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1

Verma, Vishakcha, and V. V. Maroshi. "F. M. DOSTOEVSKY VS RASKOLNIKOV IN MODERN RUSSIAN LITERATURE." Culture and Text, no. 55 (2023): 22–36. http://dx.doi.org/10.37386/2305-4077-2023-4-22-36.

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The article deals with one of the trends of creative reception of “Crime and Punishment” in the prose of modern Russian authors, two writers from St. Petersburg – the short story “The Trial” by S. Nosov and the novel “The Exposé of Dostoevsky” by T. Sintsova. The common theme of these two works is the biography and quasibiography of Dostoevsky in its correlation with the works of the writer, primarily the novel “Crime and Punishment”. In the case of the short story, the peculiarity of the novel’s reception is connected with representing Dostoevsky as a concrete author who partially identifies
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2

Zavarkina, Marina. "THE CONCEPT OF THE SHORT NOVEL (‘POVEST’) GENRE IN ANDREY PLATONOV’S CREATIVE WORK IN THE 1920S." Проблемы исторической поэтики 20, no. 1 (2022): 296–32. http://dx.doi.org/10.15393/j9.art.2022.10562.

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Based on the material of the short novels (povest’) “The Ethereal Tract,” “Epiphany Locks,” “The City of Gradov,” “The Innermost Man,” “Yamskaya Sloboda,” the article presents the concept of the short novel (‘povest’) genre in the 1920s works by A. Platonov. The structural possibilities of this traditional genre of Russian literature allowed the writer to reflect the contemporary reality with all its tragic contradictions. The genre of the short novel (‘povest’) will have reached its peak by the 1930s, when the writer’s principal works were written (“The Pit,” “For the Future,” “Juvenile Sea,”
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3

Liu, Minjie. "Folklore symbolism of I. Bunin’s short story “The Raven”." Philology. Issues of Theory and Practice 17, no. 1 (2024): 177–83. http://dx.doi.org/10.30853/phil20240026.

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The article is devoted to a poetical analysis of Ivan Bunin’s short story “The Raven” (1944), which is a part of the cycle of short stories about love “Dark Alleys”. The research is undertaken in order to comprehend the role of folklore in the formation of the poetic world of Bunin’s love story, to identify the emotional and aesthetic perspectives of the images, motifs, and the central conflict of the short story, which is contextually conditioned and mediated by folklore symbols. The research is novel in that it is the first to analyze in detail the short story “The Raven”, its character syst
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Jastrzębska, Katarzyna. "„Nie-miejsce”, ślad i pamięć. Opowiadanie Olgi Tokarczuk Numery w przekładzie Kseni Starosielskiej." Przekładaniec, no. 41 (2020): 96–115. http://dx.doi.org/10.4467/16891864pc.21.005.13587.

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“Non-lieu, Trace, and Memory: Olga Tokarczuk’s Short Story “Numery” in Ksenia Starosielska’s Translation The article offers an analysis of the Russian translation of Olga Tokarczuk’s 1989 short story “Numery” [Numbers]. Published in 2000 in the journal Innostrannaya Literatura, Ksenia Starosielska’s translation presented the future Nobel prize winner to Russian readers for the first time. The translation analysis is based on the categories of “non-lieu”, trace, and memory, which, within the interpretive paradigm adopted in the article, constitute a crucial meaning-making element of Tokarczuk’s
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Panchenko, Polina S., and Elena D. Andreeva. "INDIVIDUAL STYLE IN TRANSLATION (BASED ON T. CHIANG’S SHORT NOVEL STORY OF YOUR LIFE)." Sovremennye issledovaniya sotsialnykh problem 15, no. 1 (2023): 37–52. http://dx.doi.org/10.12731/2077-1770-2023-15-1-37-52.

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The article examines the main features of the individual style of the American science fiction writer Ted Chiang and the peculiarities of their translation into Russian language.
 The relevance is related to the fact that the individual style of the writer has not yet become a subject of study, despite popularity of his works. The problem of author’s style in translation is critical as there is no unanimity on criteria to define style-forming elements of author’s style.
 The purpose of the study is to identify the main features of the author’s individual style and their forming facto
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6

Dudareva, M. A. "I.S. TURGENEV’S STRANGE ASYA: APOPHATICISM OF RUSSIAN EROS. CULTUROLOGICAL ANALYSIS OF THE STORY." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 24, no. 85 (2022): 41–46. http://dx.doi.org/10.37313/2413-9645-2022-24-85-41-46.

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The object of the article is apophaticism of Russian verbal culture. The apophaticism of love, of Russian Eros serves as the subject. This article is based on Turgenev’s well-known short novel “Asya”. The hermeneutic reconstruction core is represented by the symbolic space of the 19th century novel. Much attention is paid to the problem of love metaphysics, its apophatic aspect in the Russian cosmo-psycho-logos, which is essential for understanding the philosophical nature of the writer’s creative work. The research methodology is mainly represented by the holistic ontohermeneutic analysis aim
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7

Anisimova, Evgeniya E. "A History for the Common People in Leo Tolstoy’s “Ermak”: The Stroganov Plot." Studia Litterarum 9, no. 2 (2024): 200–217. http://dx.doi.org/10.22455/2500-4247-2024-9-2-200-217.

