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Dissertations / Theses on the topic 'Russian literature Nihilism in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Ceccarelli, Marco. "Revolutionary self-fulfilment? : individual radicalisation and terrorism in Fyodor Dostoyevsky's Notes from underground, Crime and punishment and The devils." University of Western Australia. European Languages and Studies Discipline Group. European Studies, 2009. http://theses.library.uwa.edu.au/adt-WU2010.0007.

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This thesis analyses Fyodor Dostoyevsky's discussion of individual radicalisation and terrorism in three of his major novels: Notes from Underground, Crime and Punishment and The Devils. Whilst the issues of radical ideology and terrorism have often been independently discussed by Dostoyevsky scholars, little attention has been devoted to the study of the process of radicalisation undergone by Dostoyevsky's protagonists, whereby the extreme fulfilment of radical ideals culminates in political violence. This investigation traces the evolution of Dostoyevsky's individual in the context of the ra

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2

Slocombe, Will. "Postmodern nihilism : theory and literature." Thesis, Aberystwyth University, 2003. http://hdl.handle.net/2160/740d7998-8998-4ef7-9514-4174d05cec4a.

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This thesis examines the relationship between nihilism and postmodernism in relation to the sublime, and is divided into two parts: theory and literature. Beginning with histories of nihilism and the sublime, the Enlightenment is constructed as a conflict between the two. Rather than promote a simple binarism, however, nihilism is constructed as a temporally-displaced form of sublimity that is merely labelled as nihilism because of the dominant ideologies at the time. Postmodernism, as a product of the Enlightenment, is therefore implicitly related to both nihilism and the sublime, despite the

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3

Qiu, Kui. "Heroic nihilism: Buddhism in the work of Nikos Kazantzakis." The Ohio State University, 1992. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392113274.

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4

Skomp, Elizabeth Ann. "Women and violence in postwar Russian literature." Thesis, University College London (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406677.

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5

Brooke, Angela. "Imagining England in Russian literature, 1855-1917." Thesis, University of Surrey, 2008. http://epubs.surrey.ac.uk/844622/.

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During the era of Russia's modernisation and industrialisation which spans from the death of Nicholas I to the Revolution of 1917, Russian thinkers saw Britain as a rival and a society to emulate. The concern with Britain found its way to the pages of Russia's literary prose fiction in the form of English characters and images of England's society. The dissertation gives an analytical study of the English in Russian literature, examining how they become the textual other in the quest to identify Russia's national self between 1855 and 1917. The dissertation argues that the promulgation of ster

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6

Swartz, Howard M. "The Soviet-Afghan War in Russian literature." Thesis, University of Oxford, 1992. https://ora.ox.ac.uk/objects/uuid:1b5cf666-d10b-4df2-9a71-967cb98d5b46.

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This thesis is an historical and literary investigation of the treatment of the 1979- 89 Soviet-Afghan War in contemporary Russian literature. The texts chosen for study include official and unofficial literature, written within the former USSR as well as abroad, and cover publicistic writing, poetry, and prose fiction. These works are described and analyzed with a two-fold purpose: to explore creative trends found in the literature of this subject, and to evaluate the extent to which the genre of Afghan War literature in Russian has changed over the past decade. In order to provide a context

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7

Chamberlain, Franc. "Embodying the spirit : Nihilism and spiritual renovation in the European theatre (1890-1914)." Thesis, University of East Anglia, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.317568.

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8

Hine, Alyn Desmond. "Russian literature in the works of Mikhail Naimy." Thesis, SOAS, University of London, 2011. http://eprints.soas.ac.uk/14698/.

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9

Butler, Jennifer. "Ambiguity in nineteenth-century russian literature and opera." Online version, 2004. http://bibpurl.oclc.org/web/30681.

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10

Hodgson, Katharine Merwinna. "Russian Soviet war poetry 1941-45." Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239076.

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11

Sabbag, Kerry Ann. "Can "slava" and salvation coexist? : the fame text in nineteenth-century Russian literature /." View online version; access limited to Brown University users, 2005. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3174668.

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12

Gribble, Lyubomira Parpulova. "Russian verse parody 1815-1870 : literary and social functions /." The Ohio State University, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487678444258622.

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13

Lopes, Leanne. "Realism in Russian literature capturing truth and eliciting responses /." Click here to view, 2010. http://digitalcommons.calpoly.edu/englsp/2/.

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Thesis (B.A.)--California Polytechnic State University, 2010.<br>Project advisor: Robert Inchausti. Title from PDF title page; viewed on Mar. 24, 2010. Includes bibliographical references. Also available on microfiche.

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14

Smirnova, Daria, and Daria Smirnova. "The Petersburg Text in Russian Literature of the 1990s." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12526.

