Relevant bibliographies by topics / Rudra (Hindu deity) Mythology

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Rudra (Hindu deity) Mythology'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Rudra (Hindu deity) Mythology"

1

Harriyadi, Harriyadi. "MAKNA RAGAM HIAS ŚAṄKHA BERSAYAP PADA CANDI HINDU DAN BUDDHA". PURBAWIDYA: Jurnal Penelitian dan Pengembangan Arkeologi 9, № 2 (2020): 113–30. http://dx.doi.org/10.24164/pw.v9i2.377.

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A temple is a religious building that used by Hindu and Buddhist devotees to do religious practices. The architectural form of temple is made to resemble a mountain as symbol of the gods’ house. Each decorative ornament carved in a temple represents the natural environment of heaven and it has meaning which was related with religious aspect. One of the most interesting decorative ornament carved in temple is the winged śaṅkha which usually was used as an attribute of deity. The goal of this research is to explain the meaning of winged śaṅkha ornament in temple. This research was conducted by c
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2

Islam, Sk Zohirul. "The Pair Lion Motif in Shiva Temple of Medieval Bengal: Its Source and Evaluation." American International Journal of Social Science Research 3, no. 1 (2018): 1–12. http://dx.doi.org/10.46281/aijssr.v3i1.138.

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Lions, particularly male lions, have been an important symbol for thousands of years and appear as a theme in cultures across Europe, Asia, and Africa. The cultural significance of stucco pair lion motif in Shiva temples of Bengal and relates with various types of representation of the same motif found in others. The pair Lion used as stucco (Jora Shiva Temple, Muroli, Jessore district). Shiva is the braver among the all God and Goddesses in Hindu religion during the early period and still. Thus we have found many Shiva temple build in Bengal (present West Bengal(Paschimbango) and Bangladesh).
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Dissertations / Theses on the topic "Rudra (Hindu deity) Mythology"

1

Bandyopadhyay, Anjoli. "The religious significance of ornaments and armaments in the myths and rituals of Kannaki and Draupadi /." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26719.

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The objective of this thesis is to isolate the symbolism of ornaments and armaments in the epics and in the rituals of Kannaki and Draupadi A detailed comparison of ornaments and armaments in the Cilappatikaram and in the Mahabharata will be provided, as well as an analysis of the function and meaning of these objects in the ritual traditions of Kannaki and Draupadi A study of the epic and ritual significance of ornaments and armaments will not only contribute tn the understanding of the nature and the role of these symbols, but should also shed light on the interaction between the Tamilian an
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Books on the topic "Rudra (Hindu deity) Mythology"

1

Śāstrī, Śyāmasundaradāsa. Rudra devatā: Pralayaṅkara Rudra Bhagavān ke raudra rūpa kā vivecana. Śrī Garībadāsī Santa-Sāhitya Śodha-Saṃsthāna, 1985.

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2

Paramātmā Śiva, devatā Rudra. Śrī 5 ko Sarakāra, Sañcāra Mantrālaya, 1991.

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3

The concept of Rudra-Śica through the ages. Motilal Banarsidass, 1986.

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Chakravarti, Mahadev. The concept of Rudra-Śiva through the ages. Motilal Banarsidass, 1986.

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5

Ni, Ja Ca. Rudradēvana viśva vaibhavakrānti. Śrī Ja. Ca. Ni. Adhyayana Pīṭha mattu Saṃśōdhana Saṃsthe, 1988.

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Hazra, R. C. Rudra in the R̥g-Veda. Sanskrit Pustak Bhandar, 2003.

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7

Sivaprasad, Das Gupta, Banerjee Manabendu, and Jadavpur University. Dept. of Special Assistance., eds. Rudra in the R̥g-Veda. Sanskrit Pustak Bhandar, 2003.

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8

Dave, Kailāśacandra. Śrī Atirudra yāga vidhih̤. "Dharmālaṅkāra" Omaprakāśa Devakīnandana Devaḍā, 1999.

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9

R̥gvedīyaḥ śāṅkhāyanaśākhīyo Rudrapāṭhasaṅgrahaḥ. Maharṣisāndīpanirāṣṭriyavedavidyāpratiṣṭhānam, 2011.

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10

Death and the deity: Poems in remembrance. Vijitha Yapa Publications, 2008.

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Book chapters on the topic "Rudra (Hindu deity) Mythology"

1

Schettino, Patrizia. "Where Is Hanuman?" In Virtual and Augmented Reality in Education, Art, and Museums. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-1796-3.ch015.

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The chapter presents the interpretative strategies used by designers of an immersive environment on Hindu mythology and Hampi, an archaeological site in India, and their own knowledge of Hindu deities and their attributes. The process of animating an Indian Hindu deity for a potentially international audience means not only mastering 3D computer graphics and producing high-quality panorama of the sacred and historical place, but also working carefully on the interpretation and representation. The chapter uses concepts and theories from different disciplines (iconology, hermeutics, design research, museums studies, etc.) with the aim to describe, deconstruct, and understand the design choices. The study uses as main method the grounded theory: data are interviews and observations and the patterns emerging from qualitative data are compared with previous theories, during the process of theoretical comparison.
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