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1

LEFTRIDGE, DELORIS W. "RUGs." Nursing Management (Springhouse) 21, no. 1 (January 1990): 63???64. http://dx.doi.org/10.1097/00006247-199001000-00015.

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2

Wirtshafter, Don E. "Navajo Hemp Rugs." Journal of Industrial Hemp 9, no. 1 (June 9, 2004): 79–82. http://dx.doi.org/10.1300/j237v09n01_08.

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3

Cahill, Susan. "Battleground: War Rugs from Afghanistan." Journal of Modern Craft 2, no. 2 (July 2009): 229–32. http://dx.doi.org/10.2752/174967809x463169.

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4

Davis, G. P., Z. F. You, D. W. Crowe, K. J. Whiteley, H. Z. Ma, S. Z. Song, and B. J. McGuirk. "Improvement of wool production and quality by the use of sheep rugs on Gansu Alpine Fine wool sheep in north-west China." Journal of Agricultural Science 123, no. 3 (December 1994): 371–77. http://dx.doi.org/10.1017/s0021859600070386.

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SUMMARYFine wool in China is characterized by severe dust contamination and substantial tip weathering. In an attempt to improve wool quality, synthetic rugs were fitted to ewes and a range of raw wool characteristics was monitored. Two trials were carried out in successive years: a pilot trial (June 1985 to June 1986) involving 100 ewes wearing rugs and 75 controls, and a main trial (June 1986 to June 1987) involving 250 ewes with rugs and 250 controls. The rugs were fitted to ewes after shearing and remained on until shearing the following year. Wool from ewes with rugs was significantly better in almost all the characteristics measured (P <0·05) than wool from sheep without rugs. Clean fleece weight was improved by 15% over the two trials, yield and wax content were increased, and dust content and dust penetration were substantially reduced. Staple length and strength were increased, and dust content and dust penetration were substantially reduced in the main trial. Several style characteristics were measured using a prototype image analysis system and these also showed wool from sheep wearing rugs as being of better quality than wool from sheep in the control group. The only negative result was an increase in yellowness, in the greasy state only, due to the higher wax content in the sheep wearing rugs and the yellow nature of the wax of Gansu Alpine Finewool sheep – probably due to their genetic background. Wool from sheep wearing rugs would be expected to perform better in processing than wool from unrugged sheep.
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5

Botz, Chas K., Susan Bestard, Mary Demaray, and Gail Molloy. "Resource Utilization Groups (RUGs): Defining Chronic Care, Rehabilitation and Nursing Home Case Mix in Canada." Healthcare Management Forum 6, no. 4 (December 1993): 5–11. http://dx.doi.org/10.1016/s0840-4704(10)61129-5.

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The two major purposes of this study were: (1) to evaluate Resource Utilization Groups (RUGs III) as a unified method for classifying all residential, chronic care and rehabilitation patients at the St. Joseph's Health Centre, London, and (2) to compare the potential funding implications of RUGs and other patient/resident classification systems. RUGs were used to classify a total of 336 patients/residents in residential, extended care, chronic care and rehabilitation beds at the Health Centre. Patients were also concurrently classified according to the Alberta Long Term Care Classification System and the Medicus Long Term Care System. Results show that RUGs provide relatively more credit for higher acuity patients than do the Alberta or Medicus systems. If used as a basis for funding, chronic care and rehabilitation hospitals would be entitled to more funding (relative to residential/nursing homes) under RUGs than under the other two patient classification mechanisms.
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6

Zebua, Fani Eli, Bernadus Gunawan Sudarsono, and Sharyanto Sharyanto. "Sistem Informasi Pengelolaan Kas Kecil Pendapatan Barang Masuk dan Keluar pada PT. Universal Carpet and Rugs Berbasis Web." Eksplorasi Teknologi Enterprise dan Sistem Informasi (EKSTENSI) 1, no. 2 (May 30, 2023): 95–102. http://dx.doi.org/10.59039/ekstensi.v1i2.12.

