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Journal articles on the topic 'Russian literature Literature'

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Published: 4 June 2021
Last updated: 9 February 2022

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1

Ryczkowski, J. "Russian literature." Applied Catalysis A: General 131, no. 2 (1995): N13. http://dx.doi.org/10.1016/0926-860x(95)80271-1.

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2

Ryczkowski, J. "Russian literature." Applied Catalysis A: General 136, no. 2 (1996): N14—N15. http://dx.doi.org/10.1016/0926-860x(96)80053-6.

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3

Hellie, Jean Laves. "Whither Russian Literature?" Soviet Studies in Literature 26, no. 4 (1990): 3–9. http://dx.doi.org/10.2753/rsl1061-197526043.

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4

Hirschberg, W. R., and Sona Aronian. "Russian Literature Triquarterly." World Literature Today 61, no. 2 (1987): 311. http://dx.doi.org/10.2307/40143194.

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5

Peretyatkin, G. F. "RUSSIAN EDUCATION AND RUSSIAN LITERATURE." Belgorod State University Scientific bulletin. Series "Philosophy. Sociology. Law" 43, no. 1 (2018): 62–73. http://dx.doi.org/10.18413/2075-4566-2018-43-1-62-73.

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6

Zakirov, Almaz Ildarovich, Rinat Ferganovich Bekmetov, Ilsever Rami, and Ildar Shaikhenurovich Yunusov. "Literature and ideology." Laplage em Revista 6, Extra-B (2020): 100–105. http://dx.doi.org/10.24115/s2446-622020206extra-b598p.100-105.

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The article examines the evolution of the perception of the image of Andrei Stolz, the hero of the novel by I.A. Goncharov's "Oblomov", in various ideological discourses of Russia and the West from the moment of the publication of the work to the present time. The figure of Andrei Stolz in various research practices evolves into a kind of mythologeme and ideologeme that helps explain many trends in modern life. This dynamics in the assessment of the hero is characterized by a vector of movement from complete rejection of Andrei Stolz (a non-Russian character of the novel, "alien", because he is German by ethnicity and Lutheran by religion, despite the fact that his mother is Russian) to instructions the fact that this particular hero is one of the most demanded personalities - not just carriers of the author's conceptual ideas, who believed that the "crossing" of Russian soulfulness and German practicality should create the "correct" type of human nature in Russia, but also exponents new era.
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7

Zakirov, Almaz Ildarovich, Rinat Ferganovich Bekmetov, Ilsever Rami, and Ildar Shaikhenurovich Yunusov. "Literature and ideology." Laplage em Revista 6, Extra-B (2020): 100–105. http://dx.doi.org/10.24115/s2446-622020206extra-b598p.94-99.

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The article examines the evolution of the perception of the image of Andrei Stolz, the hero of the novel by I.A. Goncharov's "Oblomov", in various ideological discourses of Russia and the West from the moment of the publication of the work to the present time. The figure of Andrei Stolz in various research practices evolves into a kind of mythologeme and ideologeme that helps explain many trends in modern life. This dynamics in the assessment of the hero is characterized by a vector of movement from complete rejection of Andrei Stolz (a non-Russian character of the novel, "alien", because he is German by ethnicity and Lutheran by religion, despite the fact that his mother is Russian) to instructions the fact that this particular hero is one of the most demanded personalities - not just carriers of the author's conceptual ideas, who believed that the "crossing" of Russian soulfulness and German practicality should create the "correct" type of human nature in Russia, but also exponents new era.
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8

Isakhanli, Hamlet. "Alchemy in Russian Literature." Khazar Journal of Humanities and Social Sciences 23, no. 2 (2020): 69–79. http://dx.doi.org/10.5782/2223-2621.2020.23.2.69.

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Along with sciences, alchemical activity heavily influenced literature and art, and the images of alchemists were widely reflected in the works of poets, writers, artists, philosophers, and scientists. In Eastern and Western literature of ancient, medieval, and modern times, alchemy, together with the intriguing images of alchemists, was used also as a source of vivid metaphors. This article is devoted to the subject of alchemy in Russian literature, investigating which writers were interested in it and how it was developed in Russia. Prominent Russian authors’ poetic and prosaic writings have been perused throughout the research paper and it is believed that the images of alchemists portrayed by Alexander Pushkin, Nikolai Gogol, Alexander Herzen, Nikolai Ogarev, Alexei Tolstoy, and Mikhail Bulgakov were of European origin.
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9

Vasilyeva, Ekaterina D., and Nadezhda M. Lebedeva. "Sino-Russian Intercultural Communication Research: Literature Review." RUDN Journal of Psychology and Pedagogics 17, no. 1 (2020): 51–63. http://dx.doi.org/10.22363/2313-1683-2020-17-1-51-63.

