Academic literature on the topic 'Ruan jian'
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Journal articles on the topic "Ruan jian"
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Zhu, Di, Chenglin Jia, Tongkai Cai, Jiacheng Li, Xia Feng, Nan Chen, Cheng Zhao, Yuzhen Wang, Yongbing Cao, and Yemin Cao. "Ruan Jian Qing Mai Recipe Inhibits the Inflammatory Response in Acute Lower Limb Ischemic Mice through the JAK2/STAT3 Pathway." Evidence-Based Complementary and Alternative Medicine 2022 (August 18, 2022): 1–10. http://dx.doi.org/10.1155/2022/2481022.
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Ruan jian qing mai recipe (RJQM) is an empirical prescription for treating arteriosclerosis obliterans (ASO). However, the mechanism of RJQM recipe-mediated ASO attenuation has not yet been elucidated. Therefore, this study aimed to explore the mechanism by which the RJQM recipe relieves ASO in a mouse model of lower limb ischemia, which was established by ligating and breaking the femoral artery of the left lower limb. The surgical groups were divided into the ischemic group, beraprost sodium group, low-dose RJQM group, medium-dose RJQM group, and high-dose RJQM group. Normal mice were set as the control group. The blood flow of the lower limb was examined on days 7 and 14. At the end of animal procedures, blood samples were collected, and the rectus femoris of the left lower limb were harvested. Results revealed that mice in the ischemic group demonstrated low blood flow. Additionally, hematoxylin and eosin, and Masson staining results showed that inflammation of the rectus femoris was obvious in the ischemia group, and the level of fibrosis was increased. Blood flow was recovered in all treatment groups compared to the ischemic group, and the inflammatory infiltration and fibrosis of the rectus femoris were relieved after RJQM treatment. The serum levels of interleukin (IL)-17A and IL-21 were decreased, and the expression of JAK2/STAT3 proteins was inhibited in all RJQM treatment groups compared to the ischemia group. Furthermore, the improvement of IL-17A, IL-21, and rectus femoris fibrosis was more obvious with increasing treatment time. In conclusion, RJQM can effectively alleviate ASO and promote the recovery of lower limb blood flow by regulating the JAK2/STAT3 signaling pathway to reduce the inflammatory response.
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Schultz, Corey Kai Nelson. "Ruin in the films of Jia Zhangke." Visual Communication 15, no. 4 (September 29, 2016): 439–60. http://dx.doi.org/10.1177/1470357216633921.
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Nurhaiza, Nurhaiza. "KAJIAN ORGANISASI RUANG PADA BANGUNAN RUMAH TJONG A FIE BERDASARKAN KAIDAH ARSITEKTUR CINA." Jurnal Arsitekno 5, no. 5 (February 21, 2019): 42. http://dx.doi.org/10.29103/arj.v5i5.1233.
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Rumah Tjong A Fie adalah salah satu bangunan yang dilindungi sebagai artefak warisan sejarah Kota Medan yang memperlihatkan nilai-nilai historis, budaya, dan pengetahuan. Tujuan dari penelitian ini adalah menemukan organisasi ruang pada bangunan Rumah Tjong A Fie berdasarkan filosofi arsitektur tradisional Cina. Hasil kajian ini akan memberikan gambaran potensi dan keunikan yang dimiliki oleh Rumah Tjong A Fie sebagai salah satu arsitektur hunian peninggalan etnis Tionghoa pada zamannya. Metode penelitian arsitektur yang digunakan adalah metode penelitian kualitatif interpretive-historical, yaitu meneliti suatu fenomena fisik/sosial yang berada di antara konteks yang komplek, melalui penjelasan dalam bentuk naratif dan menyeluruh.Penelitian akan melalui beberapa tahapan, yaitu; 1) Pengumpulan dan klasifikasi data primer dan sekunder; 2) Evaluasi data melalui analisis danpenilaian berupa interpretasi terhadap data; dan 3) Kesimpulan berupa penjelasan dalam bentuk narasi. Hasilpenelitian menunjukkan bahwa Rumah Tjong A Fie menerapkan konsep arsitektur tradisional Cina pada organisasi ruangnya berdasarkan filosofi tradisional Cina, yaitu: 1) Dao; 2) Kongfusianisme; dan 3) Feng-shui. Konsep arsitektur tradisional Cina direfleksikan pada elemen-elemen arsitektur 1) dinding pembatas; 2) Jian; 3) Aksis; 4) Orientasi ruang; dan 5) Courtyard.
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Xudong, Zhang. "Poética da desaparição: os filmes de Jia Zhangke." Novos Estudos - CEBRAP, no. 89 (March 2011): 71–87. http://dx.doi.org/10.1590/s0101-33002011000100005.