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PT. Universal Carpet and Rugs is a company engaged in the carpet textile industry. This company carries out quite a lot of transactions involving petty cash in its company activities and until now the process of managing petty cash is still carried out manually by the finance department by recording every petty cash transaction which causes frequent data loss or human errors which can cause losses. on the company. From the description of the problems that occurred, a Web-Based Petty Cash Management Information System was designed and built at PT. Universal Carpet and Rugs with a proposed budget request process, budget realization process and budget realization data collection process added from an analysis of the system that is already running and is expected to be able solve existing problems. The methods used in completing this final project are observation methods, interview methods, and literature study methods. While the system modeling uses the Unified Modeling Language (UML) method using the PHP programming language, while the software / tools used are MySQL as the database. This Petty Cash Information System can be a solution that can be used to work on the cash management process that runs at PT. Universal Carpet and Rugs.
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7

TAYLOR, BARBARA. "Hymns, Hard Rock & Handmade Rugs." Journal of Christian Nursing 22, no. 4 (2005): 25–27. http://dx.doi.org/10.1097/01.cnj.0000262182.69691.fd.

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8

Okumura, Sumiyo. "The Significance of Yellow Dyed Warps in Cairene Rugs and a Group of Ottoman Court Prayer Rugs." ARIŞ, no. 5 (March 10, 2011): 88–95. http://dx.doi.org/10.34242/akmbaris.2019.7.

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9

Zolfalipour, Leila. "Threads of Tradition and Global Expression: Persian Rugs Unraveled through Paintings and Globalization." Crossings: An Undergraduate Arts Journal 4, no. 1 (July 7, 2024): 39–43. http://dx.doi.org/10.29173/crossings253.

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Abstract: Unravelling Persian Rugs: Art, Tradition and Globalization This study investigates the dynamic relationship between Persian rugs, art, and globalization, following their transformation from functional objects to powerful symbols of identity. The study examines representations in paintings from various historical periods, highlighting the nuanced interplay between these textiles and global influences. Persian rugs have served as conduits for cross-cultural communication throughout history, from luxury in the Renaissance to modernistic interpretations in the twentieth. Through case studies, the paper delves into narratives that connect tradition and transformation, contributing to a better understanding of art, culture, and our shared human journey.
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10

Passoja, Dann E., and Akhlesh Lakhtakia. "Carpets and Rugs: An Exercise in Numbers." Leonardo 25, no. 1 (1992): 69. http://dx.doi.org/10.2307/1575624.

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11

Lamb, Marion Hingston. "Taatit Rugs, the Pile Bedcovers of Shetland." Textile History 49, no. 1 (January 2, 2018): 127–28. http://dx.doi.org/10.1080/00404969.2018.1440796.

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12

BAKER, P. L. "Twentieth-century Myth-making: Persian Tribal Rugs." Journal of Design History 10, no. 4 (January 1, 1997): 363–74. http://dx.doi.org/10.1093/jdh/10.4.363.

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LAMB, By Mr J. W. "The Dyeing and Dressing of Wool Rugs." Journal of the Society of Dyers and Colourists 21, no. 12 (October 22, 2008): 322–26. http://dx.doi.org/10.1111/j.1478-4408.1905.tb00319.x.

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14

Kuryazov, Ulugbek. "FROM THE HISTORY OF THE DEVELOPMENT OF CARPET WEAVING." JOURNAL OF LOOK TO THE PAST 21, no. 2 (November 15, 2019): 38–42. http://dx.doi.org/10.26739/2181-9599-2019-21-05.

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This article examines the history of carpet weaving in Central Asia, in particular the materials and decorations used in it. Particular attention is paid to the history of the types and names of rugs. Comparative analysis of several types of rugs is provided. It is also mentioned in their knitting techniques
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Kusno, Kusno, Eka Setyaningsih, and Anggun Badu Kusuma. "Ethnomathematics of Baitu Usyaqil Quran (BUQ) Mosque and Pesantren Darussalam, Banyumas Regency." AlphaMath : Journal of Mathematics Education 8, no. 2 (November 27, 2022): 199. http://dx.doi.org/10.30595/alphamath.v8i2.15211.

