1924–1984." Planning Perspectives 33, no. 1 (2017): 53–73. http://dx.doi.org/10.1080/02665433.2016.1278398.

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Carmona, Matthew, and Andrew Renninger. "The Royal Fine Art Commission and 75 years of English design review: the final 15 years, 1984–1999." Planning Perspectives 32, no. 4 (2017): 577–99. http://dx.doi.org/10.1080/02665433.2017.1286609.

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5

Wannop, U. A. "A.J. YOUNGSON, Urban Development and the Royal Fine Art Commission. (Edinburgh, Edinburgh University Press, 1990, pp. vii and 186, £25.00)." Scottish Economic & Social History 11, no. 1 (1991): 106–7. http://dx.doi.org/10.3366/sesh.1991.11.11.106.

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Sheail, John. "The design and location of development: the evolving relationship of the Royal Fine Art Commission and the electricity supply industry." Landscape Research 15, no. 3 (1990): 29–32. http://dx.doi.org/10.1080/01426399008706320.

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7

Wallsgrove, Jon. "British Methods for Improving Sensitivity of Bridge Designers to Good Bridge Appearance." Transportation Research Record: Journal of the Transportation Research Board 1549, no. 1 (1996): 103–7. http://dx.doi.org/10.1177/0361198196154900115.

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In Britain, there is a two-pronged attack to win design excellence: encourage the best and eliminate the worst. This study describes ways in which the Highways Agency encourages adoption of design excellence in its bridge projects. One is the formal review of designs by the Royal Fine Art Commission and the principal architect-planner, and through public consultations and inquiries. Published advice, including a book on detailed aspects of bridge appearance, is also considered. Further, encouragement of good design is given through conferences to discuss bridge aesthetics, debates in the press

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Hulme, Charles. "John Cassidy, Manchester Sculptor, and his Patrons: Their Contribution to Manchester Life and Landscape." Bulletin of the John Rylands Library 89, no. 1 (2012): 207–45. http://dx.doi.org/10.7227/bjrl.89.1.9.

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John Cassidy, born in Ireland and trained as a sculptor at the Manchester School of Art, was a popular figure in the Manchester area during his long career. From 1887, when he spent the summer modelling for visitors at the Royal Jubilee Exhibition, to the 1930s he was a frequent choice for portrait busts, statues and relief medallions. Elected to the Manchester Academy of Fine Arts, he also created imaginative works in all sorts of materials, many of which appeared at the Academys annual exhibitions. He gained public commissions from other towns and cities around Britain, and after World War I

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Prysiazhniuk, Oleksii. "„Royal Commission on Monuments and Landscapes” as a guarantor of the cultural heritage of Belgium." Bulletin of Luhansk Taras Shevchenko National University, no. 6 (337) (2020): 54–63. http://dx.doi.org/10.12958/2227-2844-2020-6(337)-54-63.

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The „Royal Commission on Monuments and Landscapes” of Belgium was one of the first European institutions to emerge in the 19th century and lay the foundations for the systematic protection of cultural heritage. In fact, it was created by decree of King Leopold I on January 7, 1835. The Royal Commission was set up a few years before the adoption of municipal and provincial laws, which became the backbone of the Belgian democratic and decentralized regime. In 1860, the structure of the Royal Commission changed – committees were established at the provincial level under the chairmanship of the go

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Kulka, Rahul. "Revisiting amber art from eighteenth-century Königsberg. New findings regarding a game box at the Rijksmuseum, Amsterdam." Porta Aurea, no. 23 (December 16, 2024): 185–203. https://doi.org/10.26881/porta.2024.23.09.

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This paper presents an hitherto unnoticed file at the Prussian Secret State Archives, Berlin, which sheds new light on an amber game box kept at the Rijksmuseum, Amsterdam: The precious object was commissioned by King Frederick William I of Prussia for Anne of Hanover, the wife of William IV of Orange, in the summer of 1738. It was produced by the Königsberg amber craftsmen Johann Bernhard Welpendorf, Jacob Suhr, Johann Georg Bull, Ertmann Hömcke, and a master named Zieloska. Departing from this discovery, the paper traces Welpendorf and Suhr’s participation in two additional royal Prussian co

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Kondratiev, Sergey V. "Nicholas Fuller against the High Commission, the Ex Officio Oath and in Defence of the Priviledge not to Incriminate Oneself." Izvestia of the Ural federal university. Series 2. Humanities and Arts 27, no. 2 (2025): 56–70. https://doi.org/10.15826/izv2.2025.27.2.022.

