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Relevant bibliographies by topics / Russian formalism

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Academic literature on the topic 'Russian formalism'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 March 2023

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Journal articles on the topic "Russian formalism"

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Tchougounnikov, Serge. "European Formalism and Empiriocriticism: Formalism within the International Empiriocritical Movement." Linguistic Frontiers 3, no. 1 (June 1, 2020): 39–47. http://dx.doi.org/10.2478/lf-2020-0004.

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AbstractThis paper argues that Russian Formalism is to be considered a constitutive part of the international empiriocritical movement—Ernst Mach (1838—1916) and Richard Avenarius’s (1843—1896). The conceptual parallelism between Empiriocriticism and Formalism is striking indeed. Thus, the cornerstones of the empiriocritical approach—the concept of series [Reihe] and the concept of elements [Elemente], understood as sensations [Empfindungen]—are plainly recognizable within formalist theories: the notion of ‘series’ (for example, the notion of ‘literary series’ or ‘poetic series’, leading to the famous concept of ‘literariness’, literaturnost’) and the very formalist idea of a necessarily perceptible character of aesthetic form are only two, most famous, examples of this astonishing affinity. Here are some of the most striking convergences between Empiriocriticism and Formalism: the relativity of any knowledge; continuity between knowledge and perception; the pragmatic dominant; the leitmotif of ‘the Unsalvageable Ego’. Besides, the paper seeks to situate Russian Formalism within European Aesthetic German-speaking Formalism. This kind of formalism formulates some basic oppositions correlated to different types of forming being associated with specific means and specific formal devices to affect them. In this context, particular morphological features result in producing particular feelings conceived in the spatial or syntactic perspective. From its German-speaking analogue, Russian Formalism has inherited this relational and spatial definition of feelings and, largely speaking, of emotionality within art. Indeed, both formalisms treat emotion as a ‘non-subjective’, ‘kinetic’, ‘syntactic’ phenomenon located on the surface of aesthetic objects.

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Bogdanov, Alexei, and Andrzej Karcz. "The Polish Formalist School and Russian Formalism." Slavic and East European Journal 49, no. 3 (October 1, 2005): 509. http://dx.doi.org/10.2307/20058317.

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Lapidus, R. "THE AIMS AND ACHIEVEMENTS OF THE RUSSIAN FORMALISTS IN THE YEARS 1913-1925." East European Scientific Journal 3, no. 7(71) (August 11, 2021): 4–11. http://dx.doi.org/10.31618/essa.2782-1994.2021.3.71.94.

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The formalist groups which were active in Russia between the years 1913 and 1925 initiated the formalist method. This method has been shown to have had very significant consequences for the development of the humanities and to a certain degree also for the social sciences in the twentieth century. Although formalism was originally intended only as a method of research, it gave rise - even if indirectly and over many decades - to new conceptions in art and science as a whole. We will now examine the chief basic principles of Russian formalism as revealed in the sources of the period and we will look at its achievements from the vantage-point of more than a hundred years after it began.

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Lvoff, Basil. "Distant Reading in Russian Formalism and Russian Formalism in Distant Reading." Russian Literature 122-123 (May 2021): 29–65. http://dx.doi.org/10.1016/j.ruslit.2021.07.003.

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Gretchko, Valerij. "Aesthetic conception of Russian Formalism: the cognitive view." Sign Systems Studies 31, no. 2 (December 31, 2003): 523–32. http://dx.doi.org/10.12697/sss.2003.31.2.12.

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At present the theory of Russian Formalism becomes actual once again owing to the rapid development of cognitive science. Aesthetic theories recently put forward within the framework of cognitive science turned out to be consonant with the Formalist’s views on the general principles of artistic activity. In my paper I argue that (1) the theory of Russian Formalism contains a number of methodological assumptions that are close to a cognitive approach; (2) some of the main principles of the Formalist theory (e.g., “elimination of automatism of perception” or “the dominant”) permit the reformulation into cognitive terms; (3) such reformulation is not only possible, but useful because it makes the theory more powerful for explanation of the artistic phenomena. The findings from the new field of cognitive science not only prove some Formalist theses, but deepen and specify them as well.

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Ehre, Milton, and Peter Steiner. "Russian Formalism: A Metapoetics." Comparative Literature 38, no. 1 (1986): 90. http://dx.doi.org/10.2307/1770229.