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Os filmes de Jia Zhangke oferecem retratos das transformações sociais e econômicas ocorridas na China, do ponto de vista das ruas e à margem dos grandes centros. O artigo explora os temas do desaparecimento, demolição e deslocamento na obra do diretor chinês.
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Li, Jin, Zhanglin Li, Shiru Lan, and Yong Wu. "The Subexponential Distribution wthin Renewal Model." Advances in Economics and Management Research 1, no. 1 (May 18, 2022): 9. http://dx.doi.org/10.56028/aemr.1.1.9.
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Here, we investigate asymptotic equivalent formulas for finite-time ruin probabilities in a renewal risk model with a subexponential distribution in this research, in the cases of the negatively dependent and upper tail independent, respectively. First, we extend the related research results of Tao Jiang, and Chengguo Weng et al. to the subexponential case, respectively. Thereafter two precise asymptotic equivalent relations are established, one is the finite-time probability when the random variables of the claims are influenced by the common subexponential distribution in a negative way, and another the finite-time ruin probability when the claimsizes are upper tail independent with the common subexponential distribution.
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Nurwadjedi, Nurwadjedi, Lien Rosalina, and Yusuf Wibisono. "MEMBANGUN SATU PETA UNTUK PENATAAN RUANG." Seminar Nasional Geomatika 3 (February 15, 2019): 157. http://dx.doi.org/10.24895/sng.2018.3-0.946.
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Diterbitkannya Percepatan Pelaksanaan Kebijakan Satu Peta dilatarbelakangi oleh banyaknya konflik pemanfaatan ruang atau tumpang-tindih penggunaan lahan antar sektor yang menghambat investasi pembangunan infrastruktur dan kawasan di daerah. Terjadinya konflik pemanfaatan ruang tersebut disebabkan oleh penyelenggaraan penyelenggaraan Informasi Geospasial Tematik (IGT) yang tidak mengacu pada Informasi Geospasial Dasar (IGD). Selain itu, konflik pemanfaatan ruang tersebut juga disebabkan oleh masih banyaknya peta Rencana Tata Ruang Wilayah (RTRW) Kabupaten/Kota yang tidak akurat, sebagai akibat belum tersedianya IGT pada skala yang memadai untuk penyusunan peta RTRW Kabupaten/Kota. Oleh
karena itu, percepatan Kebijakan Satu Peta sangat diperlukan untuk menyelesaikan permasalahan konflik pemenfaatan ruang tersebut. Tujuan penelitian ini adalah untuk menyusun Satu Peta penataan ruang atau Satu Peta dataset IGT terintegrasi skala 1: 50.000 atau 1: 25.000 yang diperlukan untuk penyusunan peta RTRW Kabupaten/Kota. Dataset IGT yang disusun menjadi Satu Peta merupakan kumpulan layer IGT yang diproduksi oleh instansi terkait yang berperan sebagai walidata. Metode untuk mewujudkan Satu Peta
penataan ruang tersebut menggunakan kriteria Kebijakan Satu Peta, yaitu satu referensi, satu standar, satu basisdata, dan satu geoportal. Penelitian ini menghasilkan Satu Peta dataset IGT terintegrasi skala 1: 50.000 atau 1:25.000 yang mengacu pada IGD dengan format geodatabase. Dari hasil penelitian ini dapat disimpulkan bahwa peta-peta tematik (dataset IGT) yang diproduksi oleh instansi terkait dapat diintegrasikan menjadi Satu Peta, dengan mengacu pada IGD (Peta Rupabumi) dan standar spesifikasi basisdata. Selain untuk
penyusunan peta RTRW Kabupaten/kota, Satu Peta dataset IGT terintegrasi yang dihasilkan dapat diberbagikan melalui Jaringan Informasi Geospasial Nasional (JIGN) untuk penyelesaian konflik pemanfaatan ruang.
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Straughn, Ian. "Spirits of Heritage, Specters of Ruins: Partnering with the Jinn in the Preservation of the Past." Review of Middle East Studies 51, no. 2 (August 2017): 196–202. http://dx.doi.org/10.1017/rms.2017.98.