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The mosque is the oldest Islamic culture which is the centre of civilization for Muslims for every group, both adults and children. However, so far the mosque environment is rarely used as an effective learning resource to explore more contextual, meaningful and educational mathematics material. The purpose of this study was to explore mathematics teaching materials and religious values from objects (artefacts) around the mosque. The artefacts explored are mosque objects that have religious values, namely prayer rugs, prayer rugs, mosque reliefs and covers of the Qur'anic manuscripts. The research location is in the Baitu Usyaqil Quran (BUQ) Mosque and the Pesantren Darussalam Purwokerto Mosque, Banyumas, Central Java. The data collection method uses observation, documents and a literature review. The data analysis technique used descriptive qualitative analysis. The results showed that, prayer rugs, prayer rugs, mosque reliefs and covers of the Qur'anic manuscripts contain various transformational geometry concepts such as symmetry, reflection, translation, rotation, and dilation. The results of this study are very important for developing a mathematics curriculum based on student culture.
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16

Spuhler, Friedrich. "Four So-Called Polish Rugs in the Rijksmuseum." Rijksmuseum Bulletin 59, no. 1 (March 15, 2011): 88–98. http://dx.doi.org/10.52476/trb.11619.

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Hye-Ran, Kim, and Hong Na-Young. "A Study on Fur Rugs in Joseon Period." Journal of Korean Traditional Costume 19, no. 1 (February 29, 2016): 149. http://dx.doi.org/10.16885/jktc.2016.02.19.1.149.

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18

Charland, William. "War Rugs: Woven Documents of Conflict and Hope." Art Education 64, no. 6 (November 2011): 25–32. http://dx.doi.org/10.1080/00043125.2011.11519149.

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19

Barmaki, Shaheera. "Afghan Rugs Pattern in a Visual Ethnographic Perspective." International Journal of Visual and Performing Arts 2, no. 2 (September 29, 2020): 96–104. http://dx.doi.org/10.31763/viperarts.v2i2.187.

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20

DiMarco, Claudio A. "Fractal curves and rugs of prescribed conformal dimension." Topology and its Applications 248 (October 2018): 117–27. http://dx.doi.org/10.1016/j.topol.2018.08.005.

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21

Västrik, Veinika. "The production of rep weave floor coverings in Avinurme from the 1950s to the 1970s as a regional inherited skill." Studia Vernacula 11 (November 5, 2019): 102–23. http://dx.doi.org/10.12697/sv.2019.11.102-123.

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The making of rep weave floor coverings was an important source of income in Avinurme, a northern Estonian settlement, from the 1950s to the 1970s. Weaving began for commercial reasons after collective farms were established in 1949, when alternative sources of income were sought, as such farms only paid meagre wages. At the time, any sort of entrepreneurship was prohibited and punishable as “speculation”, and thus sales activities were banned, so the sellers sought to leave village council inspectors with the impression that the weaving was being done for their own families. A unique cultural phenomenon thus developed which was shaped (and eventually fell into decline) for the following period-specific reasons: cotton yarn which was suited to the rep weaving technique could be obtained from the Kreenholm Manufactory in Narva, floor rugs were not available in shops, all households had looms, and rep weave rugs were considered to be classier than rag rugs. Despite the illegality of the activity, commercial weaving persisted for decades. Due to the wide territorial range of the sales, the Avinurme rugs had an impact on home furnishing culture throughout most of Estonia.The special feature of the Avinurme practice was the use of a thinner and finer pattern warp (the so-called No. 10 thread) in conjunction with a thicker and coarser background warp; the dark weft is visible through the thin warp and is conducive to the formation of the pattern. Other features peculiar to the Avinurme rep woven rugs include composition featuring a double cross of rhombuses, which cannot be found in any printed source. In addition, the region in question had a rich array of patterns which combine squares and rectangles. Brown was often featured as the warp colour in combination with beige or orange tones; the background warp was frequently made up of brightly coloured lengthwise-striped patterns along the patterned edges. The tradition of weaving these types of rugs and mats started to decline in the late 1970s when industrially produced floor coverings became available in retail stores, leading to changes in interior furnishing fashions. Purchasing power had also improved over the decades, and handwoven traditional floor coverings were seen as old-fashioned in this context. Keywords: traditional weaving, rep weave, rep rug, warp rep pattern, subsistence practices in Soviet Estonia
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22

