Relevant bibliographies by topics / Ruská literatura

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Ruská literatura'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Ruská literatura"

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Podlesnik, Blaž. "»Peterburški tekst« ruske književnosti kot ruska različica zgodbe o prostorskem obratu." Ars & Humanitas 13, no. 2 (December 26, 2019): 11–25. http://dx.doi.org/10.4312/ars.13.2.11-25.

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Razprava je posvečena vprašanju razumevanja besedilnega in zunajbesedilnega prostora v konceptu peterburškega teksta ruske literature (V. N. Toporov), ki ga razumemo kot izvirno rusko (pozno)strukturalistično različico prostorskega obrata. V primerjavi s poudarjanjem zunajbesedilnega prostora ter odmikom od tekstualizma, ki je značilen za zahodno prostorsko literarno vedo, je zunajbesedilni prostor v konceptu peterburškega nadteksta ohranil zavest o svoji znakovnosti, iz literature pa je geografski/kulturni/opomenjeni prostor prevzel tudi zavedanje o svoji transgresivni naravi, kar je bila v strukturalni poetiki ena od ključnih značilnosti literarnega besedilnega prostora. V soočenju z nekaterimi sodobnimi zahodnimi in ruskimi prostorskimi pristopi v literarni vedi nato osvetljujemo problem širšega osmišljanja zunajbesedilnega prostora kot kulturnega fenomena, ki ga je – podobno kot tekst – mogoče osmišljati v dveh različnih sferah znakovnosti, ter izpostavljamo, da bi morala sodobna literarna veda odpirati tudi prostor za drugačen prostor.
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Koprivica, Marina. "Likovi suvišnih ljudi u istoriji ruske književnosti - u svjetlu socijalno-istorijskih okolnosti u Rusiji od XVIII do XXI vijeka." Zbornik radova Filozofskog fakulteta u Pristini 51, no. 1 (2021): 193–209. http://dx.doi.org/10.5937/zrffp51-30493.

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U svjetlu spoljašnjeg pristupa proučavanja književnosti, odnos društvenih zbivanja prema nastajanju književnih djela i književnih junaka posebno je prisutan u istoriji ruske književnosti, koja predstavlja i snažan odraz društvenih okolnosti i promjena od osamnaestog do dvadeset prvog vijeka. Na taj način književni pravci su predstavljali i direktan refleks, odgovor na društvena kretanja, a na isti način i likovi suvišnog čovjeka, malog čovjeka, plemića pokajnika i novog čovjeka, preko kojih su ruski pisci dominantno obilježili svoja nastojanja da prepoznaju poruke i tendencije određenog istorijskog trenutka. U istoriji ruske književnosti likovi suvišnih ljudi prisutni su u dijahronijskoj ravni još od pojave Karamzinovog Erasta, preko likova Žukovskog, Gribojedova, Puškina, Ljermontova, Hercena, Njekrasova, Gončarova, Turgenjeva, do Prohanova… Istovremeno, suvišni ljudi u ruskoj literaturi imaju u svojim književnim profilima zajedničke, ali i nove crte ličnosti, preko kojih obilježavaju svoju epohu i traganja za smislom života.
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Tomášek, Martin. "DVĚ STOLETÍ ČESKÉHO OBJEVOVÁNÍ RUSKA. OBROZENSKÉ CESTOPISY." Porównania 22, no. 1 (March 12, 2019): 67–90. http://dx.doi.org/10.14746/p.2018.22.18265.

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Niejednoznaczny stosunek Czechów wobec obecnej Rosji prowokuje pytanie, czy owa ambiwalencja ma historyczne korzenie. Brak możliwości zaczerpnięcia wiedzy bezpośrednio od przodków skazuje nas na metody pośrednie. Jedną z nich jest analiza historycznej literatury podróżniczej. Gatunek ten może zawierać znaczne nasycenie refleksjami na temat realiów, niestety czeska literatura podróżnicza dotycząca Rosji w badanym okresie (od końca XIII w. do początku lat 40. XIX w.) jest nieliczna i różnorodna: obok autentycznej literatury podróżniczej (o charakterze naukowym, typu reportażowego lub autorstwa przedsiębiorców) można znaleźć mistyfikacyjną literaturę podróżniczą, imitację literatury podróżniczej lub kompilację przekładów kilku tekstów naukowych, mającą pełnić rolę literatury podróżniczej. Powstanie tych tekstów można uznać za dowód zainteresowania czytelników słowiańskim wschodem; ograniczone możliwości podróżowania wymuszały zaś na redaktorach rozwiązania zastępcze. Należy stwierdzić, że ówczesne obrazy Rosji nie pozwalają oceniać jej konkretnym, z góry przyjętym sposobem.
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Dorovský, Ivan. "Ruské dějiny charvátské literatury." Slavica litteraria, no. 2 (2017): 128–32. http://dx.doi.org/10.5817/sl2017-2-17.