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Galan, F. W., and Peter Steiner. "Russian Formalism: A Metapoetics." World Literature Today 59, no. 4 (1985): 617. http://dx.doi.org/10.2307/40142075.

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Zelnick, Stephen, and Peter Steiner. "Russian Formalism: A Metapoetics." Journal of Aesthetics and Art Criticism 44, no. 3 (1986): 303. http://dx.doi.org/10.2307/429746.

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Sukhikh, S. I. "The Fate of Russian Formalism (Russian Formalism as Understood by Foreign Critics)." Soviet Studies in Literature 21, no. 3-4 (July 1985): 29–38. http://dx.doi.org/10.2753/rsl1061-197521030429.

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Sorenson, Kaitlyn Tucker. "Experience as Device: Encountering Russian Formalism in the Ljubljana School." Slavic Review 79, no. 1 (2020): 93–114. http://dx.doi.org/10.1017/slr.2020.11.

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Russian Formalism and the Ljubljana School are two of the most influential Slavic contributions to global critical theory. Yet, cast as the prolegomena and coda of the short twentieth century's groundswell of critical theory, these two theoretical movements are rarely considered in tandem. This article seeks to challenge that perception on both historical and theoretical grounds. It begins by documenting the introduction of Russian Formalism to Slovene literary criticism, and then traces how the early Ljubljana School, while developing its own theoretical platform, was exposed to certain Formalist principles. After chronicling this historical encounter, the article concludes by considering how these two strains of Slavic critical theory might most productively intertwine, and proposes new ways of encountering Russian Formalism in the Ljubljana School.

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Dissertations / Theses on the topic "Russian formalism"

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Zbinden, Karine Gilberte Verena. "The cross-cultural transmission of works by Mikhail Bakhtin and the Bakhtin circle : missing sociality." Thesis, University of Sheffield, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369837.

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Fratto, E. "B.M. Ejchenbaum fra teoria letteraria e scrittura artistica : il romanzo Maršrut v bessmertie (1933)." Doctoral thesis, Università degli Studi di Milano, 2009. http://hdl.handle.net/2434/64286.

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This dissertation explores the “dialogic” interactions between literature and literary theory in Boris Eikhenbaum’s novel Marshrut v bessmertie (1933). Through a narratological and stylistic analysis of Eikhenbaum’s text, featuring a complex structure of thematic and intonational layers, and the definition of its role within the Russian literary milieu of the late 1920s, this research aims at showing how the novel stages its author’s meditations about both the limits and the possibilities of the newly-born Formal method and, at the same time, his searching for a new, post-formalist self-definition.

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Olenina, Ana. "Psychomotor Aesthetics: Conceptions of Gesture and Affect in Russian and American Modernity, 1910's-1920's." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10244.

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My dissertation focuses on the notion of “gesture” as a somatic manifestation of psychological experience. This view of movement was elaborated by late 19th-century psychologists, who gave up the metaphysical notion of the soul in favor of neuro-physiological approaches to behavior. My study shows how the new scientific discourse penetrated into a broader cultural sphere, generating wide interest in the question how the body participates in and reflects affective and cognitive processes. I examine the modes of recording, representing and interpreting body movement as “expressive.” Based on archival materials and periodicals, I chart out avenues by which the ideas and methods of physiological psychology reached artists and writers – a task, which involves evaluating institutional practices and cultural-political trends that promoted interdisciplinary engagements. Ultimately, my study demonstrates how scientific discourse transformed techniques of film acting, prompted film industries’ inquiries into spectators’ physical reactions, and spurred literary scholars’ investigations of poets’ intonation and body movement. Yet, rather than positing the direct influence of science, I attend to a variety of ways in which writers and artists reinterpreted, defamiliarized and resisted the positivist outlook brought forward by physiological psychology. In Chapter 1, I show how Viktor Shklovskii drew on William James’s theory of the corporeal experience of emotion and Wilhelm Wundt’s ideas on the gestural origin of language to discuss Russian Futurist poetry as a “ballet for the organs of speech.” Chapter 2 analyzes Boris Eikhenbaum’s essays on poetic declamation by placing them in the context of the Petrograd Institute of the Living Word. In this organization, Russian Formalists worked alongside speech therapists and psychologists, using parlograph records of poetry performances. I compare their methods of registering poetic intonations to similar endeavors by American phoneticians Edward Scripture and R.H. Stetson. Chapter 3 traces the origins of Lev Kuleshov’s system of film actors’ training, arguing that his ideas emerged at the juncture of avant-garde theater, Pavlovian reflexology, and labor efficiency movement. Chapter 4 considers psycho-physiological approaches to film spectatorship, focusing on American and Soviet efforts to assess the emotional responses of filmgoers by photographing their facial reactions and registering changes in their vital signs.

