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Relevant bibliographies by topics / Royal Society of Musicians (Great Britain)

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Academic literature on the topic 'Royal Society of Musicians (Great Britain)'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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Journal articles on the topic "Royal Society of Musicians (Great Britain)"

1

Cook, A. "Report. Migrants to The Royal Society, 1930–1940." Notes and Records of the Royal Society of London 58, no. 3 (September 22, 2004): 303–4. http://dx.doi.org/10.1098/rsnr.2004.0068.

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It is well known that after the Nazi Party came to power in Germany, many scholars, musicians, artists and writers were expelled or found it impossible to continue to work in Gemany. Scientists also, especially those of Jewish descent or connections, similarly left Germany and countries that came under the influence of Germany. Many of those artists, scholars and scientists who came to Britain stimulated the efflorescence of intellectual, artistic and scientific life in the years after the end of World War II. Those influences have been described in a number of books, albeit mostly in rather general terms. The list that is the subject of this note includes by contrast all Fellows and Foreign Members of the Society, so far as it has been possible to identify them, who after leaving for Britain or for other lands, were elected to the Society (electronic Appendix A).

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Golding, Rosemary. "The Society of Arts and the Challenge of Professional Music Education in 1860s Britain." Journal of Historical Research in Music Education 38, no. 2 (January 18, 2017): 128–50. http://dx.doi.org/10.1177/1536600616684579.

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Higher-level music education was in a poor state in mid-nineteenth-century Britain. In particular, the country’s most significant conservatoire, the Royal Academy of Music in London, suffered from a lack of financial support, poor management, and a reputation for mediocre teaching and amateurish standards. Responding to the need for an overhaul, the Society for the Encouragement of Arts, Manufactures and Commerce launched an investigation into the management of the Royal Academy of Music in 1865. The Society’s Committee interviewed a range of high-profile figures from Britain and abroad. The reports and debates that ensued cast light not only on the state of the Royal Academy but also on the organization of professional music training across the United Kingdom and elsewhere in Europe. Many of these discussions revealed important insights into attitudes toward musical training and its institutions, toward the music profession, and toward music itself. Musicians interviewed for the purpose of the Royal Academy report had varying opinions on the curriculum suitable for aspiring professional musicians, including the role of general education and theoretical music studies. The place of amateurs in such institutions was also an important part of the discussion, both in terms of the students admitted and institutional management. Fundamental divisions over the purpose and nature of professional-level education in music reflect both the changing nature of education and deep fractures in the music profession itself, offering valuable insights into the concerns and problems of the time.

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Unwin, Patrick R., and Robert W. Unwin. "Humphry Davy and the Royal Institution of Great Britain." Notes and Records of the Royal Society 63, no. 1 (July 28, 2008): 7–33. http://dx.doi.org/10.1098/rsnr.2008.0010.

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The abortive attempts of Sir Humphry Davy to introduce modest reforms at the Royal Society of London during his Presidency (1820–27) contrast with his (largely unstudied) earlier experience of administration at the Royal Institution of Great Britain (RI). Davy's attempts to combat the systemic weaknesses in governance and funding, and his role in effecting changes at the RI, in association with a core group of reformers, merit consideration. This paper analyses important aspects of the early management and social structure of the RI and examines the inner workings of the institution. It shows how and why the Library, its most valuable financial asset, and its celebrated Laboratory, developed along distinctive lines, each with its own support structures and intra-institutional interests. While acknowledging the roles traditionally ascribed to Count Rumford and Sir Joseph Banks, the paper highlights the contributions of other early patrons such as Thomas Bernard, son of a colonial governor of Massachusetts, and Earl Spencer, a leading European bibliophile and RI President from 1813 to 1825. The promotion of a Bill in Parliament in 1810, designed to transform the RI from a proprietary body politic into a corporation of members, and the subsequent framing of the bye-laws, provided opportunities to establish a more democratic structure of elected committees for the conduct of science.

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Baker, David. "Visually impaired musicians’ insights: narratives of childhood, lifelong learning and musical participation." British Journal of Music Education 31, no. 2 (March 24, 2014): 113–35. http://dx.doi.org/10.1017/s0265051714000072.

