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Relevant bibliographies by topics / Russell, George William

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Academic literature on the topic 'Russell, George William'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Russell, George William"

1

Marley, Jodie. "‘Invisible Gates Would Open’." Bulletin of the John Rylands Library 98, no. 1 (2022): 23–38. http://dx.doi.org/10.7227/bjrl.98.1.4.

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Yeats’s Blake criticism of the 1890s hinged on his knowledge of the esoteric and occult systems that he used as his framework for interpretation of the Romantic poet. This article examines The Works of William Blake: Poetic, Symbolic, and Critical (1893) and Yeats’s 1890s reviews of his contemporary Blake critics, as well as his relationship with the mystic poet and artist George William Russell (Æ), whom he repeatedly compared to Blake. Yeats’s emphasis on the importance of Boehme and Swedenborg in Blake’s system had a major influence on Blake’s critical legacy in the twentieth century, such

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2

Makaryshyn, Nadia. "THE PECULIARITIES OF IRISHISMS IN IRISH ENGLISH WITHIN THE PERIOD OF THE IRISH LITERARY REVIVAL (END OF THE 19TH – BEGINNING OF THE 20th CENTURY)." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 10(78) (2020): 211–14. http://dx.doi.org/10.25264/2519-2558-2020-10(78)-211-214.

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The article deals with the analysis of borrowings from the Irish language in Irish English within the period of the Irish literary revival (end of the 19th century – beginning of the 20th century) borrowed in the context of linguo-cultural communication. The article also examines the factors that affect the dynamics and productivity of such borrowings, among which – the absence of competitive equivalents in English, a necessity to establish social contacts between English and Irish speakers and cultures, the revival of Irish autochthonous elements, and others. Four main historic periods of bor

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Davis, Edward B. "Physics, Philosophy, and Theology: A Common Quest for Understanding. Robert John Russell , William R. Stoeger , George V. Coyne." Isis 81, no. 2 (1990): 396–97. http://dx.doi.org/10.1086/355446.

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Pilkevych, Andrii. "«SECONDARY SOURCES» OF CELTIC AND NORSE MODES IN MODERN POPULAR CULTURE THROUGH THE PRISM OF FANTASY." Ethnic History of European Nations, no. 69 (2023): 153–57. http://dx.doi.org/10.17721/2518-1270.2023.69.19.

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The article deals with the main sources of the modern fantasy genre, presented in the form of several blocks of borrowings. First of all, this is the influence of the figures of the «Celtic Revival», who were engaged the search, recording and systematization of mainly Irish, Scottish and Welsh tales, myths and a wide range of folklore material. This legacy was transformed into an original literary tradition characterized by a combination of legendary heritage with fictional art elements and authorial reworking. Examples of pseudo-translations from Celtic languages presented as authentic, such

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BROOKE, JOHN HEDLEY. "ROBERT J. RUSSELL, WILLIAM R. STOEGER S.J., GEORGE V. COYNE S.J. (eds.), Physics, Philosophy and Theology: a Common Quest for Understanding, Vatican City State 1988, 419 pp." Nuncius 5, no. 1 (1990): 299–302. http://dx.doi.org/10.1163/182539190x00903.

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Richmond, C., A. G. Allison, L. Bryce, et al. "Edward Parrish Radford Andrew Allison Qahtan Abdul-Rahman Al-Samarrai Stephen David Crabtree Kathleen Agnes Dru Drury Francis George Hattersley William Edgar Parkes Patrick Morries Gordon Russell Patrick McIlroy Smyth." BMJ 323, no. 7321 (2001): 1132. http://dx.doi.org/10.1136/bmj.323.7321.1132.

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Brown, Marina W., and John C. Darnell. "Pharaonic Inscriptions from the Southern Eastern Desert of Egypt. By Russell D. Rothe, William K. Miller, and George (Rip) Rapp. Winona Lake: Eisenbrauns, 2008. Pp. x + 504 + 452 figs. $89.50 (cloth)." Journal of Near Eastern Studies 72, no. 1 (2013): 125–37. http://dx.doi.org/10.1086/666912.