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Daly, Robert. "The scholar as scientist : Iurii Tynianov and the OPOiaZ." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:9a362e24-fc5b-447c-a740-8284a66c2a35.

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The present work deals with the literary-theoretical work of the Petrograd Formalists - those who participated in the OPOiaZ in the 1910s and early 1920s - with a focus on that oflurii Tynianov. It attempts to unpack the representation of their literary-theoretical work as 'science' [nauka] by exploring how that category was constructed in dialogue with their evolving conception of literature. It is argued in the first chapter that, for the duration of their project, they conceptualized the 'language of nauka' - and their own prose by association - in accordance with the laws of their theory of language. It is argued in the second chapter that, as the Formalists developed a theory of literary history as an endless succession of 'revolutions' in the period 1919- 24, they tried to make their theorization of that process take a correspondingly revolutionary form, one in which the sciences of nature and those of history would become one. It is argued in the third chapter that, as the Formalists came to theorize the connection between literature and life in the period 1924-30, they practised a new 'type' of nauka in the form of the authorial collection of articles, one in which their own work was historicized in a 'literary' manner. It is concluded that, for the OPOiaZ, nauka came into being as a function of its object: as the Formalists transformed their conception of literature, their realization of nauka was correspondingly transformed. The conclusion then problematizes the categorization of Formalism as a purely 'scientific', extra-'literary' movement, since emphasis is placed on their authorship of that categorization, and raises broader questions about the origin of modem 'literary theory'.

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Vaz, Valteir Benedito. "\"Conversa de bois\", de João Guimarães Rosa: uma leitura à luz poética do próprio autor." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-06112012-114750/.

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O objetivo deste trabalho, num primeiro momento, foi extrair das 65 cartas que João Guimarães Rosa remeteu à sua tradutora para o inglês, Harriet de Onís, durante a tradução de Sagarana, as linhas gerais que configuram sua poética. Um breve panorama da gênese e da recepção deste livro, seguidos pelos comentários às mencionadas cartas, abriu nossa pesquisa. Depois disso realizamos uma análise do conto Conversa de bois, oitava narrativa de Sagarana, enriquecida pelas declarações do escritor na referida correspondência em torno do seu processo de criação. Para complementar a análise e esclarecer certas questões relativas à técnica compositiva do autor não tratadas especificamente em sua poética, recorremos a alguns conceitos-chave de pensadores de diferentes tradições que, embora desenvolvidos em épocas distintas, encontram seu lugar nesse estudo do universo heteróclito criado por JGR. Uma atenção especial foi dada ao Formalismo Russo (Roman Jakobson (1896-1982), Viktor Chklóvski (1896- 1984), Iuri Tyniánov (1894-1943) e Ossip Brik (1888-1945)) cujos preceitos muitos deles em consonância com a poética rosiana foram uma referência válida para a metodologia de nossa análise.
The first, aim of this work was to draw the general lines that establish João Guimarães Rosas poetics from the 65 letters the author sent to his translator Harriet de Onís, during her English translation of Sagarana whose brief genetic and receptive panorama, together with Rosas epistolary remarks, open our research. After that, we performed an analysis of the short story Conversa de bois, Sagaranas eighth narrative, taking into consideration the mentioned writers informations about his creative process. To enlighten the analysis and clarify certain questions related to the author´s compositional technique, we made use of some key-concepts of thinkers from different traditions, which, in spite of belonging to different periods, found their place in this work about the heteroclite universe created by JGR. A special attention was given to Russian Formalism (Roman Jakobson (1896-1982), Viktor Chklóvski (1896-1984), Iuri Tyniánov (1894-1943) e Ossip Brik (1888-1945)) whose precepts many of them in consonance with Rosas poetics were a valid reference for the methodology of our analysis.