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In her recent study of the heritage project that is contemporary New Orleans, anthropologist Shanon Dawdy has suggested that “[s]ociety presents itself simultaneously as a ruin and as a kind of playland” (2016, 147). This notion that the ruin is both a product of, and a basis for, heritage practice serves as a useful intervention into long-standing treatments of ruins as exotic, romantic, and awaiting the discovery, glorification, and preservation of those that might give them meaning. In the present essay, I further challenge heritage approaches to ruins through an examination of the ways in which they have been associated, in various Muslim cultural contexts, with a set of distinctly sentient, yet non-human actors, the jinn. This pairing between place and spirits has shaped long-standing affective responses and practical engagements between local (human) inhabitants and their archaeologically rich landscapes across the Middle East and North Africa. This essay examines how those engagements often push against contemporary discourses highlighting the sublime aspects of ruins and the quasi-sacred nature of heritage. To that end, the following guiding questions structure my contribution: Can contemporary heritage discourses accommodate practices in which humans share control and ownership of the material past with spectral others? How might we reframe the mandate to preserve such ruins in light of alternative perspectives that mark these sites as sinister, and/or meaningful, precisely because of their ruination? Can universalizing heritage discourses accommodate practices that derive value from the material past without also subscribing to explicit preservationist goals? Such questions offer an opportunity to consider the inclusion of the Unseen, and perhaps others, whose perspectives have gone unrecognized, within professional heritage management and its hermeneutics of the past.
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Huda, Novia Nur, Sri Suryoko, and Handojo Djoko Waloejo. "Pengaruh Kualitas Pelayanan dan Fasilitas Wisata terhadap Keputusan Berkunjung Kembali dengan Kepuasan Pengunjung sebagai Variabel Intervening (Studi pada Pengunjung Hortimart Agro Center Bawen)." Jurnal Ilmu Administrasi Bisnis 11, no. 2 (October 18, 2022): 198–206. http://dx.doi.org/10.14710/jiab.2022.34405.
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Hortimart Agro Center Bawen merupakan salah satu destinasi agrowisata yang didirikan tahun 1970 dan lokasinya berada di Jalan Gatot Subroto No. 55, Bawen, Kabupaten Semarang. Jumlah pengunjung Agrowisata Hortimart Agro Center secara absolut terus mengalami kenaikan setiap tahunnya yang tercatat dalam empat tahun terakhir, namun selama dua tahun terakhir realisasi pengunjung yang berkunjung belum mencapai target yang ditentukan oleh perusahaan dan selama empat tahun terakhir keluhan selama kunjungan juga mengalami kenaikan. Tujuan penelitian ini adalah untuk mengetahui pengaruh kualitas pelayanan dan fasilitas wisata terhadap keputusan berkunjung kembali melalui kepuasan pengunjung. Tipe penelitian ini adalah explanatory research dengan teknik pengumpulan data melalui penyebaran kuesioner dan wawancara. Sampel dari penelitian ini adalah 100 pengunjung Hortimart Agro Center Bawen yang pernah melakukan kunjungan lebih dari 1 kali. Analisis data menggunakan teknik analisis jalur dibantu dengan software Statistical Package for Social Science (SPSS) versi 25.0 for windows dimana sebelumnya digunakan uji validitas, reliabilitas, koefisien korelasi, koefisien determinasi, analisis regresi sederhana dan berganda, uji signifikansi (uji t dan uji f), uji sobel terlebih dahulu. Hasil penelitian menunjukkan bahwa seluruh variabel independen memiliki pengaruh signifikan terhadap variabel dependen, sedangkan variabel kepuasan pengunjung berperan sebagai variabel mediasi parsial penuh yang menunjukkan ada pengaruh tidak langsung variabel kualitas pelayanan dan fasilitas wisata terhadap keputusan berkunjung kembali. Saran yang diajukan meliputi : menambahkan kanopi pada lahan parkir motor, mempertimbangkan penambahan mobil keliling atau bisa diganti dengan sepeda, menambahkan bangku dan gazebo di titik destinasi wisata yang ramai seperti di daerah waduk, penggantian dengan wisata lain yang masih bisa dinikmati di waduk tersebut tanpa menutup akses ke waduk saat musim kemarau, menyediakan beberapa pos pengamanan yang dapat jelas dilihat dan mudah dijangkau oleh pengunjung, mobil keliling diberi ruang khusus untuk penyandang disabilitas, dan penambahan jumlah bangku tunggu di sekitar restoran, Kotak saran perlu ditambah pada lokasi yang bisa terlihat jelas oleh pengunjung.
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Arini, Maghfira Dwinintya, and Sudharto Prawoto Hadi. "Pengaruh Motivasi, Budaya Organisasi, Dan Lingkungan Kerja Terhadap Kinerja Karyawan Pada Pt. Dan Liris Sukohardjo (Studi Pada Karyawan Divisi Weaving)." Jurnal Ilmu Administrasi Bisnis 10, no. 1 (April 6, 2021): 736–41. http://dx.doi.org/10.14710/jiab.2021.29770.