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The article attempts to contextualize Leo Tolstoy’s short story “Ermak,” to study the range of sources that were in the author’s field of view, and, finally, to correlate the story with the long-standing debate on the role of the Stroganov merchant family in the acquisition of Siberia. The article shows how this short story, adapted for the common people, inherits the historiosophical program formulated by the writer in the novel “War and Peace.” The article analyzes the discussion on the degree of reliability of the Stroganov chronicle, initiated by prominent historians such as G.I. Spassky,
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8

Kamilya F., Ayupova. "MAGGIE GEE’S “THE ARTIST” IN RUSSIAN." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 5, no. 2 (2020): 59–71. http://dx.doi.org/10.18522/2415-8852-2020-2-59-71.

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The proposed material presents a translation of the story “The Artist” from the collection of short stories “The Blue” (2006) by modern British writer Maggie Gee. The author’s novels have been awarded literary prizes and translated into fourteen languages, but are not yet familiar to the Russian-speaking reader. The translation of the story was made by the winner of the international Art & Craft of Translation competition, which was held in 2018 with the support of the Oxford Russian Fund. The text of the translation is accompanied by a brief commentary that provides explanations of hi
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9

Nazarenko, I. I. "Semantics of the initiation plot in short stories by Yu. Felzen." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 43 (2021): 119–31. http://dx.doi.org/10.17223/18137083/74/9.

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The paper examines the plot of initiation in the stories of the young émigré writer Yu. Felzen as a continuation of the story of the hero of his novel trilogy. In the short stories of the late 1930s, the initiation of the hero-emigrant that was reduced in the novels is found to be associated with a situation of death, provoking his personal and literary development. The plot of the story “The changes” allows correlating it with the archetypal plot of initiation: the hero, having survived a severe illness, surgery, and the departure of his beloved, seems to be moving towards gaining new conscio
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10

Nikolyukin, Alexander. "THE ARCHITECTONICS OF V.F. ODOEVSKY’S “RUSSIAN NIGHTS”." Lomonosov Journal of Philology, no. 6 (March 19, 2023): 100–108. http://dx.doi.org/10.55959/msu0130-0075-9-2022-6-100-108.

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V.F. Odoevsky’s philosophical novel comprises a collection of manuscripts of short stories presented by young people led by Faust, whose name began to denote the author of the novel as the “Russian Faust”. Odoevsky joined Freemasonry at the Noble University Boarding School, the head of which was A.A. Prokopovich-Antonsky, a friend of N.I. Novikov. Odoevsky’s youth, the period of the love of wisdom, passed under the influence of Schelling’s philosophy and the ideas of Freemasonry, the teachings of de Saint-Martin and F. Baader. Th e architectonics of “Russian Nights” as a philosophical novel is
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A. Kibalnik, Sergey. "OSIP DYMOV AND CHARLES BOVARY (THE INTERTEXTUAL STRUCTURE OF CHEKHOV’S SHORT STORY THE FIDGET)." Проблемы исторической поэтики 9, no. 3 (2021): 187–205. http://dx.doi.org/10.15393/j9.art.2021.9922.

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A. P. Chekhov's short story The Fidget (1892) is an abridged hypertext of G. Flaubert's novel Madame Bovary (1856). The article undertakes a detailed comparison of the characters who occupy a similar place in the narrative and figurative system of these two works: Osip Dymov and Charles Bovary. Both of them are doctors, but Chekhov's character seems to realize the untapped potential that was laid down in the character penned by Flaubert. He is no longer a failed doctor, but a talented one, with all the qualities required to become an excellent medical scientist. Thus, Chekhov does not merely s
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12

Toorawa, Shawkat M. "The Modern Literary (After)lives of al-Khiḍr". Journal of Qur'anic Studies 16, № 3 (2014): 174–95. http://dx.doi.org/10.3366/jqs.2014.0172.

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Prominent examples of major Qur'anic characters in modern world literature include Joseph (and Zulaykha) -like characters in the 1984 Arabic novel, al-Rahīna (The Hostage) by the Yemeni writer Zayd Muṭīʿ Dammāj (d. 2000) and the fictionalised portrayal of the women around the Prophet Muḥammad in Algerian filmmaker and novelist Assia Djebar's 1991 French novel, Loin de Médine (Far from Medina). In this article I focus, rather, on a ‘minor’ Qur'anic character, al-Khiḍr (cf. Q. 18:65–82). I begin by looking briefly at the evolution of al-Khiḍr in Islamic literatures generally and then focus on hi
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13

Lin, Guanqiong. "Mythopoetics of the Were-Dragon (The Way of the Dragon by B. M. Yulsky and the Literary Context)." Vestnik NSU. Series: History and Philology 20, no. 2 (2021): 128–35. http://dx.doi.org/10.25205/1818-7919-2021-20-2-128-135.