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Blinov, Evgeny. "Politique et la micropolitique de la langue." Thesis, Toulouse 2, 2014. http://www.theses.fr/2014TOU20075/document.

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L'objectif général de cette thèse était de développer le projet d'une recherche transversale dans le domaine des sciences sociales, instruite comme une philosophie politique du langage en mobilisant les concepts deleuziens, notamment celui de la micropolitique. Sa réalisation a demandé une contextualisation théorique et historique de la politique de la langue en France et en Russie - et en Union Soviétique -, compte tenu de l'importance exceptionnelle que les acteurs des deux grandes révolutions ont attribué à cette discipline. Selon l'hypothèse centrale de ce projet, la découverte de la micropolitique est le trait distinctif de chaque révolution, et c'est l'examen du "tissu moléculaire" autour de nouveaux centres de pouvoir qui rend possible le discernement des forces opérant la rupture politique, axiologique et épistémologique avec l'ancien régime. La recherche comparée des approches politiques de la langue en France et en Union Soviétique devait permettre d'éclairer leur rôle dans le contexte du nation-building républicain qui ouvre l'époque moderne, et dans la construction culturelle soviétique "nationale en forme, prolétaire en contenu" qui sert de modèle à la politique contemporaine de l'identité, particulièrement vis-à-vis des minorités. Le but de cette recherche fut enfin de présenter une nouvelle typologie des fonctions véhiculaires du langage qui se trouve au cœur du projet politique moderne
The general aim of this thesis is to develop a project of transversal research in the domain of social sciences that we designate as political philosophy of language by appealing to the concepts of the contemporary French philosophers Gilles Deleuze and Felix Guattari. The accomplishment of this task demands a theoretical and historical contextualization of language policy in France and Soviet Union in the revolutionary period with special attention to the importance attached to this field by the main politic-makers of bath countries. According to the central hypothesis of this project, the essential part of a revolution is the discovery of "molecular tissue" around the new canters of power that makes possible the mobilization of forces that will produce a political, axiological as well as epistemological rupture with an Old Regime. Comparative research of the language policies in France and the Soviet Union permits to reveal their impact on the republican "nation-building" which opens the so-called "political modernity" period and on the construction of the cultures "proletarian in content, national in form" in the Soviet republics. The latter is often used as the base for the contemporary politics of identity, especially concerning the minorities. Such research also opens a debate on the possibility of a "revolution in language", decidedly repudiated, by Saussure, and an analysis that makes possible an elaboration of a new typology of the vehicular functions of language

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Byrnes, Sionainn Emily. "Extraordinary Objects, Exceptional Subjects: Magic(al) Realism, Multivocality, and the Margins of Experience in the Works of Tom Robbins." Thesis, University of Canterbury. Humanities, 2015. http://hdl.handle.net/10092/10816.

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Through a critical examination of the works of Tom Robbins, this thesis interrogates the historical evolution and appropriation of the magic(al) realist tradition. In so doing, it situates Robbins’ writing within the framework of postmodernism, and explores the ontological implications inherent in Robbins’ use of magic(al) realist concepts and conventions. With a specific emphasis on the notion of cultural consciousness, this thesis analyzes the object- oriented cosmologies embodied and espoused in three of Robbins’ novels: Still Life with Woodpecker (1980), Skinny Legs and All (1990), and B is for Beer (2009). It unpacks the ideological figuration of various textual devices evident in Another Roadside Attraction (1971) and Even Cowgirls Get the Blues (1976) – particularly the gendered use of unreliable narrators – and, with reference to Jitterbug Perfume (1984), relates Robbins’ appropriation of the magic(al) realist tradition to the American counterculture movement of the 1960s and 70s. Employing poststructuralist, feminist, ecofeminist, and postcolonial discourses, this thesis ultimately seeks to position Robbins’ writing within the context of a radical emancipatory politics that views (and uses) literature as an ideological space in which to challenge, reinterpret, and democratize Western metanarratives.

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Glynn, Michael Anthony. "A novelist of delusion : Vladimir Nabokov's Bergsonian and Russian formalist affinities." Thesis, University of Exeter, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400914.

