Journal articles: 'Ruben'

1

Kuruvilla, Gabriella, Victoria Offredi Poletto, and Giovanna Bellesia Contuzzi. "Ruben." Massachusetts Review 59, no. 3 (2018): 438–46. http://dx.doi.org/10.1353/mar.2018.0065.

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2

Kapp, Clare. "Ruben Sher." Lancet 370, no. 9600 (November 2007): 1683. http://dx.doi.org/10.1016/s0140-6736(07)61713-9.

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3

Hollyfield, Joe G. "Ruben Adler." Experimental Eye Research 86, no. 2 (February 2008): 165–67. http://dx.doi.org/10.1016/j.exer.2008.01.001.

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4

Croll, Theodore P., and Ben Z. Swanson. "Mechanical Dentistry: George Derby, An Unknown Artist, and Rube Goldberg." Journal of the History of Dentistry 71, no. 2 (2023): 153–56. http://dx.doi.org/10.58929/jhd.2023.071.02.153.

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For more than a century, at least, tooth extraction by ingenious mechanical contraptions has piqued the interest and imagination of illustrators, especially cartoonists. George Derby, an unknown British talent, and Ruben Garrett Lucius “Rube” Goldberg all dabbled in oral surgical mechanical humor.

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5

Reina, Roger, Mark Reina, and Randy Reina. "Ruben E. Reina." Anthropology News 58, no. 1 (January 2017): e343-e345. http://dx.doi.org/10.1111/an.471.

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6

Casares, Oscar. "Ruben and Norma." Iowa Review 32, no. 2 (October 2002): 111–25. http://dx.doi.org/10.17077/0021-065x.5551.

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7

محمود, هيفاء. "Gabriella Kuruvilla;Ruben." مجلة الألسن للغات والعلوم الإنسانية 4, no. 11 (April 1, 2022): 40–50. http://dx.doi.org/10.21608/maks.2023.204458.1002.

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8

Sifris, Dennis. "Tribute - Remembering Ruben Sher." Southern African Journal of HIV Medicine 8, no. 3 (May 14, 2007): 7. http://dx.doi.org/10.4102/sajhivmed.v8i3.614.

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9

Glicenstein, Jérôme. "Ruben Östlund, The Square." Marges, no. 26 (April 19, 2018): 142–43. http://dx.doi.org/10.4000/marges.1398.

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10

Djiffack, André. "The Myth of Ruben." Research in African Literatures 31, no. 2 (June 2000): 91–116. http://dx.doi.org/10.2979/ral.2000.31.2.91.

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11

Predmore, Michael P., Allen W. Phillips, and Ruben Dario. "Ruben Dario, Antologia poetica." Hispanic Review 64, no. 2 (1996): 298. http://dx.doi.org/10.2307/474671.

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12

Ruben, David-Hillel. "II–David-Hillel Ruben." Aristotelian Society Supplementary Volume 71, no. 1 (June 1, 1997): 229–46. http://dx.doi.org/10.1111/1467-8349.00028.

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13

Sitar, Matej. "Ruben Brulat: Sharing Paths." Membrana Journal of Photography, Vol. 1, no. 1 (2016): 75. http://dx.doi.org/10.47659/m1.075.2.rev.

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14

Djiffack, Andre. "The Myth of Ruben." Research in African Literatures 31, no. 2 (2000): 91–116. http://dx.doi.org/10.1353/ral.2000.0048.

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15

Artemyeva, Olga V., and Andrei V. Prokofiev. "Ruben Apressyan’s Moral Philosophy." Russian Studies in Philosophy 58, no. 2 (March 3, 2020): 75–92. http://dx.doi.org/10.1080/10611967.2020.1780787.

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16

Kanda, Hideki. "Comment on Ruben Lee." International Review of Law and Economics 14, no. 2 (June 1994): 174–76. http://dx.doi.org/10.1016/0144-8188(94)90016-7.

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Committee, Sbcs. "Laudatory Note: Ruben Habito." Buddhist-Christian Studies 43, no. 1 (2023): 275. http://dx.doi.org/10.1353/bcs.2023.a907590.