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Žemberová, Viera. "Ruská literatúra v emigrácii: Ivan Bunin a Vladimir Nabokov." Slavica litteraria, no. 1 (2018): 140–42. http://dx.doi.org/10.5817/sl2018-1-16.

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Žemberová, Viera. "Ruská literatúra v emigrácii : Ivan Bunin a Vladimír Nabokov." Opera Slavica, no. 3 (2019): 52–56. http://dx.doi.org/10.5817/os2019-3-9.

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Hainová, Ksenia. "Filmové adaptace ruské literatury jako transkulturní fenomén." Opera Slavica, no. 3 (2020): 84–86. http://dx.doi.org/10.5817/os2020-3-13.

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Užarević, Josip, and Irena Lukšič. "Nova ruska poezija." World Literature Today 73, no. 3 (1999): 556. http://dx.doi.org/10.2307/40154981.

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Townsend, Charles E., and Vlasta Strakova. "Referujeme rusky." Slavic and East European Journal 34, no. 4 (1990): 558. http://dx.doi.org/10.2307/308222.

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Živanović, Milana. "SUDBINA NASLEĐA RUSKE EMIGRACIJE U JUGOSLAVIJI 1944‒1945." Istorija 20. veka 39, no. 1/2021 (February 1, 2021): 77–98. http://dx.doi.org/10.29362/ist20veka.2021.1.ziv.77-98.

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U članku se na osnovu arhivske građe, memoara i literature analizira sudbina nasleđa ruske emigracije u Jugoslaviji (muzeja, biblioteka, arhiva, školskih i zdravstvenih ustanova, kao i grobnih kompleksa) u periodu od 1944. do 1945. godine – po prelasku Crvene armije granica predratne Jugoslavije, oslobodilačkih operacija i dolaska na vlast Komunističke partije Jugoslavije. Ukazuje se na nejednoznačnost odnosa prema nasleđu ruske emigracije i različitu praksu.
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Dissertations / Theses on the topic "Ruská literatura"

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Vocelová, Kateřina. "Výtvarná koncepce filmu "Osudná vejce" podle povídky Michaila Bulgakova Osudná vejce (Rokovyje jajca, 1942). Adaptace ruské literatury ve světové kinematografii." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-177886.

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The context of my dissertation is an art concept of a period short story. It includes a theoretical, as well as a practical, part. The theoretical part concerns two movies and a TV series from world cinematography, as well as an example of a Czech movie; it evaluates and appraises the artistic aspect of each chosen example. The practical part includes my own art proposal for a short story Osudna vejce. I comment on my proposal, using images and providing examples of precedents. I describe the plot and show the sequence of scenes based on the text of the story.
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Astakhova, Anna. "Výtvarná koncepce filmu "Obydlený ostrov" podle knihy Arkadije a Borise Strugackých. Žánr sci-fi v ruské kinematografii." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-370732.

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The aim of this diploma thesis is the artistic and theoretical elaboration of the film of the genre of science fiction according to the book of Arkadije and Boris Strugacki. The thesis consists of two main parts, the theoretical and the own design of an art concept. The theoretical part deals with the definition of the science fiction genre, its historical development and also the analysis of creative approaches in the appearance of a foreign planet or the world of the future in Russian cinematography. I decided to analyze the variety of approaches in several selected films, where I focused on their art page, the use of the atmosphere and the film environment. The artistic part of the work contains its own art concept of the film.
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Magdová, Marcela. "Ruské "nové drama"." Doctoral thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-371621.

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The work focuses on the current Russian-language theatre writing, more precisely on its strongest and best-known fraction known as the “New Drama” movement. It questions the usage of the term itself as well as it outlines the historical development of Russian theatre, of drama of last twenty-five years and related events of the collapse of the Soviet Union and reflects the change of social paradigm. It describes the emergence of the phenomenon of "New Drama". It presents the names, institutions, general tendencies and its typology. In the second part, it puts emphasis on the production of four selected authors of the movement: Olya Mukhina, Ivan Vyrypayeva, Mikhail Durnyenkov and Yaroslava Pulinovich, whose works are analysed in detail. The analysis of the work of the four chosen authors and the context of its creation confirms the initial thesis of the gradual convergence of the original subcultural phenomenon with the mainstream. In conclusion, the thesis attempts to name the circumstances that led to the change of the authors’ strategies and thus generally to the transformation of the mainstream subculture.
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Jelena, Fej Lukić. "Esejistika Josifa Brodskog." Phd thesis, Univerzitet u Novom Sadu, Filozofski fakultet u Novom Sadu, 2016. http://www.cris.uns.ac.rs/record.jsf?recordId=101019&source=NDLTD&language=en.