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Crawford, D. "Mobin Asghar Sarah Jayne Clarke (nee Cook) Arthur Hamilton Cook Leslie Dunbar Douglas George Arnott Eadie John Robinson Imrie Valentine Logue Stanley Farrant Russell Jenny Margaret Verinder (nee Rudge) Peter William Wells." BMJ 322, no. 7286 (2001): 618. http://dx.doi.org/10.1136/bmj.322.7286.618.

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KITLV, Redactie. "Bookreviews." New West Indian Guide / Nieuwe West-Indische Gids 83, no. 1-2 (2009): 121–86. http://dx.doi.org/10.1163/13822373-90002463.

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Afro-Atlantic Dialogues: Anthropology in the Diaspora, edited by Kevin A. Yelvington (reviewed by Aisha Khan)Central Africans, Atlantic Creoles, and the Foundation of the Americas, 1585-1660, by Linda M. Heywood & John K. Thornton (reviewed by James H. Sweet)An Eye for the Tropics: Tourism, Photography, and Framing the Caribbean Picturesque, by Krista A. Thompson (reviewed by Carl Thompson)Taíno Indian Myth and Practice: The Arrival of the Stranger King, by William F. Keegan (reviewed by Frederick H. Smith) Historic Cities of the Americas: An Illustrated Encyclopedia, by David F. Marley (r

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Berger, Edward. "Jazz Portraits: 2000–2010." Journal of Jazz Studies 7, no. 1 (2011): 77. http://dx.doi.org/10.14713/jjs.v7i1.10.

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Musicians featured in this collection of Ed Berger's photographs include Eric Alexander, Geri Allen, Billy Bang, Eddie Bert, Ray Bryant, Candido, Ron Carter, Marc Cary, Dave Douglas, Kurt Elling, Ned Goold, Wycliffe Gordon, Henry Grimes, Chico Hamilton, Roy Hargrove, Barry Harris, Jon Hendricks, Fred Hersch, Ingrid Jensen, Howard Johnson, Kidd Jordan, Teo Macero, Russell Malone, Branford Marsalis, Christian McBride, Grachan Moncur III, Paul Motian, Nicki Parrott, Les Paul, Jeremy Pelt, Houston Person, Riza Printup, Dizzy Reece, Eric Reed, Sam Rivers, Scott Robinson, Fred Staton, George Wein, F

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Dissertations / Theses on the topic "Russell, George William"

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Kuch, P. R. "A critical edition of G.W. Russell (AE)'s writings on literature and art." Thesis, University of Oxford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384734.

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Horrell, Douglas. "The engaging line: E. Mervyn Taylor's prints on Maori subjects." Thesis, University of Canterbury. Art History, 2006. http://hdl.handle.net/10092/891.

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E. Mervyn Taylor (1906-1964) was a pakeha artist whose prints drew influence from Maori culture and motif. He was one of a small number of artists who developed interest in Maori culture during the 1940s and 1950s. He expanded interest into detailed study of Maori culture, and interaction with Maori, and produced a significant body of prints on this subject during his career. Taylor's prints were acclaimed during his lifetime, but in the decades after his death, his reputation faded to the extent that he became relatively obscure. This persisted until the late 1980s, when art historical reasse

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Sorlin, Sandrine. "Des utopies linguistiques aux langues fantastiques : les cas de Orwell, Burgess, Hoban, et Golding." Lyon, Ecole normale supérieure, 2006. http://www.theses.fr/2006ENSF0032.

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Cette thèse s'intéresse aux utopies linguistiques théoriques et fictionnelles, depuis les "langues philosophiques" du XVIIe siècle jusqu'aux langues internationales du XXe siècle (elles-mêmes issues des projets de langues universelles du XIXè siècle), avant de s'attarder sur leurs avatars littéraires au XXe siècle. Quatre romans en particulier sont à l'étude : "Nineteen eighty-four" de George Orwell, "A clockwork orange" d'Anthony Burgess, "Riddley Walker" de Russell Hoban, et "The Inheritors" de William Golding. Ces oeuvres écrites dans un anglais altéré, modifié, déformé, sont analysés à la

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Books on the topic "Russell, George William"

1

Eglinton, John. A memoir of AE: George William Russell. 2nd ed. Coracle Press, 2008.

