Relevant bibliographies by topics / Russian and East European Literature

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Russian and East European Literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Russian and East European Literature"

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Layton, Susan. "Eros and Empire in Russian Literature about Georgia." Slavic Review 51, no. 2 (1992): 195–213. http://dx.doi.org/10.2307/2499527.

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In recent years a growing body of studies has analyzed the discursive practices used by Europeans to constitute the Asian, African and American Indian as the less civilized other. A most influential contribution has been Edward Said'sOrientalism.Although Said deals essentially with western responses to the Islamic east, his work contains many insights germane to nineteenth century Russian literature stimulated by tsarist expansion into the Caucasus. The Russian case, however, presents interesting variations on Said's model. Russia itself was only semi-europeanized, so that it was more problematic to build constructs of Asiatic alterity. The sense that there was no absolute division between “us” and the “Asiatics” produced extraordinarily ambivalent representations of Caucasian Muslim tribesmen in Russian literature. In “Ammalat- Bek,” for example, Alexander Marlinskii defended the tsarist conquest of the tribes as a European civilizing mission and yet expressed intense self-identification with the freedom and machismo of the Caucasian wild man.
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Nemec-Ignashev, Diane. "Soviet Russian and East European Post-Modernism." Slavic and East European Journal 31 (1987): 110. http://dx.doi.org/10.2307/307982.

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Bullard, Truman, and Gerald Abraham. "Essays on Russian and East European Music." Slavic and East European Journal 32, no. 2 (1988): 340. http://dx.doi.org/10.2307/308914.

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Russell, D. S. "Theological Literature for East European Baptists the Barclay Commentaries in Russian." Baptist Quarterly 32, no. 4 (January 1987): 199–201. http://dx.doi.org/10.1080/0005576x.1987.11751761.

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Frieberg, Annika. "Turizm: The Russian and East European Tourist under Capitalism and Socialism." Journal of Popular Culture 41, no. 3 (June 2008): 540–42. http://dx.doi.org/10.1111/j.1540-5931.2008.00534_3.x.

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Møller, Peter Ulf. "En kur mod bændelorm og gallomani: Intra-europæisk ‘occidentalisme’ i den russiske 1700-talsforfatter Denis Fonvizins komedie Brigaderen og hans rejsebreve fra Frankrig." K&K - Kultur og Klasse 37, no. 108 (August 22, 2009): 74–91. http://dx.doi.org/10.7146/kok.v37i108.21998.

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A Cure for Tapeworm and Gallomania: Intra-European ‘Ocidentalism’ in the Russian Comedy The Brigadier by Denis Fonvizin and in his Travel Letters from France:Is Europe destined to remain a unit without unity, because of its endlessly differentiated cultural patterns and its divided, centrifugal past? This question seems to emerge as the bottom line of Hans Magnus Enzensberger’s observations from seven European countries, in his famous Ach Europa from 1987. In the microstructure of the disunity, we find national stereotypes as an element of intra-European discourses. Roman Jakobson discussed the complex of intra-European reciprocal images from a structuralist point of view. He proposed a systematic study of »national characterology« as an element in the discourses and mentalities of the various European nations.Inspired by both of these works, the present article is a minor investigation into a major area within intra-European relations, namely the east-west divide. It discusses two works by the Russian 18th century writer Denis Fonvizin, his comedy The Brigadier and his travel letters from France. Both are anti-western classics in Russian literature, greatly appreciated by conservative nationalists in Fonvizin’s days, and later famously applauded by Dostoyevsky. However, for both works it turns out, somewhat paradoxically, that Fonvizin took inspiration from the arsenals of newly imported European ideas and literature. The travel letters offer several examples of stereotypical negative characterisations from Western travel writing about Russia now being used by Fonvizin to describe the French. Holberg’s comedy Jean de France was popular on the Russian stage, and Fonvizin transferred the frenchified fop to a Russian setting with great success. Both of his works became tools for a budding Russian »Occidentalism« of the intra-European kind.
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KIDIRNIYAZOV, DANIYAL S. "THE PEOPLES OF THE NORTH CAUCASUS IN RUSSIA'S FOREIGN POLICY IN THE 40-50S OF THE XIX CENTURY." CASPIAN REGION: Politics, Economics, Culture 66, no. 1 (2021): 50–59. http://dx.doi.org/10.21672/1818-510x-2021-66-1-050-059.

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Based on documentary material and scientific literature, the article highlights the place of the North Caucasus in Russia's foreign policy at the time under review. The progressive decline of Shah's Iran and Sultan's Turkey, and the active entry of Peter's Russia into the international arena put the question of the fate of the Caucasus, in particular the North Caucasus, in the circle of important problems of world politics in the period under study. Having become one of the main sources of contradictions in relations between Russia, Persia and the Ottoman Porte, the Caucasus, due to its important geostrategic positions, attracted the attention of the European leading powers - Britain and France. In addition, the role of Ottoman and Western emissaries in Russia's foreign policy during the period under study is considered. Western States, along with the implementation of the "Eastern barrier" policy in Europe, incited the confrontation of Iran and Turkey with the Russian Empire in the Caucasus in order to prevent the advance of St. Petersburg to the Caspian and Black seas, and Russia's exit to the middle East. To this end, the European powers sought to use the support b ases of the Ottoman Sultan and the Crimean Khan, created on the approaches to the North Caucasus in the XVI-XVII centuries. The contradictions between Britain and France on European Affairs, on the one hand, and between Iran and Turkey, on the other, did not exclude the possibility of temporary compromises between the rival States, which was also facilitated by the obvious anti - Russian orientation of their policy in the Caucasus. The Pro-Russian attitude of the local population in the Crimean war and their active desire to fight on the side of the Russian troops are also shown.
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Mandelstam, Osip, and Richard Lee Pierre. "The Wheat of Humanity." PMLA/Publications of the Modern Language Association of America 132, no. 3 (May 2017): 690–95. http://dx.doi.org/10.1632/pmla.2017.132.3.690.