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Abstract: The company's success can be reached by achieving the company's target. Based on data obtained from employee performance at PT. Dan Liris Sukoharjo showed a decline in 2018-2019. There are indications of a decrease in employee performance caused by motivation, organisational culture, and work environment. This type of research is explanatory research, out of 359 employees taken as many as 78 respondents into a sample who are employees of PT. Dan Liris Sukohardjo weaving division. In this research, Simple Random Sampling Technique is used to do sampling. The techniques used in collecting data are questionnaires and literature studies. This study used of IBM SPSS program version 25.0. Based on the test results simultaneously, there is a significant and positive influence between the variables of motivation, organizational culture, and work environment on employee performance. Suggestions that can be made by the company PT. Dan Liris Sukohardjo increasing motivation, giving appreciation to employees such as awards, and giving promotions for employees who have worked well. The company needs to consider the employees to implement the applicable system, to work in accordance with the responsibilities given and also to give a proper understanding of the company culture. As for supporting a good environment, it is necessary to provide insurances for employees working with machines, and to discipline employees more to work with the tools provided. Also, the company provides a special room for machines so that other employees feel more comfortable while working. Keywords : Motivation; Organizational Culture; Work Environment; Employee Performance Abstrak: Keberhasilan perusahaan dapat dicapai dengan tercapainya target perusahaan. Berdasarkan data yang diperoleh dari kinerja karyawan pada PT. Dan Liris Sukoharjo menunjukkan penurunan pada tahun 2018-2019. Terdapat indikasi penurunan pada kinerja karyawan yang disebabkan oleh motivasi, budaya organisasi dan lingkungan kerja. Tipe penelitian ini adalah explanatory research, dari 359 karyawan diambil sebanyak 78 responden menjadi sampel yang merupakan karyawan PT. Dan Liris Sukohardjo divisi weaving. Pengambilan sampel menggunakan Teknik Simple Random Sampling. Teknik pengumpulan data menggunakan kuesioner dan studi pustaka. Penelitian ini menggunakan program IBM SPSS versi 25.0. Berdasarkan hasil uji secara simultan terdapat pengaruh signifikan dan positif antara variabel motivasi, budaya organisasi, dan lingkungan kerja terhadap kinerja karyawan. Saran yang dapat dilakukan oleh perusahaan PT. Dan liris Sukohardjo untuk meningkatkan motivasi seperti memberikan apresiasi pada karyawan seperti penghargaan dan memberikan kenaikkan jabatan bagi karyawan yang sudah bekerja dengan baik. Perusahaan perlu memperhatikan karyawan agar dapat melaksanakan sistem yang berlaku, bekerja sesuai dengan tanggung jawab yang diberikan dan memberikan pemahaman mengenai budaya yang berlaku pada perusahaan tersebut. Adapun untuk mendukung lingkungan yang baik perlu diberikan perlindungan kepada karyawan yang bekerja dengan mesin dan lebih mendisiplinkan karyawan agar bekerja dengan alat yang disediakan serta perusahaan menyediakan ruangan khusus untuk mesin agar karyawan lain lebih merasa nyaman saaat bekerja. Kinerja karyawan PT. Dan Liris Sukohardjo. hal tersebut dibuktikan dengan uii regresi berganda sebesar 0,336, 0,137, dan 0,161. Saran yang dapat dilakukan oleh perusahaan PT Dan liris Sukohardjo perlu memberikan penghargaan kepada karyawan dan jenjang karir, memastikan karyawan juga bekerja sesuai dengan aturan yang berlaku dan memberikan ruang yang nyaman bebas dari suara bising dan pencahayaan yang memadai. Kata Kunci : Motivasi; Budaya Organisasi; Lingkungan Kerja; Kinerja Karyawan
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Prima Minerva, Murni Astuti, and Tyas Asih. "PENINGKATAN KUALITAS PELAYANAN SALON KECANTIKAN BERBASIS KESEHATAN PADA KELOMPOK PENGUSAHA SALON KECANTIKAN DI KOTA PARIAMAN." Journal of Community Service 1, no. 1 (December 17, 2019): 089–95. http://dx.doi.org/10.56670/jcs.v1i1.13.
