Relevant bibliographies by topics / Russian literature Literature

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Russian literature Literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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Journal articles on the topic "Russian literature Literature"

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Ryczkowski, J. "Russian literature." Applied Catalysis A: General 131, no. 2 (1995): N13. http://dx.doi.org/10.1016/0926-860x(95)80271-1.

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Ryczkowski, J. "Russian literature." Applied Catalysis A: General 136, no. 2 (1996): N14—N15. http://dx.doi.org/10.1016/0926-860x(96)80053-6.

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Hellie, Jean Laves. "Whither Russian Literature?" Soviet Studies in Literature 26, no. 4 (1990): 3–9. http://dx.doi.org/10.2753/rsl1061-197526043.

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Hirschberg, W. R., and Sona Aronian. "Russian Literature Triquarterly." World Literature Today 61, no. 2 (1987): 311. http://dx.doi.org/10.2307/40143194.

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Peretyatkin, G. F. "RUSSIAN EDUCATION AND RUSSIAN LITERATURE." Belgorod State University Scientific bulletin. Series "Philosophy. Sociology. Law" 43, no. 1 (2018): 62–73. http://dx.doi.org/10.18413/2075-4566-2018-43-1-62-73.

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Zakirov, Almaz Ildarovich, Rinat Ferganovich Bekmetov, Ilsever Rami, and Ildar Shaikhenurovich Yunusov. "Literature and ideology." Laplage em Revista 6, Extra-B (2020): 100–105. http://dx.doi.org/10.24115/s2446-622020206extra-b598p.100-105.

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The article examines the evolution of the perception of the image of Andrei Stolz, the hero of the novel by I.A. Goncharov's "Oblomov", in various ideological discourses of Russia and the West from the moment of the publication of the work to the present time. The figure of Andrei Stolz in various research practices evolves into a kind of mythologeme and ideologeme that helps explain many trends in modern life. This dynamics in the assessment of the hero is characterized by a vector of movement from complete rejection of Andrei Stolz (a non-Russian character of the novel, "alien", because he is German by ethnicity and Lutheran by religion, despite the fact that his mother is Russian) to instructions the fact that this particular hero is one of the most demanded personalities - not just carriers of the author's conceptual ideas, who believed that the "crossing" of Russian soulfulness and German practicality should create the "correct" type of human nature in Russia, but also exponents new era.
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Zakirov, Almaz Ildarovich, Rinat Ferganovich Bekmetov, Ilsever Rami, and Ildar Shaikhenurovich Yunusov. "Literature and ideology." Laplage em Revista 6, Extra-B (2020): 100–105. http://dx.doi.org/10.24115/s2446-622020206extra-b598p.94-99.

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The article examines the evolution of the perception of the image of Andrei Stolz, the hero of the novel by I.A. Goncharov's "Oblomov", in various ideological discourses of Russia and the West from the moment of the publication of the work to the present time. The figure of Andrei Stolz in various research practices evolves into a kind of mythologeme and ideologeme that helps explain many trends in modern life. This dynamics in the assessment of the hero is characterized by a vector of movement from complete rejection of Andrei Stolz (a non-Russian character of the novel, "alien", because he is German by ethnicity and Lutheran by religion, despite the fact that his mother is Russian) to instructions the fact that this particular hero is one of the most demanded personalities - not just carriers of the author's conceptual ideas, who believed that the "crossing" of Russian soulfulness and German practicality should create the "correct" type of human nature in Russia, but also exponents new era.
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Isakhanli, Hamlet. "Alchemy in Russian Literature." Khazar Journal of Humanities and Social Sciences 23, no. 2 (2020): 69–79. http://dx.doi.org/10.5782/2223-2621.2020.23.2.69.

