Journal articles: 'Ruines – histoire'

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Cohen, Claudine. "Une histoire universelle des ruines." Pour la Science N° 523 - mai, no. 5 (June 5, 2021): 18a. http://dx.doi.org/10.3917/pls.523.0018a.

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Brandys, Aleksandra. "Les pierres d’attente. Les ruines des églises monastiques médiévales, témoins de la promesse." Transversalités 169, no. 2 (April 8, 2024): 87–96. http://dx.doi.org/10.3917/trans.169.0087.

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Les paysages du Vieux Continent sont parsemés de ruines des abbayes médiévales, témoins de l’histoire séculaire, de leur patiente construction, de leurs destructions successives et reconstructions. D’abord objet de l’inspiration des peintres et des poètes, les ruines sont aujourd’hui considérées comme une partie intégrante du patrimoine et préservées dans l’état dans lequel leur histoire mouvementée les a laissées. L’expérience d’une église en ruines fait penser à la phrase de l’évangile de Luc : « Je vous le dis, si eux se taisent, les pierres crieront » (Lc 19,40). De la contemplation de ces débris de l’architecture naît une question : que crient ces pierres, qu’attendent-elles ? Quelle est la place des ruines dans l’histoire de l’Église ? Peuvent-elles être un signe paradoxal d’une attente eschatologique ?

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Hadad, Rémi. "Alain Schnapp, Une histoire universelle des ruines. Des origines aux Lumières." L'Homme, no. 246 (August 22, 2023): 155–59. http://dx.doi.org/10.4000/lhomme.47311.

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Hadad, Rémi. "Alain Schnapp, Une histoire universelle des ruines. Des origines aux Lumières." L'Homme, no. 246 (August 22, 2023): 155–59. http://dx.doi.org/10.4000/lhomme.47174.

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Lyon-Caen, Judith. "Voir le passé dans les ruines romantiques : une histoire politique et littéraire." Sociétés & Représentations 45, no. 1 (2018): 233. http://dx.doi.org/10.3917/sr.045.0233.

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Lamoureux, Johanne. "De la peinture de ruines à la ruine de la peinture. Hubert Robert et le Louvre." Protée 27, no. 3 (April 12, 2005): 56–69. http://dx.doi.org/10.7202/030571ar.

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Il semblerait que le discours historique et critique sur l’art en Occident, avant même l’iconoclasme et l’aniconisme de tableaux modernes, ait d’entrée de jeu été travaillé par le ressassement de la mort imminente de la peinture. Cet article veut montrer comment cette problématique – l’impossible survivance de la peinture – a pu être aussi formulée par la peinture même. Il s’y emploie en s’attardant à deux oeuvres d’Hubert Robert (1733-1808) où des conceptions opposées de l’histoire, progressiste ou cyclique, sont traduites spatialement : Le Projet d’aménagement de la Grande Galerie du Louvre et son pendant La Vue imaginaire de la Grande Galerie du Louvre en ruines (1796). Ce dernier tableau relève l’échec de la fonction de conservation du musée puisque la peinture en a disparu sans laisser d’autres traces que sculpturales, pointant peut-être ainsi l’incurable destin moderne de ce medium. Mais déjà le premier tableau de la paire, par le pivotement de l’axe latéral du récit sur la profondeur de l’axe discursif et énonciatif des tableaux, substituait à la peinture d’histoire une histoire de la peinture dont cette nouvelle invisibilité des oeuvres semble avoir été le prix à payer.

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Paré, François. "Hélène Dorion, hors champ." Dossier 24, no. 2 (August 28, 2006): 337–47. http://dx.doi.org/10.7202/201432ar.

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Résumé L'oeuvre poétique d'Hélène Dorion permet de poser le problème de l'histoire littéraire au point de chute dans un certain présent-passé où elle se constitue pour nous en tant que récit et corpus d'oeuvres. Or l'oeuvre de Dorion ne fait pas encore partie de l'histoire littéraire québécoise; pourtant, tout empreinte de négativité, elle interroge justement, dans l'extrait tiré ici d'Un visage appuyé contre le monde, le regard absent du sujet culturel devant les ruines de son histoire.

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Musset, Alain. "De Tlaloc a Hippocrate L'Eau et L'Organisation de L'Espace dans le Bassin de Mexico (XVIe-XVIIIe Siècle)." Annales. Histoire, Sciences Sociales 46, no. 2 (April 1991): 261–98. http://dx.doi.org/10.3406/ahess.1991.278946.