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This article describes the early seventeenth-century litigation of lawyer Nicholas Fuller against the ecclesiastical tribunal of the High Commission. Based on court records, parliamentary proceedings, and the treatise written by the counsel, the article attempts to reconstruct the arguments of the lawyer and common law judges. The author demonstrates that in his rhetoric, Fuller appealed to the ancient and unchanging common law, directly or indirectly reproducing certain articles of Magna Carta and parliamentary statutes. In his opinion, the High Commission should be deprived of the commission

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Toftgaard, Anders. "Blandt talende statuer og manende genfærd. Mazarinader i Det Kongelige Biblioteks samlinger." Fund og Forskning i Det Kongelige Biblioteks Samlinger 53 (March 2, 2014): 57. http://dx.doi.org/10.7146/fof.v53i0.118825.

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Anders Toftgaard: Amongst speaking statues and admonishing ghosts. Mazarinades in the collections of The Royal Library Mazarinade is a term for political writing that was published in different forms in France during (and related to) the Fronde (1648–1653). The Fronde was a series of civil wars that first broke out when Louis XIV (born 1638) was still a child, and Mazarin was the Chief Minister of France and responsible for the young king’s education. Mazarin governed the country together with the king’s mother, Anne of Austria. The term mazarinade covers pamphlets, letters, official doc

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Karev, Andrey А. "Archival notes on fine art." Rossijskaâ istoriâ, no. 5 (December 29, 2024): 201–5. https://doi.org/10.31857/s2949124x24050145.

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The book was written by M.V. Sidorova, an experienced archival curator, researcher and curator of exhibitions of exhibits from the funds of the State Archive of the Russian Federation. Based on these materials on a thematic basis, the monograph includes chapters on the life and work of emperors and members of the royal family, on gendarmes, as well as on fine art at the imperial court of the 19th century. The review focuses on the assessment of the pictorial materials presented in the third chapter and their role in the activities and lives of representatives of the imperial family.

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Smeenk, Chris. "Art libraries of educational and research institutions." Art Libraries Journal 12, no. 1 (1987): 5–7. http://dx.doi.org/10.1017/s030747220000496x.

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Art history in the Netherlands is supported by a number of art libraries in addition to museum libraries, among them the Royal Library at The Hague, the libraries of the Royal Academy of Fine Arts and the Central Research Laboratory for Objects of Art and Science, both at Amsterdam, university libraries, and libraries of Dutch establishments abroad. The combined art collections of these libraries are considerable; access, however, may be facilitated by the Project for Integrated Catalogue Automation (PICA) which aims to improve on the diversity of existing catalogues.

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L. K., Bondarenko, and Skachko A. V. "Institute of Forensic Art Examination of Fine Art Objects: Theoretical and Practical Problems." Rossijskoe pravosudie, no. 8 (July 16, 2021): 47–53. http://dx.doi.org/10.37399/issn2072-909x.2021.8.47-53.

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The problem of organizing expert activities in the field of forensic art examination of fine arts at a practical level is considered. The conditions of objectivity (reliability) of the results of a forensic art examination of fine art in law enforcement practiceare identified. In this regard, the problem of the reliability of the examination results is considered at the interdisciplinary level: substantive law – criminal and customs; criminal procedure law, as well as forensic science and expert activities. The necessity of creating, within the framework of the anti-corruption policy of the st

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Krikke, Julia. "Royal commissioner of fine arts: Hendrik Willem Mesdag’s work for the St. Louis World’s Fair (1904)." Oud Holland – Journal for Art of the Low Countries 135, no. 2-3 (2022): 120–37. http://dx.doi.org/10.1163/18750176-1350203006.

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Kehoe, Elisabeth. "Working hard at giving it away: Lord Duveen, the British Museum and the Elgin marbles." Historical Research 77, no. 198 (2004): 503–19. http://dx.doi.org/10.1111/j.1468-2281.2004.00220.x.