Västrik, Veinika. "The production of rep weave floor coverings in Avinurme from the 1950s to the 1970s as a regional inherited skill." Studia Vernacula 11 (November 5, 2019): 102–23. http://dx.doi.org/10.12697/sv.2019.11.102-123.

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The making of rep weave floor coverings was an important source of income in Avinurme, a northern Estonian settlement, from the 1950s to the 1970s. Weaving began for commercial reasons after collective farms were established in 1949, when alternative sources of income were sought, as such farms only paid meagre wages. At the time, any sort of entrepreneurship was prohibited and punishable as “speculation”, and thus sales activities were banned, so the sellers sought to leave village council inspectors with the impression that the weaving was being done for their own families. A unique cultural phenomenon thus developed which was shaped (and eventually fell into decline) for the following period-specific reasons: cotton yarn which was suited to the rep weaving technique could be obtained from the Kreenholm Manufactory in Narva, floor rugs were not available in shops, all households had looms, and rep weave rugs were considered to be classier than rag rugs. Despite the illegality of the activity, commercial weaving persisted for decades. Due to the wide territorial range of the sales, the Avinurme rugs had an impact on home furnishing culture throughout most of Estonia.The special feature of the Avinurme practice was the use of a thinner and finer pattern warp (the so-called No. 10 thread) in conjunction with a thicker and coarser background warp; the dark weft is visible through the thin warp and is conducive to the formation of the pattern. Other features peculiar to the Avinurme rep woven rugs include composition featuring a double cross of rhombuses, which cannot be found in any printed source. In addition, the region in question had a rich array of patterns which combine squares and rectangles. Brown was often featured as the warp colour in combination with beige or orange tones; the background warp was frequently made up of brightly coloured lengthwise-striped patterns along the patterned edges. The tradition of weaving these types of rugs and mats started to decline in the late 1970s when industrially produced floor coverings became available in retail stores, leading to changes in interior furnishing fashions. Purchasing power had also improved over the decades, and handwoven traditional floor coverings were seen as old-fashioned in this context. Keywords: traditional weaving, rep weave, rep rug, warp rep pattern, subsistence practices in Soviet Estonia
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23

Arı, Süleyman, Mustafa Kargıoğlu, and Muhsin Konuk. "On the Bayat (Turkey) rugs, motif stories, used dyeing plants and their ethnobotanical properties." Our Nature 15, no. 1-2 (December 25, 2017): 19–25. http://dx.doi.org/10.3126/on.v15i1-2.18790.

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Bayat rugs weaved with different madders can be used without fading their colors almost 100 years. The study aimed to record how to get madder by traditional methods from local plants, give stories of rug motives and present an overview of the medicinal uses of dyes plants collected in Afyonkarahisar, Inner-West Anatolia, Turkey. The study was conducted in both 11 villages and downtown of Bayat borough of Afyonkarahisar in 2013-2014. A total 150 women, aged between 17-25, were interviewed and observations were photographed. The rugs are completely 100% sheep wool and strings for weaving prepared traditionally by special spinning methods. The used plants to obtain the madders were determined. It was understood that in early August and September, plants give better colors and tones. These plants have also been used for medicinal purposes by the locals. Bayat people get non-fading colors from 11 plants (Allium cepa L., Berberis crataegina L., Papaver rhoeas, Papaver somniferum L., Malva silvestris L., Morus nigra L., Cistus laurifolius L., Quercus ithaburensis Decne. subsp. macrolepis (Kotschy) Hedge et Yalt, Rubia tinctorum L., Juglans regia L., Indigofera tinctoria L.) belonged to ten families. The plant organs used are root, shell, cupula, leaf, young shoot, and aerial parts of the plants. A natural mud is also used as alum in this region that provides to create dark colors, and prevents mixing the colors. It also inhibits fading the colors in the rugs’ texture. It was also recorded that different motives in Bayat Rugs have also interesting historical stories.
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Gizzi, Peter. "On Prayer Rugs and a Small History of Portraiture." Colorado Review 36, no. 2 (2009): 65–68. http://dx.doi.org/10.1353/col.2009.0085.