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Madina, Elguezabal Itziar. "Eñaut Etxamendiren obra narratiboaren (1964-2011) hurbilpen kritikoa." Thesis, Bordeaux 3, 2017. http://www.theses.fr/2017BOR30057.

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Né en 1935 à Estérençuby (Pyrénées Atlantiques), Eñaut Etxamendi est écrivain, poète et chanteur en langue basque. Dans son œuvre narrative, il décrit la société agraire du Pays Basque Nord – concrètement, la province de la Basse-Navarre – et son processus de désagrégation sociale et culturelle à partir des années 60. Quelle place accorder dans la littérature basque moderne à cette œuvre, qui sublime l'idylle détruite ? Quelle est sa place et son originalité au vu des productions des auteurs basques contemporains? Quelle part de l’œuvre d’Etxamendi se situe sous l’influence de la pensée nationaliste et quel peut bien être son degré de participation à la construction de mythes identitaires? Nous utilisons les concepts du formalisme russe pour décrire la structure, le matériau littéraire et le dynamisme de l'œuvre etxamendienne. Puis, nous interrogeons ces résultats par l'apport du post-formalisme et des propositions bakhtiniennes et tâchons de situer l'œuvre littéraire d'Eñaut Etxamendi dans son rapport à l'idylle détruite et au Cкaз. Finalement, nous faisons intervenir l'ethnocritique de la littérature et le post-colonialisme, afin d'inscrire l'œuvre littéraire d'Eñaut Etxamendi dans « la mémoire longue d’une communauté discursive » et dans le contexte particulier des années 1960-1990 qui alliait la vitalité politique à la vitalité culturelle. L’objectif de ce questionnement est d’approfondir dans la connaissance de l’œuvre d’un auteur mais aussi d’une région littéraire du Pays Basque encore trop peu étudiées
Eñaut Etxamendi was born in Esterençuby (Pyrénées Atlantiques, France), in 1935. He is a writer, poet an singer in basque language. In his literary work, Eñaut Etxamendi describes the agrarian society who was disappearing by the 60's in the North Basque Country – concretely in the province of Basse-Navarre – and the process of social and cultural disbanding that occured then.Where can be placed Eñaut Etxamendi's literary writing – sprung up in geographical and linguistic periphery – and its sublimated « idyllic chronotope » in basque modern literature ? Which is his originality comparing to other contemporary basque writer's works ? What is Etxamendi's part of work under nationalist theories's influence and up to which point has his literature pertained to the discourse of identity ? Our search is an attempt to improve knowledge of a few known author and few known literary area of Basque Country

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Tchougounnikov, Sergueï. "Entre "organicisme" et "post-structuralisme" : deux âges du discours russe-soviétique sur le langage et la littérature (1914-1993)." Paris, EHESS, 2002. http://www.theses.fr/2002EHES0033.

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Books on the topic "Russian formalism"

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The Polish Formalist school and Russian Formalism. Rochester, N.Y: University of Rochester Press, 2002.

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1893-1984, Shklovskiĭ Viktor, Shklovskiĭ Viktor 1893-1984, Tomashevskiĭ, B. V. (Boris Viktorovich), 1890-1957, and Ėĭkhenbaum Boris Mikhaĭlovich 1886-1959, eds. Russian formalist criticism: Four essays. Lincoln: University of Nebraska Press, 2012.

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undifferentiated, Tony Bennett, and Bennett Tony. Formalism and Marxism. London: Routledge, 2003.

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Lemon, Lee T. Russian formalist criticism: Four essays. Lincoln: University of Nebraska Press, 2012.

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Rimon, Helena. ha-Formalisṭim ha-Rusim: Russian formalists : merkaziyut shel shulayim. Bene Beraḳ: ha-Ḳibuts ha-meʼuḥad, 2019.

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Any, Carol Joyce. Boris Eikhenbaum: Voices of a Russian formalist. Stanford: Stanford University Press, 1994.

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Narrative strategies in African folktales: Revisiting the Russian formalism theory. Baltimore: PublishAmerica, 2012.

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1919-, Matejka Ladislav, and Pomorska Krystyna, eds. Readings in Russian poetics: Formalist and structuralist views. Normal, IL: Dalkey Archive Press, 2002.

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Aucouturier, Michel. Le formalisme russe. Paris: Presses universitaires de France, 1994.