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Abstract In September 1928, just after the publication of the report of the royal commission on National Museums and Galleries, the art dealer Sir Joseph Duveen wrote to his good friend Edgar Vincent, Viscount D'Abernon, who had chaired the commission, offering to pay for a new gallery at the British Museum to house the Parthenon, or Elgin, marbles. The new gallery cost over £100,000 and took ten years to complete, during which time Duveen worked hard to impose his vision of a new gallery – a vision often at odds with that of the Museum establishment, and one that generated controversy, includ

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18

Kalbermatten, Syra. "The ‘Assetization’ of Art on an Institutional Level—Fractional Ownership Implemented in the Royal Museum of Fine Arts Antwerp." Arts 13, no. 1 (2024): 16. http://dx.doi.org/10.3390/arts13010016.

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This article explores the innovative collaboration between the Rubey platform and the Royal Museum of Fine Arts, Antwerp. Through the tokenization of the artwork Carnaval de Binche by James Ensor, this platform made it possible for interested investors to purchase blockchain-registered Art Security Tokens within this artwork and become co-owners of it—at least from an economic perspective. Although fractional ownership platforms for art have been established before, this is the first time an art investment opportunity like this has materialized itself in an explicit partnership with a museum.

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Reed, Victoria. "Ardelia Hall: From Museum of Fine Arts to Monuments Woman." International Journal of Cultural Property 21, no. 1 (2014): 79–93. http://dx.doi.org/10.1017/s0940739113000325.

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Abstract:Ardelia Ripley Hall (1899–1979) served from 1946 until 1962 as the Fine Arts and Monuments Adviser to the U.S. Department of State. In this role she oversaw the recovery and restitution of movable cultural property that had been displaced during the Second World War. In spite of her vast accomplishments, almost nothing has been written on Ardelia Hall, and little is known about her life. She began her career at the Museum of Fine Arts, Boston, but personal circumstances led to her resignation in 1941. During the war, she was employed by the Office of Strategic Services. The expertise

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Kapoor, Kajal. "Nautanki as a Performative Art Form of North India." International Journal of Linguistics, Literature and Culture 3, no. 1 (2017): 6. http://dx.doi.org/10.21744/ijllc.v3i1.341.

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In entire north India, Nautanki was the most popular entertainment art before arrival of Cinema. The most popular centres of this traditional theatre form are Kanpur, Lucknow and Haathras. Nautanki dramas were fine-tuned; its protagonists were highly skilled. Few props were used, yet actors created forests, rivers, battles and royal courts by the sorcery of their art. In contemporary times, the street plays resemble to Nautanki. Nautanki stories range from mythological and folk tales to stories of contemporary heroes. This popular art from has now dwindled and its existence is in threat, It wa

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21

Bondarenko, L. K. "Forensic art expertise in investigating art fraud." Lomonosov Law Journal 65, no. 3, 2024 (2024): 148–67. https://doi.org/10.55959/msu0130-0113-11-65-3-9.

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Forensic means of investigating the circumstances of a case involving objects of fine art are considered. Pre-criminal and criminal situations are distinguished. Illegal actions in the sphere of circulation of objects and works of art are investigated. Attention is focused on the crime provided for in Art. 159 of the Criminal Code of the Russian Federation, which may include objects and works of art. In this regard, the following concepts are analyzed: “misleading”, “deception”, “breach of trust”, “theft”. It is proven that conducting a comprehensive forensic art examination at the initial sta

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Pomeroy, Mark. "The Archives of the Royal Academy of Arts, London." Art Libraries Journal 30, no. 1 (2005): 5–9. http://dx.doi.org/10.1017/s030747220001378x.

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The Academy is one of Britain’s foremost cultural institutions. It is a unique survival of the age of enlightenment, continuing to fulfil the purposes for which it was founded. The Academy is run by artists for the benefit of artists, while providing an elegant venue for ‘the promotion of the arts of design’. The Library of the Royal Academy of Arts is well known, as it is the oldest fine art library in the United Kingdom. The Archives has always lain in comparative shadow, even though it is close to the heart of the institution. This article attempts to place the Archives in context, to descr

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23

Kovalchuk, Ostap, and Amalia Bratus. "THE VALUE OF CRITICAL CLASSES IN ART EDUCATION IN BORYS GRINCHENKO KYIV UNIVERSITY, NATIONAL ACADEMY OF FINE ARTS AND ARCHITECTURE & ROYAL DANISH ACADEMY OF FINE ARTS." Grail of Science, no. 30 (August 17, 2023): 411–13. http://dx.doi.org/10.36074/grail-of-science.04.08.2023.069.