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As a Russian mountain-forest policeman and writer of the Harbin diaspora, B. M. Yulsky combined in his prose the experience of the police service and ideas about the ethnoculture of the Chinese who inhabited the territory of the Far East. This article contains a hermeneutic and comparative historical analysis of the short story The Way of the Dragon (1939) by B. M. Yulsky. The artistic morphology of the dragon is built on the comparison of its image in Chinese, Amur, Slavic and European cultures. One of the key images in the Russian heroic epic, in the Christian legend of Saint George, in West
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14

Goncharov, P. А., and V. А. Shcherbakova. "“Their light still comes to us, still shines to us”: The motive of self-sacrifice in V.P. Astafiev’s story “Starfall”." Literature at School, no. 1, 2020 (2020): 52–67. http://dx.doi.org/10.31862/0130-3414-2020-1-52-67.

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The aim of the study is to establish the compositional and ideological function of the motive of self-sacrifice in V.P. Astafyev’s novel “Starfall”, in some other works of his; to characterize symbolic images; to reveal the genesis of images of meaningful self-sacrifice, images of a star and starfall; to determin compositional features, plot construction; to analyze the specifics of cinematic interpretation of key episodes; to compare the leading motive of the story with the motive structure of the works of the Russian soviet literature of 1940–1960s. The authors prove motivational and figurat
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15

Mokina, Natalia V. "“A strange mystical village” in Bunin’s short novel Dry Valley: To the problem of sources." Izvestiya of Saratov University. Philology. Journalism 23, no. 3 (2023): 278–84. http://dx.doi.org/10.18500/1817-7115-2023-23-3-278-284.

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The subject of research in the article is the image of the Dry Valley in Bunin’s short novel and its possible sources. The author believes that the main precedent texts for Bunin’s short novel and the concept of national life and national character embodied in it, are the novels by Fyodor Dostoevsky The Brothers Karamazov (as the researchers have already noted) and The Silver Dove by Andrey Bely. Bunin both argues with the writers and develops their ideas about the essence of the Russian character and the Russian life. The signs pointing at the ‘presence’ of Dostoevsky’s novel, as well as the
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16

Borisova, Valentina. "“The Former Prince” Vsevolod Dolgorukov as a Prototype and Reader of Dostoevsky’s Novel The Raw Youth." Неизвестный Достоевский 8, no. 1 (2021): 149–67. http://dx.doi.org/10.15393/j10.art.2021.5242.

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The article deals with the biographical, real and historical-literary aspects of the novel The Raw Youth that are related to the life and work of Fyodor Dostoevsky and Vsevolod Dolgorukov. The latter was a “former prince,” who possessed literary talents and was a member of the “Jacks of hearts” gang, which was involved in the “case of the Kumanin inheritance.” He first became the prototype of the characters of the novel The Raw Youth, and then an epigone of its author. After sinking very low in his youth, he experienced a new life surge in Siberian exile, due to sincere repentance and moral pu
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17

Нalуch, Оlexander. "Feasures of Fandorin’s Quasi-biography: Postmodern Experiment." LITERARY PROCESS: methodology, names, trends, no. 16 (2020): 84–89. http://dx.doi.org/10.28925/2412-2475.2020.16.12.

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More than two decades ago, the newest Russian writer B. Akunin began a series of multi-genre novels, the main character of which was Erast Petrovich Fandorin, who quickly made a detective career, has become famous not only in Russia, but far beyond its borders. Firstly appeared in the fiction novel «Azazel», Fandorin later quickly began to acquire the features of a real historical personality that affects the course of historical events. Fandorin’s quasi-biography was supplemented by works whose heroes were his ancestors and descendants. One of these novels is «F. M.», the annexes and addition
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18

Dudareva, Marianna A., Tatiana V. Shvetsova, Natalia E. Chesnokova, Marina A. Shtanko, and Denis G. Bronnikov. "“Distant death” in Maxim Gorky's short story “Obsession”." Revista Amazonia Investiga 10, no. 42 (2021): 9–14. http://dx.doi.org/10.34069/ai/2021.42.06.1.

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The paper analyzes the short story “Obsession” written by Maxim Gorky in the Nizhny Novgorod period of his work, which has been given little attention in philological works. On the one hand, the author himself defined its genre as a Christmas tale; on the other hand, this work cannot be brought into line with Christmas tales and short novels by Gogol and Dostoyevsky, since in Gorky’s story, no miracle occurs. However, this small text still deserves literary scholars’ attention. The short story introduces an interesting paradox of artistic space and time: in outward appearance, the action takes
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19

Arustamova, Anna A., and Alexandr V. Markov. "CONSTRUCTIVE FUNCTION OF LOVE NARRATIVE IN NATALIA REZNIKOVA’S SHORT STORIES." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 10 (2020): 216–25. http://dx.doi.org/10.28995/2686-7249-2020-10-216-225.

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Natalia Reznikova, a writer of Russian emigration in China, combined in her stories the tradition of love short stories with a moral view of the earlier forms of passion expression. In her prose, judgment is imparted to a woman who cares less about spiritualizing passion than about narrative coherence, which forbids the overt display of affection. The events must progress as in a fine novel, not a short story. Criticizing the symbolist premature equations between the corporeal and spiritual worlds, Reznikova is close to philosophical idealism in the spirit of Vladimir Soloviev, where a love st
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20

Abasheva, Marina P., and Mariya V. Kurilenko. "POETICS OF CYCLIZATION IN THE PROSE OF YURIY BUYDA." Вестник Пермского университета. Российская и зарубежная филология 12, no. 2 (2020): 72–80. http://dx.doi.org/10.17072/2073-6681-2020-2-72-80.