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L'histoire du drainage des lacs du bassin de Mexico est sans aucun doute l'exemple parfait d'une catastrophe écologique soigneusement préparée et menée à terme par une société désireuse de résoudre à sa manière un conflit sans issue entre elle et son milieu. C'est une histoire longue, qui débute en 1521, quand les Espagnols décident d'installer leur capitale sur les ruines de l'ancienne Tenochtitlan, et qui se poursuit de nos jours avec les problèmes croissants rencontrés par la plus grande ville du monde, peuplée de plus de 20 millions d'habitants : pollution chronique, manque d'eau potable, défaillance des systèmes de drainage, érosion des sols, déforestation, inondations en saison des pluies, tempêtes de poussières alcalines en saison sèche.

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Xinyu, Lü. "Les ruines du futur [Histoire et conscience de classe dans le film A l'ouest des rails de Wang Bing]." Communications 79, no. 1 (2006): 271–83. http://dx.doi.org/10.3406/comm.2006.2424.

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Pavy-Guilbert, Élise, and Martial Poirson. "Alain Schnapp , Une histoire universelle des ruines. Des origines aux Lumières , Paris, Seuil, coll. « La Librairie du 21 e siècle », 2020." Dix-huitième siècle 53, no. 1 (June 28, 2021): LXVII. http://dx.doi.org/10.3917/dhs.053.0729bo.

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Vilar, Pierre. "Un pantalon cousu de fil blanc : Beckett et l’épreuve critique." Études françaises 42, no. 2 (October 25, 2006): 85–102. http://dx.doi.org/10.7202/013865ar.

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Dans Le monde et le pantalon, publié pendant l’hiver 1945-1946 dans les Cahiers d’art dirigés par Christian Zervos, Samuel Beckett propose une présentation largement paradoxale des oeuvres de Gerardus et Abraham van Velde à l’occasion de deux expositions parisiennes parallèles. À partir d’une réflexion directement issue de la courte histoire drôle qu’il place en exergue, Beckett dispose en effet un discours savant constamment contredit par les sautes de langue, les effets de dialogue fictif et une dialectique serrée méthodiquement paradoxale. Notre étude voudrait montrer comment s’articulent dans ce texte — tenu trop souvent pour métapoétique ou programmatique, entre la rédaction de Watt et celle de Mercier et Camier — une énigmatique et une rhétorique qui ont bel et bien affaire au discours sur la peinture, et à la nature complexe de ce type de discours. Cela ne peut se faire sans situer le cadre de la publication, éclairer certaines de ses références et certains présupposés, sans décrire enfin la structure surprenante de cet article foisonnant, en apparence disparate mais fondé sur des dispositions curieusement précises et précisément agencées. En un mot, on voudrait en souligner la dimension délibérément rhétorique, établie sur les ruines de la rhétorique.

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Abadía, Oscar Moro. "A. Schnapp. 2020. Une histoire universelle des ruines: des origines aux lumières. Paris: Éditions du Seuil; 978-2-02-128250-4 eBook €49.99." Antiquity 95, no. 381 (April 12, 2021): 837–39. http://dx.doi.org/10.15184/aqy.2021.41.

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Bouthors, Jean-François. "David Rousset, La fraternité de nos ruines. Écrits sur la violence concentrationnaire. 1945-1970 . Édition par Grégory Cingal. Fayard, « Histoire », 2016, 400 pages, 22 €." Études Septembre, no. 9 (August 19, 2016): II. http://dx.doi.org/10.3917/etu.4230.0115b.

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Carvalho, Daniel. "SCHNAPP, A., 2020 Une Histoire Universelle des Ruines: Des Origines aux Lumières. Paris: Éditions du Seuil. 744 p. [ISBN 978‑2‑02128‑250‑4]." Ophiussa. Revista do Centro de Arqueologia da Universidade de Lisboa 7 (December 14, 2023): 174–78. http://dx.doi.org/10.51679/ophiussa.2023.132.

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Chiasson, Ross. "Immersion Through Ruins: Entanglement, Pleasure, and Struggle in Celeste." Hungarian Journal of English and American Studies 29, no. 2 (November 1, 2023): 363–80. http://dx.doi.org/10.30608/hjeas/2023/29/2/8.

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Abstract This article argues that the 2D side-scrolling adventure platformer video game Celeste (2018) mobilizes the tradition of ruin-gazing to provide a metaphor for selfexploration and then crucially transforms the psychoanalytic “cure” into a gamified experience. Video games that contain ruins inherit the tradition of “ruin-gazing” from the eighteenth century and expand on the affective experiences ruins produce through immersion and play. Ruins disabuse players of the notion of stability or safety, and assert the significance of player actions in spaces that, when ruined, become culturally, socially, or psychologically destabilized. Thus, they are readable spaces that strategically engage the player, and the ludic actions taken by players constitute the act of reading the game as text. This article analyzes the ruined spaces of Celeste and how the actions available to players within those ruined spaces reinforce the game’s narrative themes of self-healing. It also aims to demonstrate how the ruins that Madeline (the player avatar) navigates are a representation of her fractured psyche, mind, and identity. The player’s success is dependent on their capacity to navigate Madeline’s (literally) ruined sense of self, which through their ludic subject-position and entanglement with Madeline, invites the player to participate in and experience Madeline’s emotional and mental catharsis. (RC)

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Gutiérrez Olivares, Claudia. "Soportes de la memoria. Sobre ruinas y vestigios a 50 años del golpe de Estado en Chile." Revista Palabra y Razón, no. 23 (2023): 85–112. http://dx.doi.org/10.29035/pyr.23.68.