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The image of Saint Petersburg has influenced the imagination of Russian writers since the establishment of this city in 1703. Today, it is common to speak about the Petersburg Text in Russian literature that has its own mythology, imagery, and stylistics. However, the research in this sphere is predominately concentrated on works written before the second half of the 20th century. This thesis addresses the revival of the Petersburg mythology in the 1990s in works by such authors as Mikhail Veller, Andrei Konstantinov, and Marusia Klimova. It illustrates how the reinvention of traditi

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15

Janzen, Rick. "Peace and the Russian-Mennonite novel to Rudy Wiebe." Theological Research Exchange Network (TREN), 1986. http://www.tren.com.

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16

Kovalchuk, Anna. "Narrating the National Future: The Cossacks in Ukrainian and Russian Literature." Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22705.

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This dissertation investigates nineteenth-century narrative representations of the Cossacks—multi-ethnic warrior communities from the historical borderlands of empire, known for military strength, pillage, and revelry—as contested historical figures in modern identity politics. Rather than projecting today’s political borders into the past and proceeding from the claim that the Cossacks are either Russian or Ukrainian, this comparative project analyzes the nineteenth-century narratives that transform pre-national Cossack history into national patrimony. Following the Romantic era debates about

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17

Wicks, Cynthia Suzanne Petot. "The role of I.S. Turgenev in introducing Russian literature to France /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/6652.

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18

Lee, Hyung-Goo. "How "authentic" was Russian Neo-Classicism? : a re-examination of the sources and dissemination of Classical knowledge and the problem of literary taste /." Thesis, Connect to this title online; UW restricted, 1995. http://hdl.handle.net/1773/7171.

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19

Mooney, Susan. "Drawing bridges : publicprivate worlds in Russian women's fiction." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60561.

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This thesis questions how Russian women's identity is attached to the textual use of public/private spaces in contemporary literature by Russian women writers by drawing from feminist theories. I. Grekova and N. Baranskaia portray female protagonists in their everyday lives, public and private worlds overlapping. While these heroines create stable support systems with other women, male figures enter as interruptive forces in women's lives. Hospital settings in several works by Russian women allow comparisons between women's fictional hospital experiences and those of Muscovite women interviewe

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20

Peaker, Carol L. "Reading revolution : Russian émigrés and the reception of Russian literature in England, c. 1890-1905." Thesis, University of Oxford, 2007. http://ora.ox.ac.uk/objects/uuid:c21af242-f696-4a7c-8f8e-5f9df9ea111c.

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This thesis explores the involvement of Russian emigres in disseminating and informing the reception of Russian literature in England. It examines their use of translations and literary commentary as vehicles for propaganda, and considers the impact of their unique approach to literature on both Anglo-Russian relations and English letters. Part One describes the arrival of Russian émigrés in England and their mixed reception: as victims of a brutal regime, mysterious sages, exotic outcasts, Slavic barbarians, or at worst, as dangerous 'incendiarists' to be feared and reviled. It reflects on th

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21

Warner, Ruth Virginia. "In the hall of mirrors : literary refractions of Russian yuletide rituals (sviatki) /." The Ohio State University, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488192447427563.

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22

Talavera, Ibarra Pedro Leonardo. "The changing view on the world : from symbolism to avant-garde in Russian, French and Latin American literature /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Thesis (Ph. D.)--University of Texas at Austin, 1999.<br>Vita. Text in English, with some Russian, French and Spanish. Includes bibliographical references (leaves 222-240). Available also in a digital version from Dissertation Abstracts.

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23

Ben-Amos, Anat. "Imagination and literature in the Russian prose of Vladimir Nabokov." Thesis, University of Essex, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284584.

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24

Powell, Jonathan Anthony. "After Scriabin : six composers and the development of Russian music." Thesis, University of Cambridge, 1999. https://www.repository.cam.ac.uk/handle/1810/251478.

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25

Fraser, Hugh. "The role of the designated confidant in Russian neoclassicist tragedy." Thesis, University of Ottawa (Canada), 1985. http://hdl.handle.net/10393/4836.

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26

Siarheichyk, Galina. "Ancient echoes: Baba Yaga and contemporary Russian literature (Ludmilla Petrushevskaya)." Diss., Connect to online resource, 2005. http://wwwlib.umi.com/cr/colorado/fullcit?p1425789.

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27

Barrett, Rebecca. "The woman question in English and Russian literature, 1848-1877." Thesis, Keele University, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.502940.

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28

Schuckman, Emily E. "Representations of the prostitute in contemporary Russian literature and film /." Thesis, Connect to this title online; UW restricted, 2008. http://hdl.handle.net/1773/7168.

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29

Tooke, C. J. "The representation of Jewish women in pre-revolutionary Russian literature." Thesis, University College London (University of London), 2012. http://discovery.ucl.ac.uk/1353702/.