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Perkembangan salon kecantikan saat ini bergeser arah ke pusat kecantikan seperti skin care atau beauty care melibatkankan sektor kesehatan dalam melakukan pelayanan perawatan. Beberapa salon kecantikan di Pariaman masih yang banyak yang belum menerapkan pelayanan perawatan dengan berbasis kesehatan. Permasalahan ini ditemui pada Jihan salon dan Irma salon. UNP sebagai institusi pendidikan yang mempunyai tenaga profesional di bidang kecantikan dan kesehatan dapat membantu mitra dalam mengatasi permasalahan dan menjadikan salon mitra sebagai salon kecantikan yang berbasis kesehatan. Khalayak sasaran dalam kegiatan ini adalah Pemilik dan karyawan UKM salon kecantikan di pariaman. Tujuan yang ingin dicapai dalam kegiatan pengabdian ini adalah menjadikan salon mitra sebagai salon kecantikan yang berbasis kesehatan dalam segala pelayanan yang diberikan sehingga dapat memberikan peluang peningkatan kualitas pelayanan lebih baik dan upaya perlindungan konsumen. Pelatihan ini dilakukan dengan metode yang bervariasi seperti ceramah demontrasi, pelatihan, praktek, diskusi dan bimbingan. Materi yang diberikan 1) Memberikan pengetahuan tentang analisa kulit dan kosmetik skincare 2) Mendemontrasikan penerapan personal higiene 3) Demontrasi dan praktek pemakaian APD serta setrilisasi alat 4) Praktek perawatan Facial sesuai SOP 5) Pengaturan ruang yang proposional. Secara garis besar kegiatan ini berjalan lancar dan dapat meningkatkan kualitas pelayananan salon berbasis kesehatan dan upaya perlindungan konsumen.
Dissertations / Theses on the topic "Ruan jian"
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Gary, Julie. "Esthétique de la musique en Chine médiévale : idéologies, débats et pratiques chez Ruan Ji et Ji Kang." Thesis, Lyon, École normale supérieure, 2015. http://www.theses.fr/2015ENSL1061/document.
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Dans la Chine du IIIè siècle, les mutations politiques et intellectuelles considérables survenues après l’effondrement des Han favorisent l’éveil d’une conscience inédite de l’individu, ainsi que l’émergence de nouvelles tendances philosophiques (le néo-taoïsme de l’Étude du Mystère) et l’apparition d’une activité artistique en rupture avec la tradition qui s’est imposée durant quatre siècles d’hégémonie confucéenne. La musique, qui occupe une place d’élection dans la vie des lettrés, voit évoluer le statut et la pratique auxquels elle était jusqu’alors confinée, l’outil moralisateur au service de la concorde sociale s’affirmant désormais comme une distraction libre et privée, affranchie de ses finalités politiques et civilisatrices. Notre travail prend pour objet les conceptions de la musique qui ont vu le jour dans ce contexte de l’avènement esthétique et d’une valorisation sans précédent des émotions individuelles. En nous concentrant plus particulièrement sur Ruan Ji 阮籍 (210-263) et Ji Kang 嵇康 (223-262), figures de proue de la pléiade des Sept Sages de la Forêt de Bambous et éminents poètes, philosophes et musiciens, nous avons cherché à étudier la réflexion esthétique qui s’élabore dans leurs écrits autour des questions de l’origine et la nature de la musique, de ses fonctions morales et sociales, de son utilisation politique ou macrobiotique, de ses vertus éthiques ou diététiques, ou encore de son lien aux émotions. L’analyse textuelle est complétée par celle de pratiques ou de gestes musicaux : le sifflement chez Ruan Ji, la cithare chez Ji Kang, qui donnent corps aux discours et illustrent leur mise en œuvre concrète dans la vie de ces auteurs. De sorte que l’esthétique ne se définit plus seulement comme un discours, mais aussi comme un ethos, et que l’effort d’affranchissement de la musique est contemporain d’une d’émancipation des sujets mêmes de l’expérience esthétiqueIn third-century China, the huge political and intellectual mutations occurring after the collapse of the Han dynasty result in the awakening of a new self-consciousness of man and the emergence of new philosophical trends (the so called Dark Learning), or also an artistic activity breaking off with four centuries of Confucian orthodoxy. Music, which occupies a privileged position in the life of literati, evolves as well, as far as its traditional status and practice are both concerned. No more considered a tool of moralization for the sake of civilized order or social harmony, it becomes a private and free distraction, emancipated from political or any other pragmatic purpose. The conceptions of music appearing in this context of nascent aesthetics provide the subject matter of our research. Focusing on Ruan Ji 阮籍 (210-263) and Ji Kang 嵇康 (223-262), two leading figures of the well-known literati group “the Seven Sages of the bamboo grove” who were also famous poets, thinkers and musicians, we attempt to examine their aesthetic thought throughout their main writings on music, concerning issues such as the origins and nature of music, its moral or social functions, its political or macrobiotic use, its ethical or dietetic virtues, and also its relation to man’s emotions. The textual analysis is completed by the study of musical practices or gestures (Ruan Ji’s whistling, Ji Kang’s playing the zither), that illustrate the effective application of their ideas in concrete life. Therefore, aesthetics does not only consist in a mere discourse, but becomes a kind of ethos, in which the emancipation of music is inseparable from that of the individual himself, through his aesthetic experience
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Li, Chan-man Philip. "The issue of dynastic legitimacy of the Three Kingdoms as seen in Zizhi Tongjian Lun "Zi zhi tong jian" dui San guo zheng run wen ti zhi chu li /." Click to view the E-thesis via HKUTO, 1989. http://sunzi.lib.hku.hk/hkuto/record/B31949526.
