Academic literature on the topic 'Royal Society of Arts. Arts'

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Journal articles on the topic "Royal Society of Arts. Arts"

1

Lloyd, Matthew, and Mikael Schilling. "The Royal Society of Arts." Journal of Architectural Conservation 19, no. 3 (2013): 232–45. http://dx.doi.org/10.1080/13556207.2013.872464.

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2

Guffroy, Yohann. "Anton Howes, Arts and Minds: How the Royal Society of Arts Changed a Nation." Artefact, no. 13 (January 7, 2021): 465–70. http://dx.doi.org/10.4000/artefact.7133.

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3

Chambers, N. A. "The Society of Arts and Joseph Banks: a first step in London learned society." Notes and Records of the Royal Society 61, no. 3 (2007): 313–25. http://dx.doi.org/10.1098/rsnr.2007.0010.

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Joseph Banks (1743–1820) was President of the Royal Society from 1778 to 1820, the longest anyone has served in that capacity, and during his prolonged tenure Banks was elected to numerous other societies at home and abroad. In the present paper Banks's membership of the Society of Arts and Manufactures is discussed, this being the first society to which he was ever elected in 1761. Of particular interest are the previously unexplained reasons for his withdrawal from the society in 1764, and his eventual re-election in 1791, this being the only example of Banks leaving and then rejoining a soc
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4

Edwards, Gareth, and Nicholas O’Regan. "Leading Through Art: An Interview With Vicki Heywood CBE, Chair, Royal Society of Arts." Journal of Management Inquiry 28, no. 1 (2018): 71–76. http://dx.doi.org/10.1177/1056492617750491.

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A recent interview with Vicki Heywood, Chair of the Royal Society of the Arts (RSA), highlights the role that arts can play in dealing with complex problems in society today and particularly from an international perspective. The message from this interview resonates with recent literature on leadership that also recognizes the importance of the arts in leading successfully through wicked problems. The importance of linking arts interpretations of leadership with culture and place is also taken into consideration within the analysis of the interview. The article concludes by suggesting that le
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5

Golding, Rosemary. "The Society of Arts and the Challenge of Professional Music Education in 1860s Britain." Journal of Historical Research in Music Education 38, no. 2 (2017): 128–50. http://dx.doi.org/10.1177/1536600616684579.

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Higher-level music education was in a poor state in mid-nineteenth-century Britain. In particular, the country’s most significant conservatoire, the Royal Academy of Music in London, suffered from a lack of financial support, poor management, and a reputation for mediocre teaching and amateurish standards. Responding to the need for an overhaul, the Society for the Encouragement of Arts, Manufactures and Commerce launched an investigation into the management of the Royal Academy of Music in 1865. The Society’s Committee interviewed a range of high-profile figures from Britain and abroad. The r
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6

Page, David. "Duncan Haldane (9 May 1947 – 22 August 2006)." Journal of the Royal Asiatic Society of Great Britain & Ireland 17, no. 2 (2007): 183–85. http://dx.doi.org/10.1017/s1356186307007092.

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Duncan Haldane, a member of the Council of the Royal Asiatic Society, who died in August after a long battle with cancer, was an Arabist, a broadcaster, an arts administrator and a teacher, who made his mark in many different fields.
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7

Pramutomo, R. M. "Royal Attire, Ceremonialism, and Performing Arts in the Kraton of Yogyakarta." International Journal of Culture and History 7, no. 1 (2020): 16. http://dx.doi.org/10.5296/ijch.v7i1.16557.

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Royal attire aspect as part of the process of fashion and identity is an interesting phenomenon for a study. Especially if that aspect is then intended as a special element in relation to the events of ceremonialism and performance art in Yogyakarta Palace. In this presentation, a phenomenon which is closely related to the development of attires in the event of ceremonialism and performance art in the palace. Ceremonialism itself is a formal pattern designed for strategic interests which is combined in a compromise manner through the presentation of performance art. As stored in archival and d
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8

Haycock, David Boyd. "‘The Cabals of a Few Designing Members’: The Presidency of Martin Folkes, PRS and the Society's First Charter." Antiquaries Journal 80, no. 1 (2000): 273–84. http://dx.doi.org/10.1017/s0003581500050241.

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This short paper examines the presidency of Martin Folkes (1690–1754) and the events surrounding the incorporation of the Society by a Royal Charter from George II in 1751. Folkes was also president of the Royal Society of London, and a small number of Antiquaries feared that incorporation was a plot hatched by ‘a few designing members’ either to line their own pockets or to subsume their society into its older, wealthier rival. Folkes in turn was a controversial figure, renowned f or his irreligious beliefs and satirized for his poor government of the Royal Society.
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9

Turpin, John. "Researching Irish art in its educational context." Art Libraries Journal 43, no. 3 (2018): 123–26. http://dx.doi.org/10.1017/alj.2018.16.

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Documentary sources for Irish art are widely scattered and vulnerable. The art library of the Royal Hibernian Academy of Arts was destroyed by bombardment during the Rising of 1916 against British rule. The absence of degree courses in art history delayed the development of art libraries until the 1960s when art history degrees were established at University College Dublin, and Trinity College Dublin. In the 1970s the state founded the Regional Technical Colleges all over Ireland with their art and design courses. Modern approaches to art education had transformed the education of artists and
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10

Root-Bernstein, Robert, Lindsay Allen, Leighanna Beach, et al. "Arts Foster Scientific Success: Avocations of Nobel, National Academy, Royal Society, and Sigma Xi Members." Journal of Psychology of Science and Technology 1, no. 2 (2008): 51–63. http://dx.doi.org/10.1891/1939-7054.1.2.51.

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