Academic literature on the topic 'Rushdie, Salman . Midnight's Children'

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Journal articles on the topic "Rushdie, Salman . Midnight's Children"

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Thomas, Deepa. "The Chutnification of English in Salman Rushdie’s Midnight’s Children: A Stylistic Analysis." Asian Review of Social Sciences 8, S1 (2019): 10–12. http://dx.doi.org/10.51983/arss-2019.8.s1.1502.

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Salman Rushdie has been lauded for his energising use of language. In Indian writing in English, Rushdie is generally accepted as an initiator and catalyst of a style that saw English being used imaginatively and with ease. Rushdie’s use of the expression “chutnification” epitomizes his use of language in the novels, with special reference to Midnight’s Children. The process of chutnification of English provides a tasty flavour to Rushdie’s works, which is obviously made possible through the abundant blending of Hindi and Urdu words with English, thereby reflecting India’s hybrid culture. The
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Olalquiaga, Mayra Helena Alves. "PARADISE LOST AND THE NARRATION OF NATION IN SALMAN RUSHDIE’S MIDNIGHT’S CHILDREN." Em Tese 14 (August 30, 2009): 135. http://dx.doi.org/10.17851/1982-0739.14.0.135-144.

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This article proposes a study of the appropriations of John Milton’s Paradise lostin Salman Rushdie’s Midnight’s children. Adapting Milton’s proposition of the “paradise within”, Rushdie explores new ways of viewing imperial national selfrepresentation and how post-colonial writing can relate to its constituting texts.
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Dayal, Samir. "Talking Dirty: Salman Rushdie's Midnight's Children." College English 54, no. 4 (1992): 431. http://dx.doi.org/10.2307/377839.

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Quazi, Moumin. "“Filmy Glazes” in Salman Rushdie's Midnight's Children." South Asian Review 27, no. 2 (2006): 72–92. http://dx.doi.org/10.1080/02759527.2006.11932442.

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Quazi, Moumin. "Salman Rushdie's Midnight's Children and its Incarnations." South Asian Review 35, no. 1 (2014): 157–68. http://dx.doi.org/10.1080/02759527.2014.11932960.

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Chuvanova, Olga Igorevna. "Kashmir as the center of conflict in the novel “Midnight's Children” by Salman Rushdie." Litera, no. 11 (November 2020): 1–11. http://dx.doi.org/10.25136/2409-8698.2020.11.34154.

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The subject of this research is the conflicts generated by mythological and historical space in Kashmir Valley, which is one of the central artistic images in the novel “Midnight's Children” by the British writer of Indo-Pakistani descent Salman Rushdie. Conflict situation within the framework of Kashmir’s topos is sense-making, as it is associated with the problem of choice and acquisition of cultural wholeness by the character of the novel. The historically substantiated propensity towards conflict of the actual geographical region, which became the cause for in
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Alkan, Halit. "A Transnational Approach to Salman Rushdie's "Midnight's Children"." International Journal of Social, Political and Economic Research 7, no. 3 (2020): 601–7. http://dx.doi.org/10.46291/ijospervol7iss3pp601-607.

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Colonialism and post-colonialism have led to the development of transnationalism that is the interconnectivity between people and the economic and social significance of boundaries among nation states. When transnational approach is applied to Salman Rushdie’s Midnight’s Children (1981), it allows researchers to analyse how transnationalism impacts on gender, class, culture and race both in host and home countries. The traditional cultural heritage of India and British imperialism’s impact on Indian society are told through dual identities of the narrator Saleem Sinai who has double parents. S
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Merilă, Isabela. "Changing Textual Identities in Salman Rushdie's Midnight's Children." Procedia - Social and Behavioral Sciences 63 (October 2012): 81–84. http://dx.doi.org/10.1016/j.sbspro.2012.10.014.

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Karamcheti, Indira. "Salman Rushdie's "Midnight's Children" and an Alternate Genesis." Pacific Coast Philology 21, no. 1/2 (1986): 81. http://dx.doi.org/10.2307/1316415.

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Richardson, Morgan. "Red-Headed Physiognomy in Salman Rushdie's MIDNIGHT'S CHILDREN." Explicator 76, no. 2 (2017): 60–62. http://dx.doi.org/10.1080/00144940.2017.1401521.

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Dissertations / Theses on the topic "Rushdie, Salman . Midnight's Children"

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Chakraborty, Madhurima. "Midnight's Children and Subaltern Pasts Salman Rushdie Provincializing Europe /." [Gainesville, Fla.] : University of Florida, 2003. http://purl.fcla.edu/fcla/etd/UFE0001216.

