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Dissertations / Theses on the topic 'Russian prose and literature'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Ben-Amos, Anat. "Imagination and literature in the Russian prose of Vladimir Nabokov." Thesis, University of Essex, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284584.

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2

Soma, Eduardo. "Ulisses em tempos de estagnação: tradução e estudo de Moskvá - Petuchki, de Venedíkt Eroféiev." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-09122016-135054/.

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O presente trabalho apresenta o romance MoskváPetuchki, de Venedíkt Eroféiev, e propõe o seu estudo com base na investigação da sua composição temática. Através da tradução do texto integral e de considerações analíticas, a obra é confrontada ao contexto histórico e literário soviético. Desse modo, e por meio da utilização de recursos interpretativos apresentados por Mikhail Bakhtin, Boris Groys, Evgeny Dobrenko, Ann Komaromi e Aleksei Yurchak, entre outros, o romance é considerado enquanto uma parte fundamental da literatura dissidente soviética do período do Degelo e uma resposta à cultura h

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3

Glazkova, Anna. "Detail within the artistic method in the prose of Chekhov and Nabokov /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1422925.

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4

Almeida, Paula Costa Vaz de. "A caminho do Absoluto: a poética e a vida literária de Marina Tsvetáieva através de sua prosa." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-01062015-182251/.

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Este trabalho propõe um estudo da poética e da vida literária de Marina Tsvetáieva com base em uma seleção de suas obras em prosa consideradas representativas de seu pensamento artístico, bem como de seus principais procedimentos compositivos. Para tanto, foi empreendida uma análise de forma e conteúdo dessas obras, integrada ao contexto histórico e literário em que foram produzidas, à luz dos recursos teóricos e interpretativos oferecidos por Tzvetan Todorov, Véronique Lossky, Joseph Brodsky e Walter Benjamin, entre outros.<br>This work proposes a study of Marina Tsvetaevas poetry and literar

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5

Jackson, Sarah Kate. "A memorable time : the prose of Vladimir Makanin, 1987-1995." Thesis, University of Sheffield, 2001. http://etheses.whiterose.ac.uk/14828/.

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Spanning over three decades, the prose of Vladimir Makanin bears witness to the extraordinary changes SovietlRussian society and literature have undergone, and to which he, as a writer, has been continually exposed. The focus of the thesis is Makanin's abiding concern with the condition of man; man as individual and man as a collective term. The position of man in time (contemporaneity), out of time (the eternal memory of man), and through time (the past, present and future). Despite this apparent central concern, the author's prose is constantly changing, and what seemed previously to be abso

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6

Kovalev, Manuela. "The function of Russian obscene language in late Soviet and post-Soviet prose." Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/the-function-of-russian-obscene-language-in-late-soviet-and-postsoviet-prose(fc0db109-e18d-4156-9b8c-53e7abad6318).html.

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This thesis is the first book-length study to explore the function of Russian obscene language (mat) in late Soviet and post-Soviet prose published between the late 1970s and the late 1990s. This period was characterised by radical socio-ideological transformations that also found expression in major shifts of established literary and linguistic norms. The latter were particularly strongly reflected in the fact that obscene language, which was banned from official Soviet discourse, gradually found its way into literary texts, thereby changing the notion of literary language and literature. The

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7

Ready, Oliver. "From Aleshkovsky to Galkovsky : the praise of folly in Russian prose since the 1960s." Thesis, University of Oxford, 2007. http://ora.ox.ac.uk/objects/uuid:874dcddf-7aed-4ff7-ab29-827ff3ac26ce.

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This thesis illustrates and analyses the appeal of folly to writers of, principally, the late- Soviet era (1960s-1980s). This appeal expressed itself not only in numerous portrayals of evidently foolish characters, but also in the widespread use of first-person narrative in which various masks of folly are worn by narrators to assert their detachment from societal norms and from the scholarly and 'objective' discourse which Soviet culture sought to promote. These tendencies towards folly and subjectivity are examined in their various historical, religious and philosophical implications. Parall

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8

Abdulmassih, Fabio Brazolin. "Aulas de literatura russa - F.M. Dostoiévski por N. Nabókov: por que tirar Doistoiévski do pedestal?" Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-29092010-112244/.