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International relations between China and Russia have a long-lasting history. At the same time interpersonal contacts between these two ethnic groups face difficulties associated with language, cultural distance, prejudices and other factors. This article presents a review of studies on the problem of Russian-Chinese intercultural interaction. Due to its interdisciplinary nature the studies are scattered both methodologically and with respect to its theoretical foundations. In this regard, we conditionally divide the considered works into four main areas: studying the perception of the image of Russia and China among Russians and Chinese, classification of Sino-Russian communication barriers, cross-cultural analysis of communication components, and indigenous concepts of Chinese psychology related to the process of intercultural interaction. A brief review of the modern research results gained by Russian and Chinese authors on effective communication and building trustful relationships is given. The results of studies revealing important differences at the level of verbal and non-verbal communication are presented. Particular attention is paid to cross-cultural research aimed at identifying etic and emic attributes of the situation of intercultural interaction. The most common approaches to understanding the concept of trust and its operationalization in Chinese studies are described. The importance of further studying mechanisms of building trustful relationships between representatives of the two countries is noted. In conclusion, unresolved problems and current trends in the study of intercultural communication are identified.
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10

San, Yun Li. "Korean Literature in Russia/USSR/Russian Federation." Азия и Африка сегодня, no. 4 (April 2019): 74–79. http://dx.doi.org/10.31857/s032150750004388-8.

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11

Bali, Morad. "Contemporary Literature Review of the Russian Rouble Determinants." Economics. Law. Innovaion, no. 1 (March 30, 2021): 26–31. http://dx.doi.org/10.17586/2713-1874-2021-1-26-31.

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This short literature review’s goal is to examine available papers regarding the study of Russian Rouble determinants. For purpose of analysis, 35 articles were studied among which 22 were selected, for a total of 414 pages shelled. This work analyzes most recent empirical articles, in order to identify factors responsible for the Russian currency fluctuations. Different models will be compared to learn if some are more effective than others, from basic Linear regression to Structural vector autoregressive, through Ordinary least squares or Vector error correction models. Moreover, a very special and particular attention will be paid to variables used. Which combinations of variables are used to study factors influencing the Russian currency? While it seems vital to include oil prices, interest rate, and consumer price index, is it important to have them all together in the same model? Are results among papers similar? In addition, would it be necessary to add variables such as GDP, gold price, gas price, M2 aggregate or sanctions? However, this paper will compare data from each model and try to find out if there is one best way to study the Russian currency determinants.
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12

Porter, Robert, Ian K. Lilly, and Henrietta Mondry. "Russian Literature in Transition." Modern Language Review 96, no. 4 (2001): 1171. http://dx.doi.org/10.2307/3735981.

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13

Shaw, J. Thomas, and Victor Terras. "Handbook of Russian Literature." Slavic and East European Journal 30, no. 1 (1986): 103. http://dx.doi.org/10.2307/307284.

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14

Ziolkowski, Margaret, and Victor Terras. "Handbook of Russian Literature." Rocky Mountain Review of Language and Literature 40, no. 1/2 (1986): 114. http://dx.doi.org/10.2307/1566620.

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15

Bun, Mary Lucia W., and Daniel Rancour-Laferriere. "Russian Literature and Psychoanalysis." Russian Review 52, no. 1 (1993): 104. http://dx.doi.org/10.2307/130870.

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16

Givens, John. "Russian Literature Understood Counterclockwise." Russian Studies in Literature 45, no. 3 (2009): 3–7. http://dx.doi.org/10.2753/rsl1061-1975450300.

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17

Givens, John. "Russian Literature in 2012." Russian Studies in Literature 50, no. 1 (2013): 3–7. http://dx.doi.org/10.2753/rsl1061-1975500100.

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18

Givens, John. "Shakespeare and Russian Literature." Russian Studies in Literature 50, no. 3 (2014): 3–7. http://dx.doi.org/10.2753/rsl1061-1975500300.

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19

Woodward, James, and Daniel Rancour-Laferriere. "Russian Literature and Psychoanalysis." Modern Language Review 86, no. 3 (1991): 805. http://dx.doi.org/10.2307/3731138.

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20

Wells, David, Ian K. Lilly, and Henrietta Mondry. "Russian Literature in Transition." Slavic and East European Journal 44, no. 4 (2000): 669. http://dx.doi.org/10.2307/3086300.