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For an artist, the most important today is often focusing on finding new, fresh ideas. Modern educational centers try to form a new view of art in everyone, which is a significant part of the educational process. It goes without saying that classical art education does not always have time to respond to cultural and historical changes. Therefore, critical classes are a necessary platform for rethinking artistic reality. In this article, we will look at some of the main advantages of holding critical classes.

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Kudriavtseva, Irina V., and Ludmila A. Budrina. "Industrial Replication and the Social Order System in the Soviet Art of the Early 1930s: Images of Industrialisation in the Urals." Izvestia of the Ural federal university. Series 2. Humanities and Arts 26, no. 3 (2024): 222–44. http://dx.doi.org/10.15826/izv2.2024.26.3.052.

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This article examines the phenomenon of large-edition art production in the Soviet fine art of the early 1930s. The relevance and proliferation of reproduction and other printing formats were driven by the necessity to develop mass propaganda tools for extensive ideological influence on the viewer and mobilisation of society, including during the era of widespread industrialisation. The objective of this paper is to examine the artistic representation of the industrialisation of the Urals in Soviet posters, mass images, popular prints (lubok) and postcards from the early 1930s, with reference

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Müller, Ulrike, Hélène Verreyke, and Tine D’haeyere. "Between Art Historical Representation and Didactic Functionality: The Cast Collection of the Royal Academy of Fine Arts of Antwerp." Artium Quaestiones, no. 34 (December 27, 2023): 221–52. http://dx.doi.org/10.14746/aq.2023.34.8.

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During the long nineteenth century, the Royal Academy of Fine Arts of Antwerp – just like many other art schools in this period – assembled a collection of some 500 plaster casts after ancient and modern sculptures, which played an essential role in the education of young art students. The creation of such collections went in parallel with the blossoming of cast museums all over Europe, as well as the emergence of a large-scale exchange network set up to facilitate the international dissemination of plaster casts. However, in contrast to cast museums, which brought together masterpieces of cla

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Farthing, Stephen. "A case study, Eric Hebborn, Rome Scholar 1959‐61: The art and craft of forging a drawing." Drawing: Research, Theory, Practice 5, no. 1 (2020): 73–83. http://dx.doi.org/10.1386/drtp_00021_1.

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An exploration of forgery and drawing that focuses on a twentieth-century practitioner, his art education, motivation and methodology, this critical article was inspired by a meeting that took place in a village near Rome during the autumn of 1976 between the author and Eric Hebborn (1934‐96). Written some forty years later, this article has two goals; first to contribute to the debate that now circles the role of drawing within the contemporary fine art curriculum and then to question the nature of the biographical information Ruskin suggested was embedded in artists drawings. Hebborn, a skil

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Kolendo-Korczak, Katarzyna. "Dokumentacja rysunkowa sarkofagów królewskich z katedry na Wawelu ze zbiorów Muzeum Uniwersytetu Jagiellońskiego i jej wykorzystanie podczas prac konserwatorskich." Opuscula Musealia 27 (2021): 23–37. http://dx.doi.org/10.4467/20843852.om.20.002.13741.

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Pictorial documentation of the Royal Sarcophagi from the Wawel Cathedral in the Jagiellonian University Museum Collection and its use during conservation work In the 1870s, during renovation works in the crypts under the Wawel Cathedral, which were carried out in order to adapt them for visitors, a detailed inventory was created of the sarcophagi from the Royal Tombs. This documentation, which is now stored in the collections of the Jagiellonian University Museum, was initiated by Prof. Józef Łepkowski, a researcher of exceptional merit in the inventory and documentation of historical objects.

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Dockx, Nico, Johan Pas, and Gustavo Grandal Montero. "A kind of a ‘Huh?’ A conversation about artists’ publications." Art Libraries Journal 49, no. 2 (2024): 65–70. http://dx.doi.org/10.1017/alj.2024.5.

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At the request of the Middelheim Museum, artist Nico Dockx and art historian Johan Pas, from the ArchiVolt research group of the Royal Academy of Fine Arts Antwerp, undertook a survey of the museum's library collection. Between March 2022 and December 2023, they examined the phenomenon of artists' publications from a range of perspectives, through a series of conversations with artists, designers, publishers and collectors, a symposium, and the book A kind of a ‘Huh?’ Artists' publications: (Not) a user's manual. We discussed these and other related projects with them.