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Este trabalho é composto pela tradução anotada do texto original em inglês Fyodor Dostoevski (1821 1881), que faz parte das aulas de literatura russa que o autor russo Vladímir Nabókov ministrou em universidades americanas de 1941 a 1959, bem como por uma introdução biobibliográfica e crítica sobre o autor, de um modo geral, e de um ensaio crítico sobre suas opiniões a respeito das principais obras de Fiódor Dostoiévski, em particular. Para tanto, serão comentadas as principais opiniões críticas de Nabókov sobre os romances Crime e Castigo, Memórias do Subsolo, O Idiota, Os Demônios e os Irmã

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9

Farjado, Jéssica de Souza. "O rei Lear da estepe, de Ivan Turguêniev: uma tragédia russa." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-03052016-110236/.

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Este trabalho é composto pela tradução da novela O rei Lear da estepe, de Ivan Turguêniev, publicada em 1870, seguida de um breve comentário sobre a influência do dramaturgo inglês William Shakespeare na literatura russa. Em seguida há um estudo sobre o skaz literário presente na novela e da estilização, um recurso estilístico teorizado por Mikhail Bakhtin e Yuri Tyniánov. Assim como a paródia, a estilização é também a recriação de uma obra consagrada, mas, ao contrário daquela, não possui efeito cômico e sim concordância de sentido com o texto no qual foi inspirada. Por fim, há um apontamento

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10

Fasey, Rosemary J. "Writers in the service of revolution : Russia's ideological and literary impact on Spanish poetry and prose, 1925-36." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14655.

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This thesis is a comparative literary study which is conducted by placing the reception of Russian literature in Spain during the period 1918-36 within the context of the interplay of literature and the social and political situations in which it is written. It first places the boom in the publication of Russian literature in the late 1920s and 1930s within the context of the history of the reception of Russian literature in Spain, providing a comprehensive survey of that history. Next, it describes the impact of the Russian Revolution and the formative years of the Soviet Socialist state on t

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11

Bohnet, Christine. "Der metafiktionale Roman Untersuchungen zur Prosa Konstantin Vaginovs /." München : O. Sagner, 1998. http://books.google.com/books?id=6FRgAAAAMAAJ.

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12

Rousselet, Jean-François. "Victor Petrovitch Astafiev, un écrivain ruraliste ?" Thesis, Strasbourg, 2017. http://www.theses.fr/2017STRAC030.

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Cette thèse présente la première monographie française sur le grand écrivain russe et sibérien Victor Astafiev. Peu traduite en français, son œuvre importante (15 volumes) est généralement considérée par la critique comme s’inscrivant dans la veine de la prose rurale qui se développa en Russie à partir des années 70. Cependant, la biographie de l’écrivain et la multiplicité des thèmes qu’il aborde (société, guerre, musique, sons et nature) impose une remise en question de cette interprétation. L’auteur de la thèse s’attache à analyser finement les textes mis en contexte, à étudier l’évolution

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13

Bullock, Philip Ross. "The feminine in the prose of Andrey Platonov." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302593.

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14

Baikovitch, Gilda Odette Felicienne. "Fedor Abramov and the poetics of Russian village prose." Thesis, University of Bath, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.301526.

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15

Caldwell, David. "German documentary prose of the 1970s /." The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487266691095606.

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16

Dearman, Vera. "The reality of time, history and life in the prose of Ivan Bunin." Thesis, University of Sheffield, 1999. http://etheses.whiterose.ac.uk/14915/.

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The thesis focuses on two major aspects. Firstly, it offers a discussion of the evolution of the notion of 'historicity' in the thought of various Russian thinkers and cultural historians with particular reference to the ideas of Berdiaev, Bakhtin and Likhachev. It also addresses the problem of the contribution made to the twentieth-century humanities by the 'Slavonic Renaissance' of the early part of the twentieth century. Secondly, the work examines various views on the issue of historical time and its perception and representation in artistic work, focusing primarily on the specificity of a

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17

藍詠蘭 and Wing-lan Lam. "Humour in Lao She's prose." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B40676572.