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At the end of 1922, after years of revolution and civil war, the Soviet Union was formally incorporated, bringing areas of the former Russian Empire into an ostensibly unified conglomerate. Though conflicts continued to smolder, Spenglerian discourse from the area touted a flourishing Slavic East in opposition to a declining European West. For the thousands of Russians and other émigrés from the former Russian Empire living abroad in Europe, this opposition presented a conundrum: should their sympathies lie with their cultural home or with the West, where they experienced daily life?
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Feldman, Sara Miriam. "Jewish Simulations of Pushkin's Stylization of Folk Poetry." Slavic and East European Journal 59, no. 2 (2015): 229–45. http://dx.doi.org/10.30851/59.2.004.

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This article examines the prosody and other features of Hebrew and Yiddish translations of Eugene Onegin , which were composed as a part of Ashkenazi Jewish cultural movements in Eastern Europe, Russia, and Palestine. Russian literature played an important role within the history of modern literature in both Hebrew and Yiddish. Translating Russian literature tested the limits of the literary Yiddish and Hebrew languages. Due to the novel’s status in the Russian canon and its poetic forms, translating it was a coveted literary challenge for high-culture artistic production in Jewish languages. I examine this phenomenon using Pushkin’s simulation of folk poetry in the “Song of the Girls.” Due to the different social and textual functions of Yiddish and Hebrew, as well as their linguistic features, translatability of even formal characteristics differed from one Jewish language to another. The changes in Hebrew pronunciation during this period were reflected clearly in the changing limits of the ability of writers to translate Onegin . Though motivated by an inward-facing drive to produce modern and Western literature in one Jewish language or another, these translations were also a manifestation of the cultural bond between secular, East European Jewish intellectuals and Russian literature.
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Jobst, Kerstin S. "A Sacral and Mythical Landscape: The Crimea in the East European Context." Prace Filologiczne. Literaturoznawstwo, no. 9(12) cz.1 (July 4, 2019): 11–32. http://dx.doi.org/10.32798/pflit.105.

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The Crimean peninsula plays a decisive role as a mythical place both in literature(e.g. by Goethe, Pushkin, Mickiewicz) and in many (pre-)national contexts and narratives: in the early modern period, for instance, the Polish nobility had developed the idea of its Sarmatian ancestry, an ethnos which in antiquity settled in the Black Sea area and the peninsula. German-speaking intellectuals in the 19th century developed an “enthusiasm for the Crimean Goths”.They believed that they had discovered their ancestors in the Gothic Crimean inhabitants, who had been extinct since early modern times. But above all the National Socialists attempted to legitimize their political claims to the peninsula. The mythical and legendary narrations associated with the Crimea in Russian culture, however, were particularly effective: The alleged baptism of Grand Duke Vladimir in Chersones in 988, which is said to have brought Christianity to the Kievan Ruś, plays a central role here, as do the numerous writers who drew inspiration from the Crimea. These narratives were used also by Russian political agents to legitimize the annexation of the Crimea in 2014.
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Dissertations / Theses on the topic "Russian and East European Literature"

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Rose, Katherine Mae. "Multivalent Russian Medievalism: Old Russia Through New Eyes." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493416.

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This thesis explores representations of medieval Russia in cultural and artistic works of the late nineteenth and early twentieth centuries, with an eye to the shifting perceptions of Russia’s cultural heritage demonstrated through these works. The thesis explores the history of medievalism as a field of study and interrogates the reasons that medievalism as a paradigm has not been applied to the field of Russian studies to date. The first chapter is an investigation of architectural monuments incorporating Old Russian motifs, following the trajectory of the “Russian Style” in church architecture, one of the most prominent and best-remembered forms of Russian medievalism. Chapter two explores the visual representation of medieval Russian warriors, bogatyri, in visual and plastic arts, and the ways in which this figure is involved in the national mythmaking project of the nineteenth century. The third chapter focuses on the Rimsky-Korsakov opera, The Invisible City of Kitezh and the Maiden Fevroniya, investigating the ways that different medieval and modern elements come together in this work to present an aestheticized image of medieval Russia. In this analysis of diverse and far-ranging facets of Russian medievalism in the plastic, visual, literary and performing arts, the complicated relationship between medievalism and the prevalent discourse of nationalism is investigated, opening up new opportunities for scholarly intersections with other medievalisms – in Western Europe and beyond.
Slavic Languages and Literatures
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Kadyrbekova, Zaure. "Ecosystemic worldview in Russian fairy tales." Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121571.

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The majority of interpretations of literary animals focus on the animals' metaphoric or symbolic significance, overlooking the actual animal, which often completely disappears behind its metaphoric or mythological representation. Such traditional interpretations of animals expose the dominant anthropocentric focus of the humanities in general, and literary studies in particular. Yet, even as textual representations a lot of literary animals still exhibit some basic species-specific characteristics. By analyzing selected Russian fairytales through the animal studies perspective I will show that in a lot of Russian fairytales animals exercise their agency, retain their animal specificity and are involved in complex companionate relationships with humans. Such portrayal of animals in Russian fairytales warrants identifying traditional Russian worldview as ecosystemic – in which humans are positioned on an equal plane with other living beings. Given the insufficient number of interpretive works on Russian fairytales, and the lack of work on fairytale animals, the present application of animal studies to Russian folktales can be one of the first steps to filling this niche.
Les analyses des animaux dans la littérature se concentrent pour la plupart sur la signification de l'animal métaphorique ou symbolique et negligent par là même l'animal réel qui disparaît souvent derrière sa représentation métaphorique ou mythologique. Ces interprétations traditionnelles révèlent l'anthropocentrisme qui domine dans les sciences humaines en général, et les études littéraires en particulier. Pourtant, les animaux dans la littérature retiennent encore des caractéristiques spécifiques à leur espèce. En analysant certains contes de fées russes du point de vue des études animales, je vais montrer que les animaux gardent leur capacité d'être agent, qu'ils conservent leur spécificité animale et qu'ils sont impliqués dans des relations complexes comme compagnons des humains. Cette représentation des animaux dans les contes de fées russes montre que la vision traditionnelle du monde russe est écosystémique – c'est-à-dire que les humains sont sur un même plan d'égalité que les autres êtres vivants. Compte tenu du nombre insuffisant d'analyses sur les contes de fées russes, et du manque d'analyses sur les animaux dans les contes de fées en général, la présente étude représente une étape importante pour combler cette lacune.
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Krasnova, Irina. "Concept chest' in the Russian worldview Koncept chest'v russkoi iazykovoi kartine mira." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=92179.