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Literary structure, evolution, and value: Russian formalism and Czech structuralism reconsidered. Cambridge, Mass: Harvard University Press, 1989.

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Book chapters on the topic "Russian formalism"

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Dolezel, Lubomir. "Russian formalism: see Formalism, Russian." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk, 179–83. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-045.

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Buchbinder, David. "Russian Formalism." In Contemporary Literary Theory and the Reading of Poetry, 76–97. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-12843-3_5.

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Gorman, David. "Russian Formalism." In A Companion to Literary Theory, 36–47. Chichester, UK: John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118958933.ch3.

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Glynn, Michael. "Nabokov and Russian Formalism." In Vladimir Nabokov, 23–51. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-137-10907-1_3.

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Kolesnikoff, Nina. "Formalism: see Formalism, Russian; New Criticism; structuralism." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk, 52–60. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-018.

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Newton, K. M. "Russian Formalism and Prague Structuralism." In Twentieth-Century Literary Theory, 21–38. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19486-5_2.

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Davis, Todd F., and Kenneth Womack. "Russian Formalism, Mikhail Bakhtin, Heteroglossia, and Carnival." In Formalist Criticism and Reader-Response Theory, 39–50. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-1-4039-1916-8_3.

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Bleakley, Alan, and Shane Neilson. "What can Russian Formalism do for us lately? And other unapplications." In Poetry in the Clinic, 85–96. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003194408-6.

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Schmidt, Henrike. "From Samizdat to New Sincerity. Digital Literature on the Russian-Language Internet." In The Palgrave Handbook of Digital Russia Studies, 255–75. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42855-6_15.

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AbstractDigital literature on the Russian-language Internet includes a broad variety of phenomena, from online libraries to writers’ blogs, from hypertext to Internet memes. The chapter begins by clarifying the terms “digital literature” and “Runet,” drawing on a functional understanding of literature in the tradition of Russian Formalism. It embeds Runet literary studies into global contexts and gives an overview of essential phenomena (hypertext, fan fiction, blogging) and narratives. It analyzes local discourses, which, in turn, attempt to make sense of global communication technologies, for example, by conceptualizing digital self-publishing as samizdat, that is, the historical phenomenon of clandestine underground publication in the post-Stalin Soviet Union. The chapter concludes with an overview of research approaches and methods, both qualitative and quantitative, and of the challenges that future analysis will face.

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Kurzhanski, A. B., and T. F. Filippova. "On the Theory of Trajectory Tubes — A Mathematical Formalism for Uncertain Dynamics, Viability and Control." In Advances in Nonlinear Dynamics and Control: A Report from Russia, 122–88. Boston, MA: Birkhäuser Boston, 1993. http://dx.doi.org/10.1007/978-1-4612-0349-0_4.

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Conference papers on the topic "Russian formalism"

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Filimonov, A. B., and N. B. Filimonov. "Synthesis of Automatic Systems with Standard Dynamics on the Basis of Formalism Linear-Quadratic Optimization." In 2019 International Russian Automation Conference. IEEE, 2019. http://dx.doi.org/10.1109/rusautocon.2019.8867718.

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Leontyeva, N. N., M. V. Ermakov, S. A. Krylov, S. Yu Semenova, and E. G. Sokolova. "ON TRADITIONAL CONCEPTION AND UPGRADING OF ONE APPLIED SEMANTIC DICTIONARY." In International Conference on Computational Linguistics and Intellectual Technologies "Dialogue". Russian State University for the Humanities, 2020. http://dx.doi.org/10.28995/2075-7182-2020-19-1049-1064.

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The paper deals with upgrading of an electronic semantic dictionary of RUSLAN for automatic processing of Russian texts. The previous versions of the dictionary were created in the 1990-es and early 2000-es mainly for automatic processing of the Russian Federation’s state papers. Now the Authors inherit the basic formalism of the Dictionary, including the metalanguage and the structure of the dictionary entry. The current version is revised and enlarged in a number of ways. While the initial versions mostly predate the advent of corpus linguistics, the current version is based on corpus data. The Russian National Corpus was used as a source of sample sentences, as well as for determining statistically and empirically which linguistic information is pragmatically relevant. A structural representation for the sample sentences was designed, and a procedure for selecting lexical units from the corpus to use in a pragmatic description of polysemy. A formal representation of situations, previously outlined in the works of Nina N. Leontyeva, has also been detailed and largely realized. Among the lexicon, verbs in particular have received a more flexible description compared to the previous versions, and aspectual meanings are reflected with more nuance.