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The article studies the poetics of the contemporary writer Yuriy Buyda in the context of the contemporary Russian short story. The analysis of historically specific forms of Buyda’s cyclization is considered as part of the general tasks of historical poetics in studying the evolution of literary forms. Structural and semiotic analysis of the writer’s works reveals that his prose forms peculiar cycles-clusters, ‘archipelagos’, where a cycle of stories appears to be related to novels. This connection is primarily determined by the setting, but also by recurring heroes and a specific – cumulative
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21

Gilk, Erik. "K legionářské tvorbě Františka Langera." Bohemica litteraria, no. 2 (2023): 66–82. http://dx.doi.org/10.5817/bl2023-2-4.

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The paper deals with the thematic construction of František Langer's legionary work, including short stories, plays and a novel for children. In the case of the short stories published in the collection Železný vlk (1923), their narrative situation was also analysed. The short story Za cizí město is considered a key one, pointing out the difficult situation of our soldiers during the Russian Civil War. In the extensive children's novel Pes druhé roty (1923), the author's effort to create a complex artistic image of the Siberian anabasis of the legionnaires is captivating. The mythicizing posit
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22

Kowalska, Martyna. "Remake jako forma dialogu z klasyką (inspiracje „Szynelem” Mikołaja Gogola w wybranej literaturze rosyjskiej XX i XXI w.)." Politeja 16, no. 2(59) (2019): 327–51. http://dx.doi.org/10.12797/politeja.16.2019.59.19.

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Remake as a Form of the Dialogue with the Classics (Nikolai Gogol’s ‘The Overcoat' as an Inspiration in Russian Literature in the End of the 20th Century and the Beginning of the 21st Century)
 The article is devoted to the very recent phenomenon in contemporary Russian literature – to a remake. The subject of this research is the literary ‘dialogue’ between classical short story (The Overcoat by Nikolay Gogol) and Russian literary works in the end of the 20th century and the beginning of the 21st century. In scope, there is a micro-novel of Vladimir Voinovich The Fur Hat, then Dmitry Gor
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23

Bogdanova, Olga A. "The Semiotics of Dacha in Dostoevsky’s Story “The Eternal Husband”." Dostoevsky and World Culture. Philological journal, no. 3 (2023): 66–80. http://dx.doi.org/10.22455/2619-0311-2023-3-66-80.

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Dostoevsky’s story “The Eternal Husband” (1870) is analyzed here for the first time in the light of the estate/dacha topics present in it and placed in the context of the development of the “dacha text” in 19th-century Russian literature. The dynamics of Dostoevsky’s perception of the dacha are also traced: from positive connotations in early works to negative, ironic ones in late works. It is established that while the “estate text” is present in most of the writer’s works of 1840s–1870s, the “dacha text” can be found mainly in two works of the late 1860s: the novel The Idiot (1868) and the s
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24

Ponomareva, Anastasia A. "The Generation Gap in Russian Literature of the Second Part of 1850s." Philology 18, no. 9 (2020): 157–68. http://dx.doi.org/10.25205/1818-7919-2019-18-9-157-168.

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The paper analyzes the generation gap in the Russian literature of the second part of 1850s. Our research is based on works published in magazines: short stories, novelettes, and novels by L. N. Tolstoy, E. P. Novikov, P. I. Melnikov-Pecherskii, S. T. Slavutinskii, S. A. Ladyzhenskii, N. M. Pavlov, etc. The generation gap in Russian literature of the second part of 1850s hasn’t yet been made an object of special research. It is traditionally touched upon in relation to the novel Fathers and Sons (1862) by I. S. Turgenev and fiction ‘generated’ by this novel. However, variants of 1850s and of 1
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25

Korotkova, L. Y. "‘Eternal’ Sonechka: An attempt to discover an archetype." Voprosy literatury, no. 6 (December 28, 2020): 27–34. http://dx.doi.org/10.31425/0042-8795-2020-6-27-34.

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The article discusses the transformation of the image of ‘eternal’ Sonechka, originating in F. Dostoevsky’s novel Crime and Punishment [Prestuplenie i nakazanie] and undergoing subsequent changes while preserving the stability of an archetype and acquiring new meanings in M. Tsvetaeva’s The Tale of Sonechka [Povest o Sonechke] (1938), T. Tolstaya’s short story Sonya (1984) and L. Ulitskaya’s novel Sonechka (1992). In following the logic of the heroine’s development, the author finds that all Sonechkas share such features as femininity, loyalty, and an inherent ability to ‘radiate passionate en
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Salakhova, A. R., and A. Yu Yazykova. "Opening the boundaries of a literary text: Anton Chekhov’s novel “Kashtanka” and its film adaptation in teaching Russian as a foreign language." Philology and Culture, no. 1 (April 7, 2024): 172–77. http://dx.doi.org/10.26907/2782-4756-2024-75-1-172-177.