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This thesis is a cross-disciplinary study of one of the culture-specific words important for a given society ("concepts") – concept chest' (honor) - that has a considerable weight in the Russian cultural tradition. The study aims to transcend disciplinary boundaries in order to examine the cultural construction of honor in the Russian Worldview. "Concept" is not just a lexical item but a distinctive "file" containing semantic and aesthetic information. "Concepts" reflect and pass on people's values, ideals, attitudes as well as a way of thinking about the world. They provide important clues to the understanding of culture. Elucidation of a concept chest' marked by a moral significance is thus able to provide a better understanding of a particular period of Russian cultural history – the first four decades of the nineteenth century.
The study analyzes the integrated structure of concept chest' which includes different components (Chapter 2). The analysis uses a variety of methods, including etymological and componential approaches, followed by an examination of relevant conceptual metaphors and the correlation between such concepts in the Russian Worldview as honor – conscience (chest' – sovest'), honor – dignity (chest' – dostoinstvo), honor – shame (chest' – pozor), conscience – shame (sovest' – styd). The gender component of concept chest' is also examined.
Since concept chest' is one of the key words of Russian Romanticism and has a culture-specific meaning that reflects society's past experience, Chapter 3 not only discusses the evolution of the concept connected to the cultural changes, but also traces the reconstruction of the concept chest' in the literary context of the period focusing on the works of K.Ryleev, A.Bestuzhev-Marlinskii, and M.Lermontov. Concept chest' was shaped in a gentleman's code of honor and bound to a dueling ritual (duel of honor) and gambling (debt of honor). Although it was the golden age of noble personal honor, the explication of the given notion in Lermontov's works shows the beginning of the concept's transformation that led to the subsequent devaluation of the meaning of chest' in society.
Cette thèse constitue une étude interdisciplinaire des mots spécifiques à une culture, qui sont importants pour une société donnée (des "concepts") – et plus précisément le concept tchest' (honneur), ayant un poids considérable dans la tradition culturelle russe. L'étude a comme but de transcender les frontières disciplinaires afin d'examiner la construction culturelle de l'honneur dans la perception russe du monde. Les « concepts » ne sont pas seulement des termes de vocabulaire, mais également des « dossiers » contenant de l'information sémantique et esthétique. Les « concepts » reflètent et transmettent des valeurs humaines, des idées, des attitudes, ainsi qu'une manière déterminée de percevoir le monde. Ils fournissent des pistes importantes permettant de comprendre une culture. L'élucidation du concept tchest' d'une perspective morale permet de mieux comprendre une période particulière de l'histoire culturelle russe, soit les premières quatre décennies du XIX siècle.
Cette étude analyse la structure intégrée du concept tchest' prenant en considération différents composants (chapitre 2). L'analyse utilisée s'appuie sur une variété de méthodes, incluant les approches étymologique et componentielle, suivies d'un examen de métaphores conceptuelles importantes et d'une corrélation des concepts dans la conception du monde russe tels que : honneur – conscience (tchest' – sovest'), honneur – dignité (tchest' –dostoinstvo), honneur – honte (tchest' – pozor), conscience – pudeur (sovest' – styd). Le composant du genre du concept tchest' est également abordé.
Étant donné que le concept tchest' est un des mots-clefs dans le romantisme russe et possède une signification culturelle qui reflète l'expérience sociale découlant du passé, le chapitre 3 discute non seulement de l'évolution du concept reliée aux changements culturels, mais aussi redéfinit le concept tchest' dans le contexte littéraire de cette période, se centrant sur les œuvres de K. Ryleev, A. Bestuzhev-Marlinskii et M. Lermontov. Le concept tchest' fut bâti dans le code d'honneur des gentilshommes et était relié à un rituel de duels (duels d'honneur) et de jeux (dettes d'honneurs). En dépit du fait que c'était l'époque dorée de l'honneur personnel des nobles, l'explication de ce concept dans l'œuvre de Lermontov montre le début de la transformation du concept qui a véhiculé la dévaluation subséquente de la signification de tchest' dans la société.
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Migdissova, Svetlana. "An analysis of a Russian cultural phenomenon: A.S. Pushkin's prisoner of the caucasus and beyond." Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=103520.