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This thesis analyses the representation of Jewish women in pre-revolutionary Russian literature, focusing on the period 1881–1907. It argues that Jewish women, far from universally marginalized, played a central role in works by a number of Russian writers, embodying and challenging not only stereotypes but also a variety of ideological viewpoints on key socio-political questions in late tsarist Russia. The ambiguous identity of Jewish women, portrayed as outsiders and yet also often as to some degree amenable, rendered them ideal figures through which to explore and test national and gender i

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30

Kadyrbekova, Zaure. "Ecosystemic worldview in Russian fairy tales." Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121571.

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The majority of interpretations of literary animals focus on the animals' metaphoric or symbolic significance, overlooking the actual animal, which often completely disappears behind its metaphoric or mythological representation. Such traditional interpretations of animals expose the dominant anthropocentric focus of the humanities in general, and literary studies in particular. Yet, even as textual representations a lot of literary animals still exhibit some basic species-specific characteristics. By analyzing selected Russian fairytales through the animal studies perspective I will show that

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31

Vorobiev, Artem. "The Literature of Shibata Renzaburo and a New Perspective on Nihilism in Postwar Japan, 1945 – 1978." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1511819753995335.

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32

Cushman, Jenifer Suzanne. "Unorthodox Icons: Russian Avant-Garde Impulses in The Works of Rainer Maria Rilke /." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487933648649157.

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33

Norris, Jeremy Paul. "The development of the Russian piano concerto in the nineteenth century." Thesis, University of Sheffield, 1988. http://etheses.whiterose.ac.uk/1786/.

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The Russian piano concerto could not have had more inauspicious beginnings. Unlike the symphonic poem (and, indirectly, the symphony)- genres for which Glinka, the so-called 'Father of Russian Music', provided an invaluable model: 'Well? It's all in "Kamarinskaya", just as the whole oak is in the acorn' to quote Tchaikovsky - the Russian piano concerto had no such indigenous prototype. All that existed to inspire would-be concerto composers were a handful of inferior potpourris and variations for piano and orchestra and a negligible concerto by Villoing dating from the 1830s. Rubinstein's five

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34

Faure, Isabelle. "Solzhenitsyn's Krasnoe koleso and the philosophy of the Russian spiritual renaissance." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244304.

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35

Clark, Rhonda (Rhonda Ingold). "The Communist Party and Soviet Literature." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc500452/.

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The Communist Party's control of Soviet literature gradually evolved from the 1920s and reached its height in the 1940s. The amount of control exerted over Soviet literature reflected the strengthening power of the Communist Party. Sources used in this thesis include speeches, articles, and resolutions of leaders in the Communist Party, novels produced by Soviet authors from the 1920s through the 1940s, and analyses of leading critics of Soviet literature and Soviet history. The thesis is structured around the political and literary developments during the periods of 1917-1924, 1924-1932, 1932

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36

Shank, Ashley C. "Composers as Storytellers: The Inextricable Link Between Literature and Music in 19th Century Russia." University of Akron / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=akron1290275047.

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37

Glazkova, Anna. "Detail within the artistic method in the prose of Chekhov and Nabokov /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1422925.

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38

McGovern, Frank. "The cinema of Andrei Tarkovsky in the Russian literacy and philosophical traditions." Thesis, University of Oxford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357659.

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39

Roberts, Graham H. J. "The metafiction of Konstantin Vaginov, Aleksandr Vvedensky, and Daniil Kharms." Thesis, University of Oxford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.335707.

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40

Croft, Mary Elizabeth. "From Siberia to the underground : the thought of Dostoyevsky in the early 1860s." Thesis, University of Bristol, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.386016.

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41

Makarova, Olga. "'The woman question' in the life and works of Aleksei Sergeevich Suvorin." Thesis, Queen Mary, University of London, 2010. http://qmro.qmul.ac.uk/xmlui/handle/123456789/502.

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This thesis traces the influence of ‘the woman question’ on the life and writings of Aleksei Sergeevich Suvorin (1834–1912), an eminent journalist, publisher and editor of the newspaper Novoe vremia. My research is based on Suvorin’s previously unexamined contribution to public debate on this question and also includes an overview of his fictional work. The thesis represents a case study and brings to light material critical to Suvorin’s biography. This is important because Suvorin’s personal case exemplifies the difficulties which up-and-coming men of the intelligentsia encountered in respond

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42

Moore, Rick. "Representations of Revolution and Revolutionaries in Early Twentieth Century Russian Literature." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18373.