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Along with sciences, alchemical activity heavily influenced literature and art, and the images of alchemists were widely reflected in the works of poets, writers, artists, philosophers, and scientists. In Eastern and Western literature of ancient, medieval, and modern times, alchemy, together with the intriguing images of alchemists, was used also as a source of vivid metaphors. This article is devoted to the subject of alchemy in Russian literature, investigating which writers were interested in it and how it was developed in Russia. Prominent Russian authors’ poetic and prosaic writings have been perused throughout the research paper and it is believed that the images of alchemists portrayed by Alexander Pushkin, Nikolai Gogol, Alexander Herzen, Nikolai Ogarev, Alexei Tolstoy, and Mikhail Bulgakov were of European origin.
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Vasilyeva, Ekaterina D., and Nadezhda M. Lebedeva. "Sino-Russian Intercultural Communication Research: Literature Review." RUDN Journal of Psychology and Pedagogics 17, no. 1 (2020): 51–63. http://dx.doi.org/10.22363/2313-1683-2020-17-1-51-63.

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International relations between China and Russia have a long-lasting history. At the same time interpersonal contacts between these two ethnic groups face difficulties associated with language, cultural distance, prejudices and other factors. This article presents a review of studies on the problem of Russian-Chinese intercultural interaction. Due to its interdisciplinary nature the studies are scattered both methodologically and with respect to its theoretical foundations. In this regard, we conditionally divide the considered works into four main areas: studying the perception of the image of Russia and China among Russians and Chinese, classification of Sino-Russian communication barriers, cross-cultural analysis of communication components, and indigenous concepts of Chinese psychology related to the process of intercultural interaction. A brief review of the modern research results gained by Russian and Chinese authors on effective communication and building trustful relationships is given. The results of studies revealing important differences at the level of verbal and non-verbal communication are presented. Particular attention is paid to cross-cultural research aimed at identifying etic and emic attributes of the situation of intercultural interaction. The most common approaches to understanding the concept of trust and its operationalization in Chinese studies are described. The importance of further studying mechanisms of building trustful relationships between representatives of the two countries is noted. In conclusion, unresolved problems and current trends in the study of intercultural communication are identified.
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San, Yun Li. "Korean Literature in Russia/USSR/Russian Federation." Азия и Африка сегодня, no. 4 (April 2019): 74–79. http://dx.doi.org/10.31857/s032150750004388-8.

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Dissertations / Theses on the topic "Russian literature Literature"

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Swartz, Howard M. "The Soviet-Afghan War in Russian literature." Thesis, University of Oxford, 1992. https://ora.ox.ac.uk/objects/uuid:1b5cf666-d10b-4df2-9a71-967cb98d5b46.

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This thesis is an historical and literary investigation of the treatment of the 1979- 89 Soviet-Afghan War in contemporary Russian literature. The texts chosen for study include official and unofficial literature, written within the former USSR as well as abroad, and cover publicistic writing, poetry, and prose fiction. These works are described and analyzed with a two-fold purpose: to explore creative trends found in the literature of this subject, and to evaluate the extent to which the genre of Afghan War literature in Russian has changed over the past decade. In order to provide a context for this literature, the introduction describes the method of socialist realism as it applies to military themes, and the legacy of World War Two novels in Russian. The first chapter provides a brief history of Russian-Afghan relations, and an account of the ten-year intervention. The second chapter documents the dissolution of official censorship during the 1980s, revealing dissent over the Soviet military role in Afghanistan. Chapter Three discusses the evolution of the genre of publicistic writing, and documents its unprecedented frankness through revelations made in Soviet journalistic investigations. Chapter Four provides an overview of song and poetry about the conflict, beginning with magnitizdat produced by amateur songwriters, and later including works by professional poets. Chapter Five discusses novels and short stories about the war. A range of fictional works is traced, from propagandistic portrayals, both pro-and anti-Soviet, to non-ideological, personal interpretations which incorporate lyricism, satire, and fantasy. Chapter Six focuses on the works of Aleksandr Prokhanov, a writer who initially used his fiction to support the war effort, and whose oeuvre charts the disintegration of Party consensus on interpretation and depiction of the events in Afghanistan. The final three chapters treat the works of Oleg Ermakov, whose lyricism and stylistic experimentation mark a new direction for recent Russian war fiction. The analysis shows Afghan War literature to signal a radical break with recent official Soviet military writing as shaped by socialist realism. This break is evident in the frankness and subjectivity of publicistic writing, and the anti-war sentiment found in a significant minority of published songs and poems. In particular, Oleg Ermakov's prose continues the past legacy of unofficial, dissident war fiction.
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Shank, Ashley C. "Composers as Storytellers: The Inextricable Link Between Literature and Music in 19th Century Russia." University of Akron / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=akron1290275047.