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This thesis is an analysis of works derived from Russian literature and cinematography as grouped by the morphemes 'kavkaz' and 'plen' in their titles. During the last 200 years at least ten such works have appeared, the most famous being Pushkin's Prisoner of the Caucasus. These have become a fascinating phenomenon of Russian culture and the goal of my study is to analyze the intertextual links among these works. The study as a whole is based on the approaches developed by Lotman, Barthes, Zholkovsky, Likhachev and others. Thus it takes into account the specific social, historical and cultural background, underlying the phenomenon. Motif structures and its significant elements, such as 'plen', 'smert', 'zhizn', 'zerkalo', etc. are also taken into account. This is new to scholarly literature and has not previously been attempted.
La thèse présente une analyse de contenu d'oeuvres issues de la littérature et du cinéma russes regroupées par l'apparition des morphèmes «kavkaz» et «plen» dans leurs titres. Depuis deux siècles, au moins dix œuvres similaires sont apparues dont la plus connue Prisonnier du Caucase d'Alexandre Pouchkine. Celles-ci sont devenues un fascinant phénomène de la culture russe et l'objectif de mon étude est d'analyser l'intertextualité des liens parmi ces œuvres. L'étude est basée dans son ensemble sur les approches développées par Lotman, Barthes, Zholkovsky, Likhachev, et autres. L'étude prend aussi en considération de façon spécifique l'arrière-plan social, historique et culturel, soulignant le phénomène. La structure des thèmes et ses éléments fondamentaux tels «plen», «smert», «zhizn», «zerkalo», etc. ont aussi été pris en considération. Cela est donc nouveau dans une publication académique et n'a jamais été tenté auparavant. Cette étude développe donc des clés d'interprétation pour ces textes. Elle réinterprète les thèmes sur lesquels les textes sont fondés et souligne les thèmes qui n'ont jamais été utilisés précédemment dans la littérature.
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Fouts, Jordan. "After the end of the line: apocalypse, post- and proto- in Russian science fiction since Perestroika." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=18304.

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This thesis examines concepts of history and culture in six texts published between 1986 and 2006, as they relate to the loss of Russia’s future, according to Mikhail Epstein, with the collapse of the Soviet Union. The works, paired by decade in three chapters, are Vladimir Voinovich’s Moscow 2042 (1987) and Andrei Bitov’s “Pushkin’s Photograph” (1989); Andrei Lazarchuk and Mikhail Uspenskii’s Look into the Eyes of Monsters (1998) and Tat’iana Tolstaia’s Slynx (2000); and Sergei Luk’ianenko’s “Girl with the Chinese Lighters” (2002) and Aleksei Kalugin’s “Time Backwards!” (2005). Though the authors are typically associated with different genres, all works make use of the cognitive estrangement characteristic of science fiction to forge a parable of current conditions, and thereby gain new insight into questions of history and culture. Given the nature and mood of the fall of Communism, apocalypse (or utopia, another end to history) is the dominant myth informing these visions, a further heuristic tool of science fiction. Through the conventions of the genre, notably the novum (Darko Suvin’s term for a new element shaping the imagined world) and its counterpart in Epstein’s kenotype (an expression of new social phenomena), the works typify their respective periods of perestroika, the post-Soviet 1990s and the early twenty-first century, as well as imagine social alternatives that move toward Epstein’s concept of a proto- era, a future for Russia after the future. What emerges from a unified study of these texts is the value their authors find in the tools of science fiction for renewing imagination and coming to terms with the unknown. To recognize the enduring potential of the future, its incompleteness and unknowability, is to challenge the very idea of the end of time – be it apocalyptic, utopian or postmodern.
Cette thèse examine les concepts de l’histoire et de la culture en six textes publiés entre 1986 et 2006, en relation avec la perte du futur Russe, selon Mikhail Epstein, suite à l’écroulement de l’Union Soviétique. En trois chapitres, les écrits sont classés par décennies comme suit : Moscow 2042 de Vladimir Voinnovich (1987) et Pushkin’s Photograph d’Andrei Bitov (1989); Look into the Eyes of Monsters d’Andrei Lazarchuck et Mikhail Uspenskii (1998)et Slynx par Tat’iana Tolstaia (2000); Girl with the Chinese Lighters par Sergei Luk’ianenko (2002) et Time Backwards! d’Aleksei Kalugin (2005). Malgré le fait que les auteurs sont habituellement associés à différents genres, l’ensemble de ces textes se servent de la caractéristique d’aliénation cognitive que la science fiction apporte afin de forger une parabole des conditions courantes, et ainsi acquérir un nouvel aperçu dans l’histoire et la culture. Étant donné la nature et l’athmosphère de la tombée du Communisme, l’apocalypse (ou l’utopie, autre fin à l’histoire) est le mythe dominant qui informe ces visions, un outil d’apprentissage supplémentaire de la science fiction. A travers la convention du genre, notamment le novum (terme utilisé par Darko Suvin pour décrire un nouvel élément formant le monde imaginaire) et son contrepartie kenotype d’Epstein (une expression d’un nouveau phénomène social), les écrits exemplifient leurs périodes respectives de perestroïka, les années ’90 post-Soviet et le début du vingt-et-unième siècle, ainsi qu’imaginer des alternatives sociales qui se rapprochent du concept de proto-era d’Epstein, un futur pour la Russie après le futur. Ce qui émerge d’une étude unifié de ces textes est la valeur que les auteurs trouvent aux outils de la science fiction pour renouveler l’imagination et venir à terme avec l’inconnu. De reconnaître le potentiel résistant du futur, l’incomplet et l’incon
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Schick, Christine Suzanne. "Russian Constructivist Theory and Practice in the Visual and Verbal Forms of "Pro Eto"." Thesis, University of California, Berkeley, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3616250.

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This dissertation aims in part to redress the shortage of close readings of Vladimir Mayakovsky and Aleksandr Rodchenko's joint project, the book Pro Eto. It explores the relationship between the book's visual and verbal aspects, treating the book and its images as objects that repay attentive looking and careful analysis. By these means this dissertation finds that the images do not simply illustrate the text, but have an intertextual relationship with it: sometimes the images suggest their own, alternative narrative, offering scenes that do not exist in the poem; sometimes they act as literary criticism, suggesting interpretations, supplying biographical information, and highlighting with their own form aspects of the poem's.