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With the support of the Royal National Institute of Blind People (RNIB), the life histories of five visually impaired (VI) musicians were collected and analysed between November 2011 and August 2012. This research was conducted as a pilot for a two-year, national investigation of VI musical participation, ‘Visually-impaired musicians’ lives’ (VIML) funded by the Arts and Humanities Research Council (AHRC, 2013–2015), which has brought together the Institute of Education, University of London, the RNIB and the Royal Academy of Music, London as project partners. In this instance, life histories were co-constructed narratives – foci were the self-identities of this unique group and ‘insider’ perspectives on education, musical participation and society. Analytic induction of the biographies revealed that a perceived barrier to lifelong learning was having the ability to read notation, either adapted print or in Braille format, and the access to educators who had expertise to teach musicians with visual impairments. The respondents commented on the great value of ensemble participation and adopting teaching roles too. With widespread lore in society about the exceptional musical abilities of those with visual impairment, longstanding traditions of blind musicianship, plus evidence of distinct neural development and hearing, they acknowledged the cachet associated with blind musicians but, regardless, wished to be considered musicians first and foremost. The findings raise questions about social and music educational inclusion.

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Bewley, Thomas. "Psychiatrist Fellows of the Royal Society." Psychiatric Bulletin 22, no. 6 (June 1998): 377–80. http://dx.doi.org/10.1192/pb.22.6.377.

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The Royal Society is the oldest scientific society in Great Britain and one of the earliest in Europe. It is usually considered to have been founded in 1660, though a nucleus had been in existence for several years before that date. From Charles II's reign onwards, British Governments have constantly appealed to the Royal Society for advice in connection with scientific undertakings. The Society elects some 32 Fellows annually, who have been proposed by six or more existing Fellows. Foreign Members, not exceeding 50 in all, may be selected by the Council from among “men of the greatest scientific eminence” abroad. From this it can be seen that Fellows of the Royal Society are among the most distinguished scientists in the country. It is not widely known that several psychiatrists have been Fellows of the Royal Society.

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Crowther, M. A., and S. W. F. Holloway. "The Royal Pharmaceutical Society of Great Britain, 1841-1991: A Political and Social History." Economic History Review 46, no. 2 (May 1993): 414. http://dx.doi.org/10.2307/2598032.

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Sturgess, R., and I. Harrison. "Statutory Regulation of the Professional Conduct of Pharmacists in Great Britain and the USA." Medical Law International 2, no. 1 (September 1995): 39–49. http://dx.doi.org/10.1177/096853329500200103.

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The concept and regulation of a code of ethics and professional conduct are approached differently in Great Britain and the USA. In Great Britain, the Royal Pharmaceutical Society has no definition of professional conduct, its Code of Ethics covering only those items upon which it believes that it must make a comment or explanation. Individual States in the USA have definitions of professional conduct, which are defined and regulated by the State legal system.

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NERSESSIAN, VREJ NERSES. "Two Armenian manuscripts in the Library of the Royal Asiatic Society of Great Britain and Ireland. Second Manuscript." Journal of the Royal Asiatic Society 27, no. 3 (May 15, 2017): 359–76. http://dx.doi.org/10.1017/s1356186317000165.

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The Royal Asiatic Society's manuscript of the Chronicle [«Գաւազանա գիրք»] of Georg Khubov: a unique source of Armenian political aspirations for independence in the 18 th and first half of the 19th century. (RAS. Arm. Ms. no.2)

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&NA;. "The Royal Pharmaceutical Society of Great Britain has advised consumers to be cautious when purchasing medicines online." Reactions Weekly &NA;, no. 1249 (April 2009): 3. http://dx.doi.org/10.2165/00128415-200912490-00005.

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Macfarlane, M. C. "English Delftware Drug Jars. The Collection of the Museum of the Royal Pharmaceutical Society of Great Britain." Journal of the History of Collections 18, no. 2 (June 29, 2006): 290–91. http://dx.doi.org/10.1093/jhc/fhl032.

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Dissertations / Theses on the topic "Royal Society of Musicians (Great Britain)"

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Gleason, Mary Louise. "The Royal Society of London years of reform, 1827-1847 /." New York : Garland, 1991. http://books.google.com/books?id=_rHaAAAAMAAJ.

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Lam, Eve. "The Royal Asiatic Society (Hong Kong Branch) : the faces, the stories and the memories /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B24534080.

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Berclouw, Marja. "The travels of Francis Galton /." Connect to thesis, 2010. http://repository.unimelb.edu.au/10187/7397.

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Wan, Connie. "Samuel Lines and sons : rediscovering Birmingham's artistic dynasty 1794-1898 through works on paper at the Royal Birmingham Society of Artists : Volume 1, Text ; Volume 2, Catalogue ; Volume 3, Illustrations." Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/3645/.