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The article describes the work with a literary text and its adaptation in the classroom of Russian as a foreign language. In particular, we focus on the ways of understanding a literary text by including a film adaptation into classroom activities. Special attention is paid to the characteristics of the intersemiotic translation and its basic concepts: adaptation, film adaptation and interpretation. For the methodology of teaching Russian as a foreign language, this distinction is conditional and is of great interest from the point of view of understanding the idea and content of the literary
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Сычева, Е. О. "Comparative analysis as a teaching method (using the example of F. M. Dostoevsky’s novel “Crime and Punishment” and E. Poe’s short story “The Tell-Tale Heart”)." Management of Education 14, no. 3-1(78) (2024): 183–87. http://dx.doi.org/10.25726/x0003-9444-7542-h.

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Статья посвящена рассмотрению приема психологизма в творчестве американского новеллиста Э. По и русского писателя Ф.М. Достоевского. В работе отмечен общемировой интерес в литературе XIX – XX века к психологии. Э. По является новатором в области психологических новелл, его творческое наследие повлияло на поэтику многих писателей, в частности Ф.М. Достоевского. Актуальность работы состоит в рассмотрении особенностей психологизма в творчестве русского и американского писателя на примере романа Ф.М. Достоевского «Преступление и наказание» и новеллы Э.А. По «Сердце-обличитель». Оба писателя обраща
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TETIK, KEVSER, and ONUR AYDIN. "TRANSFERRING THE FUNCTIONS OF THE RUSSIAN DASH IN TRANSLATION INTO TURKISH (ON THE EXAMPLE OF THE STORY “CAUCASUS PRISONER” BY L. N. TOLSTOY)." Tyumen State University Herald. Humanities Research. Humanitates 8, no. 1 (2022): 19–37. http://dx.doi.org/10.21684/2411-197x-2022-8-1-19-37.

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The aim of this study is a comparative description of the functions of the dash in the story by Lev Nikolayevich Tolstoy “The Prisoner of the Caucasus” and its translation into Turkish. In this study, analyzing original text and its translation contextual, comparative and stylistic science methods were utilized. The subject of the research is the meanings and functions of dash sign (—) in short story and translated text. While the use of dash is quite limited in the Turkish language, it is one of the most frequently used punctuation marks in Russian. The similarity of the use of this sign is t
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Ляпін, Руслан Сергійович. "БУТТЯ, ЩО ПАДАЄ В «СВІТ»: А. ПЛАТОНОВ ТА М. ХВИЛЬОВИЙ У КОНТЕКСТІ ФІЛОСОФІЇ М. ХАЙДЕГГЕРА". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 1, № 99 (2022): 85–100. http://dx.doi.org/10.34142/2312-1076.2022.1.99.06.

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This article presents a comparative analysis of A. Platonov's novel “The Secret Man” and M. Khvylovy's short story “Blue November” in the context of the philosophical paradigm of Heidegger's “being-in-the-world”. M. Heidegger's fundamental ontology as an object of research allows us to interpret the specifics of the behaviour, expressed thoughts and feelings of the characters of the works of Russian and Ukrainian classics of the first part of XXth century. It is shown that everyday life, which, according to M. Heilegger, falls into the “world”, “closes” protagonists from themselves in A. Plato
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Babikov, Andrei. "Ada’s Penmanship To the publication of an excerpt from the Russian translation of Nabokov’s novel." Literary Fact, no. 16 (2020): 8–67. http://dx.doi.org/10.22455/2541-8297-2020-16-8-67.

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The material offered to the readers is a translation into Russian, with extensive notes, of an excerpt from the First Part of Vladimir Nabokov’s novel Ada, or Ardor: A Family Chronicle (1969). The published material consists of a translator’s Preface, five chapters from the novel, notes by V.V. Nabokov and the translator’s annotations. The Preface to the publication describes the creative and biographical circumstances of the creation of one of the most significant and controversial novels of the twentieth century, and indicates the sources of its conception, which goes back to the English sho
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Segal-Rudnik, Nina. "«Вечный муж» и традиция мениппеи". Roczniki Humanistyczne 69, № 7 (2021): 171–86. http://dx.doi.org/10.18290/rh21697-11.

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The article examines the motif structure of the main characters in Dostoevsky’s The Eternal Husband against the background of menippea and its various genres. The parodic transformations of the images and motifs of Dostoevsky's previous texts, especially the novel The Idiot, modify the traditional love triangle of the short story. The relationship between the protagonist and the antagonist reflects the ambivalence of the archetypal scheme “king vs jester” and the way it appears in Hugo’s romantic drama Le Roi s’amuse and Verdi’s opera Rigoletto. The plot of revenge and vindication of trampled
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Kolykhalova, Olga A., and Anna Yu Kuldoshina. "Perceptions of Russian Literature in Britain in the end of the XIX — beginning of the XX century." NSU Vestnik. Series: Linguistics and Intercultural Communication 17, no. 4 (2019): 119–29. http://dx.doi.org/10.25205/1818-7935-2019-17-4-119-129.

