Academic literature on the topic 'Rudolph, paul , 1918-'

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Journal articles on the topic "Rudolph, paul , 1918-"

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Britton, Karla Cavarra, and Daniel Ledford. "Paul Rudolph and the Psychology of Space:." Journal of the Society of Architectural Historians 78, no. 3 (2019): 327–46. http://dx.doi.org/10.1525/jsah.2019.78.3.327.

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The chapels at Tuskegee University and Emory University are among the most inventive—and least known—works of the American modernist architect Paul Rudolph (1918–97). In Paul Rudolph and the Psychology of Space: The Tuskegee and Emory University Chapels, Karla Cavarra Britton and Daniel Ledford analyze these buildings as significant exemplars of the postwar American university chapel, finding them subject to three seminal influences in Rudolph's life: his childhood experience of Southern Methodism, his encounters with the architecture of Frank Lloyd Wright, and his admiration for Le Corbusier'
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Cervero Sánchez, Noelia. "El dibujo. Primera construcción de la arquitectura de Paul Rudolph." VLC arquitectura. Research Journal 6, no. 1 (2019): 67. http://dx.doi.org/10.4995/vlc.2019.10967.

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<p>The American architect Paul Rudolph (1918-1997) conceded drawing a fundamental role in his creative process, which corresponded to a highly emotional conception of architecture. During his training and first years of work, he acquired a type of representation that allowed him to convey his personal vision of each project. His relentless will to overcome the International Style was based on six determinants: environment, natural conditions, materials, function, psychological demands of the space and spirit of times, which guided him in the search for answers and marked his work until t
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Baumgartner, Michael, Walther Fuchs, and Osamu Okuda. "Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee-Studien No. 3 (Gesamtausgabe)." Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee-Studien, ISSN 2297-6809 3, Spring (2017): 1–51. https://doi.org/10.5281/zenodo.7999528.

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<strong>VORWORT</strong> Michael Baumgartner, Walther Fuchs Osamu Okuda <strong>ARTIKEL</strong> LEBEN IM GARTEN F&Uuml;R ORPHEUS. PAUL KLEES GEHEIMNISVOLLES UNIVERSUM SEINER JUGENDZEIT Jean-Luc Darbellay DAS MYSTERIUM DER MODERNE. DAS GEHEIMNIS ALS BETRIEBSGEHEIMNIS DER KUNST IM WERK VON PAUL KLEE Rudolf Altricher DIE SERIE DER &raquo;SELBSTBILDNISSE&laquo; IM JAHR 1919 VON PAUL KLEE Marie Kakinuma PAUL KLEE&nbsp;<em>PLACES</em>&nbsp;(FOTO-ESSAY) Dominique Uldry&nbsp; PAUL KLEE&nbsp;<em>PLACES</em> Walther Fuchs <strong>TWEETS</strong> &raquo;[I]ch geh&ouml;re &uuml;berhaupt in keine Rubrik&l
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Kakinuma, Marie. "NELL WALDEN – STRATEGIEN EINER SAMMLERIN MODERNER UND AUSSEREUROPÄISCHER KUNST. VOM ERFOLG ÜBER DAS EXIL ZUR ETABLIERUNG, 1912–1956." Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee-Studien, ISSN 2297-6809 13 (April 6, 2023): 52–106. https://doi.org/10.5281/zenodo.7821529.

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Nell Walden (1887&ndash;1975) war ausgebildete Musikerin, &Uuml;bersetzerin, Journalistin, Dichterin, Malerin, Mitarbeiterin der Zeitschrift <em>Der Sturm</em> und der gleichnamigen Galerie und nicht zuletzt war sie w&auml;hrend ihrer Berliner Zeit als Kunstsammlerin t&auml;tig. Ihre umfangreiche Sammlung bestand aus zwei grossen Teilen, die sie als Einheit betrachtete: zum einen moderne europ&auml;ische Kunst, zum anderen Kunst der &raquo;Naturv&ouml;lker&laquo; (heute &raquo;Weltkunst&laquo; genannt). Mit ihren eigenen Mitteln als Journalistin und &Uuml;bersetzerin erwarb sie Kunst aus Afrik
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Okuda, Osamu, Marianne Keller-Tschirren, and Walther Fuchs. "Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee-Studien No. 13 (Inhaltsverzeichnis)." Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee-Studien, ISSN 2297-6809 13 (April 6, 2023): 1. https://doi.org/10.5281/zenodo.7805902.