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El siguiente texto examina, por una parte, la estructura temporal de las ruinas, intentando diseñar en este examen su potencia memorial. Se postula que la estructura temporal de lo ruinoso rebasa con creces la dimensión de un pasado estanco, en el que reposaría la supuesta opacidad y mutismo de las ruinas. Más bien, se intenta pensar la ruina como un soporte temporal dinámico que moviliza un pasado, pero en cuya temporalidad habita la latencia de un porvenir. Por otra parte, se sugiere aquí una ruta para pensar algunos dispositivos ruinosos del pasado reciente en Chile. Esta articulación del motivo de las ruinas con un momento preciso de la historia chilena busca, por último, aportar a las reflexiones a propósito de los 50 años del golpe de Estado cívico-militar en nuestro país.

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17

Chirol, Marie-Magdeleine. "Histoires de ruines: Calomnies de Linda Le." French Forum 29, no. 2 (2004): 91–105. http://dx.doi.org/10.1353/frf.2004.0043.

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Lahusen, Thomas. "Decay or Endurance? The Ruins of Socialism." Slavic Review 65, no. 4 (2006): 736–46. http://dx.doi.org/10.2307/4148452.

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The building of socialism, in its concrete and metaphorical sense, has been in a state of constant decay—in ruins—from its very foundation. For those who inhabited it, endurance became a way of life. It is precisely this endurance that explains the resistance, by both people and the landscapes in which they live, to the market. Nostalgia for socialism has become a commodity, but not for those who still live in its ruins, because they are home. This essay by Thomas Lahusen explores this ruined landscape, from the vanishing Palace of the Republic in Berlin and the decrepit-looking buildings made of precast concrete slabs of real socialism, to its culture, which shares decay and ruin with its built structures. Lahusen juxtaposes this landscape to philosophical essays on the collapse of communism and to recent histories, some of which yield new fetishes and new commodities.

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Gillot, Laurence, and Jean-Pierre Guilhembet. "Villes en ruine, ruines en ville dans l’Antiquité romaine et au-delà." Histoire urbaine 58, no. 2 (2020): 5. http://dx.doi.org/10.3917/rhu.058.0007.

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Kraege, Lisa. "‘The Ruins of the Face’: The Aesthetics of Ruin in Austen's Persuasion." Journal for Eighteenth-Century Studies 46, no. 3 (September 2023): 349–64. http://dx.doi.org/10.1111/1754-0208.12903.

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AbstractThis article investigates Jane Austen's network of bodily metaphors in Persuasion, re‐examining ‘bloom’ in the context of its pair, ‘ruin’. While the novel is traditionally understood as a progress narrative that moves from Anne's self‐description as being ‘in ruins’ to the restoration of her ‘bloom’, the article examines the inconsistency around Anne's appearance and ‘bloom’ throughout the novel, contending that rather than presenting a progression, the novel stages the problematics of physiognomy, of reading the body as an index of internal feeling. I argue that by situating Austen's metaphors within context of picturesque writing on ruins and ‘roughness’ from William Gilpin and Uvedale Price, we can conceive of weathered, worn out, broken, pierced, and ruined bodies as the rough texture that animates Persuasion.

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Tiffin, Sarah. "Java's ruined candis and the British picturesque ideal." Bulletin of the School of Oriental and African Studies 72, no. 3 (October 2009): 525–58. http://dx.doi.org/10.1017/s0041977x09990061.

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AbstractWhen Thomas Stamford Raffles published his seminal text The History of Java in 1817, ruins were a favourite leitmotif in British art, forming an important element within the visual vocabulary of the picturesque. Given the fascination in this period for the ruin, fuelled by a tradition of antiquarian enquiry, the newly developing science of archaeology, and the increased possibilities for travel in the wake of imperial expansion, it is not surprising that Raffles chose to devote a whole a chapter of his publication to Java's ruined candis. The plates and vignettes which illustrate the chapter, created according to pictorial conventions that were ordinarily applied to the crumbling remains of Europe's classical past, are amongst the most beautiful portrayals of South-East Asia's architectural remains. This paper examines how these images elicited set emotional responses associated with the idea of ruins and ruination and confirmed key stereotypes associated with the region, linking the candis, and by implication the Javanese themselves, with a vanished past rather than with a dynamic and forward-looking present.