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25

Nymann, John A., Samuel Levey, and James E. Rohrer. "RUGs and Equity of Access to Nursing Home Care." Medical Care 25, no. 5 (May 1987): 361–72. http://dx.doi.org/10.1097/00005650-198705000-00001.

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26

Milspaw, Yvonne J., and Geraldine Niva Johnson. "Weaving Rag Rugs: A Women's Craft in Western Maryland." Journal of American Folklore 99, no. 393 (July 1986): 355. http://dx.doi.org/10.2307/540833.

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27

Virtanen, Hilary Joy. "Finnish American Rag Rugs: Art, Tradition & Ethnic Continuity." Journal of Finnish Studies 16, no. 1 (August 1, 2012): 134–36. http://dx.doi.org/10.5406/28315081.16.1.12.

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28

Ingham, Peter, Steven McNeil, Warren Meade, and Matthew Sunderland. "Wool and Carpets - 6000 Years of Innovation, Quality and Sustainability." Key Engineering Materials 671 (November 2015): 490–96. http://dx.doi.org/10.4028/www.scientific.net/kem.671.490.

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The first manufacture of rugs with pile yarns made from animal fibres was well over 6000 years ago and the oldest carpet still in existence is around 2400 years old. The carpets and rugs sector is the major end-use of strong wool which makes up around 45% of global wool production (fine wool comprises 35% of global production).The advantages and perceived deficiencies of wool carpets in comparison with newer generation synthetic carpets are highlighted with possible solutions and new directions for research. Improvements in these areas are essential for wool to maintain its share of the carpet market.
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Västrik, Veinika. "Lõimeripstehnikas põrandakatete kudumine Avinurmes 1950.–1970. aastatel kui piirkondlik pärandoskus / Production of Rep Weave Floor Coverings in Avinurme in the 1950s to the 1970s as a Regional Inherited Skill." Studia Vernacula 5 (November 5, 2014): 47–68. http://dx.doi.org/10.12697/sv.2014.5.47-68.

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The making of rep weave floor coverings was an important source of income in Avinurme, a northern Estonian settlement, from the 1950s to the 1970s. Weaving began for commercial reasons after collective farms were established in 1949, when alternative sources of income were sought, given that such farms only paid meagre wages. At the time, any sort of entrepreneurship was prohibited and punishable as “speculation” and thussales activities were banned, so the sellers sought to leave village council inspectors with the impression that the weaving was being done for their own family. A unique cultural phenomenon thus developed, which was shaped (and eventually fell into decline) for the following period-specific reasons: cotton yarn could be obtained from the Kreenholm textile mill in Narva. This was suited to the rep weaving technique; floor rugs were not available in shops; all households had looms; and rep weave rugs were considered to be more classy than rag rugs.In spite of the illegality of the activity, commercial weaving persisted for decades. Due to the wide territorial range of the sales, the Avinurme rugs had an impact on home furnishing culture almost all over Estonia.The special feature of the Avinurme practice was the use of a thinner and finer pattern warp (the so-called no. 10 thread) in conjunction with a thicker and coarser background warp; the dark weft is visible through the thin warp and is conducive to the formation of the pattern.Other features peculiar to the Avinurme rep woven rugs include composition featuring a double cross of rhombuses, which are not to be found in any printed source. In addition, the region in question had a rich array of patterns of combinations of squares and rectangles. Brown often featured as the warp colour in combination with beige or orange tones; the background warp was frequently made up of brightly coloured lengthwise-striped patterns along the patterned edges.The tradition of weaving these types of rugs and blankets started to decline in the late 1970s when industrially-produced floor coverings became available in retail stores, leading to changes in interior furnishing fashions. Purchasing power had also improved over the decades, and hand-woven traditional floor coverings were seen as old-fashioned in this context.
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30