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21

Silbajoris, Rimvydas, and Daniel Rancour-Laferriere. "Russian Literature and Psychoanalysis." Slavic and East European Journal 35, no. 3 (1991): 429. http://dx.doi.org/10.2307/308661.

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22

McMillin, Arnold, and Victor Terras. "Handbook of Russian Literature." Modern Language Review 82, no. 1 (1987): 264. http://dx.doi.org/10.2307/3730000.

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23

Malmstad, John E., and Victor Terras. "Handbook of Russian Literature." Russian Review 45, no. 1 (1986): 43. http://dx.doi.org/10.2307/129401.

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24

Riggan, W., and Victor Terras. "Handbook of Russian Literature." World Literature Today 59, no. 4 (1985): 620. http://dx.doi.org/10.2307/40142082.

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25

Johnson, D. Barton, Wolfgang Kasack, and Carol Sandison. "Russian Literature 1945-1988." Slavic and East European Journal 34, no. 3 (1990): 383. http://dx.doi.org/10.2307/309082.

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26

Kachaeva, M. "Russian Literature and Psychiatry." British Journal of Psychiatry 167, no. 3 (1995): 403–6. http://dx.doi.org/10.1192/bjp.167.3.403.

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The subject of this paper is psychiatry, forensic psychiatry and Russian literature. It is well-known that people with literary talent often possess unusually keen psychological insight. Their literary portrayals of psychological analysis, descriptions of how the human mind and consciousness work and depiction of different psychic states, both normal and pathological, are of great value for psychology and psychiatry and have always attracted the active attention of specialists.
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27

Ugarova, N. N. "Russian literature: Part I." Journal of Bioluminescence and Chemiluminescence 6, no. 2 (1991): 139–45. http://dx.doi.org/10.1002/bio.1170060213.

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28

Pykhtina, Yuliana G., and Margarita A. Konova. "GEOGRAPHICAL FACTOR OF RUSSIAN LITERATURE: NATIONAL AND REGIONAL ASPECTS." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 57 (2020): 139–59. http://dx.doi.org/10.37816/2073-9567-2020-57-139-159.

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29

최정현. "On the Meaning of 17th Russian Literature in the History of Russian Literature." Journal of Foreign Studies ll, no. 44 (2018): 285–310. http://dx.doi.org/10.15755/jfs.2018..44.285.

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30

Marsh, Rosalind. "The death of Soviet literature: Can Russian literature survive?" Europe-Asia Studies 45, no. 1 (1993): 115–39. http://dx.doi.org/10.1080/09668139308412079.

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31

Seifert, Elena I. "Glossary of Russian-German Literature." Polylinguality and Transcultural Practices 18, no. 1 (2021): 60–66. http://dx.doi.org/10.22363/2618-897x-2021-18-1-60-66.

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The article presents a large fragment of the authors glossary (dictionary) on the literature of Russian Germans (the authors definitions of literary concepts related to the literature of Russian Germans, based on its study in a doctoral dissertation and a number of articles). Writers - Russian Germans - Russian-German bilinguals, therefore the dictionary on the literature of Russian Germans should be presented in German-Russian format (articles in German and Russian). In the original literature of Russian Germans, there are phenomena and facts specific to this subculture. The Dictionary of the Literature of Russian Germans, explaining the meanings of words that may be unfamiliar, incomprehensible, or partially incomprehensible to the reader, makes it possible to significantly expand the circle of connoisseurs of the literature of Russian Germans, facilitates the perception of literary and scientific text.
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32

McMillin, Arnold, and Pamela Davidson. "Russian Literature and Its Demons." Modern Language Review 96, no. 4 (2001): 1163. http://dx.doi.org/10.2307/3735973.

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33

Merrill, Jason, and Neil Cornwell. "Reference Guide to Russian Literature." Modern Language Review 95, no. 2 (2000): 586. http://dx.doi.org/10.2307/3736245.

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34

Sosnizkaja, Margarita S. "Gallipoli theme in Russian literature." Neophilology, no. 24 (2020): 776–82. http://dx.doi.org/10.20310/2587-6953-2020-6-24-776-782.