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Doktorska disertacija Esejistika Josifa Brodskogza predmet istraživanja ima eseje piscanobelovca,J. Brodskog. U tezi je razmatranošezdeset dosada objavljenih eseja, u kojimadominira prevashodno književna, društvenopolitičkai geopolitička problematika. Oni sutematski podeljeni, na osnovu toga interpretiranii analizirani. Istraživanje nastoji da pružiodgovore na pitanja kojim se sve raznovrsnimtemama, idejama i umetničkim sredstvimaslužio ovaj rusko-američko-jevrejski pesnik.Ukazali smo i na recepciju eseja Brodskog - naZapadu, u Rusiji i kod nas. Disertacija je nastalaiz potrebe da se na jednom mestu istražicelokupna esejistika ovog velikog pisca, koja jedosada samo fragmentarno obraĎivana.
This dissertation focusses on the essays JosephBrodsky wrote in the United States between1971 and 1995, with a close examination ofsixty of those essays. The intent of this detailedanalysis is to provide answers as to whyBrodsky selected particular themes whenwriting his essays and assess how his work wasreceived by literary critics in the West, Russia,and Serbia. Ultimately, this dissertation is aresponse to the dearth of focusing on Brodsky’sessays, with an emphasis the works in Serbia
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Tiazhkun, Antonina. "Ruská poezie na počátku 21. století." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-368012.

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This diploma thesis is written on one of the least investigated and the least known areas of the Russian literature - contemporary Russian poetry. The aim of this thesis is to propose certain perception of, on one hand, the artistic patterns and contents, and, on the other hand, of the historical, cultural, social and aesthetic significance of the contemporary poetry. The key principles of the current poetic scene include the shift of the literary paradigm, aesthetic pluralism, and variety of the artistic styles. This work consists of three parts. The first chapter describes the theory of the forming of the post- Soviet literature, as well as its state after the second half of the 1980's until the present day, in the context of social, cultural and literary factors. The features and certain phenomena of the current literary process are also discussed within the first chapter. The second chapter examines the main aesthetic trends of the contemporary Russian poetry. The last part of the thesis provides the look upon the problematic and thematic characteristics as well as the stylistic features of the contemporary poetry. The research is based on the analysis of the works of some of the most outstanding contemporary Russian poets, which were included in the representative sample of this thesis: A....
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Melkonova, Anastasia. "Význam literárního salónu v Rusku epochy Alexandra I." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-373615.

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The master's thesis is devoted to the theme of the literary salon in Russia during the rule of Alexander I and its role and significance for Russian society in general and for literature in particular. In the thesis is described the main reasons of formation of this phenomenon in Russia and also is made analysis of its history from formation to loss of significance, where special attention is paid to the literary salon of the rule of Alexander I. To reveal the specifics of the literary salon were analysed the difference between the salons and societies and other forms of organization of literary life, difference between the salons owned by ladies or gentlemen and also difference between the St. Petersburg and Moscow literary salons. Keywords: History of Russian culture, 19th century, literary salon, Russian literature
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Škrétová, Barbora. "Odvrácená tvář lásky v ruské klasické literatuře." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-349515.

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The thesis is thematically defined by the phenomenon of prostitution as one of the oldest trade items. The theoretical part defines the key concept of the work, i.e. prostitution, as well as the relationship between society and this social issue. A brief overview of the history of the particular handcrafts follows with all the regulations and legislation through which the leading elities tried to suppress the existence of marketable love. The practical part deals in- depth with the approach to the concept of love in Russian philosophy of the late 19th and 20 th centuries which is reflected in the works of authors of selected literary works. For a more detailed analysis the following authors were chosen: The Darkness and Christians by Leonid Andreyev, The Event and Nadezhda Nikolaevna by Vsevolod Garshin, novelette The Pit by Alexander Kuprin and at last the short story Fit by Anton Chekhov. To understand better the approach of individual authors toward the topic of love, particularly this motif is analysed more deeply in a separate chapter. All above mentioned literary works are presented with their historical and cultural background and their subsequent adoption by the then critics.The actual display of markable love is for ease of illustration and understanding of the analysed texts based on several key...
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Ivanova, Anna. "Vnímání sovětské literatury ruskou emigrací: na materiálu periodika Volja Rossii." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-436555.