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Skomp, Elizabeth Ann. "Women and violence in postwar Russian literature." Thesis, University College London (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406677.

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Brooke, Angela. "Imagining England in Russian literature, 1855-1917." Thesis, University of Surrey, 2008. http://epubs.surrey.ac.uk/844622/.

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During the era of Russia's modernisation and industrialisation which spans from the death of Nicholas I to the Revolution of 1917, Russian thinkers saw Britain as a rival and a society to emulate. The concern with Britain found its way to the pages of Russia's literary prose fiction in the form of English characters and images of England's society. The dissertation gives an analytical study of the English in Russian literature, examining how they become the textual other in the quest to identify Russia's national self between 1855 and 1917. The dissertation argues that the promulgation of stereotypes of Englishness in Russia's prose literature relies upon images that had been established by the travel narrative in the initial stages of Russia's quest to define its national identity. Early attempts to define Russia's selfhood through travellers' perceptions of England between 1790 and the 1840s fostered an essentialised image of Englishness which the later writers cemented. The theoretical investigation of identity creates a foundation upon which our assessment has been formed. It involves the exploration of Russian national identity as it is implied through the images of England and the English: Evoking the critical framework of Said and the theories of Orientalism and Occidentalism, this dissertation studies the Russian literary productions of England and the English, of religion in England, of 'Englishness' as a form of social respectability, and also of the British Empire and the exportation of English values abroad.
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Protopopova, Darya. "Virginia Woolf and the Russians : Readings of Russian Literature in British Modernism." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.522785.

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Oliveira, Deise de. "Um mundo fora dos eixos: a literatura russa contemporânea através do Russian Booker Prize." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-16082012-122739/.

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Nosso projeto consiste na discussão sobre a literatura e cultura contemporânea na Rússia, especialmente a questão do Pós-modernismo, por um recorte específico: a análise das obras ganhadoras do concurso Russian Booker Prize com enfoque no processo de classificação adotado pelos júris , bem como um apanhado geral da premiação na Rússia. Para tal, analisaremos, em um primeiro momento, os pensadores e críticos mais representativos dessa prosa alternativa ou pós-moderna, sempre com um embasamento histórico. Entender o indivíduo pós-soviético será de fundamental importância para lidar com os temas e personagens dos romances vencedores. Em um segundo momento, nosso trabalho será o de investigar os critérios utilizados pela banca, a fim de tentar encontrar (se houver) algum ponto comum entre algumas das obras ganhadoras. Pensar em tais pontos será de suma importância para compreender os sistemas de valores dos críticos envolvidos nesse processo de premiação, além de colaborar para o enriquecimento de uma nova abordagem analítica da nova literatura russa e de alguns de seus nomes mais prolíficos.<br>Our project consists in the discussion of contemporary literature and culture in Russia, especially the question of post-modernism, by a specific focus: the analysis of the winning works of the Russian Booker Prize contest focusing on the process of classification adopted by the judges as well as a overview of the awards in Russia. To this end, we will analyze, at first, critical thinkers and most representative of this \"prose alternative\" or post-modern, always with a historical foundation. Understanding the individual post-Soviet is of fundamental importance to deal with the issues and characters of novels winners. In a second step, our work is to investigate the criteria used by banks in order to try to find (if any) a common point among some of the winning works. Think about these points will be extremely important to understand the value systems of the critics involved in the awards process, and contribute to the enrichment of a new analytical approach of the new Russian literature and some of its most prolific names.
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Smirnova, Daria, and Daria Smirnova. "The Petersburg Text in Russian Literature of the 1990s." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12526.