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Mathews, Timothy. "Extracts from healing without." CounterText 6, no. 3 (2020): 423–36. http://dx.doi.org/10.3366/count.2020.0203.

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In a fine example of how critique can cast itself as lyrical essay (see also, on this, the interview with David Shields in this number of CounterText) – and, thereby too, of evolving forms of what is now recognised through the term ‘creative criticism’ – Tim Mathews reflects in this piece on Antony Gormley's exhibition at the Royal Academy of Art in the autumn of 2019. The focus is on how Gormley's sculptures invite and stage awareness of individual and community reflection on, and participation in, art. Both wide-ranging and intimate, it valuably reflects on the relatability of Gormley's work

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Christiane, Wagner. "What Matters in Contemporary Art? A Brief Statement on the Analysis and Evaluation of Works of Art." Art Style, Art & Culture International Magazine 1, no. 1 (2019): 69–82. https://doi.org/10.5281/zenodo.6757111.

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Art Style | Art & Culture International Magazine Abstract This essay seeks to provide an idea of the basis of the main theories of contemporary art criticism. It begins with the assumed knowledge and tradition of the Academies of Fine Art, with their ideal of beauty and classical structure. The importance of such traditional references has its origin in the Renaissance in the 16th century, in Florence with Giorgio Vasari (1511-74), in Haarlem with Karel van Manda (1548-1606) and, above all, in Paris with Charles Lebrun (1619-1690) of the French Royal Academy, which established the first st

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Morozova, Anna V., and Valentina Z. Fedorenko. "Children Portrait in Golden Age Spanish Painting: Iconographic Types, the Artistic Image Specificity, Development Stages." Vestnik of Saint Petersburg University. Arts 14, no. 1 (2024): 165–85. http://dx.doi.org/10.21638/spbu15.2024.109.

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The article is devoted to children court portraits in the Spanish Art Golden Age. The Spanish children portrait has been unfairly overlooked by researchers. Meanwhile, its development visibly and vividly reveals the specifics of the Spanish art evolution. It also has a number of specific features that are absent in an adult portrait. The study of Philip II letters to his daughters reveals the closeness and warmth of relations in the Spanish royal family, and also shows the richness and diversity of the infantas activities. The images of fine art and the world of Philip letters to his daughters

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Niyonkuru, Aimé-Parfait. "Commission Nationale des Terres Biens et Cour Spéciale des Terres et autres Biens du Burundi : un Etat sinistré ou une compétence au fondement légal contestable?" Recht in Afrika 23, no. 1 (2020): 56–79. http://dx.doi.org/10.5771/2363-6270-2020-1-56.

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This paper discusses the jurisdiction of Burundi’s Commission Nationale des Terres et autres Biens (National Commission on Land and other Assets) and of the Cour Spéciale des Terres et autres Biens (Special Court on Land and other Assets) where the State of Burundi, directly or indirectly, is involved. Considering that the double mechanism (i.e. the National Commission on Land and other Assets and the Special Court on Land and other Assets) is meant to deal with disputes opposing either the sinistrés or the sinistrés to third parties, public or private services, the paper particularly question

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Phin, Chamroeun. "Assessment and strengthening the internal auditing system in the ministry of culture and fine arts of the royal government of Cambodia." International Research Journal of Science, Technology, Education, and Management 1, no. 2 (2021): 197–215. https://doi.org/10.5281/zenodo.5726277.

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The study was about assessing the effectiveness of internal audits in the Ministry of Culture and Fine Arts in Cambodian. The major objective of the study was to assess the effectiveness of Internal Audit in the Ministry of Culture and Fine Arts to identify the relationship between the effectiveness of internal audits and the factors that affect the effectiveness of the Ministry of Culture and Fine Arts with  96 respondents were selected the study used judgment sampling. The study concludes that despite the fact that the used to assess the effectiveness of internal audit show a high corre

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Movchan, R. A., and О. О. Dudorov. "Legal remedies against amber abuse: problems of implementation and optimization." Analytical and Comparative Jurisprudence, no. 5 (October 12, 2024): 723–30. http://dx.doi.org/10.24144/2788-6018.2024.05.111.