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18

Rubio Jiménez, Jes`ús. "Ruben Benitez (1928-2023)." BOLETÍN DE LA BIBLIOTECA DE MENÉNDEZ PELAYO 99, no. 1 (December 19, 2023): 233–38. http://dx.doi.org/10.55422/bbmp.912.

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19

BUDĂU, Ruben, Adriana R. MEMETE, Adrian I. TIMOFTE, and Simona I. VICAS. "Phytochemical screening and antioxidant capacity of two berry cultivars, ‘Ruben’ and ‘Duke’, depending on their harvesting time." Bulletin of University of Agricultural Sciences and Veterinary Medicine Cluj-Napoca. Food Science and Technology 1, no. 79 (May 15, 2022): 27. http://dx.doi.org/10.15835/buasvmcn-fst:2022.000.

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Commercial berry production is an attractive industry worldwide, including in Romania because berries are a rich source of bioactive compounds with antioxidant capacity, thus becoming the most important functional and nutraceutical foods in our diet. The aim of our work was to characterize two different species, Saskatoon berry (Amelanchier alnifolia Nutt., Rosaceae) and blueberry (Vaccinium corymbosum L., Ericaceae), from the point of view of total phenols and anthocyanin as well as of antioxidant capacity depending on their harvesting time. The analyzed cultivars ‘Ruben’ and ‘Duke’ were cultivated in the North-West of Romania, the first cultivar has been officially introduced in Romania in 2018. The results show that ‘Ruben’ cultivar is richer in bioactive compounds compared with ‘Duke’ cultivars. The level of total phenols of ‘Ruben’ cultivar was 297.937 ± 4.30 and 347.412 ± 14.13 mg GAE/100 g fw (fresh weight) at early and full ripening time, respectively. The highest anthocyanins content was found in ‘Ruben’ cultivar (410.659 ± 52.88 mg/100 g fw) at full ripening time. Also, the high values of antioxidant capacity determined by four different methods (DPPH, FRAP, ABTS, CUPRAC) was recorded in the case of cultivar ‘Ruben’. Both blueberry cultivars ‘Duke’ and ‘Ruben’ are rich sources in bioactive compounds such as phenolics, especially anthocyanins. The blueberries harvested at full ripening period provided the highest level of total phenols and anthocyanins compounds. These compounds act as powerful antioxidants and thus they could improve the health status of the human body, or can be used by food and nutraceutical manufacturers.

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20

Baskett, Peter, and John Zorab. "Henning Ruben MD, FFARCS(I), FFARCS. The Ruben Valve and the AMBU Bag." Resuscitation 56, no. 2 (February 2003): 123–27. http://dx.doi.org/10.1016/s0300-9572(02)00350-7.

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21

Bimantoro, Aletta. "ANALISIS PERSONAL BRANDING RUBEN ONSU MELALUI INSTAGRAM." JIKE : Jurnal Ilmu Komunikasi Efek 4, no. 01 (December 30, 2020): 31–43. http://dx.doi.org/10.32534/jike.v4i01.1055.

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With the modern era, social media can now be used as building one's self-image through personal branding. Personal Branding can be built through social media Instagram. Building personal branding can be done by demonstrating our abilities, talents, or establishing a business in any field, one of which is food. Various methods are used to establish personal branding, such as the example conducted by Ruben Onsu on the Instagram account of GeprekBensu, when Ruben Onsu conducted a campaign about the originality of its products. The formulation of the problem is What is the form of Ruben Onsu's personal branding in the GeprekBensu Instagram account? The purpose of this research is to find out personal branding formed by Ruben Onsu through GeprekBensu's Instagram social media. The research method used is qualitative, the research model is descriptive by collecting data through GeprekBensu Instagram account documentation. The data analysis method is divided into 3 namely reduction, data presentation, and conclusion testing. The results of the discussion from this study are that Ruben Onsu builds personal branding with various supporting features such as his followers, uploads his Instagram photos, effects on his photos, and the use of sentences or symbols in the photos are then described into 8 the concept of formation of personal branding namely specialization, leadership, personality, differences, looks, unity, determination, and good name.