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Chen, Chih-wei, and 陳治維. "Academic Methodology of Yangzhou School in the Qing Dynasty:Wang Zhong,Ling Ting Kan,Jiao Xun,Ruan Yuan as a clue." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/c52gf3.
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博士國立中山大學
中國文學系研究所
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The dissertation is divided into two parts: the first part, the second part, the emperor Qian Long to the emperor Dao Guang early,of the Yangzhou School - Wang Zhong, Ling Ting Kan, Jiao Xun and Ruan Yuan as the research object, to explore the they academic methodology. The first part discusses the "pre-modern" characteristics of the Yangzhou School. This characteristic is manifested in the methods and contents of the study. The method is based on the "seeking truth from facts" in the field of traditional study of Confucian classics, The Confucianists in Yangzhou have also verified the traditional achievements in mathematics. The academic content is based on the theory of natural human nature as the starting point to affirm the "emotion" and "demand" inherent in human nature. Furthermore, focusing on specific people, Yangzhou Confucians emphasized the practice of "courtesy". From this level, we can see that for the height of social awareness Cognition of Yangzhou School. The above sections are different from the theory of Neo-Confucianism and can be regarded as the academic "pre-modern" features of the Yangzhou school. The second part analyzes the way of thinking of Confucians, including the research object. First of all, it probes into the deep motivation of four Confucians such as Wang Zhong and Ling Ting Kan to construct their own academic theory from the concrete and realistic aspects and represent the orthodox nature of Confucianism. In addition, it also explores the influence of the "qi" theory of continuous thinking on the "wisdom" theory, such as Ling Ting Kan''s "learning to ceremony restore humanity" ,and Jiao Xun''s" can know, so human nature is good" ,both of show the emphasize on wisdom way of thinking. In the early Qing Dynasty to the mid-Qing Dynasty, the "European science from China", which gradually became the main stream of Confucianism, said that its formation was also related to the "qi" continuous way of thinking. The purpose of this dissertation is to show the connotation of Confucian scholarship based on the study of Confucian classics in the period from emperor Qian Long to the emperor Dao Guang early, Wang Zhong and Ling Ting Kan to Ruan Yuan. This connotation has Confucianism thought of experiential level, also has way of thinking form tradition. Overall, Yangzhou School in the middle of the Qing dynasty have philosophy for its achievements.
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Chou, Wan-Ting, and 周宛亭. "The Research about Ruan Family of Chenliu’s Ancestral Teaching and Family Tradition Based on Their Biography of Jin Shu." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/68935240979000997939.
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碩士國立成功大學
中國文學系碩博士班
96
Ruan Family of Chenliu in Wei Jin time play an indispensable role. Compromises for the general interest in politics, minimizes damages for the far calamity, to main politician empty by winding, makes the absurd gesture, to the liquor minimizes losses, has the political sensitivity, can judge the circumstance correctly, guarantees the whole body, usually handles matters the manner which by their changeful personality and peaceful disposition , helps others do well, obtains the body and mind the balance, however under the innermost feelings significant contradiction, the behavior tends to be free and crazy, its family tradition is broad-minded actually has the clear characteristic. Ruan Family of Chenliu’s family study may discuss from metaphysics, the literary works and the artistic domain from the excellent accomplishment. Ruan Chi’s metaphysics , the poem, the ode and so on are crown of the family, < music theory> and < three metaphysics > (
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Brochu, Sébastien. "Le respect dans le cinéma de Jia Zhang-ke ou les empreintes fertiles du conteur ignorant." Thèse, 2014. http://hdl.handle.net/1866/12466.