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We consider the history of Russian refugees who found themselves on the territory of Turkey. They were placed in the Naked Field. Despite the conditions that are difficult to compatible with life, they maintained discipline and led an active social life within the settlement, however, the profits and achievements of this activity went far beyond these limits and, thanks to the works of I.S. Lukash and G.I. Gazdanov, became the property of Russian classical literature. The fate of these two pen masters is sometimes literally parallel, sometimes exactly the opposite. Not all the writers of the Naked Field had such a lucky literary star as they had: the young poet junker V. Rutkovsky died of wounds in the “Valley of Roses and Death”. I.S. Lukash and G.I. Gazdanov never write about each other, but the analogies in their prose coincide, sometimes word for word. We carry out an indicative analysis of several pages. They write about the same events that be-came part of their personal and collective experience. We analyze the book “Gazdanov” by O.M. Orlova from the “Life of Wonderful People” series. The work contains evidence of the Gal-lipoli standing of Russian refugees practically from first hand, provides information about the chronicle of their everyday life.
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35

Swensen, Andrew, and Neil Cornwell. "Reference Guide to Russian Literature." Slavic and East European Journal 43, no. 1 (1999): 201. http://dx.doi.org/10.2307/309914.

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36

Olga B. Panova and Peter J. Mitchell. "Russian Studies: Literature to 1700." Year's Work in Modern Language Studies 76 (2016): 493. http://dx.doi.org/10.5699/yearworkmodlang.76.2014.0493.

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37

Olga B. Panova and Peter J. Mitchell. "Russian Studies: Literature, 1700–1800." Year's Work in Modern Language Studies 76 (2016): 500. http://dx.doi.org/10.5699/yearworkmodlang.76.2014.0500.

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38

Boris Lanin. "Russian Studies: Literature, 1800–1848." Year's Work in Modern Language Studies 76 (2016): 506. http://dx.doi.org/10.5699/yearworkmodlang.76.2014.0506.

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39

Boris Lanin. "Russian Studies: Literature, 1848–1917." Year's Work in Modern Language Studies 76 (2016): 518. http://dx.doi.org/10.5699/yearworkmodlang.76.2014.0518.

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40

Girmanova, Julia A. "TURGENEV AND MODERN RUSSIAN LITERATURE." Вестник Пермского университета. Российская и зарубежная филология 9, no. 3 (2017): 88–95. http://dx.doi.org/10.17072/2037-6681-2017-3-88-95.

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41

Brown, Edward J. "Russian Literature beyond the Pale." Slavic and East European Journal 30, no. 3 (1986): 380. http://dx.doi.org/10.2307/307890.

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42

Monas, Sidney, and George J. Gutsche. "Moral Apostasy in Russian Literature." Slavic and East European Journal 33, no. 1 (1989): 119. http://dx.doi.org/10.2307/308390.

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43

Dvernitsky, Boris G. "Solzhenitsyn and Russian Literature Philosophy." Almanac “Essays on Conservatism” 66 (February 20, 2019): 118–30. http://dx.doi.org/10.24030/24092517-2019-0-1-118-130.

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The author views the work of A.I. Solzhenitsyn through the prism of the Russian self-comprehension specific features, namely the triunique approach to solving the most fundamental and deep problems that people are concerned with. Such approach determined by Christianity and confession of the Holy Trinity envisages the existence of three fundamentals in a human being: personality, human nature (essence) and vitality. The author assumes that human creative work in general has this triunique structure and uses this approach when analyzing the creative legacy of the writer.
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44

Kornblatt, Judith Deutsch, and Margaret Ziolkowski. "Hagiography and Modern Russian Literature." Russian Review 49, no. 1 (1990): 106. http://dx.doi.org/10.2307/130096.

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45

McLean, Hugh, D. S. Mirsky, and G. S. Smith. "Uncollected Writings on Russian Literature." Russian Review 49, no. 3 (1990): 321. http://dx.doi.org/10.2307/130158.

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46

McLean, Hugh, and George J. Gutsche. "Moral Apostasy in Russian Literature." Russian Review 48, no. 1 (1989): 94. http://dx.doi.org/10.2307/130265.

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47

Katz, Michael, and Victor Terras. "A History of Russian Literature." Russian Review 52, no. 3 (1993): 415. http://dx.doi.org/10.2307/130740.

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48

Terras, Victor, and Margaret Ziolkowski. "Hagiography and Modern Russian Literature." World Literature Today 62, no. 4 (1988): 681. http://dx.doi.org/10.2307/40144667.

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49

Radley, Philippe D., D. S. Mirsky, and G. S. Smith. "Uncollected Writings on Russian Literature." World Literature Today 63, no. 4 (1989): 702. http://dx.doi.org/10.2307/40145672.

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50

Serdiuchenko, V. "The Latest Russian Literature Project." Russian Studies in Literature 36, no. 2 (2000): 12–25. http://dx.doi.org/10.2753/rsl1061-1975360212.

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