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22

Gunawan, Levira Leo, and R. Rahaditya. "Analisis Sengketa Kepemilikan Merek Bensu (Studi pada Merek Geprek Bensu Melawan I Am Geprek Bensu)." Syntax Literate ; Jurnal Ilmiah Indonesia 8, no. 6 (June 27, 2023): 4606–18. http://dx.doi.org/10.36418/syntax-literate.v8i6.12759.

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This study has the objective of examining and analyzing disputes over the ownership of the Bensu brand and legal protection efforts in the Geprek Bensu case against I Am Geprek Bensu, which in this study discusses cases of intellectual property rights in the trademark field. This research uses a normative juridical approach with secondary, primary and tertiary data. The results of this study are that: the Geprek Bensu dispute originated from business similarities between Geprek Bensu owned by Ruben Onsu and I Am Geprek Bensu owned by PT Ayam Geprek Benny Sujono where Ruben claimed Bensu was his business; the Bensu case is that there was trademark protection out of good faith and the registration system at that time adhered to first to file, which meant that the first recipient was the one who was protected; there are many similarities between the two types of brands Bensu and Ruben were judged to have plagiarized I Am Geprek Bensu, and the Supreme Court considered the case and decided that Ruben Onsu's appeal was rejected

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23

Fithriah, Nurhani. "The Urgency of Trademark Registration for Business Actors (Case Study of Supreme Court Decision No 575 K / Pdt.Sus-HKI / 2020 Between Ruben Samuel Onsu vs PT Ayam Geprek Benny Sujono)." Bengkoelen Justice : Jurnal Ilmu Hukum 10, no. 2 (December 12, 2020): 250–59. http://dx.doi.org/10.33369/j_bengkoelenjust.v10i2.13827.

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Brand registration is very important for business people. A brand is one of the distinguishing entities between the business activities of business actors. The problem occurs when business actors already have a trademark which is then well known in the community but in fact they have not registered the trademark, as experienced by Ruben Samuel Onsu with his Geprek chicken business. However, in its development, it turns out that there are other business actors using the same mark but have registered the mark. This research was conducted using a normative method through a statutory approach and concepts. This research examines the Supreme Court's decision rejecting the appeal from Ruben Samuel Onsu and analyzes the urgency and procedures for trademark registration. Based on the research results, trademark law in Indonesia is regulated in Law Number 20 of 2016 concerning Trademarks and Geographical Indications. The terms and procedures for application for registration of a mark are regulated in Article 4 - Article 8 and further regulated in the Regulation of the Minister of Law and Human Rights No. registration of a mark and being recognized as the legal owner of the mark and rights to the mark are obtainedafter the mark is registered. Ruben Onsu's Bensu mark was declared invalid because Ruben Onsu was not the first party to register the mark, and the Supreme Court decided to cancel all trademark applications made by Ruben Onsu.

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24

Neale, Steve. "An Interview with Albert Ruben." Film Studies 7, no. 1 (2005): 104–15. http://dx.doi.org/10.7227/fs.7.10.

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25

Idir, Jean-Marc. "The Square de Ruben Östlund." Commentaire Numéro160, no. 4 (2017): 879. http://dx.doi.org/10.3917/comm.160.0879.

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26

Molinaro, Carlos Alberto. "Genaro Ruben Carrió (1922 – 1997)." Revista Brasileira de Direitos Fundamentais & Justiça 5, no. 15 (June 30, 2011): 293–301. http://dx.doi.org/10.30899/dfj.v5i15.371.

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27

SIK, M. J., D. J. EVELEIGH, and R. B. LEWIS. "The Ruben circle anaesthesia System." Anaesthesia 43, no. 2 (February 22, 2007): 141–45. http://dx.doi.org/10.1111/j.1365-2044.1988.tb05485.x.