This analysis reveals Pro Eto's strong links with distant forms of art and literature. The poem's intricate ties to the book of Genesis and Victor Shklovsky's novel Zoo, written while the former literary critic was in exile in Berlin, evince an ambivalence about the manifestations of socialism in early-1920s Russia that is missing from much of Mayakovsky's work. At the same time Rodchenko's images, with their repeated references to Byzantine icons and Dadaist photomontage, expand the poem's scope and its concerns far beyond NEP-era Moscow. Thus my analysis finds that although Pro Eto is considered to be an emblematic Constructivist work, many of the received ideas about Russian Constructivism—the unswerving zeal of its practitioners, the utility of its production, and in particular the ideology-driven, sui-generis nature of the movement itself—are not supported by the book. Pro Eto's deep connections with art and literature outside of Bolshevik Russia contradict the idea—first set out by the Constructivists themselves and widely accepted by subsequent scholars—of Constructivism as an autochthonous movement, born of theory, and indebted neither to historical art movements nor to contemporary western ones. My analysis suggests that reading Pro Eto through the lens of Constructivist theory denies the work the richness, ambivalence and humor it gains when that theory is understood as being in conversation with artistic practice, rather than defining it.

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Kotsyuba, Oleh. "Rules of Disengagement: Author, Audience, and Experimentation in Ukrainian and Russian Literature of the 1970s and 1980s." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:23845486.

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Is there a direct correlation between the degree of an artist’s participation in ideologically defined discursive practices and the aesthetic value and expressive innovation of her or his work? How does the concept of the implied audience influence an author’s approach to the creative process? How relevant is the author’s own self-projection in her or his works to their aesthetic quality? Examining these and other questions, this dissertation studies the strategies of an artist’s engagement with or disengagement from repressive political systems which are understood here as mechanisms of putting forward demands regarding the artist’s creative output. Questions of late Socialist Realism and its national variants, ideological art, kitsch, mass literature, narodnytstvo (populism), “chimerical” (“whimsical”) prose, totalitarian culture, shistdesiatnytstvo (movement of the generation of the 1960s), and cultural heritage define the theoretical framework of the dissertation. The study discusses the period of the 1970s and 1980s in the Soviet Union, focusing on Ukrainian literature and its dynamics during the Stagnation Era and perestroika. Examples from Russian literature test the argument and provide opportunities for comparative analysis. Within Ukrainian literature of the 1970s and 1980s, the dissertation examines the prose works of Valerii Shevchuk and Volodymyr Drozd and poetry of Petro Midianka and Oleh Lysheha. Within Russian literature, the study discusses Liudmila Petrushevskaia’s prose works and Elena Shvarts’s poetry. The authors and their works illustrate the range of possible attitudes towards participation in the system of Soviet cultural production. Close readings of the authors’ representative works demonstrate how complex negotiations with the system are reflected in the aesthetic quality and expressive ability of literary works. The dissertation shows the significance of the author’s concept of the implied audience and her or his own self-projection as an author for the creative process and its outcome.
Slavic Languages and Literatures
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Mulcahy, Robert Alan. "A Hero of Two Times: Erast Fandorin and the Refurbishment of Genre." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1369768067.

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Chung, Bora. "Changing the shape of existence Utopia in Andrei Platonov's "Chevengur" and Bruno Jasienski's "I Burn Paris" /." [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3373500.

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Thesis (Ph.D.)--Indiana University, Dept. of Slavic Languages and Literature, 2009.
Title from PDF t.p. (viewed on Jul 6, 2010). Source: Dissertation Abstracts International, Volume: 70-10, Section: A, page: 3879. Adviser: Aaron B. Beaver.
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Pyanzina, Elizaveta Anatolyevna 1981. "Representation of the Peoples of the Caucasus in 20th Century Russian Literature and Cinematography." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11489.

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ix, 67 p.
For centuries, Russian writers have stressed the important role the Caucasus played in the Russian Empire. In the last few decades, much attention has been directed at the Caucasians in literary works and movies as a result of the two Chechen wars. This thesis addresses the evolution of the Caucasian theme in Russian literature beginning from the 18th century with a focus on the contemporary representation of the peoples of Caucasus, mainly Chechens, in three works: a Soviet-era movie by Leonid Gaidai, Kidnapping, Caucasian Style (1966); Vladimir Makanin's story, Captive of the Caucasus (1994) and Viktor Pelevin's story, Papakhi na bashniakh (1995). The central research question is to what degree contemporary authors have transformed the image of the Caucasians compared to the Romantic period. Of particular interest is the issue of Russia's self-representation in these works.
Committee in charge: Dr. Susanna Soojung Lim, Chairperson; Dr. Katya Hokanson, Member
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Books on the topic "Russian and East European Literature"

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The walls behind the curtain: East European prison literature, 1945-1990. Pittsburgh: University of Pittsburgh Press, 2012.

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The other East and nineteenth-century British literature: Imagining Poland and the Russian Empire. New York: Palgrave Macmillan, 2012.

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World, Congress for Central and East European Studies (5th 1995 Warsaw Poland). Twentieth-century Russian literature: Selected papers from the Fifth World Congress of Central and East European Studies. Houndmills, Basingstoke, Hampshire: Macmillan Press, 2000.

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1941-, McMillin Arnold B., ed. Aspects of modern Russian and Czech literature: Selected papers of the Third World Congress for Soviet and East European Studies. Columbus, Ohio: Slavica Publishers, 1989.

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New women's writing in Russia, Central and Eastern Europe: Gender, generation and identities. Newcastle upon Tyne: Cambridge Scholars Pub., 2012.

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World Congress for Soviet and East European Studies (4th 1990 Harrogate, England). New directions in Soviet literature: Selected papers from the Fourth World Congress for Soviet and East European Studies, Harrogate, 1990. New York: St. Martin's Press, 1992.

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World Congress for Soviet and East European Studies (4th 1990 Harrogate, England). The silver age in Russian literature: Selected papers from the Fourth World Congress for Soviet and East European Studies, Harrogate, 1990. New York, N.Y: St. Martin's Press, 1992.

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How we found America: Reading gender through East-European immigrant narratives. Chapel Hill: University of North Carolina Press, 1995.