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This thesis is the first academic study of nineteenth-century artist and drawing master Samuel Lines (1778-1863) and his five sons: Henry Harris Lines (1800-1889), William Rostill Lines (1802-1846), Samuel Rostill Lines (1804-1833), Edward Ashcroft Lines (1807-1875) and Frederick Thomas Lines (1809-1898). The thesis, with its catalogue, has been a result of a collaborative study focusing on a collection of works on paper by the sons of Samuel Lines, from the Permanent Collection of the Royal Birmingham Society of Artists (RBSA). Both the thesis and catalogue aim to re-instate the family’s position as one of Birmingham’s most prominent and distinguished artistic dynasties. The thesis is divided into three chapters and includes a complete and comprehensive catalogue of 56 works on paper by the Lines family in the RBSA Permanent Collection. The catalogue also includes discursive information on the family’s careers otherwise not mentioned in the main thesis itself. The first chapter explores the family’s role in the establishment of the Birmingham Society of Arts (later the RBSA). It also explores the influence of art institutions and industry on the production of the fine and manufactured arts in Birmingham during the nineteenth century. The second chapter discusses the Lines family’s landscape imagery, in relation to prevailing landscape aesthetics and the physically changing landscape of the Midlands. Henry Harris Lines is the main focus of the last chapter which reveals the extent of his skills as archaeologist, antiquarian and artist.

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Rodgers, Ruth Mary. "Pharmaceutical ethics and professional discipline, 1993 to 1997 : an investigation into the Code of Ethics of the Royal Pharmaceutical Society of Great Britain : its implementation and influence on the disciplinary processes of the pharmacy profession dur." Thesis, Cardiff University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.425998.

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Lewis, Elizabeth Faith. "Peter Guthrie Tait : new insights into aspects of his life and work : and associated topics in the history of mathematics." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/6330.

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In this thesis I present new insights into aspects of Peter Guthrie Tait's life and work, derived principally from largely-unexplored primary source material: Tait's scrapbook, the Tait–Maxwell school-book and Tait's pocket notebook. By way of associated historical insights, I also come to discuss the innovative and far-reaching mathematics of the elusive Frenchman, C.-V. Mourey. P. G. Tait (1831–1901) F.R.S.E., Professor of Mathematics at the Queen's College, Belfast (1854–1860) and of Natural Philosophy at the University of Edinburgh (1860–1901), was one of the leading physicists and mathematicians in Europe in the nineteenth century. His expertise encompassed the breadth of physical science and mathematics. However, since the nineteenth century he has been unfortunately overlooked—overshadowed, perhaps, by the brilliance of his personal friends, James Clerk Maxwell (1831–1879), Sir William Rowan Hamilton (1805–1865) and William Thomson (1824–1907), later Lord Kelvin. Here I present the results of extensive research into the Tait family history. I explore the spiritual aspect of Tait's life in connection with The Unseen Universe (1875) which Tait co-authored with Balfour Stewart (1828–1887). I also reveal Tait's surprising involvement in statistics and give an account of his introduction to complex numbers, as a schoolboy at the Edinburgh Academy. A highlight of the thesis is a re-evaluation of C.-V. Mourey's 1828 work, La Vraie Théorie des quantités négatives et des quantités prétendues imaginaires, which I consider from the perspective of algebraic reform. The thesis also contains: (i) a transcription of an unpublished paper by Hamilton on the fundamental theorem of algebra which was inspired by Mourey and (ii) new biographical information on Mourey.

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Hanson, Craig Ashley. "Embodying erudition : English art, medicine, & antiquarianism in the age of empiricism /." 2003. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3108082.

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Books on the topic "Royal Society of Musicians (Great Britain)"

1

Betty, Matthews, ed. The Royal Society of Musicians of Great Britain, list of members 1738-1984. London: The Society, 1985.

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2

Matthews, Betty. The Royal Society of Musicians of Great Britain: A history 1738-1988. London: Royal Society of Musicians, 1988.

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3

Royal Society of Musicians (Great Britain). The Royal Society of Musicians of Great Britain: List of members 1738-1984. London: Royal Society of Musicians, 1985.

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4

Royal Society of Musicians of Great Britain. The Royal Society of Musicians of Great Britain list of members, 1738-1984. London: The Society, 1985.

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5

West, D. R. F. Metals and the Royal Society. London: IOM Communications, 1999.

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6

Membros portugueses da Royal Society =: Portuguese fellows of the Royal Society. Coimbra: Universidade Coimbra, Biblioteca Geral, 2011.