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28

Seymour, Roger S. "Reply to Hillenius and Ruben." Physiological and Biochemical Zoology 77, no. 6 (November 2004): 1073–75. http://dx.doi.org/10.1086/427254.

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29

Randel, Don Michael. "Crossing over with Ruben Blades." Journal of the American Musicological Society 44, no. 2 (July 1991): 301–23. http://dx.doi.org/10.1525/jams.1991.44.2.03a00040.

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30

Pennock, Robert T. "Explaining Explanation. David-Hillel Ruben." Philosophy of Science 61, no. 1 (March 1994): 146–47. http://dx.doi.org/10.1086/289787.

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31

Raymond, Pamela A., and Donald J. Zack. "Ruben Adler, M.D. (1940–2007)." Brain Research 1192 (February 2008): 3–4. http://dx.doi.org/10.1016/j.brainres.2008.01.002.

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32

Holland, Jimmie. "In Memoriam: Ruben Cesarco, MD." Psycho-Oncology 20, no. 1 (December 23, 2010): 112. http://dx.doi.org/10.1002/pon.1886.

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33

Olesch, Reinhold. "Ruben ivanovič avanesov in memoriam." Russian Linguistics 9, no. 1 (January 1985): 145–47. http://dx.doi.org/10.1007/bf00161069.

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34

Laanest, A. "IN MEMORIAM RUBEN ERIK NIRVI." Linguistica Uralica 22, no. 3 (1986): 238. http://dx.doi.org/10.3176/lu.1986.3.14.

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35

Da Silva, Michel Augusto Carvalho, Lourenço Rodrigues Matos Junior, Wilson Cavalcante Costa Junior, Venâncio Damasceno Gomes, and Margareth Torres de Alencar Costa. "Verônica de Ruben darío: mito fáustico revisitado / Veronica de Ruben darío: fáustic myth revisited." Brazilian Journal of Development 7, no. 8 (August 25, 2021): 83974–82. http://dx.doi.org/10.34117/bjdv7n8-553.

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36

Urbanisasi, Urbanisasi, and Hartaty Halim. "Case Study of Geprek Bensu Franchising Disputes from Intellectual Property Legal Perspective." Edunity Kajian Ilmu Sosial dan Pendidikan 2, no. 10 (October 25, 2023): 1128–34. http://dx.doi.org/10.57096/edunity.v2i10.135.

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A trademark dispute between Benny Sujono and Ruben Onsu regarding the use of the name "Bensu" in their brand led to a dispute over trademark ownership rights. Benny Sujono, the original owner of the "I Am Geprek Bensu" brand, sued Ruben Onsu at the Central Jakarta Commercial Court regarding the use of the "Bensu" frill in the "Geprek Bensu" brand owned by Ruben Onsu. This dispute reflects the importance of protecting intellectual property rights, including trademarks, in the business world. This case involves a court and a legal process that will determine the ownership rights of the "I Am Geprek Bensu" and "Geprek Bensu" trademarks, as well as whether Ruben Onsu's use of the trademark violates Benny Sujono's ownership rights. The results of this study explain that the settlement of intellectual property rights disputes over the culinary business brand Geprek Bensu with I Am Geprek Bensu based on the Commercial District Court has been decided by decision Number 57/Pdt. Sus. Brand/2019/PN Niaga Jkt Pst.) This trial will play an important role in resolving disputes and determining the ownership rights to the trademarks concerned

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37

Travier, Daniel. "Ruben Saillens et la <i>Mission populaire évangélique</i>." Revue d'histoire du protestantisme 7, no. 1 (May 5, 2022): 107–16. http://dx.doi.org/10.47421/rhp7_1_107-116.