Västrik, Veinika. "Lõimeripstehnikas põrandakatete kudumine Avinurmes 1950.–1970. aastatel kui piirkondlik pärandoskus / Production of Rep Weave Floor Coverings in Avinurme in the 1950s to the 1970s as a Regional Inherited Skill." Studia Vernacula 5 (November 5, 2014): 47–68. http://dx.doi.org/10.12697/sv.2014.5.47-68.

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The making of rep weave floor coverings was an important source of income in Avinurme, a northern Estonian settlement, from the 1950s to the 1970s. Weaving began for commercial reasons after collective farms were established in 1949, when alternative sources of income were sought, given that such farms only paid meagre wages. At the time, any sort of entrepreneurship was prohibited and punishable as “speculation” and thussales activities were banned, so the sellers sought to leave village council inspectors with the impression that the weaving was being done for their own family. A unique cultural phenomenon thus developed, which was shaped (and eventually fell into decline) for the following period-specific reasons: cotton yarn could be obtained from the Kreenholm textile mill in Narva. This was suited to the rep weaving technique; floor rugs were not available in shops; all households had looms; and rep weave rugs were considered to be more classy than rag rugs.In spite of the illegality of the activity, commercial weaving persisted for decades. Due to the wide territorial range of the sales, the Avinurme rugs had an impact on home furnishing culture almost all over Estonia.The special feature of the Avinurme practice was the use of a thinner and finer pattern warp (the so-called no. 10 thread) in conjunction with a thicker and coarser background warp; the dark weft is visible through the thin warp and is conducive to the formation of the pattern.Other features peculiar to the Avinurme rep woven rugs include composition featuring a double cross of rhombuses, which are not to be found in any printed source. In addition, the region in question had a rich array of patterns of combinations of squares and rectangles. Brown often featured as the warp colour in combination with beige or orange tones; the background warp was frequently made up of brightly coloured lengthwise-striped patterns along the patterned edges.The tradition of weaving these types of rugs and blankets started to decline in the late 1970s when industrially-produced floor coverings became available in retail stores, leading to changes in interior furnishing fashions. Purchasing power had also improved over the decades, and hand-woven traditional floor coverings were seen as old-fashioned in this context.
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31

Neander, Joachim, and Jennifer A. Loehlin. "From Rugs to Riches: Housework, Consumption and Modernity in Germany." German Studies Review 24, no. 3 (October 2001): 638. http://dx.doi.org/10.2307/1433450.

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32

Yang No Yoon. "A Research on the Sign ‘S’ Found on Woolen Rugs." CENTRAL ASIAN STUDIES 16, no. ll (December 2011): 179–98. http://dx.doi.org/10.29174/cas.2011.16..008.

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33

McLauchlan, Laura, and Joan Young. "Reading the Rugs of Shelburne County: The Art of Scraps." University of Toronto Quarterly 65, no. 2 (March 1996): 427–36. http://dx.doi.org/10.3138/utq.65.2.427.

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Hagemann, Gro. "From rugs to riches: housework, consumption and modernity in Germany." Women's History Review 11, no. 1 (March 1, 2002): 133–60. http://dx.doi.org/10.1080/09612020200200625.

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35

Turner, Susan A. "Changes coming to MDS reporting of Medium Rehabilitation RUGs categories." Geriatric Nursing 34, no. 4 (July 2013): 326–27. http://dx.doi.org/10.1016/j.gerinurse.2013.06.004.

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Wallace, Jessica C., and Linda J. Vogelnest. "Evaluation of the presence of house dust mites in horse rugs." Veterinary Dermatology 21, no. 6 (November 5, 2010): 602–7. http://dx.doi.org/10.1111/j.1365-3164.2010.00905.x.