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7

Valvasor, Johann Weichard. Korespondenca Janeza Vajkarda Valvasorja z Royal Society =: The correspondence of Janez Vajkard Valvasor with the Royal Society. Ljubljana: Slovenska akademija znanosti in umetnosti, 1987.

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8

Quigly, Isabel. The Royal Society of Literature: A portrait. London: Royal Society of Literature, 2000.

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9

Establishing the new science: The experience of the early Royal Society. Woodbridge, Suffolk [England]: Boydell Press, 1989.

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10

R, Markham Clements. The fifty years' work of the Royal geographical society. Cambridge: Cambridge University Press, 2009.

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Book chapters on the topic "Royal Society of Musicians (Great Britain)"

1

"Appendix 7: The Code of Ethics of the Royal Pharmaceutical Society of Great Britain." In Pharmacy Law and Practice, 361–78. Oxford, UK: Blackwell Science Ltd, 2008. http://dx.doi.org/10.1002/9780470690642.app7.

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2

Howes, Anton. "A Society against Ugliness." In Arts and Minds, 200–217. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691182643.003.0009.

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This chapter examines the Great Exhibition of 1851, which is considered an industrial audit of the world that included exhibits from Britain's empire and other foreign nations. It talks about the East India Company, a private company that exercised control over almost all of the Indian subcontinent that provided displays of the products of India in the Great Exhibition. It also explains the aim of the Great Exhibition, which was to reveal to merchants and manufacturers in Britain the kinds of raw materials that might be imported for Englishmen to work upon. The chapter highlights the Royal Society of Arts' activities over the previous century, which focused on the spread of information instead of awarding premiums for exploiting new resources. It describes how the products of Britain's colonies brought attention to merchants and manufacturers in Britain itself.

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Gardiner, Brian O. C. "A Short Account of the Royal Entomological Society and of the Progress of Entomology in Great Britain (1833–1999)." In A Guide to the Archives of the Royal Entomological Society, 1–30. Routledge, 2017. http://dx.doi.org/10.4324/9781315263915-1.

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Winnicott, Donald W. "Letter to Anna Freud." In The Collected Works of D. W. Winnicott, 337–38. Oxford University Press, 2016. http://dx.doi.org/10.1093/med:psych/9780190271374.003.0080.

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In this letter, Winnicott thanks Anna Freud for her presentation at the Royal Society of Medicine, noting its great importance for the development of a relationship between psychoanalysis and psychiatry in Britain.

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"Joseph Schacht (1949), 'A Revaluatian oflslamic Traditions', Journal of the Royal Asiatic Society of Great Britain and !re/and, 2, pp. 143-54." In Islamic Legal Theory, 219–30. Routledge, 2017. http://dx.doi.org/10.4324/9781315251721-17.

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Howes, Anton. "A System to Force down the General Throat." In Arts and Minds, 144–71. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691182643.003.0007.

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This chapter begins with the opening of the Great Exhibition on 1 May 1851, which attracted six million visitors, a tenth of the entire population of Great Britain. It recounts how Henry Cole managed to make himself indispensable to the Great Exhibition's organisation, in which he accumulated responsibilities that allowed him to gradually reassert control. It also mentions utilitarian reformers who came to exercise an extraordinary influence over the Royal Society of Arts and promoted the development of enlarged generalisations and comprehensive measures. The chapter discusses how Cole and his allies reformed the entire system on protecting intellectual property in order to look after the creations of inventors and manufacturers. It points out that the campaign for patent reform was one of the Society's most successful lobbying efforts ever.

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Reports on the topic "Royal Society of Musicians (Great Britain)"

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Theory of change: Bet You Can Help. Addiction Recovery Agency, Beacon Counselling Trust, June 2021. http://dx.doi.org/10.33684/2021.004.

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Gambling-related harms are a significant public health issue in Great Britain. These harms are often underrecognized and most people who experience harms go without support. Under the leadership of Addiction recovery Agency (Ara) and Beacon Counselling Trust (BCT), the Bet You Can Help (BYCH) programme is filling the need for place-based education and training to identify and address gambling related harms. The BYCH programme is a community first aid model for safer gambling that promotes the early identification of people who are at risk of gambling related harms. Offered as a Level 2 Qualification through the Royal Society of Public Health, this programme aims to reduce harms and prevent lives being lost from gambling related harms in Great Britain. This theory of change considers the inputs, activities, outputs, and outcomes necessary to achieve these goals. It can be used by organizations, groups, and individuals in any sector impacted by gambling related harms in Great Britain.

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