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The representation of Revolution and revolutionaries develops as one of the main themes in Russian literary texts of the nineteenth and early twentieth centuries. It would not be an overstatement to say that most active writers during this time referred to these themes in their works. These themes developed in consort with the historical and political developments occurring within the country. The literature of the twentieth century led to a culmination in the understanding of this complex topic. This thesis will present an analysis of several types of Revolutionary characters and their concep

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43

Krasner, Sarah. "Adapting Skazki: How American Authors Reinvent Russian Fairy Tales." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/1055.

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Adaptations of works have the potential to bring their subject matter to a new audience. This thesis explores the adaptation of Russian fairy tales into novels by authors Orson Scott Card and Joy Preble by looking at how they present Russian fairy tales, folkloric figures, and fairy tale structure to an American audience.

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44

Swanson, Maria Lebedeva. "The Russian Influence On The Literary And Critical Writings Of Mikhail Naimy." Diss., The University of Arizona, 2014. http://hdl.handle.net/10150/332760.

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My dissertation examines the Russian influence on the critical writing, poetry, prose and philosophy of Mikhail Naimy (1889-1988), the world renowned figure in modern Arabic literature. Together with Jibran Khalil Jibran, Ameen al-Rihani, Ilia Abu Madi, Rachid Ayuub, and several other Arab-American men of letters he founded the Pen Association, a literary league in New York in 1920 that lifted Arabic literature from the quagmire of stagnation, imitation and old classicism. They also promoted the new generation of Arab writers and made it an active force in Arab nationalism. Numerous researcher

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45

Renner-Fahey, Ona. "Mythologies of poetic creation in twentieth-century Russian verse." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1056554664.

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46

Korovianska, Veronika. "Establishing National Identity in the Twentieth-Century China: Traces of Russian and Ukrainian Literature in the New Chinese Literature." Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23797.

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Russian literature is traditionally regarded as one that served a model and guide for Chinese intellectuals in developing their national literature. It is also recognized that Eastern European literatures drew much attention of Chinese intellectuals in their quest for national identity and modernization. This thesis is aimed at providing a more detailed look at the Chinese- Slavic literary discourse of the 1920’s, focusing on Russian literature as a recognized literary “authority” of the time, and Ukrainian literature as an example of a literature of an oppressed nation, whic

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47

Berg, Aleksey. "Russian Poetry in the Marketplace: 1800-1917, and Beyond." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10972.

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My dissertation explores ways in which poetic utterances actually do speak against the received idea of poetry as an atemporal and unearthly genre and subtly present their own social and economic agendas. I read the canonical and non-canonical texts of nineteenth- and twentieth-century Russian poetry with an eye for uncovering the economic and social dynamics of these texts, unveiling their intricate and complicated relations to issues of censorship, copyright, professionalization of literature and the literary market, fashion, marital conventions and practices, the transition from gentry-orie

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48

Thomas, Gareth James. "The impact of Russian music in England 1893-1929." Thesis, University of Birmingham, 2005. http://etheses.bham.ac.uk//id/eprint/260/.

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This thesis is an investigation into the reception of Russian music in England for the period 1893-1929 and the influence it had on English composers. Part I deals with the critical reception of Russian music in England in the cultural and political context of the period from the year of Tchaikovsky’s last successful visit to London in 1893 to the last season of Diaghilev’s Ballet russes in 1929. The broad theme examines how Russian music presented a challenge to the accepted aesthetic norms of the day and how this, combined with the contextual perceptions of Russia and Russian people, problem

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49

Sundkvist, Luis. "Turgenev and the question of the Russian artist." Thesis, University of Cambridge, 2010. https://www.repository.cam.ac.uk/handle/1810/228706.

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This thesis is concerned with the thoughts of the Russian writer Ivan Turgenev (1818-83) on the development of the arts in his native country and the specific problems facing the Russian artist. It starts by considering the state of the creative arts in Russia in the early nineteenth century and suggests why even towards the end of his life Turgenev still had some misgivings as to whether painting and music had become a real necessity for Russian society in the same way that literature clearly had. A re-appraisal of "On the Eve" (1860) then follows, indicating how the young sculptor Shubin in

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50

Durczok, Gregor. "Das Motiv der Werbung in deutscher und russischer Gegenwartsliteratur - dargestellt anhand Raumers Viktor Vogel und Pelevins Generation P." Thesis, University of Waterloo, 2005. http://hdl.handle.net/10012/742.

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This thesis is a the comparative analysis of the motifs of advertising concepts as found in the German novel <em>Viktor Vogel</em>, by Alexandra Raumer, and the Russian novel <em>Generation P. </em>, by Viktor Pelevin. For reasons of readability, the work utilized is the German translation of <em>Generation P. </em> However, both the original Russian text and the German language film (which was produced prior to the German novel) have been used, and chapters regarding their interpretation are included. <br ><br /> The analysis of both novels contains discussion of the topic, functio

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