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de Boer, Rob, Wietske A. D. van der Hoeven, and Kees Kuller. "The control of house dust mites in rugs through wet cleaning." Journal of Allergy and Clinical Immunology 97, no. 6 (June 1996): 1214–17. http://dx.doi.org/10.1016/s0091-6749(96)70187-2.

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Micheletti, Julie A., and Thomas J. Shlala. "RUGs II: Implications for Management and Quality in Long Term Care." QRB - Quality Review Bulletin 12, no. 7 (July 1986): 236–42. http://dx.doi.org/10.1016/s0097-5990(16)30049-5.

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39

Barnett, Pennina. "Rugs Я Us(andthem): The oriental carpet as sign and text." Third Text 9, no. 30 (March 1995): 13–28. http://dx.doi.org/10.1080/09528829508576525.

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40

CARPENTER, G. IAIN, ALISTAIR MAIN, and GILLIIAN F. TURNER. "Casemix for The Elderly Inpatient: Resource Utilization Groups (RUGs) Validation Project." Age and Ageing 24, no. 1 (1995): 5–13. http://dx.doi.org/10.1093/ageing/24.1.5.

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Sadeghi-Sadeghabad, Milad, Aliasghar Alamdar-Yazdi, Mohammad R. Fazel, and Hasan Mashroteh. "Highlighting the base zone effect on the compression and recovery properties of the rugs with innovating Double-Base Persian rug." Journal of The Textile Institute 110, no. 10 (April 25, 2019): 1475–83. http://dx.doi.org/10.1080/00405000.2019.1606876.

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42

Fahim, Benazir, and Helena Sidartha. "The Role of Attitude in The Relationship of Convenience and Customer Service to Purchase Intention on the PT Farah Oriental Carpet Website." International Journal of Review Management Business and Entrepreneurship (RMBE) 3, no. 1 (November 25, 2023): 209–17. http://dx.doi.org/10.37715/rmbe.v3i1.4345.

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This study aims to determine the role of attitude as an intervening variable in the relationship between convenience and customer service towards purchase intention on the PT Farah Oriental Carpet website. The population in this study are the customers of PT Farah Oriental Carpet. For the sampling, this study applied a purposive sampling method with the fulfillment of the criteria which includes having an interest in the products or services offered by PT Farah Oriental Carpet, being part of PT Farah Oriental Carpet's customers who received Farah's Oriental Rugs &; Carpet's WhatsApp Blast Website, and having visited Farah's Oriental Rugs &; Carpet's Website page. Therefore, 140 samples were collected in this study using the Hair formula. The data analysis method used is quantitative and processed using SmartPLS 3.0 software. The results of this study indicate that convenience and customer service have a significant effect on attitude, convenience and customer service have a significant effect on purchase intention, and attitude have a significant effect on purchase intention.
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Rosen, Tony, Karin A. Mack, and Rita K. Noonan. "Slipping and tripping: fall injuries in adults associated with rugs and carpets." Journal of Injury and Violence Research 5, no. 1 (January 1, 2013): 61–65. http://dx.doi.org/10.5249/jivr.v5i1.177.

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Garrad, Larch S. "The Making and Use of Rag Rugs in the Isle of Man." Folk Life 27, no. 1 (January 1988): 71–79. http://dx.doi.org/10.1179/flk.1988.27.1.71.

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Betts, P. "Book Review: From Rugs to Riches: Housework, Consumption and Modernity in Germany." German History 19, no. 4 (October 1, 2001): 641. http://dx.doi.org/10.1177/026635540101900433.

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Garrad, Larch S. "The Making and Use of Rag Rugs in the Isle of Man." Folk Life - Journal of Ethnological Studies 27, no. 1 (January 1, 1988): 71–79. http://dx.doi.org/10.1179/043087788798239359.

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Moradi, Alireza, and Sahar Dianati. "Handwoven Rugs Throughout The Qajar Period And The Impact Of Cultural Globalization." Kimiya-ye-Honar 11, no. 43 (September 1, 2022): 105–18. http://dx.doi.org/10.52547/kimiahonar.11.43.105.