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The image of Saint Petersburg has influenced the imagination of Russian writers since the establishment of this city in 1703. Today, it is common to speak about the Petersburg Text in Russian literature that has its own mythology, imagery, and stylistics. However, the research in this sphere is predominately concentrated on works written before the second half of the 20th century. This thesis addresses the revival of the Petersburg mythology in the 1990s in works by such authors as Mikhail Veller, Andrei Konstantinov, and Marusia Klimova. It illustrates how the reinvention of traditional Petersburg themes contributed to the representation of the "wild 1990s" reality. It also examines the influence of mass media and popular culture on the development of Petersburg narration in terms of genre, style, and the creation of an author's public persona. The cultural significance of the cityscape in these works is of particular interest.
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Hine, Alyn Desmond. "Russian literature in the works of Mikhail Naimy." Thesis, SOAS, University of London, 2011. http://eprints.soas.ac.uk/14698/.

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Butler, Jennifer. "Ambiguity in nineteenth-century russian literature and opera." Online version, 2004. http://bibpurl.oclc.org/web/30681.

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Korovianska, Veronika. "Establishing National Identity in the Twentieth-Century China: Traces of Russian and Ukrainian Literature in the New Chinese Literature." Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23797.

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Russian literature is traditionally regarded as one that served a model and guide for Chinese intellectuals in developing their national literature. It is also recognized that Eastern European literatures drew much attention of Chinese intellectuals in their quest for national identity and modernization. This thesis is aimed at providing a more detailed look at the Chinese- Slavic literary discourse of the 1920’s, focusing on Russian literature as a recognized literary “authority” of the time, and Ukrainian literature as an example of a literature of an oppressed nation, which went under both Russian and Eastern European “labels” at the time. I argue that challenged by a deep social and political crisis, Chinese intellectuals were compelled to develop a unique form of national identity, basing it on two usually mutually exclusive forms of nationalism, which manifested itself in the literary works of the period.
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Books on the topic "Russian literature Literature"

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1969-, Vinit︠s︡kiĭ I. I︠U︡, ed. Russian literature. Polity, 2009.

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1931-, Lord Robert, ed. Russian literature: An introduction. Kahn & Averill, 1985.

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India in Russian literature. Motilal Banarsidass, 1985.

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Russian literature 1945-1988. O. Sagner in Kommission, 1989.

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Freeborn, Richard, and Jane Grayson, eds. Ideology in Russian Literature. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-10825-1.

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Rancour-Laferriere, Daniel, ed. Russian Literature and Psychoanalysis. John Benjamins Publishing Company, 1989. http://dx.doi.org/10.1075/llsee.31.

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Dobrenko, Evgeny, and Mark Lipovetsky, eds. Russian Literature Since 1991. Cambridge University Press, 2015. http://dx.doi.org/10.1017/cbo9781107705951.

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Brown, Edward James. Russian literature since the revolution. Harvard University Press, 2002.

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Stanton, Smith Gerald, ed. Uncollected writings on Russian literature. Berkeley Slavic Specialties, 1989.

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Russian literature: A brief insight. Sterling Pub. Co., 2010.

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Book chapters on the topic "Russian literature Literature"

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Seymour-Smith, Martin. "Russian Literature." In Guide to Modern World Literature. Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-06418-2_27.

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Vlček, Tomáš, and Martin Jirušek. "Literature Review." In Russian Oil Enterprises in Europe. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19839-8_2.

