Academic literature on the topic 'Russian Fantasy poetry'

The second part of the article explores particular examples of subversive books in American, Soviet, and Russian children’s literature as well as the revolutionary role of fantasy and innovative literary forms through different periods of the his­tory of the USA, the Soviet Union, and Russia. To show how children’s literature was often at odds with particular governments and common opinions, the article uses the examples of the American Left writings for young readers, the 1920s So­viet children’s prose and poetry, and contemporary Russian children’s books. The article discusses the various attempts of governmental censorship and control over this literature and the ability of writers and publishers to resist the ideological and political pressures.

This article focuses on traditions and innovations in Russian mass culture depicting the art space of Poland after the fall of the USSR. On the material of Russian detective stories, fantasy novels, rock poetry and rap lyrics the author reveals the mosaic image of Poland preserved in the sphere of concepts characteristic of Russian culture of the 90s of the 20th century and the first decades of the 21st century. This study can be a basis for further research in the context of current Geopolitical and Geocultural events which will have a long-term impact on the perception of Poland by Russian recipients.

The relevance of the lifted problem is caused as the interest of a modern philological thought in a phenomenon of the writer emigrant, and attention in aspects of Dionysian attitudes of literary artists. In the article research search is directed to studying of A. Shiryaev's interpretation of the tango phenomenon as the semiosis of passion and the epistem of Argentine culture. The open process represents at this stage the knowledge of the poetic heritage of the modern emigrant poet A. Shiryaev and requires close attention. The subject of analysis was the process of a mythologization by poetic consciousness of the poet emigrant of history of tragic death of the legendary performer of a tango Carlos Gardel. A. Shiryaev is creates the author's version of the myth about an idol of Argentina. The novelty of the presented material is due to the lack of study of strategies for identifying the author's consciousness of A. Shiryaev as an emigrant poet in the framework of the mastery of mythology and epistles of Latin American culture. The methodology of the study was the establishment of the poet's author's myth about the search for self-identification. The purpose of article is to reveal as in poem by A. Shiryaev «The Creole Thrush Sings Better and Better Every Day …» under construction as paraphrases of the glorified and tragic biography of Carlos Gardel. Reading of author's connotations is presented to interpretations of an image of the female phantom – madam Ivonne. The emphasized sexuality of Madame Ivonne is supplemented by the transformation of erotic codes into gastronomic codes. This subtext level is something like the author's comment. In the Shiryaev poetic fantasy, the metaphor of cannibalism is realized almost literally as an opportunity to eat Madame Ivonne the "flesh" of the burned Gardel. This aspect highlights demonic connotations in heroin, emphasizing the theme of vampirism. The study made it possible to draw the following conclusions. Pronounced metaphorical potential of lyrics of A. Shiryaev is the evidence of proximity author's consciousness of the poet emigrant of elements mysteriological Dionysian a discourse. The poetic myth by A. Shiryaev is characterized by proximity to Dionysian type of attitude and the transgressive nature of author's consciousness of the poet emigrant.