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Kharchenko, Irina I., Sofyua Yu Dutkina, and Elena A. Malneva. "THE ATTITUDE OF PARENTS TO SCHOOL, TO REFORMS IN THE RUSSIAN SYSTEM OF EDUCATION AND HOW DO THEY SEE THE FUTURE OF THEIR CHILDREN." In All-Russian Conference with International Participation "Education, Social Mobility, and Human Development: to the 90th Anniversary of Prof. L.G. Borisova". Novosibirsk State University, 2022. http://dx.doi.org/10.25205/978-5-4437-1383-0-182-199.

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The article was prepared on the empirical database of a sociological survey of schoolchildren’s parents in the Novosibirsk region. Re- 184 search tasks included the following: to involve opinion of parents about the ongoing changes in the Russian school system, about the quality of education, opportunities for personal progress in the framework of modern conditions, as well as about future plans and choice of profession. To obtain empirical information, a mixed technique was used: telephone survey (in the urban agglomeration) and traditional with a paper questionnaire (in 2 municipal districts of the region). In total, in 2018–2019 505 questionnaires were collected (data combined into one array). Most of the respondents generally answered well or rather well about the school where their child (or children) study, but very critically appreciated the results of the educational reforms being carried out in the country. At the same time, parents made a request to improve the quality of school education, reduce formalism in the educational process, increase the professionalism of teachers, improve methods, programs, textbooks and organization of the educational process, and they also expressed interest in expanding the areas of additional classes that develop the interests of schoolchildren. The vast majority of parents are sure that in modern Russian society the financial situation of the family is not decisive for the opportunities for the intellectual development of children, and it is also not necessary for this to live in a large city. Much more important, in their opinion, is the ability of the child and his (her) desire to study, as well as the efforts of the family aimed at the development of children, the cultural level and education of parents, as well as the quality of school education.

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Toldova, Svetlana, Dina Pisarevskaya, Margarita Ananyeva, Maria Kobozeva, Alexander Nasedkin, Sofia Nikiforova, Irina Pavlova, and Alexey Shelepov. "Rhetorical relations markers in Russian RST Treebank." In Proceedings of the 6th Workshop on Recent Advances in RST and Related Formalisms. Stroudsburg, PA, USA: Association for Computational Linguistics, 2017. http://dx.doi.org/10.18653/v1/w17-3604.

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Korzun, Dmitry G. "Service formalism and architectural abstractions for smart space applications." In CEE-SECR '14: Central and Eastern European Software Engineering Conference in Russia. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2687233.2687253.

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Goldobin, Denis S., and Lyudmila S. Klimenko. "Small and finite inertia in stochastic systems: Moment and cumulant formalisms." In 28TH RUSSIAN CONFERENCE ON MATHEMATICAL MODELLING IN NATURAL SCIENCES. AIP Publishing, 2020. http://dx.doi.org/10.1063/5.0003459.

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Bolshakova, Anastasia Sergeevna. "Digital necrophilia as a component of the modern "thanatological renaissance"." In All-Russian Scientific Conference with International Participation. Publishing house Sreda, 2023. http://dx.doi.org/10.31483/r-104663.

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The article attempts to consider the phenomenon of social necrophilia, described by Erich Fromm, from the angle of transformations taking place in the world in the digital age. Digitalization intensifies necrophilic tendencies of modern civilization: mechanization and robotization, dominance of the material, fixation on the past, etc.; contributes to an outbreak of interest in the once taboo subject of death, so it’s worth talking about digital necrophilia. It is noted that the virtual mode of being creates a wide range of opportunities for a fixed representation of one's Self (social networks), for the release of aggression (cyberbullying, cancelling), for the reorganization of funeral culture and the process of mourning (digital cemeteries, memorials). The anthropologization of technology, the formality and coldness of interpersonal relationships, transgressive games and cinema, the translation of long speech (Dialogue in its hermeneutic presentation) into a signed (fixed) form - all

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Efremova, Irina, Elena Koloyartseva, Egor Maslov, Yana Malinina, and Anastasia Shuvalova. "Extremism and terrorism: problems of legislative definition and criminal law countermeasures." In East – West: Practical Approaches to Countering Terrorism and Preventing Violent Extremism. Dela Press Publishing House, 2022. http://dx.doi.org/10.56199/dpcshssfmtm1665.