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<strong>VORWORT</strong> Herausgeber <strong>ARTIKEL</strong> Jerry Garcia&rsquo;s Tribute to Paul Klee&rsquo;s Twittering-Machine <strong>Dennis Rothermel&nbsp; &nbsp; &nbsp; &nbsp; </strong>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Paul Klees &raquo;Zwitscher-Maschine&laquo; und die Zeichen &ndash; &uuml;ber t
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Okuda, Osamu, Walther Fuchs, and Tschirren Marianne Keller. "Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee-Studien No. 13 (Editorial)." Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee-Studien, ISSN 2297-6809 13 (April 6, 2023): 2–5. https://doi.org/10.5281/zenodo.7821546.

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<strong>VORWORT</strong> Liebe Leserinnen und Leser, wir freuen uns, Ihnen die brandneue Ausgabe Nr. 13 der <em>Zwitscher-Maschine</em> vorzustellen. In dieser Ausgabe finden Sie eine Vielzahl faszinierender Artikel &uuml;ber Paul Klee und die Rezeption seines Werks. Die Ausgabe entstand in Zusammenarbeit von Autorinnen und Autoren aus der internationalen Klee-Forschergemeinschaft. Die Deterritorialisierung, ein Konzept von Deleuze und Guattari, bietet eine alternative Perspektive auf Kunst und Kreativit&auml;t, indem sie die hierarchischen Strukturen und begrenzenden Beziehungen hinterfragt,
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Okuda, Osamu, Walther Fuchs, and Tschirren Marianne Keller. "Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee-Studien No. 13 (Autorinnen und Autoren)." Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee-Studien, ISSN 2297-6809 13 (April 6, 2023): 132–33. https://doi.org/10.5281/zenodo.7806092.

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AUTORINNEN UND AUTOREN <strong>Rudolf Altrichter</strong> ist Philosoph und lebt als freier Schriftsteller in der Schweiz. Letzte Ver&ouml;ffentlichungen: <em>Spiegelungen. Traktat &uuml;ber die Liebe</em> (2016), &raquo;Das Mysterium der Moderne. &Uuml;ber das Geheimnis als Betriebsgeheimnis der Kunst im Werk von Paul Klee&laquo;, in: <em>Zwitscher-Maschine</em>, Nr. 3 (2017), <em>Versuch &uuml;ber das Wirkliche</em> (2018), <em>&Uuml; ber das Opfer</em> (2019), <em>Metaphysisch denken</em> (2020), <em>Betrachtungen</em> (2021),&nbsp; <em>&Uuml; ber den Anlass</em> (Neudruck 2022), <em>Philos
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Zwitscher-Maschine., Journal on Paul Klee /. Zeitschrift für internationale Klee-Studien. "Editorial ZM17." Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee-Studien 17 (May 31, 2025): 1–4. https://doi.org/10.5281/zenodo.15564495.

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The Zentrum Paul Klee is celebrating its 20th anniversary this summer (https://www.zpk.org/en/20years). Since its inception, it has aimed to establish an interdisciplinary cultural space that does justice to the complex artistic practice and multifaceted personality of Paul Klee. Klee was not only a visual artist but also a musician, an enthusiastic opera and theatergoer, a poet, writer, art theorist, and a committed art educator. This extraordinary artistic and intellectual versatility has provided impetus in various cultural and scientific fields, fostering both an international reception of
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Zwitscher-Maschine., Journal on Paul Klee /. Zeitschrift für internationale Klee-Studien. "Autorinnen und Autoren ZM17." Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee-Studien 17 (May 31, 2025): 82. https://doi.org/10.5281/zenodo.15564634.