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Shaw, Claire. "Soviet memoir literature." In Reading Russian Sources. Routledge, 2020. http://dx.doi.org/10.4324/9781351184175-15.

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Spielrein, Sabina. "Russian Literature on Psychoanalysis." In Sabina Spielrein and the Beginnings of Psychoanalysis. Routledge, 2019. http://dx.doi.org/10.4324/9781315104324-12.

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Kovtun, George J. "Titanism and Russian Literature." In The Spirit of Thomas G. Masaryk (1850–1937). Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-10933-3_17.

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Cox, G. "Can a literature be neurotic?" In Russian Literature and Psychoanalysis. John Benjamins Publishing Company, 1989. http://dx.doi.org/10.1075/llsee.31.25cox.

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Glazov, Yuri. "Free Literature and Songs." In The Russian Mind Since Stalin’s Death. Springer Netherlands, 1985. http://dx.doi.org/10.1007/978-94-009-5341-3_8.

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Tihanov, Galin. "Bakhtin, Translation, World Literature." In The Palgrave Handbook of Russian Thought. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-62982-3_30.

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Freeborn, Richard. "Introduction." In Ideology in Russian Literature. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-10825-1_1.

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Maryniak, Irena. "The ‘new god-builders’." In Ideology in Russian Literature. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-10825-1_10.

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Conference papers on the topic "Russian literature Literature"

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Bakhtikireeva, Uldanai. "TRANSNATIONAL LITERATURE: RUSSIAN-LANGUAGE LITERATURE BY NON-RUSSIAN WRITERS." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/6.2/s27.076.

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Borisova, Valentina. "Intermedial Lessons On Russian Literature." In Humanistic Practice in Education in a Postmodern Age. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.11.24.

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Varbot, Zhanna. "About the origin of Russian сиволапый". У Slavic collection: language, literature, culture. LLC MAKS Press, 2019. http://dx.doi.org/10.29003/m.slavcol-2018/35-37.

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Mokienko, Valery. "«Czech-Russian phraseological dictionary»: life and destiny." In Slavic collection: language, literature, culture. LLC MAKS Press, 2019. http://dx.doi.org/10.29003/m.slavcol-2018/15-21.

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Vasiljeva, Elina. "RUSSIAN CHILDREN�S LITERATURE OF LATVIA." In 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.1/s27.070.

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Kudryavtseva, Olga. "Russian Classic Literature In Modern Advertisement." In Philological Readings. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.04.02.47.

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Luan, Luan. "Child Discourse In Russian Childish Literature." In International Scientific Congress «KNOWLEDGE, MAN AND CIVILIZATION». European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.05.132.

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Kabanova, Svetlana. "Verbs with the meaning of pain in Russian and Serbian." In Slavic collection: language, literature, culture. LLC MAKS Press, 2019. http://dx.doi.org/10.29003/m.slavcol-2018/38-45.

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Ivanova, Irina. "Punctuation in adverbial participle phrases in Serbian in comparison with Russian." In Slavic collection: language, literature, culture. LLC MAKS Press, 2019. http://dx.doi.org/10.29003/m.slavcol-2018/265-272.

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Dvorecka, Inna. "PERCEPTION OF RUSSIAN LITERATURE IN LATVIAN SOCIETY." In 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.1/s27.066.

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Reports on the topic "Russian literature Literature"

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Baranchikov, Yuri N., Galina N. Nikitenko, and Michael E. Montgomery. Russian and Ukrainian literature on the gypsy moth: an annotated bibliography. U.S. Department of Agriculture, Forest Service, Northeastern Research Station, 1998. http://dx.doi.org/10.2737/ne-gtr-253.

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Baranchikov, Yuri N., Galina N. Nikitenko, and Michael E. Montgomery. Russian and Ukrainian literature on the gypsy moth: an annotated bibliography. U.S. Department of Agriculture, Forest Service, Northeastern Research Station, 1998. http://dx.doi.org/10.2737/ne-gtr-253.

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