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This master thesis examines the heritage of the Prague journal Volja Rossii, one of the leading Russian emigration's periodical publications in 1920s, in terms of literary criticism. The research aims to describe the main tendencies in the perception of current socio-political processes of that era, as well as the Soviet literature and other cultural processes in SSSR of the interwar period, by the magazine's critics and columnists. Furthermore, this study includes biographical data, thematical and theoretical preferences in publications of the key personalities in the journal's editorial staff.
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Procházková, Barbora. "Ruská literatura v edici Světová četba nakladatelství Odeon v letech 1955-1970 a translatologická analýza románu Jurije Oleši Závist v překladu Anny Novákové." Master's thesis, 2006. http://www.nusl.cz/ntk/nusl-269911.

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Tématem mé diplomové práce je ediční politika nakladatelství Odeon, a to se zaměřením na vydávání ruské literatury v edici Světová četba. Cílem této práce je doplnění a upřesnění některých informací o ediční praxi tohoto našeho nejvýznamnějšího nakladatelského domu předlistopadové éry v oblasti vydávání překladové literatury. Translatologický rozbor jednoho z děl poslouží jako ukázka úrovně překladů zařazených do této edice. Diplomová práce je tedy strukturována do dvou částí. V první části, která má historicko-empirický charakter, se zabývám rusistickou produkcí zmíněného nakladatelství v edici Světová četba v období let 1955-1970, které v souvislosti s uvolněním kulturní politiky v šedesátých letech u nás může být v oblasti překladové tvorby považováno za nejpřínosnější a stále do jisté míry inspirativní. Druhá část má charakter spíše kriticko-empirický a je věnována translatologické analýze románu Jurije Oleši Závist v překladu Anny Novákové, jejíž osobnost je také pojítkem obou částí diplomové práce. (...)
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Tyulkina, Maria. "Koncepce dětství v próze F. Sologuba." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-306151.

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ТITLE The Concept of Childhood in Fyodor Sologub's prose ABSTRACT: This Master thesis deals with the topic of childhood in prose works of the Russian writer, novelist and teacher Fyodor Sologub. The research presents his biography, traces the development of his personality, as well as his perception of the world and interests. It focuses on the events, which determined the extent and significance of the chosen topic for Sologub. There are also revealed lesser known facts of his childhood that influenced his choice of the topics and its embodiment in his literary works. The writer's biography is complemented by the views of critics and contemporaries who studied his works and shaped public opinion. The main topics of the analysis are: dualistic vision of the world, children's death, faith in God, children's patriotism. The ideal world of children is presented in the novel The Created Legend. The thesis also reveals the popularity of the topic of childhood in other 19th and 20th century writers' oeuvre in comparative analysis with Sologub's work. It also depicts the importance of two literary movements - symbolism and decadence, their representative Sologub was. The questions raised by Sologub remain relevant to the present day. KEY WORDS: Russian literature, F. Sologub, Symbolism, Decadence, Childhood
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Books on the topic "Ruská literatura"

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Jehlička, Miloslav. Ruská literatura 19. století: (od konce 18. století do začátku 20. století). Praha: Univerzita Karlova, 1993.

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G, Masaryk T. Rusko a Evropa: Studie o duchovních proudech v Rusku. Prague: Ústav T.G. Masaryka, 1995.

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Kozhinov, Vadim Valerianovich. Ruski človek v iskanju resnice: Zgodovina Rusije in ruske besede. Ljubljana: UMco, 2013.

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Honzík, Jiří. Dvě století ruské literatury. Praha: Torst, 2000.

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Kosanović, Bogdan. Ruske teme. Novi Sad: Filozofski fakultet, 2009.

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Vuletić, Vitomir. Ruski klasici. Novi Sad: Orpheus, 2010.

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Pospíšil, Ivo. K teorii ruské literatury a jejím souvislostem. Brno: Masarykova univerzita, 2013.

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Kazakova, Svetlana. Ruski modernizŭm--avangard. Shumen: Izd-vo "Glauks", 1993.

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Mathauserová, Světla. Cestami staletí: Systémové vztahy v dějinách ruské literatury. Praha: Univerzita Karlova, 1988.

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Ruska književnost u svemiru. Zagreb: Disput, 2003.

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Book chapters on the topic "Ruská literatura"

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Marx, Agnieszka. "Masłowska, Dorota: Wojna polsko-ruska pod flagą biało-czerwoną." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13868-1.

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