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Burris, Nancy Sue. The ancestry of George William Woods and Susanah Louise Russell: The journey from Mayflower to middle America. N.S. Burris, 1995.

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Russell, George William. Collected Poems Of George William Russell. Dickens Press, 2007.

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O'Brien and KAIN. George Russell (The Irish writers series). Bucknell University Press, 2001.

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Printed Writings by George W. Russell: A Bibliography. Northwestern University Press, 2018.

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6

AE (George W. Russell) a Study of a Man and a Nation. Nonsuch Publishing, 2006.

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7

(Editor), George William Russell, and Darwin Yarish (Editor), eds. The Man Who Was Ae: Memories and Recollections of George William Russell (Irish Literary Studies, 39). Barnes & Noble Imports, 1990.

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8

Kuch, Peter. Yeats and A.E. Colin Smythe Ltd, 1985.

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9

Meglin, Joellen A. Ruth Page. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190205164.001.0001.

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In Ruth Page: The Woman in the Work, the Chicago ballerina emerges as a highly original choreographer who sought the iconoclastic as she transgressed boundaries of genre, gender, race, class, and sexuality in her art. Her works were often controversial—and sometimes censored—even as she succeeded in roles usually reserved for men in the ballet world: choreographer, artistic director, and impresario. From extensive dramaturgical analysis of her most famous ballets—La Guiablesse, Frankie and Johnny, Billy Sunday, Revenge, The Merry Widow, Camille, Carmina Burana, and Alice—to embodied reconstruc

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Book chapters on the topic "Russell, George William"

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"Æ (George William Russell)." In Woven Shades of Green. Rutgers University Press, 2019. http://dx.doi.org/10.36019/9781684481415-020.

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2

"The Southern Manifesto (Declaration of Constitutional Principles)." In Schlager Anthology of Black America. Schlager Group Inc., 2021. https://doi.org/10.3735/9781935306627.book-part-186.

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On March 12, 1956, as the second anniversary of the U.S. Supreme Court case Brown v. Board of Education of Topeka (1954) approached, two politicians rose in Congress to make speeches: Senator Walter F. George (D-GA) in the Senate and Representative Howard Smith (D-VA) in the House of Representatives. They delivered the identical speech, titled Declaration of Constitutional Principles, which came to be referred to informally as the Southern Manifesto. Drafted by Senators Strom Thurmond of South Carolina and Richard Russell of Georgia, it had been toned down by Senator J. William Fulbright of Ar

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3

Larsen, Timothy. "The Minor Prophets." In The Fires of Moloch. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780191994869.003.0008.

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Abstract This chapter offers briefer sketches of the lives and ministries of the remaining eleven contributors to The Church in the Furnace: Frank Russell Barry (1890–1976), Philip C. T. Crick (1882–1937), (James) Geoffrey Gordon (1881–1938), James Owen Hannay (1865–1950), Bernard William Keymer (1876–1925), Frederick Brodie Macnutt (1873–1949), Thomas Wentworth Pym (1885–1945), Martin Linton Smith (1869–1950), Henry Kemble Southwell (1860–1937), Clifford Salisbury Woodward (1878–1959), and Edward Sydney Woods (1877–1953). This list includes a range of fascinating lives from the prolific Irish

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"[William Rathbone Greg], ‘The Newspaper Press’, Edinburgh Review, 102 (October 1855), 470—98 [470, 477—83]." In Victorian Print Media, edited by Andrew King and John Plunkett. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780199270378.003.0008.

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Abstract Greg (1809—81), Manchester mill owner, writer, and civil servant (in that order), was reputed for his commitment to politics, lack of interest in party politics, and faith in the idea of enlightened oligarchy. Greg wrote this review while earning his living as a writer after the failure of his mill. It was inspired by the first volume-length history of the press, F. K. Hunt’s The Fourth Estate (1850), R. Blakey’s just-published History of Political Literature, and an account of George III. The press in late 1855 was particularly confident. William Howard Russell of The Times was perce

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Klein, Alexander. "Psychology and Philosophy." In The Early Years of Mind. Oxford University PressOxford, 2025. https://doi.org/10.1093/oso/9780192869296.003.0003.