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Kurennai︠a︡, N. M. Sot︠s︡ialisticheskiĭ realizm: Istoriko-kulʹturnyĭ aspekt : iz opyta vostochnoevropeĭskikh literatur 1930-1970-e gody. Moskva: Rossiĭskai︠a︡ akademii︠a︡ nauk, In-t slavi︠a︡novedenii︠a︡, 2004.

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Hobér, Kaj. Transforming East European law: Selected essays on Russian, Soviet and East European law. Uppsala: Iustus Förlag, 1997.

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Book chapters on the topic "Russian and East European Literature"

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Pałach-Rydzy, Małgorzata. "Developments in Russian Literature: Examining the Pre- and Post-Soviet Prose of Kazakh-Russian Writer Anatoly Kim." In Cultural Change in East-Central European and Eurasian Spaces, 195–207. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-63197-0_12.

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Oiva, Mila. "Topic Modeling Russian History." In The Palgrave Handbook of Digital Russia Studies, 427–42. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42855-6_24.

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AbstractTopic modeling is a highly useful method that can provide new ways to understand the past. In order to reach the full potential of the method, the researcher needs to understand the context, the specifics of the data, and how the algorithm works and know the research literature. This chapter demonstrates how topic modeling can be applied in the studies of Russian and East European history. It illustrates the choices a researcher will face and the needed steps for preparing a data set for topic modeling, and shows how the interpretation of topic modeling results works in practice. The chapter also addresses the question of the scattered nature of digitized collections of Russian history sources, and the associated challenges and opportunities in this context.
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Rothenbacher, Franz. "Russian Empire, Russian Soviet Federative Socialist Republic and Russian Federation." In The Central and East European Population since 1850, 869–924. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137273901_21.

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Nicholls, C. S., and Marrack Goulding. "The Russian and East European Centre." In The History of St Antony’s College, Oxford, 1950–2000, 44–58. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230598836_4.

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Cenedese, Marta-Laura. "Conclusion: A Russian Suite." In Palgrave Studies in Modern European Literature, 199–204. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-44203-3_10.

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Brewster, Dorothy. "American Attitudes Towards Russian Literature and Culture, 1880–1905." In East-West Passage, 110–37. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003130307-6.

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Cornis-Pope, Marcel. "East-Central European Literature after 1989." In Comparative History of Literatures in European Languages, 561–630. Amsterdam: John Benjamins Publishing Company, 2010. http://dx.doi.org/10.1075/chlel.xxv.50cor.

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Brewster, Dorothy. "English Attitudes Towards Russian Literature, as Contrasted with American, 1880–1905." In East-West Passage, 138–55. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003130307-7.

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Tudoroiu, Theodor. "East European Interactions: Russian Foreign Policy as Structural Constraint." In Brexit, President Trump, and the Changing Geopolitics of Eastern Europe, 37–89. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77920-1_3.

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Weiner, Csaba. "Russian Multinational Direct Investment in East Central European Countries." In Emerging-market Multinational Enterprises in East Central Europe, 153–95. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55165-0_6.

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Conference papers on the topic "Russian and East European Literature"

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Elepovа, Marina. "Comparative Aspect of Interpreting the History of Russian Literature in the First Third of the19th Century (on the Basis of Zhukovsky’s Translations)." In Proceedings of the International Conference on European Multilingualism: Shaping Sustainable Educational and Social Environment (EMSSESE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/emssese-19.2019.46.

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Roman, Monica, Bogdan Ileanu, and Mihai Roman. "A comparative analysis of remittance behaviour between East European and North African migrants." In International Conference on Eurasian Economies. Eurasian Economists Association, 2010. http://dx.doi.org/10.36880/c01.00189.

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The labour migration in Europe is a phenomenon with multiple effects, both positive and negative. Money sent by emigrants to their families is increasing their quality of life and has positive effects on the family relations; therefore it can be identified an increasing interest in the literature in studying such aspects. The purpose of the paper is to conduct a comparative analysis of the migrants’ propensity to sending money to the origin country. The study is based on data coming from the National Immigrant Survey of Spain (in Spanish: Encuesta Nacional de Inmigrantes – 2007). A total of 15,475 interviews were carried out. Moroccans, Romanians, and Ecuadorians represent 30% of the total number of immigrants resident in Spain. We employ a binary logistic regression model in order to identify the impact of socio-demographical factors on the probability of sending money abroad from Spain. Our aim is to identify cultural discrepancies in remittances sending, according to origin of migrants. We are mainly focusing on two large groups of respondents, which are North African and South Eastern Europe migrants. The variables employed are age of respondent, education, Intention to return in the country of origin, The period spent in Spain, gender of respondent, and the relation with the country of origin defined by the frequency of visits in the country. We identified similar patterns and also significant differences among the two groups.
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Meškova, Sandra. "THE SENSE OF EXILE IN CONTEMPORARY EAST CENTRAL EUROPEAN WOMEN’S LIFE WRITING: DUBRAVKA UGREŠIČ AND MARGITA GŪTMANE." In NORDSCI International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/nordsci2020/b1/v3/22.