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<strong>Rudolf Altrichter</strong> ist Philosoph und lebt als freier Schriftsteller in der Schweiz. Letzte Ver&ouml;ffentlichungen: <em>Spiegelungen. Traktat &uuml;ber die Liebe</em>, Oberhausen 2016; &raquo;Das Mysterium der Moderne. &Uuml;ber das Geheimnis als Betriebsgeheimnis der Kunst im Werk von Paul Klee&laquo;, in: <em>Zwitscher-Maschine</em>, Nr. 3, 2017; <em>Versuch &uuml;ber das Wirkliche</em>, Oberhausen 2018; <em>&Uuml;ber das Opfer</em>, Oberhausen 2019; <em>Metaphysisch denken</em>, K&uuml;snacht 2020; <em>Betrachtungen</em>, K&uuml;snacht 2021; <em>&Uuml;ber den Anlass</em>, Ne
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Kuc, Kamila. "Karol Irzykowski és Feliks Kuczkowski: Az animáció (elmélete) mint a tiszta mozgás filmje." Apertura 17, no. 4 (2022): 1–20. http://dx.doi.org/10.31176/apertura.2022.17.4.1.

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Karol Irzykowski A tizedik múzsa: A filmesztétika kérdései (1924) című műve az első terjedelmes tanulmány, amely a film művészeti státuszát vizsgálja lengyel nyelven. Jelen dolgozat Irzykowski könyvének azon aspektusait kutatja, amelyek az animációs film elméletéhez kapcsolódnak. Amint a szerző bemutatja, Irzykowski felfogása az animációról a lengyel animátorral, Feliks Kuczkowskival való kapcsolatának, valamint Irzykowski Paul Wegener filmjei iránti rajongása hatásának tudható be. Azonban, amint arra kitérünk, Irzykowski nem mindig tekintette a filmet olyan művészetnek, mint a festészetet és
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Dissertations / Theses on the topic "Rudolph, paul , 1918-"

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Falbo, Anthony John. "Regionalism and Rudolph : interpreting Paul Rudolph's regionally specific modernism." Thesis, Georgia Institute of Technology, 1990. http://hdl.handle.net/1853/23189.

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Cordeiro, Cordeiro Maria da Conceição Torres 1958. "O processo criativo da pintura num contexto cultural híbrido : imaginários ancestrais e criativos." Doctoral thesis, 2017. http://hdl.handle.net/10451/34115.

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The need to go deeper into the thinking about Painting has led us to the study of works which display features of differentiated cultures and pieces resulting from the career paths of artists in the global world. In a world, which has, for long been the result of contaminations, it is at the beginning of the 20th century that the outcome of travels, of cultures’ intersections, finds a strong materialization through the artistic avant-gardes, with movements like the Cubism or Dadaism. The European Ethnographic Museums, home of an endless source of identity pieces from the peoples of Africa, Oce
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Books on the topic "Rudolph, paul , 1918-"

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Steven, Kilian, Rawlings Ed, Walrod Jim, and Drawing Center (New York, N.Y.), eds. Paul Rudolph: Lower Manhattan expressway. Drawing Center, 2010.

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Stoller, Ezra. The Yale Art + Architecture Building. Princeton Architectural Press, 1999.

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King, Joseph, Ezra Stoller, and Christopher Domin. Paul Rudolph: The Florida Houses. Princeton Architectural Press, 2007.

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After You Left They Took It Apart Demolished Paul Rudolph Homes. Center for American Places,US, 2014.

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Zilsel, Paul Rudolph on 1988 March 21 and 26. AIP, 2024. https://doi.org/10.1063/nbla.volk.joaf.

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Segal, Robert A. 2. Myth and philosophy. Oxford University Press, 2015. http://dx.doi.org/10.1093/actrade/9780198724704.003.0003.

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‘Myth and philosophy’ examines the many positions held on the relationship between myth and philosophy: that myth is part of philosophy, that myth is philosophy, that philosophy is myth, that myth grows out of philosophy, that philosophy grows out of myth, that myth and philosophy are independent of each other but serve the same function, and that myth and philosophy are independent of each other and serve different functions. It considers the theories of the Polish-born anthropologist Paul Radin (1883–1959), the German-born philosopher Ernst Cassirer (1874–1945), the German theologian Rudolf
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Smaldone, William T. Freedom Is Indivisible: Rudolf Hilferding's Correspondence with Karl Kautsky, Leon Trotsky, and Paul Hertz, 1902-1938. BRILL, 2022.