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Abstract This chapter compares visions for a scientific philosophy developed by three stalwarts of the nascent Mind: Alexander Bain, George Croom Robertson, and William James. The early journal often featured work whose methodology was broadly inspired by Herbert Spencer’s ‘synthetic philosophy’. (Russell later presented his ‘analytic philosophy’ in explicit opposition to Spencer.) Under Bain and Robertson, Mind published key works in this Spencerian vein. Bain and Robertson themselves developed Spencer style, inductivist visions of philosophy and of the associationist psychological science th

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Jones, Howard. "Wrapping the World in Fire." In American Civil Wars. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469631097.003.0003.

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Too often overlooked in the American Civil War was the crisis over foreign intervention and possible diplomatic recognition of the Confederacy as a sovereign nation. Outside observers watched events in America with great interest, some noting how the South’s struggle for independence could provide an example for their own aspirations for liberty. The controversy involved the central characters on the international scene: Abraham Lincoln and William Seward in Washington, Jefferson Davis in Richmond, Lord Palmerston and Lord John Russell in London, Napoleon III in Paris, and, perhaps a lesser kn

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Boomsma, Jacobus J. "A punctuated history of understanding social adaptation." In Domains and Major Transitions of Social Evolution. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780198746171.003.0001.

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Abstract Towards the mid 20th century, the so-called modern synthesis established evolutionary biology as a materialistic Darwinian and Mendelian science in terminology acceptable to systematists, geneticists, and paleontologists. This consensus is sometimes referred to as a neo-Darwinian synthesis, but that is misleading. A formal theory of adaptation and a phylogenetically controlled comparative method for analyzing adaptive states were lacking and developmental biology was left out. A neo-Darwinian synthesis combining all these approaches was not accomplished until the end of the 20th centu

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Keller, Morton, and Phyllis Keller. "The Faculty of Arts and Sciences." In Making Harvard Modern. Oxford University Press, 2001. http://dx.doi.org/10.1093/oso/9780195144574.003.0009.

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It was in his dealings with the Faculty of Arts and Sciences (FAS) that Conant’s attempt to create a more meritocratic Harvard met its severest test. Out of this often tumultuous relationship came one of Harvard’s most influential academic innovations: a system for the appointment of tenured faculty that became standard practice in American universities. Conant inherited a faculty that was not necessarily the nation’s best. Because of Lowell’s stress on undergraduate instruction, the number and proportion of tutors and instructors steadily increased during the 1920s. At the same time, many of

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Kart, Lawrence. "The Avant-Garde, 1949-196?" In The Oxford Companion To Jazz. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195125108.003.0034.

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Abstract Reacting to the music of alto saxophonist Ornette Coleman, who had arrived on the national scene less than a year before, composer George Russell explained in the course of a June 1960 dialogue with critic Martin Williams that “if there weren’t new things happening in jazz since Charlie Parker, jazz wouldn’t be ready to accept Ornette. . . . The way has been paved and the ear prepared by rather startling, though isolated, developments in jazz since the forties.” Russell knew what he was talking about, for he himself had created some of those pre-Coleman “new things.” And when he went

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Propst, Andy. "Theatrical Adventures On Screen and On- and Offstage." In They Made Us Happy. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190630935.003.0008.

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Betty Comden and Adolph Green found themselves in 1952 developing for MGM’s Arthur Freed a screenplay using pre-existing songs by Howard Dietz and Arthur Schwartz. The result was the movie The Band Wagon, which starred Fred Astaire and Cyd Charisse and was directed by Vincente Minnelli. Not long after they finished writing this they got an urgent call from Broadway director George Abbott. He was working on a new musical, and the show’s star, Rosalind Russell, did not like the songs that had been penned for it. He wondered if they might be willing to write a new score for the show with Leonard

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