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Ramazanova, Z. B., and S. M. Garunova. "TO THE HISTORY OF COVERING THE PECULIARITIES OF THE DAGESTAN CARPET WEAVING." History, Archeology and Ethnography of the Caucasus 13, no. 1 (February 15, 2017): 93–107. http://dx.doi.org/10.32653/ch13193-107.

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he Article provides an overview of the historiography of the description of Dagestan carpet-weaving as a component of the domestic economy, material culture and aesthetic consciousness, as well as some ornamental and compositional and technical characteristics of local varieties of carpets and rugs. Analysis of literature data and field ethnographic materials suggests that Dagestan carpet-weaving is characterized by ornamental features and compositional diversity; by abundance of local centers which used to produce these carpets and rugs; by art and technical features of Dagestan carpets which visibly testified in which part of Dagestan, in what village they are woven. Actually, this seems the most impressive feature of the Dagestan carpet culture. It is noteworthy that many well known types of Caucasian rugs are named as Lezgi (Mirakh, Akhty, Kabir, Akhty, Zahur (Zeihur), Chi-Chi), Kumyk (Kayakent, Kumtorkala), Avar (Tlyarota) villages. In the World there are no analogues to ornamental and color composition of flat-weave carpet types "dum","davagin", "salmag" "soumakh ", which were woven in a certain Kumyk, Avar, Lezgi villages. So, the particularly of Dagestan carpet-weaving is expressed by: a) the abundance of original carpet designs, developed to canonical level of perfection and clearly localized in the districts and villages; b) variability of the ornamental and technological characteristics: с) plurality of local types of carpets; g) fineness of weaving technique; d) quality of wool of the Dagestan mountain breed of sheep; e) coloring properties of the Derbent madder roots which, comparing with all known World species of this plant, has a superior content of the red colorant. All this, combined with the skillful, painstaking work of the weavers, determines the finesse of the Dagestan carpets, which is easily detected by the naked eye and without special knowledge.
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Miah, Jahanara, Suzanne Parsons, Karina Lovell, Bella Starling, Iracema Leroi, and Piers Dawes. "Impact of involving people with dementia and their care partners in research: a qualitative study." BMJ Open 10, no. 10 (October 2020): e039321. http://dx.doi.org/10.1136/bmjopen-2020-039321.

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ObjectivesWe aimed to evaluate the impact of patient and public involvement (PPI) at each stage of the research cycle in a dementia research programme.DesignWe used monitoring forms to record the impact of the research programme’s PPI at different stages of research and qualitative interviews with all participants to evaluate the impact of PPI.SettingWe evaluated Research User Groups (RUGs—older people with dementia and care partners) which were established to provide PPI support for the research programme in multiple European sites.ParticipantsWe purposively sampled RUG members (n=34) and researchers (n=13) who had participated in PPI activities. Inclusion criteria for the study were: (a) RUG members who had participated in the research awareness training and in PPI activities and had the capacity to consent; (b) researchers who involved RUGs in their work.ResultsImpact on the research: changes to the study conduct were made as a result of the feedback from RUGs. These included prioritisation of clinical recommendations, the wording of study information and recruitment materials, the content and layout of the user interface for a computerised memory test, interpretation of intervention results and advice on dissemination avenues. Impact on RUG members: they reported that involvement had given them a sense of purpose and satisfaction. Their perception of health research changed from being an exclusive activity to one, which lay people, could have meaningful involvement. Impact on researchers: PPI was a new way of working and interacting with PPI members had given them insight into the impact of their work on people living with dementia.ConclusionsPPI can have a substantial impact on dementia research and the people involved in the research. To justify the time and expense of PPI, the advantageous practical impacts of PPI should be systematically recorded and consistently reported.
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نور, حسن. "سجاجید یهودیة من العصور الإسلامیة Rugs for Jewish communities in the Islamic Age." حولیة الاتحاد العام للآثاریین العرب "دراسات فى آثار الوطن العربى" 25, no. 1 (June 1, 2022): 12–30. http://dx.doi.org/10.21608/cguaa.2022.115391.1101.

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