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Drobek, Katarzyna. "Walory architektoniczno-krajobrazowe zamków w trwałej ruinie na przykładzie zamku w Czersku." Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych 15, no. 2 (January 31, 2020): 89–97. http://dx.doi.org/10.35784/teka.810.

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Poniższy artykuł ma na celu przedstawienie walorów architektoniczno-krajobrazowe ruin zamku w Czersku. Są one przykładem zamków należących niegdyś do dynastii książąt mazowieckich. Ich ciekawa historia, malownicze położenie oraz duże wartości architektoniczne przyciągają wielu turystów. Dlatego też opisane zostały rozważania dotyczące zarówno walorów krajobrazowych jak i architektonicznych obiektu. Artykuł ten zawiera również opis historii warowni oraz zmian jego formy na przestrzeni wieków.

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Cherkasova, Liudmila. "Safety Criteria of the Historic Ruins." IOP Conference Series: Materials Science and Engineering 365 (June 2018): 042002. http://dx.doi.org/10.1088/1757-899x/365/4/042002.

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Jorritsma, Jilt. "A Future in Ruins." KronoScope 20, no. 2 (November 16, 2020): 190–211. http://dx.doi.org/10.1163/15685241-12341467.

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Abstract Around the world, the rise of temperatures due to global warming is revealing and exposing forgotten traces of the past that are still scored somewhere in the physical terrain. This paper suggests that the transformative landscapes of the Anthropocene not only confront our present world with a ruined and unprecedented future; they also draw our attention to suppressed and stowed-away memories and geographies from the past. By examining imaginaries of sustainable futures in Mexico City, New York and Amsterdam, it will be shown that site-specific ruins and traces of past realities have an evocative potential: they are used to imagine alternative historical trajectories and indicate possible alternative futures that challenge the absoluteness of our present world. The underlying temporality in these imaginaries is one in which the future is portended as a return of a past: there lies a future in these ruins.

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Chavoz, Ninon. "« Ruines à rebours »." Cahiers d'études africaines, no. 235 (September 15, 2019): 815–38. http://dx.doi.org/10.4000/etudesafricaines.26999.

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Frenda, Antonino, and Marco Valle. "Urban Conservation in International Charters: From the Athens Charter to the Historic Urban Landscape Recommendation." Protection of Cultural Heritage, no. 11 (June 30, 2021): 65–74. http://dx.doi.org/10.35784/odk.2593.

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The Interreg CE project “RUINS. Sustainable re-use, preservation and modern management of historical ruins in Central Europe - elaboration of integrated model and guidelines based on the synthesis of the best European experiences” has implemented cultural development strategies through knowledges exchange developed within a local and regional context and suitable to be applied at a wider European level. The project has applied an empowering bottom-up approach, in which local and regional stakeholders have been actively engaged throughout the project’s running time. Cooperation of 6 countries with various traditions and experiences resulted in the development of universal models that could be applied for management, use and protection of medieval ruins all over Europe, providing European added value. The comprehensive management plans elaborated, help owners and managers of historical ruins to exploit economic potential of this heritage in economic development of regions, and to preserve value of medieval ruins as cultural heritage. Due to the transnational character, the project has contributed to create a common European identity, strengthen cooperation between international, national and local stakeholders both vertically and horizontally, and promote exchanges between boundaries. The paper aims to present the results and the experience gained during RUINS project implementation by LINKS Foundation (project partner), focusing on the inclusive and shared approaches carried out. A summary of goals and recommendations achieved within the discussion panels/seminars arranged by LINKS Foundation as well as objectives and structure of the Output O.T2.1 “BEST PRACTICES HANDBOOK - Transnational model form of socially useful use of medieval ruins" will be provide.

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Voldman, Danièle. "La France après les ruines." Vingtième Siècle, revue d'histoire 30, no. 1 (1991): 103–4. http://dx.doi.org/10.3406/xxs.1991.2383.

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Voldman, Daniele. "La France apres les ruines." Vingtième Siècle. Revue d'histoire, no. 30 (April 1991): 103. http://dx.doi.org/10.2307/3768961.

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Voldman, Danièle. "La France après les ruines." Vingtième Siècle. Revue d'histoire 30, no. 2 (April 1, 1991): 103–4. http://dx.doi.org/10.3917/ving.p1991.30n1.0103.

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Madhury, Murchana, and Labanya Sarker. "Heritage Values and Community Perception: A Look Into the Historic Ruins of Dinajpur Rajbari." Nakhara : Journal of Environmental Design and Planning 23, no. 1 (January 29, 2024): 401. http://dx.doi.org/10.54028/nj202423401.