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Pour respecter les droits d’auteur, la version électronique de ce mémoire a été dépouillée de certains documents visuels. La version intégrale du mémoire a été déposée au Service de la gestion des documents et des archives de l'Université de MontréalQue peuvent être des images pour la paix? Nous supposons que les agencements fictionnels des matières de l’expression capables d’entrouvrir la perception habituelle des choses et d’impulser de nouvelles visions du monde, en direction d’un vivre ensemble plus pacifique, sont ceux qui reposent sur trois modalités de respect. Premièrement, respect de l’intelligence des subjectivités spectatorielles, de leur capacité à lire et traduire par elles-mêmes ce qui leur est présenté. Deuxièmement, respect des êtres dans leur multiplicité, du caractère fondamentalement entre-formes de l’existence. Enfin, respect des potentialités expressives portées par les corps anonymes, humains autant que matériels, des virtualités créatrices que recèlent leurs impressions muettes. Nous retrouvons ces trois postures, à la fois esthétiques et politiques, dans le cinéma de Jia Zhang-ke. En effet, le travail fictionnel de ce véritable conteur consiste à débusquer la richesse sensible de l’expérience commune et à en opérer une réimagination fertile, notamment par le métissage fabulatoire de diverses paroles historiques ou encore par la revitalisation de décors ruiniformes au sein de natures mortes animées. Les gestes malicieux de cet artiste inquiètent et multiplient la figure donnée au réel et, par le fait même, suscitent de nouvelles manières de percevoir, de (re)connaître, de penser, voire de se constituer. À travers ses images, le commun s’exprime, se crée une mémoire et obtient la possibilité de devenir autre.
What can be images for peace? We suppose that the fictional arrangements of the expressive materials able to expand the usual perception of things and provoke new visions of the world, in direction of a better living together, are the ones which are based on three modalities of respect. Firstly, respect of the spectatorial subjectivities’ intelligence, of their capacity to read and translate by themselves what they are seeing. Secondly, respect of the beings in their multiplicity, of the fundamental in-between-forms attribute of the existence. Finally, respect of the expressive potentials carry by the anonymous bodies, human as well as material, of the virtualities of creation contain in their mute impressions. We find those three aesthetical and political postures in the cinema of Jia Zhang-ke. In effect, the fictional work of this true teller consists in finding the “sensible richness” of the common experience and in operating a fertile reimagination of this one, for instance by interbreeding, with a fabulating manner, various historic speeches or by revitalizing sceneries of ruins in animated still lifes. The mischievous gestures of this artist trouble and multiply the figure given to the real and, consequently, develop new ways of perceiving, knowing, thinking, and even of emerging. Through his images, the common express himself, creates himself a memory and has the opportunity to become something else.
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Do, Bao. "Cesta vietnamského poselstva vedeného Nguyen Thuatem k qingskému dvoru v kontextu dobových událostí na Dálném východě." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-348039.
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This thesis deals with Vietnamese scholar Nguyễn Thuật and his Diary of Journey to Tiānjīn (Wǎng Jīn rìjì 往津日記; hereinafter the Diary), which contains records of the journey of the Vietnamese diplomatic envoy to China in 1883. The aim is to identify the informative values of the Diary as well as Nguyễn Thuật's perception of China from a political and cultural standpoint by analyzing the content of the Diary. The first chapter provides cultural context of historical events during the second half of the 19th century. The following chapter is the main chapter where Nguyễn Thuật and his Diary are elaborated on. The thesis concludes with hypotheses of Nguyễn Thuật's intentions to write his Diary and assessment of informative values and thus opens the way to deeper comprehension of the historical development of Sino-Vietnamese relations.
Books on the topic "Ruan jian"
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feng, Li dong. Tong ji ruan jian jiao cheng. Bei jing: Ren min you dian chu ban she, 2006.
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Ruan jian gong cheng an li jiao cheng: Ruan jian xiang mu kai fa shi jian. 2nd ed. Beijing: Ji xie gong ye chu ban she, 2011.
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dun, Ba, and Cao yue. Ruan jian ce shi. Bei jing: Ji xie gong ye chu ban she, 2006.
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ge, Wei, and Liu hong tao. Ruan jian xu qiu. Bei jing: Qing hua ta xue chu ban she, 2004.
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Mai ke bu lei en and Xiong jie. Ruan jian gong yi. Bei jing: Ren min you dian chu ban she, 2013.
Find full textBook chapters on the topic "Ruan jian"
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Hardie, Alison. "‘Out of the Profundity of His Heart’." In The Many Faces of Ruan Dacheng, 105–35. Hong Kong University Press, 2022. http://dx.doi.org/10.5790/hongkong/9789888754076.003.0005.