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The purpose of the article is to analyze the existing ideas about Russian literature in Britain at the end of the 19th and the first half of the 20th centuries. A brief overview of the advancement of works by Russian classics among British readers is given. The spread of Russian literature in Britain had been progressing slowly for a long time due to the difficulty in translation and the lack of interest in Russia and Russian culture. However, at the end of the 19th and the first half of the 20th centuries, the situation changed in the British literary community. This period saw a plethora of
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Bintang, Gilang, and Satria Raditiyanto. "The Characterization of The Main Characte and Ivan Ilyich Character Analysis in The Short Stories The Death of Ivan Ilyich Written By Leo Tolystoy." Jurnal Ilmiah Social Teknik 5, no. 1 (2022): 1–8. http://dx.doi.org/10.59261/jequi.v5i1.121.

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In this Literature research, the researcher will analyze about the characterization from the several main character and Ivan Ilyich character analysis as the main character from the short stories: The Death of Ivan Ilyich Written by Leo Tolystoy. This short stories also has scores another triumph for Nobel Prize winner. This Short stories is the filled with Ivan Ilyich profound vision of life, as the honest Judgment of a high court prosecutor in 19th-century Russian miserable husband, the proud father, and upwardly-mobile member of Russia's professional class, the object of Tolstoy's unremitti
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Bintang, Gilang, and Satria Raditiyanto. "The Characterization of The Main Characte and Ivan Ilyich Character Analysis in The Short Stories The Death of Ivan Ilyich Written By Leo Tolystoy." Equivalent Jurnal Ilmiah Sosial Teknologi 5, no. 1 (2022): 1–8. http://dx.doi.org/10.46799/jequi.v5i1.121.

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In this Literature research, the researcher will analyze about the characterization from the several main character and Ivan Ilyich character analysis as the main character from the short stories: The Death of Ivan Ilyich Written by Leo Tolystoy. This short stories also has scores another triumph for Nobel Prize winner. This Short stories is the filled with Ivan Ilyich profound vision of life, as the honest Judgment of a high court prosecutor in 19th-century Russian miserable husband, the proud father, and upwardly-mobile member of Russia's professional class, the object of Tolstoy's unremitti
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35

Ostrovskaya, Elena S. "“Under the Sway of Coal,” or a Story of the British Coal Miner Harold Heslop, Who Failed to Become a Soviet Writer." Slovene 6, no. 2 (2017): 482–504. http://dx.doi.org/10.31168/2305-6754.2017.6.2.20.

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The paper focuses on the rapid and short-living Soviet writing career of the British coal miner Harold Heslop. Between 1926 and 1931, three novels by Heslop were published in the USSR (in Russian translation) and the translation of a fourth was commissioned and completed, and in 1930 the author himself travelled to the USSR as one of two members of the British delegation at the Kharkov conference of the International Union of Revolutionary Writers (IURW). However, that was the end of his success: the translated novel Red Earth was not published nor were any of his later novels. The only venue
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36

Laletin, Y. P. "Useful and Necessary Book about Outstanding Personalities from Afghan History and Culture." Concept: philosophy, religion, culture 7, no. 3 (2023): 142–45. http://dx.doi.org/10.24833/2541-8831-2023-3-27-142-145.

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MGIMO University published the second edition of the book Afghan Novels and Stories by Ye. D. Ostrovenko. Yevgeniy Dmitrievich served as Russian Ambassador to Afghanistan in 1992 and was the first ambassador to present credentials signed by the President of Russia to the head of the Afghan state. His book makes a great contribution to strengthening bilateral ties between Russia and Afghanistan, expanding the horizons of knowledge about this country, its history and culture. Candidate of Historical Sciences, Ye. D. Ostrovenko worked for many years both in Afghanistan itself and in the central a
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37

Wu, Xiaoting. "The image of a "new woman" in the novel "Virgin Soil" by I. S. Turgenev and in the short story "Mourning the Dead" by Lu Xun." Litera, no. 11 (November 2023): 221–27. http://dx.doi.org/10.25136/2409-8698.2023.11.68968.

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The object of this article is the image of "new woman" in Russian and Chinese literature. The subject of the study is the correlation between the characters of two heroines, Zijun and Marianna, who are the bearers of a new female identity, in the story "Mourning the Dead" by Lu Xun and the novel "Virgin Soil" by I. S. Turgenev. The aim of the study is to identify the main factors that determined different outcomes of the storyline of these characters, despite the similarity of their fates. In order to achieve the set goal, it is necessary to solve the following tasks: 1) to reveal the personal
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Komarova, Olga. "“Писатель всегда платит за все валютой собственной жизни: за счастье, за творчество, за любовь, за увлечения...”: О романе Дины Рубиной На солнечной стороне улицы". Poljarnyj vestnik 10 (1 січня 2007): 14. http://dx.doi.org/10.7557/6.1307.