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Quazi, Moumin Manzoor. "The Blurred Boundaries between Film and Fiction in Salman Rushdie's Midnight's Children, The Satanic Verses, and Other Selected Works." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc278605/.

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This dissertation explores the porous boundaries between Salman Rushdie's fiction and the various manifestations of the filmic vision, especially in Midnight's Children, The Satanic Verses, and other selected Rushdie texts. My focus includes a chapter on Midnight's Children, in which I analyze the cinematic qualities of the novel's form, content, and structure. In this chapter I formulate a theory of the post-colonial novel which notes the hybridization of Rushdie's fiction, which process reflects a fragmentation and hybridization in Indian culture. I show how Rushdie's book is unique in its u
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Pirbhai, Mariam. "The interplay between exile-in-narration and narrators-in-exile in Salman Rushdie's Midnight's children, The Satanic Verses and The Moor's Last Sigh /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0001/MQ43932.pdf.

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Radavičiūtė, Jūratė. "Postmodernism in Salman Rushdie's Novels Midnight's Children and Shame." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110307_142144-11026.

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The dissertation investigates the postmodern features of Salman Rushdie’s novels Shame and Midnight’s Children within the theoretical framework of postmodernism. The inward-directed approach to a literary text, which has been chosen as a basis for the research, incorporates the body of texts by the famous theorists of postmodernism Jacques Derrida, Michel Foucault, Roland Barthes, Ihab Hassan, Jean Baudrillard and others. With the view to the indeterminacy of the approach, the concept of decentering, embracing such terms as the elimination of the transcendental signified, supplement, simulacru
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Ayoub, Dima. ""The privilege and the curse" of the cosmopolitan consciousness : redefining Ūmmah-gined communities in Salman Rushdie's Midnight's children and Ahdaf Soueif's The map of love." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98536.

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Salman Rushdie's Midnight's Children and Ahdaf Soueif s The Map of Love both construct cosmopolitan figures, who through their narratives, attempt to reformulate nationalist constructions of nation. This study compares Rushdie and Soueif's configuration of the cosmopolitan global consciousness and its rootedness in the postcolonial local centers of Bombay and Cairo respectively. The comparison shows that the multiply determined identity of cosmopolitans can both impede, as well as allow for, the active participation in the social and political life of the country in which they inhabit and aim
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Caddell, Heather E. "The corporeal word : an examination of the body and textuality in Salman Rushdie's Midnight's children and Don DeLillo's The body artist." Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1313069.

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This study examines the complex interplay between textuality and bodily performance by tracing their development within these two novels. Both texts are fundamentally concerned with the body and its interaction with a dominant culture. Often, the corporeal frame is posited as a physical text in which the social mores, cultural ideologies, and historical framework of a character's society are expressed through the bodies of its citizenry. However, both protagonists struggle to achieve an autonomous subject position outside the realm of the dominant culture, with varying degrees of success. At t
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Walawalkar, Sanjot Aroon. "Retelling histories: magical realism in Gunter Grass's Die Blechtrommel and Salman Rushdie's Midnight's Children." The Ohio State University, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=osu1409836356.

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Olalquiaga, Mayra Helena Alves. ""Paradise lost" and the narration of nation in Salman Rushdie´s Midnight´s Children." Universidade Federal de Minas Gerais, 2008. http://hdl.handle.net/1843/ECAP-7D4KAD.

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This thesis proposes a study of Salman Rushdie's "Midnight's Children" as a re-reading of John Milton's "Paradise Lost". Milton's epic has been read in terms of British imperialism and linked to a tradition of affirmation of nation. Taking up "Paradise Lost", "Midnight's Children" dialogues with the epic's stature of upholder of nationality and suggests that the perception of nation-ness associated to it informs also the independent post-colonial Indian national identity. But as the nation's explosive heterogeneity surfaces "Midnight's Children" characterizes it more as an imagined community i
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Srivastava, Neelam Francesca Rashmi. "Secularism in Salman Rushdie's Midnight's children and Vikram Seth's A suitable boy : history, nation, language." Thesis, University of Oxford, 2004. http://ora.ox.ac.uk/objects/uuid:228c0018-d71f-441b-b485-276b73111dd2.