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Die Rechtsphilosophie des Marburger Neukantianismus: Naturrecht und Rechtspositivismus in der Auseinandersetzung zwischen Hermann Cohen, Rudolf Stammler und Paul Natorp. J.C.B. Mohr, 1994.

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Bergengruen, Maximilian, Gerhard Neumann, Ursula Renner, Günter Schnitzler, and Gotthart Wunberg, eds. Hofmannsthal Jahrbuch zur Europäischen Moderne. Rombach Wissenschaft, 2016. http://dx.doi.org/10.5771/9783968216867.

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Das Hofmannsthal-Jahrbuch ist weltweit das wichtigste Organ der Hofmannsthal-Forschung. Es bietet neben der Veröffentlichung bisher unpublizierter Briefwechsel Beiträge namhafter Wissenschaftler zur europäischen Kultur der Moderne: Das Hofmannsthal-Jahrbuch ist weltweit das wichtigste Organ der Hofmannsthal-Forschung. Es bietet neben der Veröffentlichung bisher unpublizierter Briefwechsel Beiträge namhafter Wissenschaftler zur europäischen Kultur der Moderne: Hausbesuche. Hermann Menkes bei Wiener Künstlern und Sängerinnen. Eingeleitet, kommentiert und mit dem Entwurf einer Bibliographie von U
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Thomason, Elizabeth. Novels for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Movels (Novels for Students). Gale Cengage, 2001.

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Book chapters on the topic "Rudolph, paul , 1918-"

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Thirouin, Marie-Odile. "Der junge Paul Eisner als Korrespondent von Rudolf Pannwitz (1917–1922)." In Übersetzer zwischen den Kulturen. Böhlau Verlag, 2011. http://dx.doi.org/10.7788/boehlau.9783412214074.45.

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"RUDOLPH, PAUL 1918–97." In Encyclopedia of 20th-Century Architecture. Routledge, 2004. http://dx.doi.org/10.4324/9780203483886-27.

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Niiniluoto, Ilkka. "Hempel’s Theory of Statistical Explanation." In Science, Explanation, and Rationality. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195121377.003.0015.

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Abstract Carl G. Hempel’s seminal papers “The Function of General Laws in History” (1942) and “Studies in the Logic of Explanation” (1948, with Paul Oppenheim) opened a new research area in the philosophy of science. The logical empiricists in Berlin and Vienna had initiated in the 1920s the application of exact conceptual tools from logic to the analysis of the language of science and the structure of scientific theories, and this program was continued after the war in the English-speaking analytic philosophy of science. One of the main items in the new philosophical agenda resulted from Hemp
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Hayden-Roy, Patrick. "The Reborn Luther." In The Luther Myth. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780198930297.003.0004.

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Abstract In the aftermath of the war, German theologians repurposed Luther in the environment of cultural crisis as a living source of renewal. Looking at the founding of the Luther Society in 1919 by Rudolf Eucken as well as the emergence of the “Luther Renaissance,” it considers how Luther is styled as an existential hero in the emerging scholarship of Karl Holl, Emanuel Hirsch, Paul Althaus, and others, where his personal struggle for faith could be appropriated and reenacted by German Protestants to provide a source of identity that could both resist the spirit of Weimar democracy, and pro
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Dağoğlu, Özlem Gülin. "Rasim, Mihri (1885–1954)." In Routledge Encyclopedia of Modernism. Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem2086-1.

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Mihri Rasim was an Ottoman-Turkish portrait painter and educator. Born in 1885 in Istanbul under the Ottoman Empire, she came from the Ottoman imperial elite. Rasim led an avant-garde life and was a feminist pioneer. In 1914 Rasim used her connections with the leaders of the Young Turk movement to found the first Ottoman-Turkish school of fine art for women (Inas Sanayi-i Nefise Mektebi). As head of the women’s academy she introduced life classes that used nude female models. Rasim was part of an exclusive circle gathered around the progressive journal Servet-i Fünun [The Merit of the Science
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