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The establishment of the value and effective protection of historical ruins comprises a subject of rising interest, as evidenced by an increasing amount of research involving several disciplines. In Bangladesh, debates on the relevance of such abandoned, degraded, deformed, or empty structures—unlike other intact monuments in heritage studies—rarely take into account the attitude of the locals towards these ruins. Analyzing the case of Dinajpur Rajbari, Bangladesh, the paper intends to explore the value ascribed to historic ruins by the surrounding community. The study uses a case study approach built on Mason’s value typology, which has widely contributed to the identification of the significance of heritage sites. Using a mixed research method, data were collected through field observation, semi-structured interviews, and focus group discussions with 100 respondents selected from members of the local community. The article concludes by informing policymakers and heritage conservators of the position of community perception and promoting its integration into the development of management policies for these historical ruins.

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Machín Lucas, Jorge. "Juan Benet y el pensamiento místico: más allá del fatalismo = Juan Benet and mystical thought: beyond fatalism." Lectura y Signo, no. 14 (December 29, 2019): 35–46. http://dx.doi.org/10.18002/lys.v0i14.5604.

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El presente artículo aborda la influencia mística en la obra literaria de Juan Benet. Es un aspecto crucial para entender el deseo de los protagonistas de sus novelas de volver al origen y de recomenzar la historia frente a la ruindad de un mundo en guerra y en destrucción. Es un anhelo, por supuesto, frustrado por la cruel realidad que les rodea de guerra, de ruinas y de destrucción física y moral. Esto se puede apreciar sobre todo en novelas tales como Volverás a Región, Una meditación, Un viaje de invierno o Saúlante Samuel y en su libro de ensayos El ángel del señor abandona a Tobías.This article is about mystical influence in the literary works of Juan Benet. This is a crucial aspect so as to understand the desire of the protagonists of his novels to return to the origin and to start over history against the evilness of a world in war and in destruction. Of course, it is a longing which has been frustrated by the cruel reality which surrounds them, with war, ruins, and physical and moral destruction. All this is obvious in such novels as Return to Region, A Meditation, A Winter Trip and Saul Facing Samueland in his book of essays The Angel of the Lord Abandons Tobit.

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Galadini, Fabrizio. "Ruins and Remains as a Background: Natural Catastrophes, Abandonment of Medieval Villages, and the Perspective of Civilization during the 20th Century in the Central Apennines (Abruzzi Region, Central Italy)." Sustainability 14, no. 15 (August 3, 2022): 9517. http://dx.doi.org/10.3390/su14159517.

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The resettlement of villages strongly damaged by catastrophes during the 20th century played a key role in the modification of the Apennine landscape in Italy. Following their abandonment, the remains of the medieval settlements progressively deteriorated in their ruined condition, becoming ghost villages often made of sparse portions of buildings, traces of outer walls, and isolated vestiges of ancient monuments colonized by vegetation. Five cases of central Apennine abandoned villages in the Abruzzi region (Frattura, Sperone, Albe, Salle, and Gessopalena) were investigated, combining information on the local adverse geological conditions with the historical reconstruction of their abandonment and resettlement, based on archive documents from the 19th and 20th centuries. The history of these localities was conditioned by two strong earthquakes that struck the Abruzzi region in 1915 (magnitude 7.1) and 1933 (magnitude 5.9), and by slope instability. In all cases, abandonment and resettlement produced new villages against the background of ancient ruins and remains. In conclusion, the paper discusses the potential use of the material traces of local histories with educational aims. Geological evidence of natural hazards, remains of the abandoned settlements and resettled villages could be arranged in museums aimed at increasing the awareness of natural hazards and risks.

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Depetris, Carolina. "Influencia del orientalismo en la explicacióón del origen del pueblo y ruinas mayas: las tribus perdidas de Israel y el caso Waldeck." Mexican Studies/Estudios Mexicanos 25, no. 2 (2009): 227–46. http://dx.doi.org/10.1525/msem.2009.25.2.227.

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Uno de los misterios máás persistentes en Améérica ha sido el origen de los pueblos vernááculos. En el siglo XIX, el viajero Fréédééric de Waldeck propone una explicacióón del origen de los pueblos mayas en el primer testimonio escrito conocido sobre las ruinas de Uxmal. En el presente ensayo se analiza este intento a travéés de un modelo de explicacióón que la Europa decimonóónica encuentra en Oriente y que Waldeck articula a travéés de uno de sus mitos fundamentales: las tribus perdidas de Israel. One of the most persistent mysteries in America has been the origin of vernacular peoples. In the 19th century, the traveler Fréédééric de Waldeck proposes an explanation of the origin of the Maya people in the first known written testimony about the Uxmal ruins. This essay analyzes this attempt through a model of explanation that the 19th century Europe finds in Orient, which Waldeck articulates by means of one of his fundamental myths: the lost tribes of Israel.