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This thesis is a comparative study of Salman Rushdie's Midnight's Children (1981) and Vikram Seth's A Suitable Boy (1993). It compares the novels' representations of the postcolonial Indian nation-state and of the conflict between secular and religious perspectives in the Indian public sphere. The novels are interpreted as responses to specific moments of crisis in the so-called "secular consensus" of the Indian state: Midnight's Children to the Emergency of 1975, A Suitable Boy to the rise of the Hindu right in the early 1990s. The aim of this study is to establish secularism as an interpreta
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Hollis, Victoria Caroline Bolton Jonathan W. "Ambassadors of community the history and complicity of the family community in Midnight's Children and the God of Small Things /." Auburn, Ala, 2009. http://hdl.handle.net/10415/1668.

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Books on the topic "Rushdie, Salman . Midnight's Children"

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Salman, Rushdie. Salman Rushdie's Midnight's Children. Random House Publishing Group, 2009.

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Salman, Rushdie. Salman Rushdie's Midnight's children. Vintage, 2003.

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Agarwal, Nilanshu Kumar. Salman Rushdie's Midnight's children. Roman Books, 2012.

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Salman, Rushdie. Salman Rushdie's Midnight's children. Modern Library, 2003.

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Schürer, Norbert. Salman Rushdie's Midnight's children: A reader's guide. Continuum, 2004.

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Self, nation, text in Salman Rushdie's Midnight's children. McGill-Queen's University Press, 2004.

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Salman, Rushdie. Midnight's children. 3rd ed. Penguin Books, 1991.

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Salman, Rushdie. Midnight's Children. Penguin Books, 1991.

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Salman, Rushdie. Midnight's Children. 4th ed. Vintage, 1995.

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Salman, Rushdie. Midnight's children. Vintage Canada, 1997.

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Book chapters on the topic "Rushdie, Salman . Midnight's Children"

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Riemenschneider, Dieter. "Rushdie, Salman: Midnight's Children." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_21862-1.

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Goonetilleke, D. C. R. A. "Midnight’s Children." In Salman Rushdie. Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-26745-3_2.

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Goonetilleke, D. C. R. A. "Midnight’s Children (1981)." In Salman Rushdie. Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-01930-1_2.

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Morton, Stephen. "Midnight’s Children and Shame." In Salman Rushdie. Macmillan Education UK, 2008. http://dx.doi.org/10.1007/978-1-137-10446-5_4.

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Smale, David. "‘Rising from My Pages Comes the Unmistakable Whiff of Chutney’: Reviews of Midnight’s Children and The Satanic Verses." In Salman Rushdie. Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-03631-5_2.

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Guttman, Anna. "Parodying Nehru in Salman Rushdie’s Midnight’s Children and The Moor’s Last Sigh." In The Nation of India in Contemporary Indian Literature. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230606937_4.

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Hopkins, Lucy. "The Child as Nation: Embodying the Nation in Salman Rushdie’s Midnight’s Children." In Childhood and Nation. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137477835_3.

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Barnaby, Edward. "“Pressed against the screen”—Cinema and Photography as Spectacle in Salman Rushdie’s Midnight’s Children." In Realist Critiques of Visual Culture. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77323-0_5.

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Sunder Rajan, Rajeswari. "Pre-Nation and Post-Colony: 1947 in Qurratulain Hyder’s My Temples, Too and Salman Rushdie’s Midnight’s Children." In Indian Literature and the World. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-54550-3_2.

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Carbajal, Alberto Fernández. "The Politics of Friendship and Hospitality: Liberalism in Salman Rushdie’s Midnight’s Children and The Moor’s Last Sigh and in Zadie Smith’s On Beauty." In Compromise and Resistance in Postcolonial Writing. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137288936_5.

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Conference papers on the topic "Rushdie, Salman . Midnight's Children"

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JOVANOVIĆ, ALEKSANDRA. "POSTCOLONIAL INDIA IN SALMAN RUSHDIE’S NOVEL MIDNIGHT’S CHILDREN." In International Conference on Social science, Humanities and Education. Acavent, 2018. http://dx.doi.org/10.33422/icshe.2018.12.64.

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Dong, Daniel Qin. "The Convergence of Civilizations as a Revolutionary Restructuring of Collective Mindset Salman Rushdie’s Indian Collective Mindset Reconstruction in His Midnight’s Children." In Annual International Conference on Political Science, Sociology and International Relations (PSSIR 2016). Global Science & Technology Forum (GSTF), 2016. http://dx.doi.org/10.5176/2251-2403_pssir16.13.

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