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Exile is one of the central motifs of the 20th century European culture and literature; it is closely related to the historical events throughout this century and especially those related to World War II. In the culture of East Central Europe, the phenomenon of exile has been greatly determined by the context of socialism and post-socialist transformations that caused several waves of emigration from this part of Europe to the West or other parts of the world. It is interesting to compare cultures of East Central Europe, the historical situations of which both during World War II and after the collapse of socialism were different, e.g. Latvian and ex-Yugoslavian ones. In Latvia, exile is basically related to the emigration of a great part of the population in the 1940s and the issue of their possible return to the renewed Republic of Latvia in the early 1990s, whereas the countries of the former Yugoslavia experienced a new wave of emigration as a result of the Balkan War in the 1990s. Exile has been regarded by a great number of the 20th century philosophers, theorists, and scholars of diverse branches of studies. An important aspect of this complex phenomenon has been studied by psychoanalytical theorists. According to the French poststructuralist feminist theorist Julia Kristeva, the state of exile as a socio-cultural phenomenon reflects the inner schisms of subjectivity, particularly those of a feminine subject. Hence, exile/stranger/foreigner is an essential model of the contemporary subject and exile turns from a particular geographical and political phenomenon into a major symbol of modern European culture. The present article regards the sense of exile as a part of the narrator’s subjective world experience in the works by the Yugoslav writer Dubravka Ugrešič (“The Museum of Unconditional Surrender”, in Croatian and English, 1996) and Latvian émigré author Margita Gūtmane (“Letters to Mother”, in Latvian, 1998). Both authors relate the sense of exile to identity problems, personal and culture memory as well as loss. The article focuses on the issues of loss and memory as essential elements of the narrative of exile revealed by the metaphors of photograph and museum. Notwithstanding the differences of their historical situations, exile as the subjective experience reveals similar features in both authors’ works. However, different artistic means are used in both authors’ texts to depict it. Hence, Dubravka Ugrešič uses irony, whereas Margita Gūtmane provides a melancholic narrative of confession; both authors use photographs to depict various aspects of memory dynamic, but Gūtmane primarily deals with private memory, while Ugrešič regards also issues of cultural memory. The sense of exile in both authors’ works appears to mark specific aspects of feminine subjectivity.
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Antonova, Evgeniia Aleksandrovna. "Rusistika na Severo-Vostoke Rossii i v stranakh Aziatsko-Tikhookeanskogo regiona: innovatsionnye praktiki." In Scientific and Practical Conference. Publishing house Sreda, 2019. http://dx.doi.org/10.31483/r-21942.

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The collection presents the results of scientific and practical research of the authors, describes the best practices for solving problems of multicultural education and the study of Russian language and literature in the multilingual environment of the North-East of Russia, topical issues of Russian science in the countries of the Asia-Pacific region, education of the linguistic personality in the context of a dialogue of cultures, as well as ways of solving the scientific and practical tasks of social communications in a multicultural region are characterized. The research materials were tested and transmitted to the professional community in the framework of the IV International Part-time Scientific-Practical Conference (Yakutsk – Harbin, November 1–20, 2018). Propopsed for researchers, teachers of various educational organizations, students of advanced training courses, doctoral students, graduate students, undergraduates, bachelors of relevant areas of training, practitioners. Collection of scientific papers is prepared on the materials provided in electronic form, retains the author's edition.
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"The KGB’s Operation SIG: A 50-Year Campaign to Incite Hatred of Israel and Jews [Research in Progress]." In InSITE 2019: Informing Science + IT Education Conferences: Jerusalem. Informing Science Institute, 2019. http://dx.doi.org/10.28945/4357.

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Aim/Purpose: The paper explores the success of KGB Operation SIG to incite hatred for the purpose of overthrowing a democracy. Background: About 50 years ago, the KGB created the means to create upheaval in the middle east. This paper explores one such campaign and reveals some disinformation techniques in use today. Methodology: The paper brings together literature from many fields in its exploration of Operation SIG. Contribution: The paper reveals the role of the KGB in the PLO’s campaign to replace Israel with an Arab Muslim state Findings: Operation SIG is an early and extremely successful example of the Soviet/Russian campaign to disrupt democracy. Impact on Society: The recurrence of antisemitism, particularly on campus, can be attributed to Operation SIG.
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Omelyanenko, T. Z., N. A. Bagrikova, V. G. Kulakov, and Yu Yu Kulakova. "State of knowledge and research prospects of Iva xanthifolia Nutt. – alien species in the Crimean flora." In CURRENT STATE, PROBLEMS AND PROSPECTS OF THE DEVELOPMENT OF AGRARIAN SCIENCE. Federal State Budget Scientific Institution “Research Institute of Agriculture of Crimea”, 2020. http://dx.doi.org/10.33952/2542-0720-2020-5-9-10-36.

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The analysis of literature references on the history of dispersal of invasive plant Iva xanthifolia Nutt., as well as results of our own field observations in the Crimean Peninsula, are presented. Iva xanthifolia is invasive species in 10 European countries and in 46 regions of the Russian Federation. Study of herbarium specimens (YALT, SIMF) and our field studies have shown that the species is now widely distributed along embankments of highways and railways, along settlements and towns, in weedy and disturbed areas in the Republic of Crimea. The negative role of the species for the export of Russian grain in other countries is noted.
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Rezer, Tatiana. "Privacy Right as A Personal Value in an Information Society." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-76.

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The relevance of the topic is that the continuous and rapid increase in the role and volume of information in human life leads to the need to develop ways of protecting private information as a subject of personal property and personal value. Privacy is a natural human right and is enshrined in the European Convention on the Protection of Human Rights and Basic Freedoms, as well as in the Constitution of the Russian Federation. The regulation of the right to privacy is enshrined in the Russian Civil and Criminal Codes, which provide for legal liability for violations of this right. However, with regulations in place, the human element remains and often leads to leaks of private information, which destroys the personal value of the right. The article examines the concept of the right to privacy, its importance in the information society and human life, and the ways in which it can be protected. The aim of the study is to identify ways of protecting and complementing the right to privacy in the information society. The comparative legal analysis method allowed us to identify the mechanisms for the legal protection of the right to privacy. The case-analysis method enabled us to analyse Yandex’s data breach situation, while the content analysis method allowed us to make recommendations for protecting personal data. Main conclusions: the right to privacy as a personal value in the information society has not been sufficiently addressed in the scientific literature; self-protection as well as raising human legal awareness of information technology can be used as mechanisms to protect privacy.
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Sorgun, Mehmet, Jerome J. Schubert, Ismail Aydin, and M. Evren Ozbayoglu. "Modeling of Newtonian Fluids in Annular Geometries With Inner Pipe Rotation." In ASME 2010 3rd Joint US-European Fluids Engineering Summer Meeting collocated with 8th International Conference on Nanochannels, Microchannels, and Minichannels. ASMEDC, 2010. http://dx.doi.org/10.1115/fedsm-icnmm2010-31176.