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The article is devoted to the coverage of certain problems related to the use of criminal legal means against persons who commit the crimes provided for in Art. 2401 of the Criminal Code of Ukraine illegal extraction, sale, acquisition, transfer, forwarding, transportation, processing of amber, and with the improvement of such means. Emphasis is placed on the study of relevant judicial practice. The provision on the need to differentiate criminal responsibility for illegal actions with amber depending on group forms of complicity is argued. It is proved that the proposed improvement of Art. 24

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Galli, Raoul. "Kungliga Akademien för de fria konsterna." Kulturella Perspektiv – Svensk etnologisk tidskrift 19, no. 4 (2010): 26–40. http://dx.doi.org/10.54807/kp.v19.28231.

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This article is based on fieldwork in a house. It discusses how different forms of capital are being transformed in direct or indirect connection to activities of The Royal Swedish Academy of Fine Arts, some of its members, and some of their social relations. Capital accumulation and transformation in predominantly symbolic economies, such as the field of art production, are normally long-term projects and therefore difficult to grasp through ethnographic observations. Here, the starting point is precisely a set of observations made of different artistic enterprises taking place in and around

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Der Manuelian, Peter, and Christian E. Loeben. "New Light on the Recarved Sarcophagus of Hatshepsut and Thutmose I in the Museum of Fine arts, Boston." Journal of Egyptian Archaeology 79, no. 1 (1993): 121–55. http://dx.doi.org/10.1177/030751339307900109.

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The royal sarcophagus Boston MFA 04.278 is of critical importance to the art historical, political and mortuary history of the early Eighteenth Dynasty, yet has been inadequately documented. This study provides new photographs and computer-generated line drawings of all decorated surfaces, new insights into alterations and recarvings, and translations of all texts. The sarcophagus, including its archaeological history and inscriptional evidence, is set in its historical context; it provides no evidence in favour of KV 20 being originally the sepulchre of Thutmose I. Descriptions of the decorat

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Konstantinos, Kalogeropoulos. "Εικαστικά και αρχιτεκτονικά θέματα του 19ου αιώνα". Archive 3 (2 листопада 2007): 20–24. https://doi.org/10.5281/zenodo.4575230.

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During 19th century Greece is characterized politically and culturally by the arrival of King Otto. This had the consequence of putting the activities of the young Greek state under the guidance of the extremely art-loving and philhellene Bavarian monarch Ludwig I. Thus began Greece's relations with Munich, the capital of the Bavarian state, a major European center of letters and arts, and the Royal Academy of Fine Arts in Munich. Ludwig was impressed by the Greek antiquities, by the Greek landscape, by the ancient Greek spirit. During his reign he supported the Greeks and their struggles,

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McCann, Michael J., and Colin J. Suckling. "Charles Walter Suckling. 24 July 1920—30 October 2013." Biographical Memoirs of Fellows of the Royal Society 66 (December 19, 2018): 423–46. http://dx.doi.org/10.1098/rsbm.2018.0025.

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Charles Walter Suckling (1920–2013) is most remembered for being the discoverer of the inhalant anaesthetic halothane, which revolutionized anaesthesia and surgical practice. He was born in Teddington, Middlesex, but grew up largely in Wallasey, Merseyside, where his father was a cargo superintendent for imports from Australia produced by one of Charles’s maternal uncle's cooperatives. Charles was educated at Oldershaw Grammar School, Wallasey, and the University of Liverpool, where he obtained a first class honours degree in chemistry (1942). With this qualification he was directed to carry o

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Lu, Min, and Huamin Wang. "The Night Banquet of Han Xizai in the Perspective of Socio-Historical Criticism." International Journal of Education and Humanities 13, no. 3 (2024): 177–81. http://dx.doi.org/10.54097/4x09kn38.

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The purpose of this article is to explore in depth the historical background, iconographic content, and its historical value and significance of Han Xizai's Night Banquet through the perspective of socio-historical criticism. The article firstly analyzes the socio-historical situation of the Five Dynasties period, especially the political and cultural background of the Southern Tang Dynasty, as well as the association between Han Xizai and the Southern Tang Dynasty royal family. Secondly, it provides a detailed pictorial interpretation of Han Xizai's Night Banquet in terms of its picture conte

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Tanaka, Stefan. "Imaging History: Inscribing Belief in the Nation." Journal of Asian Studies 53, no. 1 (1994): 24–44. http://dx.doi.org/10.2307/2059525.