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18

Tosi, Alessandra. "The forgotten years : Russian prose in the age of Alexander I, 1801-1825." Thesis, University of Cambridge, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.624709.

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19

Palazzo, Lynda Carol. "The prose works of Christina Rossetti." Thesis, Durham University, 1992. http://etheses.dur.ac.uk/1499/.

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20

Swartz, Howard M. "The Soviet-Afghan War in Russian literature." Thesis, University of Oxford, 1992. https://ora.ox.ac.uk/objects/uuid:1b5cf666-d10b-4df2-9a71-967cb98d5b46.

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This thesis is an historical and literary investigation of the treatment of the 1979- 89 Soviet-Afghan War in contemporary Russian literature. The texts chosen for study include official and unofficial literature, written within the former USSR as well as abroad, and cover publicistic writing, poetry, and prose fiction. These works are described and analyzed with a two-fold purpose: to explore creative trends found in the literature of this subject, and to evaluate the extent to which the genre of Afghan War literature in Russian has changed over the past decade. In order to provide a context

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21

Skomp, Elizabeth Ann. "Women and violence in postwar Russian literature." Thesis, University College London (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406677.

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22

Brooke, Angela. "Imagining England in Russian literature, 1855-1917." Thesis, University of Surrey, 2008. http://epubs.surrey.ac.uk/844622/.

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During the era of Russia's modernisation and industrialisation which spans from the death of Nicholas I to the Revolution of 1917, Russian thinkers saw Britain as a rival and a society to emulate. The concern with Britain found its way to the pages of Russia's literary prose fiction in the form of English characters and images of England's society. The dissertation gives an analytical study of the English in Russian literature, examining how they become the textual other in the quest to identify Russia's national self between 1855 and 1917. The dissertation argues that the promulgation of ster

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23

Sykes, Timothy Martin James. "Textual fragmentation as a response to time in Russian modernist prose after the Revolution." Thesis, University College London (University of London), 2006. http://discovery.ucl.ac.uk/1446130/.

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The starting point of this thesis is the hitherto under-explored relationship between Russian apocalypticism and formal fragmentation in Russian literary modernism, both prominent in an early twentiem-century climate of heightened religiosity and aestheticism. The project borrows Joseph Frank's theory of 'spatial form', which demonstrates how a text's temporal coordinate is suppressed by disruption of order, and postulates that this technique stems from the modern mood of existential crisis, attracted to the otherworldly and timeless. This analysis encounters more concrete resonances when appl

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24

Fisher, Joel Edward Austin. "A re-evaluation of Hardy's prose fiction." Thesis, University of Cambridge, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.317739.

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25

Binstock, L. R. "A study of music in Victorian prose." Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.371597.

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26

Winnard, Andrew Charles. "Memory and selfhood in Christa Wolf's prose." Thesis, University of Liverpool, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.386124.

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27

Boxall, Peter. "Negative geography : fictional space in Beckett's prose." Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.360553.

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28

Hodgson, Katharine Merwinna. "Russian Soviet war poetry 1941-45." Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239076.

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29

Shieh, Wen-Shan. "Literature in masks : Katherine Mansfield, Eileen Chang and the possibilities of creative writing." Thesis, University of Sussex, 2013. http://sro.sussex.ac.uk/id/eprint/45906/.

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The thesis proposes that the figurative and extensive use of the ‘mask'—persona, masquerade, disguise, impersonation—provides a crucial literary device for the development and liberation of the expressive potential of Katherine Mansfield and Eileen Chang (1920-1995). Chapter 1, ‘Introduction', elucidates the relationship between mask and language with respect to the writings of Mansfield and Chang by revising John Keats's idea of ‘the chameleon poet', Robert Browning's conception of dramatic monologue, Oscar Wilde's insights into truth and masks, and Ezra Pound's adoptions of ‘personae' in his

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30

Saunders, M. W. M. "Ford Maddox Ford and the reading of prose." Thesis, University of Cambridge, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.373696.

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31

Carnaby, Rachel. "Kitsch in the prose works of Theodor Storm." Thesis, University of Sheffield, 1985. http://etheses.whiterose.ac.uk/1803/.