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Hladíková, Kamila. "Purple Ruins." Archiv orientální 89, no. 1 (June 25, 2021): 185–208. http://dx.doi.org/10.47979/aror.j.89.1.185-208.

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Symbolic reconstruction of “purple ruins”—the abandoned ruins of traditional Tibetan buildings, monasteries, temples, and old manors of the aristocracy—has become one of the main topics of Tibetan Sinophone dissident writer Tsering Woeser. Her effort to preserve them not so much as testimonies of the glorious Tibetan past, but rather of the dark chapters of modern Tibetan history and as an indictment of Chinese rule in Tibet, has intensified during the last decade with the surge of commercialization and increase in mass tourism—trends that are rapidly changing the face of Tibet and the urban landscape of Lhasa. In her book Purple Ruins (Jianghong se de feixu), published in January 2017 in Taiwan, Tsering Woeser has combined a subjective perspective (poems, personal memories, interviews, etc.) with “folk tales” (minjian gushi) including legends, oral histories, and gossip, and with historical material. While reconstructing the image of both the “old” and the “new” Tibet in her book, she contests the official Chinese representations and narratives of Tibet, Tibetan history, and Tibetan culture, appropriating postcolonial theories to reinterpret Chinese imperial/colonial endeavors in Tibet from past to present. The aim of this paper is to examine how Tsering Woeser engages with the complexities of official Chinese representations of Tibet in an attempt to (re) construct the missing parts of modern Tibetan history that have been concealed or even intentionally erased by the Chinese official discourse and to (re)construct modern Tibetan identity against the background of the dominant Chinese culture and ideology.

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Gillot, Laurence, André Del, and Olivier Bouet. "Ruines et humanités numériques." Histoire urbaine 58, no. 2 (2020): 103. http://dx.doi.org/10.3917/rhu.058.0105.

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Gutron, Clémentine, and François-Xavier Fauvelle. "Comment naissent les ruines." Genèses 110, no. 1 (2018): 32. http://dx.doi.org/10.3917/gen.110.0032.

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Calduch, Juan. "Palladio y Piranesi ante las ruinas." Loggia, Arquitectura & Restauración, no. 6 (December 20, 1998): 24. http://dx.doi.org/10.4995/loggia.1998.5340.

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<p>“Tanto Palladio como Piranesi se enfrentan con la herencia romana de las ruinas para extraer enseñanzas que afectan a la propia disciplina arquitectónica. Una disciplina que se revela autónoma e independiente de otras como la historia o la arqueología volcadas sobre el mismo objeto de estudio”. A partir de estas consideraciones y de un agudo análisis del diferente enfoque de estos arquitectos dibujando la misma arquitectura de las ruinas romanas, el autor extrae consecuencias sobre los intereses profesionales de los arquitectos cuando se enfrentan con la arquitectura monumental y la necesidad de recuperar un juicio crítico de las intervenciones actuales propio de la disciplina arquitectónica.</p>

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Sandberg, B. "Fondation et Ruine d'une 'maison'. Histoire sociale des comtes de Belin (1582-1706)." French History 28, no. 2 (February 21, 2014): 285–86. http://dx.doi.org/10.1093/fh/cru011.

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Beik, W. "Fondation et ruine d'une 'maison': Histoire sociale des comtes de Belin (1582-1706)." English Historical Review CXXV, no. 515 (July 26, 2010): 986–87. http://dx.doi.org/10.1093/ehr/ceq234.

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McCoy, Elizabeth. "Rethinking Florida's State Parks: Strategies for Surviving in the "New Normal" Economy." Practicing Anthropology 34, no. 3 (June 29, 2012): 40–41. http://dx.doi.org/10.17730/praa.34.3.cp277n14264l3041.

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The Florida Park Service manages the sites of fifteen plantations in the area once known as East Florida, including the United States-Territorial-Period sugar plantation known as Bulow Plantation. The plantation is now located within the Bulow Plantation Ruins Historic State Park, located in Flagler County approximately two miles north of the Volusia County line and two miles from the Atlantic Coast. Current interpretations at the park are limited in scope, visitation is considered to be relatively low, and the mill structure and associated buildings pose a variety of management issues. The development of solutions for the Bulow Plantation Ruins Historic State Park will be applicable not only to other plantation sites managed by the Florida Park Service, but any state park in Florida and to site managers beyond Florida's boundaries.

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Fuentes Leal, Mariela, and Andrés Ferrada Aguilar. "Figuración de las ruinas en la escritura de José Donoso y Enrique Lihn." Anales de Literatura Chilena, no. 35 (2021): 83–100. http://dx.doi.org/10.7764/analeslitchi.35.05.