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A commission sponsored by the meiji government and headed by Okakura Tenshin (Kakuzō), Kanō Tessai, and Ernest F. Fenollosa traveled to Nara Prefecture in 1884 to catalog the important artifacts in temples and shrines. Fenollosa's later description of an event of this trip, which is often presented to show how he with the assistance of Okakura “saved” Japanese art, brings out the major argument of my article: the role of fine art in the formulation of belief in the nation. Fenollosa describes his “discovery” of the Guze Kannon (Goddess of Mercy), a seventh-century gilt-wood sculpture, at the H

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Wincencjusz-Patyna, Anita. "Ingrid Vang Nyman i Pippi Pończoszanka, czyli o Pippi – dziecięcej rebeliantce – i Pus – duńskiej artystce, która dokonała rewolucji w szwedzkiej książce dla dzieci." Studia Scandinavica 24, no. 4 (2020): 30–48. http://dx.doi.org/10.26881/ss.2020.24.02.

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This article focuses on Ingrid Vang Nyman’s illustrations to various books about Pippi Longstocking, written by Astrid Lindgren, ranging from novels through picturebooks to comics. The core of the paper is an analysis of the Danish artist’s style, her use of means of artistic expression, and her attitude towards avant-garde movements in Western art in the 1930s and 1940s. The text briefly covers Vang Nyman’s biography, and the influence of her Danish background, taking mainly the period of her studies at the Royal Academy of Fine Arts in Copenhagen into consideration. Analysis makes it possibl

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Bondarev, Sergei Viktorovich. ""The council was a conflict commission, not a governing body".Activities of the Council of Curators of Suburban Palaces and Museums." Genesis: исторические исследования, no. 10 (October 2023): 11–24. http://dx.doi.org/10.25136/2409-868x.2023.10.54688.

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The subject of the study is the Council of Curators of Suburban Palace Museums. In mid-1918, under the People's Commissariat of Education, the Council of Suburban Leaders was created in order to consolidate efforts to transform the royal residences into museums. The guardians of Peterhof, Tsarskoe Selo, Gatchina, and Pavlovsk palaces decided at meetings numerous issues regarding the future of the royal palaces. The author examines in detail such aspects as the problems of the daily activities of the suburbs, reforms in the management of palace-museums. Particular attention is paid to the follo

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Tari Solymosi, Emőke. "“Bartók always called me Latin”: The Influence of Béla Bartók on László Lajtha's life and art." Studia Musicologica 48, no. 1-2 (2007): 215–23. http://dx.doi.org/10.1556/smus.48.2007.1-2.14.

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Abstract Bartók's influence on his outstanding Hungarian contemporary, László Lajtha (1892–1963) remains as yet largely unresearched. Lajtha studied with Bartók at the Royal Hungarian Academy of Music and went on to become a composer, folk music researcher, versatile teacher, international cultural ambassador, and member of the French Academy. The two men's friendship and mutual respect lasted throughout Bartók's life. Among the leading musicians of the time, it was Bartók who first expressed his high opinion of the younger composer's talent. Bartók's influence can be observed in almost every

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Mazadiego, Elize, and Stefaan Vervoort. "When the Sky Is Low and Heavy: David Lamelas and Transnational Heritage in Flanders." Arts 11, no. 1 (2022): 24. http://dx.doi.org/10.3390/arts11010024.

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In 1992, artist David Lamelas installed Quand le ciel bas et lourd at the temporary exhibition America: Bride of the Sun—500 Years of Latin-America and the Low Countries at the Royal Museum of Fine Arts Antwerp (KMSKA), a show that explored the cultural, economic, and political exploitation of indigenous America by European forces, and its project of colonization and erasure. Lamelas’ work remained a public installation in KMSKA’s garden until March 2021 when it was dismantled as a result of the museum’s years-long renovation. This article examines the work in the context in which it was exhib

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Nelson, Roger. "The Gap Which Separates: Simultaneity, Disparity, and Audiovisual-Linking Technologies in “Southeast Asian Contemporary Art”." positions 33, no. 1 (2025): 161–91. https://doi.org/10.1215/10679847-11497369.