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Ruben Saillens (1855-1942) n’est pas un inconnu au Musée du Désert, pour y avoir présidé des cultes mais aussi comme auteur de La Cévenole qui est systématiquement chantée aux assemblées annuelles. Ruben Saillens est né à Saint-Jean-du-Gard dans des familles cévenoles touchées par le Réveil et appartenant soit à la communauté darbyste, soit à l’Église Évangélique Libre. Répondant à un appel pour être évangéliste, il rencontre en 1873 le révérend Robert McAll qui vient de fonder la Mission aux ouvriers de Paris. Il y est engagé l’année suivante et en devient une des chevilles ouvrières. Il fonde en 1878, à Marseille, une mission sur le modèle parisien. Elle se développe très rapidement, multipliant les salles sur la côte méditerranéenne. En 1883 l’œuvre bien lancée fusionne avec la mission McAll qui devient alors la Mission Populaire Évangélique. Ruben Saillens retourne à Paris auprès de son mentor. En 1888 il fonde une Église baptiste et les liens se distendent avec la mission en 1890. Il s’en détachera totalement quelques années plus tard. Baptiste convaincu, Ruben Saillens poursuivra un riche ministère pastoral et d’évangéliste de manière indépendante dans toute église faisant appel à lui, quelle que soit son obédience. Il initie les missions sous la tente, les conventions chrétiennes et fonde l’Institut Biblique interdénominationnel de Nogent-sur-Marne en 1921.

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38

Mähönen, Heini, and Anna Klara Måseide. "Er fru Ruben jødisk eller ikke? En drøfting av hennes karakter i Hamsuns Siste Kapitel." Nordlit 9, no. 1 (July 1, 2005): 27. http://dx.doi.org/10.7557/13.1872.

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I denne artikkelen vil vi diskutere karakteren fru Ruben fra Hamsuns roman Siste Kapitel, som utkom i 1923. I sammenheng med denne karakteren ønsker vi å se henne i lys av Allen Simpsons artikkel "Knut Hamsun's Anti-Semitism" der han kaller henne for "Hamsun`s mostoffensive anti-Semitic fictional creation." Simpson argumenterer her for at Hamsun ved flere anledninger bekjentgjør sine politiske standpunkt og tydeliggjør dem gjennom diktningen sin. Dette kommer allerede frem ved en av artikkelens mellomtitler, "Anti-Semitism in Hamsun's Authorship", som peker mot en lesning av Hamsun og hans forfatterskap som vanskelig kan misforstås.Simpsons argumentasjonsmetode later ikke til å ta hensyn til nødvendigheten av en narratologisk analyse; istedenfor virker det som om argumentasjonen baseres på Hamsuns liv, hans kulturelle og politiske sympatier og antipatier. En slik bruk av historisk-biografiskopplysninger kan være problematisk, fordi teksten selv risikerer å bli tilsidesatt. Simpson hevder at Hamsun i Siste Kapitel klart knytter an til anti-semittiske referanser, slik som navn, bruk av terminologi,utseende og andre klisjeer om jøder og han knytter disse opp til karakteren fru Ruben. Han konkluder med at hun må være jødisk, til tross for en slående mangel på konkret tekstlig belegg omkring karakterens religiøse og kulturelle tilknytning. På bakgrunn av Simpsons sterke påstand kombinert med mangelfull tekstlig illustrasjon, ønsker vi å drøfte fru Rubens jødiske opphav.

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39

Office, Editorial. "Profile: Ruben Sher - Remembering the beginning." Southern African Journal of HIV Medicine 2, no. 2 (July 24, 2001): 43. http://dx.doi.org/10.4102/sajhivmed.v2i2.512.

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40

Bullock, Kathryn. "Samuel Ruben: Inventor, Scholar, and Benefactor." Electrochemical Society Interface 15, no. 3 (September 1, 2006): 16–17. http://dx.doi.org/10.1149/2.f02063if.

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41

Reznik, Serge. "Ruben Gonzalez Gallego, Blanc sur noir." Che vuoi ? 20, no. 2 (2003): 231. http://dx.doi.org/10.3917/chev.020.0231.

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42

Johansson, Anders E. "UNCONTROL ON RUBEN ÖSTLUND’S FORCE MAJEURE." Nordic Journal of Aesthetics 27, no. 55-56 (November 7, 2018): 149–64. http://dx.doi.org/10.7146/nja.v27i55-56.110754.