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Este estudio pretende crear una unidad de sentido entre las miradas críticas de José Donoso y Enrique Lihn sobre las ruinas, y en particular sobre la degradación de la palabra. En sus crónicas y ensayos los escritores no solo reflexionan sobre la condición ruinosa de la palabra en el contexto de la dictadura cívico-militar, sino que logran figurar dicha condición al interior de un espacio literario que redice tanto la ideologización de la ruina por parte de la estrategia dominante, como su conceptuación por parte de la crítica cultural.

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Favre, Muriel. "« Faire d'un champ de ruines une démocratie »." Vingtième Siècle. Revue d'histoire 80, no. 4 (2003): 25. http://dx.doi.org/10.3917/ving.080.0025.

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Settis, Salvatore. "Nécessité des ruines: les enjeux du classique." European Review of History: Revue europeenne d'histoire 18, no. 5-6 (October 2011): 717–40. http://dx.doi.org/10.1080/13507486.2011.618322.

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Davoine, Charles. "Les ruines contre la ville." Histoire urbaine 58, no. 2 (2020): 15. http://dx.doi.org/10.3917/rhu.058.0017.

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Márquez, Francisca, and Andrés Góngora. "Ruinas urbanas. Topofilias y narrativas del despojo en Santiago y en Bogotá." EURE 49, no. 147 (2022): 1–24. http://dx.doi.org/10.7764/eure.49.147.07.

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Se narra la historia de dos barrios latinoamericanos que fueron desalojados y demolidos: Villa San Luis en Santiago de Chile y la calle del Bronx en Bogotá, Colombia. Desde la etnografía se muestra cómo sus ruinas incomodan a inversionistas y gobernantes locales que buscan removerlas para desarrollar proyectos inmobiliarios y de renovación urbana; y cómo sus antiguos habitantes y gestores movilizan distintos dispositivos artísticos y patrimoniales para resguardar y conservar las memorias de estos lugares. Mientras los agentes interesados en remover las ruinas de estos barrios consideran las materialidades derruidas como un estorbo para el progreso y el paisaje urbano, para sus habitantes dichos vestigios conservan aún memorias, emociones y vivencias. Se concluye que en las topofilias arraigadas en las ruinas, en cuanto relación emotiva con anclaje al lugar y su materialidad, reside una potencia creativa con capacidad de agencia política.

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Shcherbina, Elena V., Ali A. Belal, and Ali Salmo. "Historic centres of Syrian towns ruined by the war: restoration through urban planning." Vestnik MGSU, no. 5 (May 2020): 632–40. http://dx.doi.org/10.22227/1997-0935.2020.5.632-640.

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Introduction. Urban development of historic centres of towns, destroyed by man-induced disasters, means finding the balance between the preservation of the cultural environment and development of a new medium capable of meeting present-day challenges. These problems can be effectively tackled in respect of architectural ensembles, monuments of history and architecture having the status of world heritage sites, as they are restored through the efforts of the world community. This problem is particularly acute in the historic cities of Syria that suffered from warlike operations at the outset of the 21st century. Materials and methods. The system approach was employed by the co-authors to develop and present a historic and genetic model and to set the borders of territories that can be qualified as historic landmarks. Processed aerial imagery and on-site examination of buildings have enabled the co-authors to assess the extent of destruction of buildings and structures, located within the borders of urban historic centres, identified by means of urban zoning techniques. Results. The co-authors have ranked the buildings and structures in the districts of Homs, Syria, using the extent of destruction as a criterion. They also propose a definition for the notion of cultural heritage sites (“CHS”), as well as the typology of CHS or “landmarks” in the Syrian Arab Republic. The co-authors offer a methodology for the examination of localities, destroyed during the war, needed to develop their restoration roadmaps. They have also substantiated the need to regenerate the urban environment in the Bani Sibhaa community, to restore the historic centre of Homs to its initial appearance due to its status of a special cultural heritage site, as it has fragments of historic urban planning and ancient buildings. Conclusions. The damage assessment of buildings, structures, and items of historic and cultural heritage, performed using qualitative values, helps to assess the condition of the cultural environment, resources and valuables available in the historic centre; it also serves as the basis for urban zoning and setting boundaries of historical sites. The approach, developed by the co-authors, encompasses prerequisites and a set of instruments to be used to develop reconstruction strategies for the areas previously exposed to military operations, as well as urban development programmes, that will boost cultural processes capable of producing positive impact on urban and regional economies through job generation, travel industry development, and revival of folk crafts. The findings will be contributed to the conceptual design of multiscale cultural policy events that can boost the development of local areas.