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Abstract How have artists and curators working in “Southeast Asia” imagined the contemporaneity between this region and the rest of the world, and how has this imagining been affected by twenty-first-century advances in technology and globalization? This essay approaches these questions through a discussion of recent artistic and curatorial practices that engage with simultaneity. The essay proposes that simultaneity is an important and recurrent concern for artists and curators that has been underexplored within art historical and related discourses. The essay centers on a close reading of tw

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Gálos, Miklós, and Mátyás Darvas. "Inscription on the Votive Painting of Vladislaus II." Ephemeris Hungarologica 3, no. 2 (2023): 36–47. http://dx.doi.org/10.53644/eh.2023.2.36.

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The votive picture of Vladislaus II in the collection of the Museum of Fine Arts, Buda- pest is an outstanding work of the Jagiellonian court art. The panel, attributed to the court painter of Emperor Maximilian I, Bernhard Strigel, shows Saint Ladislaus recom- mending Vladislaus II and his children under the protection of the Virgin. The histori- cal source value of the work is reduced by the fact that the facial features of its charac- ters have become victims of iconoclasm. Previous research considered the inscription of the scroll wrapped around the axe of St. Ladislaus to be illegible. Th

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Veöreös, András. "Role of Surveying During Reconditioning of Monuments." YBL Journal of Built Environment 7, no. 2 (2019): 22–30. http://dx.doi.org/10.2478/jbe-2019-0008.

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Abstract Ernő Foerk’s most well-known work in architectural circles is certainly the volume published in the reprint edition, which collects the material of the building surveys conducted by the students of the Hungarian Royal Public Higher Architectural Industrial School between 1912-1942. The introduction to each volume shows that he considered to document the buildings as the main task of the surveys - besides their role in education - and thus to serve the Hungarian culture. Architectural surveying is still one of the most important starting points for monument reconditioning. Ideally, the

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Tostões, Ana. "João Luís Carrilho da Graça interviewed by Ana Tostões." Modern Lisbon, no. 55 (2016): 84–86. http://dx.doi.org/10.52200/55.a.uk2y3ecv.

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On July 2016, Ana Tostões interviewed João Luís Carrilho da Graça, one of the main Portuguese contemporary architects, in order to discuss the riverside projects that he has been developing for the future of Lisbon. João Luís Carrilho da Graça was born in 1952, Portalegre, and studied architecture at the Lisbon School of Fine Art (1977). He was assistant lecturer at the Lisbon School of Fine Art (1977-1992), full professor at the Universidade Autónoma de Lisboa (2001-2010) and the University of Évora (2005-2013). He coordinated the departments of Architecture in both institutions until 2010, a

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SHUIB, NUR SYAFIQAH, MD JAIS ISMAIL, and TAZUL IZAN TAJUDDIN. "GAMELBATI: HYBRID ELEMENTS IN CONTEMPORARY WORK." Quantum Journal of Social Sciences and Humanities 3, no. 6 (2022): 132–52. http://dx.doi.org/10.55197/qjssh.v3i6.168.

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This paper is focusing on a work called Gamelbati–Mediasi Ukiran III for gamelan and chamber orchestra by Tazul Tajuddin, one of the Malaysian leading composer and pioneer in Malaysian art-music, combining local Malaysian elements and Western contemporary classical ideals. His work is one of the examples of hybridity in contemporary music in Malaysia. The analysis of the work is concentrating on the introduction, the first and second sections only out of seven sections within the analytical framework of tempo, instrumentation, time signatures, textures, pulses, center (internal drone), ornamen

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Alyousif, Hussain, Ishag Adam, Naser A. Alamin, et al. "The prevalence and associated predictors for Bethesda III–VI for reporting thyroid cytopathology in Royal Commission Hospital, Kingdom of Saudi Arabia." Therapeutic Advances in Endocrinology and Metabolism 13 (January 2022): 204201882211224. http://dx.doi.org/10.1177/20420188221122486.

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Background: Thyroid cancer is increasing globally and is currently the most prevalent endocrine malignancy. Recent data show an increase in the incidence of thyroid cancer in the Kingdom of Saudi Arabia (KSA). Thyroid ultrasound and fine-needle aspiration cytology (FNAC) are the cornerstones in managing thyroid nodules. We conducted this study to evaluate the prevalence and the associated predictors for thyroid nodule Bethesda III–VI in eastern KSA. Methods: A retrospective study was conducted between January 2015 and 31 August 2021. The participants were recruited patients who received a thyr

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