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Flow in annular geometries, i.e., flow through the gap between two cylindrical pipes, occurs in many different engineering professions, such as petroleum engineering, chemical engineering, mechanical engineering, food engineering, etc. Analysis of the flow characteristics through annular geometries is more challenging when compared with circular pipes, not only due to the uneven stress distribution on the walls but also due to secondary flows and tangential velocity components, especially when the inner pipe is rotated. In this paper, a mathematical model for predicting flow characteristics of Newtonian fluids in concentric horizontal annulus with drill pipe rotation is proposed. A numerical solution including pipe rotation is developed for calculating frictional pressure loss in concentric annuli for laminar and turbulent regimes. Navier-Stokes equations for turbulent conditions are numerically solved using the finite differences technique to obtain velocity profiles and frictional pressure losses. To verify the proposed model, estimated frictional pressure losses are compared with experimental data which were available in the literature and gathered at Middle East Technical University, Petroleum & Natural Gas Engineering Flow Loop (METU-PETE Flow Loop) as well as Computational Fluid Dynamics (CFD) software. The proposed model predicts frictional pressure losses with an error less than ± 10% in most cases, more accurately than the CFD software models depending on the flow conditions. Also, pipe rotation effects on frictional pressure loss and tangential velocity is investigated using CFD simulations for concentric and fully eccentric annulus. It has been observed that pipe rotation has no noticeable effects on frictional pressure loss for concentric annuli, but it significantly increases frictional pressure losses in an eccentric annulus, especially at low flow rates. For concentric annulus, pipe rotation improves the tangential velocity component, which does not depend on axial velocity. It is also noticed that, as the pipe rotation and axial velocity are increased, tangential velocity drastically increases for an eccentric annulus. The proposed model and the critical analysis conducted on velocity components and stress distributions make it possible to understand the concept of hydro transport and hole cleaning in field applications.
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KOZLOVA, Natalia, Aleksandr BRIUKHANOV, Eduard VASILEV, and Ekaterina SHALAVINA. "ENVIRONMENTAL ASSESSMENT OF LIVESTOCK FARMS IN RUSSIA." In RURAL DEVELOPMENT. Aleksandras Stulginskis University, 2018. http://dx.doi.org/10.15544/rd.2017.189.

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The paper focuses on quantitative assessment of nitrogen flows in a livestock farm under transition to best available techniques BAT system in Russia. Comparative analysis of quantitative estimates of ammonia emissions from housing for dairy cows, fattening pigs, farrowing sows and laying hens was conducted using available literature data and information obtained through a survey of pilot livestock farms in Leningrad Region. Ammonia emission data for existing Russian enterprises were found in the range of BREF emission levels associated with BAT. The nitrogen farm-gate balance was calculated for the farm with 810 dairy cows, 2600 ha of agricultural land and milk yield of 22 kg/day. The nitrogen surplus was 48.3 kg/ha, which was below the limit values and indicated the possibility to increase the application amount of nitrogen fertilisers, however, nitrogen use efficiency of 0.21 was significantly below the European average. The viability of manure storage and spreading techniques recommended by European BREF, namely compost heaps covering and immediate incorporation of organic fertilisers after spreading, was estimated for this farm. The calculated values of total nitrogen losses are reduced by 20%; the saving of mineral fertilizers owing to higher nitrogen content in applied organic fertilisers can be 18 t / year. For the rough assessment of technologies on the initial stage of Russian reference books creation it is practicable to use the data from EU BREF on intensive rearing of pigs and poultry. When farms are assessed on the stage of integrated permits issue, it is feasible to use the measured air concentrations of hazardous substances along with the estimation of the whole-farm environmental impact by nitrogen use efficiency. For such estimates to be applied in Russia, the data needs to be collected and systematised for different categories of farms and for different climatic regions.
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Lugonjić, Marija. "Comparative Analysis of Medical Workers." In Organizations at Innovation and Digital Transformation Roundabout. University of Maribor Press, 2020. http://dx.doi.org/10.18690/978-961-286-388-3.33.

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Continuous Medical Education (CME) is becoming a minimum condition for adapting to today's changes and achieving success in professional and personal fields.The aim of this paper is a comparative analysis of CME in Serbia, the European Union, and the United Kingdom; US, Russian Federation and Iran. The aim of this comparative study was to assess the main countryspecific institutional settings applied by governments. Methods: A common scheme of analysis was applied to investigate the following variables: CME institutional framework; benefits and/or penalties to participants; types of CME activities and system of credits; accreditation of CME providers and events; CME funding and sponsorship. The analysis involved reviewing the literature on CME policy. Results: The US system has clear KME boundaries because it is implemented solely by credentialed institutions that organize dedicated meetings with the clear purpose of educating medical professionals.The European Union has not yet been able to reconcile the differences it has inherited from its members. Only "general" conditions are defined. Continuing medical education cannot be arbitrary, like any other organizational process. Everything has to be controlled in advance. Education in the Russian Federation is regulated by the law, Art. 2 and must be viewed as a whole. Doctors and healthcare professionals and their associates earn points through accredited continuing education programs for obtaining and renewing licenses of the Serbian Medical Chamber and KMSZTS - Chamber of Nurses and Health Technicians of Serbia. The Ordinance establishes the conditions for issuing, renewing and revoking the license for independent work, ie. License to Healthcare Professionals. (RS Official Gazette 102/2015) Conclusin: This comparative exercise provides an overview of the CME policies adopted by analyzed countries to regulate both demand and supply. The substantial variability in the organization and accreditation of schemes indicates that much could be done to improve effectiveness. Although further analysis is needed to assess the results of these policies in practice, lessons drawn from this study may help clarify the weaknesses and strengths of single domestic policies in the perspective.
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