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MORA FORERO, JORGE ALEXANDER, ALISON GINETH GARCÍA DUQUE, LAURA VANESSA PRIETO CAICEDO, and ANGIE KATHERINE BARRETO PARDO. "Imaginarios del turismo en las ruinas de Armero, Tolima, Colombia." REVISTA INTERNACIONAL DE TURISMO, EMPRESA Y TERRITORIO 6, no. 2 (December 15, 2022): 207–27. http://dx.doi.org/10.21071/riturem.v6i2.15206.

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Armero Tolima es un lugar caracterizado especialmente por su historia y atractivos turísticos que enmarcan un antes y un después de la tragedia de 1985 provocada por la irrupción del volcán Nevado del Ruiz, siendo en esto donde los imaginarios turísticos crean deseo y hacen atractivo el sitio en el que se presentó la eventualidad, lo cual, interviene directamente en la elección del lugar que visitar. Por ello, el objetivo de esta investigación es analizar los imaginarios de la demanda turística con el que cuenta el municipio de Armero Tolima, así como los gustos y preferencias que tienen los turistas y visitantes de lugares asociados con la muerte, desastres naturales o tragedias. Para ello, se realizaron entrevistas estructuradas a los turistas para identificar los imaginarios. Los resultados permiten ver las diferentes formas de ver las ruinas de una tragedia sucedida, lo cual marca una diferencia en el antes y el después de aquel lugar afectado. Palabras Claves: Turismo Oscuro, Imaginarios, Historia, ruinas de Armero, Colombia.

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Webber, Jonathan. "Exhibiting Galicia: Problems of Interpretation and Other Reflections on the Permanent Exhibition at the Galicia Jewish Museum in Kraków." Scripta Judaica Cracoviensia 18 (2021): 105–26. http://dx.doi.org/10.4467/20843925sj.20.008.13876.

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The purpose of this article is to offer a critical comment on the permanent exhibition of the Galicia Jewish Museum in Kraków. The exhibition is innovative in museological terms. It is not about the Jewish history of Galicia, nor is it arranged using conventional chronology, nor is it comprehensive. Rather it is divided into five sections, based on a five-part set of ideas, simple ideas intended to help visitors make sense of the complex realities surrounding the present-day situation of the Jewish heritage seventy-five years after the Holocaust. Let me now briefly outline how these five ideas are represented museologically, the five sections in which the exhibition is organized. The opening section directly presents the popular Jewish stereotype that post-Holocaust Poland is nothing but a vast Jewish graveyard. So this section of the exhibition consists entirely of the raw, shocking sight of desolation – for example, photos of ruined synagogues or ruined Jewish cemeteries. The 23 photos on show in this section include the appalling condition of the synagogue in Stary Dzików (a small town near the Ukrainian border) as it looked in the 1990s and of the devastated Jewish cemetery in Czarny Dunajec (a small town near the Slovak border) at that time. Emphasizing what has been lost by showing the Jewish past of Poland in ruins, and how in that sense the effects of the Holocaust on the built Jewish heritage are still visible, even today, is certainly a powerful and provocative way to begin an exhibition in a Jewish museum.

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Bertrand, Dominique. "La « merveilleuse histoire » des « disgrâces » de Dassoucy : récit de survivance et résilience ambiguë." Études littéraires 38, no. 1 (March 19, 2007): 77–88. http://dx.doi.org/10.7202/014824ar.

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Résumé La suite narrative rétrospective que nous livre Dassoucy de ses Aventures (1677) se donne comme un récit de survivance. L’auteur, plusieurs fois emprisonné et réputé mort, transpose dans son autofiction burlesque une partie des tribulations qui ont failli lui coûter réellement la vie, le ruiner et détruire sa réputation. La recomposition du passé, ordonné comme suite de disgrâces et des triomphes, favorise la réappropriation d’une estime de soi, associée à une méditation sur les ressorts intimes qui ont permis au héros-narrateur de résister à des épreuves mortifères. Toutefois cette résilience est incomplète et ambiguë : l’ironie libertine parasite le récit de survivance, et le retour manifeste d’un refoulé traumatique témoigne de l’insuffisante réparation des blessures d’une victime qui ne renonce pas aux bénéfices de la persécution et fait prévaloir la logique apologétique et polémique.

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Vidal, Raúl. "Profanar los territorios." Revista de Filosofía de la Universidad de Costa Rica 62, no. 163 (May 15, 2023): 93–101. http://dx.doi.org/10.15517/revfil.2023.55062.

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El presente se apoya en ruinas, las que mira el Ángel de la Historia en plena tormenta del progreso. Un psicoanálisis, ¿propone artificios (la fuerza de una imagen, un juego de palabras, las gamas del acto) que contraríen el real desenfrenado del encierroexterior que sufren los cuerpos migrantes?

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Journal articles on the topic 'Ruines – histoire'

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