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As a basis for the analysis and discussion in the following chapters, this chapter provides a summary of Ruan’s literary work: his early poetry collection Harmonising with the Flute (Hexiao ji) and the mature poetry in Poems from the Hall of Chanting What Is in My Heart (Yonghuaitang shiji), the literary criticism in Poetry Talks from Stone Nest (Shichao shihua), the virtually unknown travel journal A Trip to the Three Hills (Sanshan youji), and his plays, particularly the four surviving plays Spring Lantern Riddles (Chundengmi ji), The Sakyamuni Pearls (Mounihe), Double Examination Success (Shuang jinbang), and The Swallow Messenger (Yanzi jian); more detailed synopses of the plays are provided in Appendix 2. The sources and publication history of Ruan’s work and the opinons on it of his contemporaries and later critics are also discussed.
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"7 Pathways in Obscurity: Jiang Yan and Ruan Ji." In Imitations of the Self: Jiang Yan and Chinese Poetics, 210–46. BRILL, 2015. http://dx.doi.org/10.1163/9789004282452_009.
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Lo, Dennis. "Translocalities of Sadness." In The Authorship of Place, 145–64. Hong Kong University Press, 2020. http://dx.doi.org/10.5790/hongkong/9789888528516.003.0007.
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This chapter explores how Hou Xiaoxian and Jia Zhangke have responded critically and reflexively to the commoditization and neoliberal redevelopment of place by challenging their own notions of authenticity and realism in two iconic shooting locations: Jiufen and Chongqing. By the production of Goodbye South, Goodbye (1996), Jiufen has transformed into what Urry calls a “tourist place,” a nostalgia themed space where film-induced tourism has all but overwhelmed the historical aura so cherished by Hou. I argue that the film’s disruptions of Hou’s realist style are reflexive responses to his own sense of complicity in transforming Jiufen into a tourist place. Operating like an alienation effect, moments of spectacular excess expose how the spectator’s perception of Jiufen is far from natural, but mediated through images popularized by Hou’s own films. Whereas Hou seems unable to experience Jiufen outside the dichotomy of authenticity and inauthenticity, Jia makes meaningful sense of his hometown's neoliberal redevelopment through a critical lens shaped, surprisingly, by none other than Hou's cinema. It is with this translocal, cinephilic, and reflexive framework of place making that Jia Zhangke re-imagines the decimated landscapes of Chongqing in Still Life (2006). Rather than simply lament the disappearance of authenticity, the film carefully observes the place making practices of China's "floating population," who must depend on their resourcefulness to navigate a geography of ecological ruin. Importantly, these unexpected modes of agency show Jia's departure from the authoritative, detached, and privileged modes of place making institutionalized by Fifth Generation auteurs.
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"106 Jia Zheng Realizes His Family Faces Financial Ruin; the Matriarch Begs Heaven to Punish Her." In A Companion to The Story of the Stone, 223–24. Columbia University Press, 2021. http://dx.doi.org/10.7312/alpe20002-109.
Full textConference papers on the topic "Ruan jian"
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Ma, Jing, Guijian Yu, Chengcheng Wang, Xiaowei Jin, Chuanzhen Zang, Qing Li, Hongtao Wang, et al. "Best Practice of Bit Optimization in a Strong Heterogeneity Conglomeratic Sandstone Reservoir: 8 Years Case History from Juggar Basin, West China." In IADC/SPE Asia Pacific Drilling Technology Conference. SPE, 2021. http://dx.doi.org/10.2118/201086-ms.
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Abstract MH oilfield, located in the Junggar Basin, in Xin Jiang Province of northwest China, is the world largest conglomerate reservoir with a fan-delta sedimentary environment. This long-term project can be traced back to 2012, and since then has gone through many technology revolutions and optimizations. At the end of 2017, the drilling performance of one main block inside MH oilfield, M18, was not optimistic when compared with other blocks. The extremely high formation hetergenity of the field made it very challenging to choose the right bit at the right time. This long-term project has brought to light the dedicated, quantifying study of the rock property differences throughout this field and inside each block. To solve this tough bit selection problem, geologic data was interpreted for engineering use. Two lines of data were processed. One was offset analysis based on the current run records to optimize bit designs, and the other was rock property interpretation and simulation to predict the formation variation, which covers the unconfined compressive strength (UCS), confined compressive strength (CCS) abrasion, impact simulations, layer correlations, statistical analysis and contour mappings of interest zones. This paper will summarize the field history, delineate the bit design lineage in this long-term project, and then mainly focus on geology simulations. The objective of this paper is bring to light the importance of CCS simulations to predict the bit performance and help the bit design and selection; provide a bit design lineage and bit optimization workflow for the drilling operation to optimize the inventory utilization and streamline the decision-making loop; provide a case study with coordinating multiple disciplinary teams to achieve specified objective; and provide a concept of integration of geology and engineering in the