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The article deals with Dina Rubina's novel On the Sunny Side of the Street, published in 2006. The writer's name became known in Russia in the 70-ies when as a young girl she began publishing her first short stories in the liberal literary magazine Junost ́, and got her first recognition among the reading public as a promising story-teller.After her emigration to Israel in 1990 a new period in Dina Rubina's writing started. A new theme made itself apparent in her stories - the theme of Jews from the former Soviet Union discovering their new Motherland, their new experience of living under abso
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Butenina, E. M. "VLADIVOSTOK AS A TRANSFER LOCUS IN ENGLISH FICTION." Humanities And Social Studies In The Far East 18, no. 1 (2021): 161–65. http://dx.doi.org/10.31079/1992-2868-2021-18-1-161-165.

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The paper discusses Vladivostok – “an eccentric city on the edge of cultural space”, in Yuri Lotman’s terms – as a locus of intercultural transfers (both in direct and indirect sense) in Somerset Maugham’s and Maurice Kennedy’s short stories as well as in William Gerhardie “novel on Russian themes” Futility. For Vladivostok (as for St. Petersburg whose natives founded the Pacific fort and became its first residents), railway stations and bridges are the key “topographic indices”, in Vladimir Toporov’s terms. For the transfer aspect various leisure institutions (restaurants, theatres, clubs) ar
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Yulianto, Wawan Eko. "The Survival of Faith in Solzhenitsyn’s One Day in the Life of Ivan Denisovich and “Matryona’s House”." k@ta 21, no. 1 (2019): 42–50. http://dx.doi.org/10.9744/kata.21.1.42-50.

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Faith is a vital element in the works of Nobel laureate Alexander Solzhenitsyn, a Russian writer who experienced the notorious Gulag and difficultly in a strongly atheistic country. However, faith is never a simplistic topic for Solzhenitsyn, especially writing in a time when religion was officially shoved aside from the public discourse. In the light of a set of views on religion inferred from Terry Eagleton’s essay, this paper aims to explain the anomalous religiosity as seen in the narrators of Solzhenitsyn’s novel One Day in the Life of Ivan Denisovich and short story “Matryona’s House.” A
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Maslakhova, Alina B., and Ulyana S. Baimuratova. "METHODS TO TRANSLATE REALIA IN CHINESE-LANGUAGE NOVELS INTO ENGLISH AND RUSSIAN." Sovremennye issledovaniya sotsialnykh problem 14, no. 4 (2022): 14–27. http://dx.doi.org/10.12731/2077-1770-2022-14-4-14-27.

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Background. The cultural reforms at the end of the 20th century in China opened to the world a whole variety of genres of Chinese short stories, as well as science fiction and historical fiction. Thanks to the Internet, they are gaining popularity at the present stage of literature formation, expanding the range of genres of online works with new types such as xianxia, xuanhuan, wuxia, which are rich in lexemes that denote the realia of Chinese culture and are of interest to translators.
 Purpose. The article considers the stratum of equivalent-free vocabulary and reveals a variety of way
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42

Nenarokova, Maria R. "Sterne and Yakovlev: On the reception of Lawrence Sterne in Russia." Vestnik of Saint Petersburg University. Language and Literature 20, no. 3 (2023): 549–66. http://dx.doi.org/10.21638/spbu09.2023.309.

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The article focuses on a little-known episode from the history of Russian-English literary relations. L. Sterne’ s works, “Sentimental Journey through France and Italy” in particular, were included in the range of reading of the educated Russian nobility, and “Sentimental Journey” attracted a wide variety of readers. Sterne’s “Journey” marked the beginning of “sentimental” travel literature in Russian, written by the authors “with eyes, full of tears.” Pavel Yakovlev, a writer of the first half of the 19th century, forgotten today, wrote short plays, novellas, a novel, numerous articles, but h
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Alexandrova, Elmira. "FLAUBERT’S ALLUSIONS IN THE CREATIONS OF G. GAZDANOV." Проблемы исторической поэтики 21, no. 2 (2023): 236–157. http://dx.doi.org/10.15393/j9.art.2023.12342.

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The present study is devoted to the images of episodic characters in Gaito Gazdanov’s work that were styled after themain character of G. Flaubert’s short story “A Simple Soul” (“Un cœur simple”). The characters marked by the features similar to those of Felicite appear in many of the young émigré writer’s works of the 1920s and 1930s: they include the maid and the cook from the novel “Vecher u Kler” (“Evening at Claire's”), the cook from the story “Vecherniy sputnik” (“Evening Companion”) and a number of characters from “Nochnye dorogi” (“Night Roads”). The motifs of constantly shifting affec
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44

Zavidovskaia, Ekaterina A. "Illustrated Editions and Popular Woodblock Prints nianhua Featuring Short Stories by Pu Songling." Oriental Studies 19, no. 4 (2020): 94–107. http://dx.doi.org/10.25205/1818-7919-2020-19-4-94-107.

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The paper studies connections between the illustrated lithographic edition of Pu Songling’s 蒲松齡 (1640–1715) “Strange Stories from a Chinese Studio with annotations, poems, and illustrations” (詳註聊齋誌異圖詠Xiangzhu liaozhai zhiyi tuyong, 1886), a collection of illustrations by Shanghai publishing house Tongwenshuju 同文書局 and several popular woodblock prints 年畫 nianhua found in Russian collections (Peter the Great Museum of Ethnography and Anthropology of the Russian Academy of Sciences, State Hermitage, Geographic Society) in order to learn how Pu Songling’s stories circulated in the society of late
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45

Plotnikova, Anastasia Gennadievna. "Social problems in M. Gorky’s essays on cinema in a historical context." Philology. Issues of Theory and Practice 17, no. 1 (2024): 230–36. http://dx.doi.org/10.30853/phil20240033.