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The world community is undergoing significant changes. Along with positive development processes, there are also negative ones – extremism and terrorism. A comprehensive analysis of extremism and terrorism will make it possible to identify the problems of their legislative definition, legal regulation, criminal law counteraction and develop proposals for improvement of the current domestic legislation in this part. The research methodology is represented by the dialectical method, general scientific (logical, analysis, synthesis, systemic) and private scientific (formal legal) methods. Results of the study: it is proposed to define at the legislative level the terminology of the concepts of “extremism” and “extremist activity”, to make a legislative distinction and formalize their legal definition, as well as the legal definition of crimes of a terrorist nature (the latter should be defined in the footnote to Article 2054 of the Criminal Code of the Russian Federation, indicating the list specific criminal encroachments, adding this definition to the resolution of the Plenum of the Supreme Court of the Russian Federation dated July 28, 2011 No. 11); to separate the term “terrorism” from the term “extremist activity”. Conclusions: to distinguish the concept of extremism from extremist activity by amending specific regulatory legal acts and by-laws, to Formulate the concept of “extremism”, “crimes of a terrorist nature”. The novelty of the study is due to the non-trivial approach of the authors, which combines the innovations of domestic and foreign criminal law doctrine into a single complex to achieve the goal.

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Boguslavsky, Igor М., and Elena L. Vilinbakhova. "Proper names in the scope of metalinguistic negation." In Dialogue. RSUH, 2022. http://dx.doi.org/10.28995/2075-7182-2022-21-50-60.

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This paper analyses constructions with proper personal names negated metalinguistically, i.e. the objection is aimed not at the truth of the proposition (ne Vasja, a Kolja), but at the assertability of a linguistic expression (ne Vasja, a Vasilij Pavlovič). Our data from the Russian National Corpus shows, first, that metalinguistic negation constructions with proper names are used primarily to correct the representation of the referent which is associated with the particular form of naming, and the cases of correction of form only, such as linguistic mistakes, are by far less typical. Next, among the additional elements there is a prevalence of temporal markers, which indicates that metalinguistic negation constructions are commonly used to point to the change of the referent with time. Another observation is that the correction towards a more formal way of naming prevails over the opposite direction, showing that the lack of formality is regarded as a more serious mistake that the other way around. Finally, it turned out that in our sample the examples of self-correction prevail over the correction of others, which demonstrates a wider range of functions of metalinguistic negation than it was acknowledged in the previous studies.

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Levontina, I. B. ""UNDERSTATEMENT" AND SARCASM: LEXICALIZATION OF A RHETORICAL DEVICE." In International Conference on Computational Linguistics and Intellectual Technologies "Dialogue". Russian State University for the Humanities, 2020. http://dx.doi.org/10.28995/2075-7182-2020-19-529-540.

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Understatement is a rhetorical device, based on making a statement weaker than it could be made in a given situation (i.e. underrating, less confident, presented as unimportant). In modern Russian, especially in colloquial speech, an extremely popular rhetorical figure is a combination of understatement and sarcasm; recently, several new ways of forming this figure have appeared: na minutochku, esli chto, nichego chto..? [Eto na minutochku moya professiya; Eto, esli chto, moya professiya; A nichego, chto eto moya professiya?] ([literally This is my profession, for a minute; This is my profession, just in case; Doesn’t it mean anything that this is my profession?]). For some language units, the corresponding meaning is partially or completely lexicalized. So, na minutochku and na sekundochku do not initially possess a “degrading” sense (if it is not really about time, meaning that you need a tiny bit of time for something); they are always used sarcastically. That said, as opposed to na minutochku and na sekundochku, other word forms (na minutu, na minutku, na sekundu, na mig, na mgnovenie) are not used this way. Thus, here we have a completely lexicalized figure of speech. In general, sarcasm is extremely difficult to formalize. Therefore, detection of linguistic manifestations of sarcasm appears to be extremely valuable.

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