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Ruben Östlund’s film Force Majeure (2014) was mostly received as a depiction of the crisis of masculinity. And it is, but that particular theme is also placed within a larger context concerning questions of value, understanding, order, and control, questions asked not only on a thematic level but also through cutting, framing, and the use of camera views. Not accepting any simple dichotomy between form and meaning, Force Majeure places itself firmly in an avant- garde and modernist tradition. Thereby the film is also related to this tradition’s ambition of investigating Western thought, knowledge and art anew, problematising given forms of rational thinking in order for something new to emerge. In the wake of World War II it was, for thinkers like Adorno, Foucault, Stockhausen, and Boulez, seen as unavoidable and urgent to deconstruct the conventions and norms that had made Auschwitz possible. It is still urgent. This article takes its starting point in the connections between avant-garde serialism in music, Foucault’s serialist methods of research and Deleuze’s theories of modernist film, in order to grasp how the aesthetics of Force Majeure continues to deconstruct.

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43

Article, Editorial. "In memory of Ruben Nikolayevich Evstigneev." Voprosy Ekonomiki, no. 4 (April 20, 2017): 159. http://dx.doi.org/10.32609/0042-8736-2017-4-159.

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44

Erens, Patricia Brett. ": The Stepfather . Joseph Ruben, Jay Benson." Film Quarterly 41, no. 2 (December 1987): 48–54. http://dx.doi.org/10.1525/fq.1987.41.2.04a00070.

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45

Erens, Patricia Brett. "The Stepfather Joseph Ruben Jay Benson." Film Quarterly 41, no. 2 (December 1987): 48–54. http://dx.doi.org/10.2307/1212365.

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46

van der Watt, Koos. "Ruben Xulu: Die St Lucia-beeldhouwerke." de arte 25, no. 41 (April 1990): 43–49. http://dx.doi.org/10.1080/00043389.1990.11761108.

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47

배희숙. "Juda und Ruben in der Josefsgeschichte." Korea Presbyterian Journal of Theology ll, no. 43 (December 2011): 35–57. http://dx.doi.org/10.15757/kpjt.2011..43.002.

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48

Machado, Ana Maria. "Ruben A.: Um preito a Miguel Torga." Revista de Estudos Literários 10 (September 28, 2020): 45–70. http://dx.doi.org/10.14195/2183-847x_10_2.

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A correspondência entre Ruben A. e Miguel Torga, dos anos 1949 a 1973, revela duas personalidades antagónicas unidas pelo espaço literário. Leitores ávidos um do outro, Ruben A. empenha-se na internacionalização do escritor que a sua geração cultuava e recorda-o na sua autobiografi a, enquanto Torga testemunha a novidade do cosmopolita e deixa-se surpreender com a inventividade rubeniana. Ao nível da receção e da sociologia literárias, esta relação dialógica ilustra difi culdades, incompreensões, censuras, deslumbramentos, inovações de duas décadas do universo literário português.

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49

Cavadía Torres, Albertina. "El Antagonista. Una historia de contrabando y color, Bogotá: Ediciones Uniandes, 2013." Revista Palobra, "palabra que obra" 14, no. 14 (April 15, 2015): 276–79. http://dx.doi.org/10.32997/2346-2884-vol.14-num.14-2014-60.

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50

FISCHEL, JANET E., GROVER J. WHITEHURST, CHRISTOPHER LONIGAN, and REBECCA SEMENAK JORDON. "Language Growth in Children With Expressive Language Delay." Pediatrics 85, no. 6 (June 1, 1990): 1130–31. http://dx.doi.org/10.1542/peds.85.6.1130.

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In Reply.— Dr Ruben raises concerns about our publication in this journal on language growth in children with expressive language delay.1 Ruben's position is that hearing loss accounts "for much of the expressive language delay seen in children at this age" and that, because we did not include that variable in our study, this "brings into question any conclusions drawn from their data." We are pleased that Ruben has raised the issue of the role of conductive hearing loss because we have gathered relevant data since the publication he questions.

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Journal articles on the topic 'Ruben'

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