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The research aims to determine the peculiarities of the notion of cinema at the initial stage of its existence. The essays and short stories by M. Gorky published in the newspapers ‘Nizhegorodskii listok’ and ‘Odesskie novosti’ during the All-Russia Industrial and Art Exhibition 1896 and articles of this period published in the Nizhny Novgorod press served as the research material. Classical and new works on Gorky studies and film studies are involved. The research is novel in that it is the first to address the short story ‘Revenge’ and to restore the journalistic context associated with it.
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Kondrateva, Viktoriya, and Angelika Molnar. "Archetype as the communication tool of national cultures: on the question of the typological similarity of Russian and Hungarian literatures (based on the short story “Student” by A.P. Chekhov and the novel “Two Beggar-Students” by Mikszáth Kálmán)." E3S Web of Conferences 273 (2021): 11022. http://dx.doi.org/10.1051/e3sconf/202127311022.

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The study aim is finding of interaction between national and universal features in works by the Russian and the Hungarian writers, shift from ethnocultural to common content as the specific communication tool of different national literatures. Methodology. Methodological study base is the system unity of cultural and anthropological, structural semiotic and typological, comparative and mythopoetic methods. Results. A.P. Chekhov and K. Mikszáth works include national specificity as well as universal motives and images. Revealed by comparative analysis writers common archetypical platform speaks
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47

Ivanova, Elizaveta A. "Joe Abercrombie’s ‘Red Country’ as a Fantasy Western: the Genre Features of the Novel." Вестник Пермского университета. Российская и зарубежная филология 14, no. 2 (2022): 92–100. http://dx.doi.org/10.17072/2073-6681-2022-2-92-100.

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The article analyzes the novel Red Country (2012) written by the outstanding modern British fantasy author Joe Abercrombie. All his works can be characterized as postmodern play with genre conventions and genre mixing. Red Country unites the characteristics of the fantasy and the Western – genres that seem to be incompatible. The aim of the article is to look into how the elements of each of the genres are connected in the novel and how they are transformed in this process. The article gives a short overview of the characteristic features of both fantasy and Western based on works by Russian a
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48

Волков, Валерий Вячеславович, and Наталья Васильевна Волкова. "LITERARY UTOPIA AND DYSTOPIA: THE PECULIARITIES OF GENRES, THE ASPECTS OF HERMENEUTIC RESEARCH." Вестник Тверского государственного университета. Серия: Филология, no. 3(66) (November 6, 2020): 26–40. http://dx.doi.org/10.26456/vtfilol/2020.3.026.

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Цель данной работы - уточнить жанровую специфику британских и российских литературных антиутопий. В центре внимания авторов, с одной стороны, жанрово-теоретический анализ утопий, с другой стороны, анализ содержания и структуры базового дуального концепта «Время: настоящее - возможное будущее» и концептов, смежных с ним. Ключевые концепты интерпретируются по процедурам, использующимся в филологической герменевтике. В результате исследования выявлены отличительные особенности британских и российских антиутопий. Аксиологическое основание «британской» дистопии - стабильность и упрощенность, что ка
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Rogacheva, Natalia A., and Anastasiia O. Drozdova. "NABOKOV’S REFLECTION ON HIS OWN AND OTHERS’ WORKS IN THE SHORT NOVEL “VASILIY SHISHKOV” AND POEM “THE POETS”." Tyumen State University Herald. Humanities Research. Humanitates 6, no. 2 (2020): 64–78. http://dx.doi.org/10.21684/2411-197x-2020-6-2-64-78.

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The problem of Nabokov’s artistic identity is relevant for contemporary literature studies. The researchers interpret writer’s estimation of his Russian works differently: in his American years, Nabokov (1) created a new artistic identity (A. Dolinin) and started a new career (N. Cornwell) or (2) developed his general themes (B. Boyd), targeted at English readers. The unique status of the texts written in French is defined by their “phantom” nature (M. Malikova) and the “final work with the literature legacy” (A. Babikov). In our research, the problem of Nabokov’s identity is analyzed for the
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50

Volkov, Ivan O., and Emma M. Zhilyakova. "Ivanhoe by Walter Scott in the Creative Perception of Ivan Turgenev. Article One." Vestnik Tomskogo gosudarstvennogo universiteta, no. 460 (2020): 5–15. http://dx.doi.org/10.17223/15617793/460/1.

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In the article, on the material of Ivan Turgenev’s library and his short story “The Jew”, the issue of reading and creative perception is examined. Turgenev’s perception of Ivanhoe by Walter Scott is in the focus. The research attention is developing from the interpretation of several Turgenev’s notes left in the English version of the novel to the analysis of the creative perception of the images of Isaac and Rebecca, which became the ideological and semantic basis of “The Jew”. The reading of Ivanhoe in the original in the early 1840s became for the writer a penetration into Scott’s individu
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