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The twofold purpose of this study is to clarify, on the one hand, the question of literary evaluation in general and of kitsch in particular, and, on the other, to analyse the prose works of Theodor Storm in the light of the theories of literary evaluation thus established. It therefore follows that the investigation falls into two main sections. The first is in essence theoretical. It consists of seven chapters, in which are examined the terminology, etymology and history of literary evaluation; the many different approaches to tackling and understanding the problem of kitsch (pedagogic, soci

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32

Luibl, Chad. "Flame and Shadow: Selected Prose by Chad Luibl." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/628.

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The following is a collection of works of fiction set in Kazakhstan during World War II, modern-day Budapest, with one short story taking place in Richmond, Virginia. No characters in this collecting of fiction is meant to depict any real, live person, though some of the settings are real. These works were written between February, 2012, and April, 2014.

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33

Fisher, Jeffrey Charles. "The prose fiction of César Vallejo and Vicente Huidobro /." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu14876885075027.

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34

Kaldis, Nicholas A. "The prose poem and aesthetic insight : Lu Xun's Yecao /." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487951595503158.

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35

McGowan, Pauline Dympna. "Women in Irish prose - early and modern." Thesis, Queen's University Belfast, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337022.

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36

Hine, Alyn Desmond. "Russian literature in the works of Mikhail Naimy." Thesis, SOAS, University of London, 2011. http://eprints.soas.ac.uk/14698/.

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37

Butler, Jennifer. "Ambiguity in nineteenth-century russian literature and opera." Online version, 2004. http://bibpurl.oclc.org/web/30681.

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38

O'Doherty, Paul. "The portrayal of Jews in GDR prose fiction." Thesis, University of Nottingham, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294494.

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39

Peaker, Carol L. "Reading revolution : Russian émigrés and the reception of Russian literature in England, c. 1890-1905." Thesis, University of Oxford, 2007. http://ora.ox.ac.uk/objects/uuid:c21af242-f696-4a7c-8f8e-5f9df9ea111c.

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This thesis explores the involvement of Russian emigres in disseminating and informing the reception of Russian literature in England. It examines their use of translations and literary commentary as vehicles for propaganda, and considers the impact of their unique approach to literature on both Anglo-Russian relations and English letters. Part One describes the arrival of Russian émigrés in England and their mixed reception: as victims of a brutal regime, mysterious sages, exotic outcasts, Slavic barbarians, or at worst, as dangerous 'incendiarists' to be feared and reviled. It reflects on th

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40

Liston, Andrew Adams. "The ecological voice in recent German-Swiss prose." Thesis, University of St Andrews, 2005. http://hdl.handle.net/10023/11287.

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This thesis seeks to investigate the ecological theme in German-Swiss prose of the last thirty years. The role of nature has understandably always been significant in Swiss literature. In a nation that has eked out its living, in such an impressive and violent landscape, there is of necessity a highly developed awareness of the environment. Furthermore, the close relationship between mankind and the environment is inherently ambiguous, with each acting alternately as curse and blessing to the other. The bond between people and geography is made all the more vital in the Alps, where existence i

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41

Charteris, Charlotte May. "The queer cultures of 1930s prose." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610805.

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42

Spieker, Sven. "Figures of memory and forgetting in Andrei Bitov's prose." Thesis, University of Oxford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.335709.

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43

Herbert, W. N. "Continuity in the poetry and prose of Hugh MacDiarmid." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314959.

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44

Cameron, Audrey. "Reacreatin' Scotland : the poetry and prose of Hugh MacDiarmid." Thesis, University of Aberdeen, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.483981.

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This thesis explores the major stages of MacDiarmid's work, examining MacDiarmid's relationship with Scotland through his prose, poetry, and political activities. The introduction looks at the history of critical responses to MacDiarmid's work and explores the ways in which MacDiarmid's work has found itself at the centre of Scottish literary studies while it sits at the margins of the wider literary canon. It suggests that it is necessary to look again at the ways in which MacDiarmid engaged with the idea of Scotland throughout his career. Chapters Two, Three, and Four focus on the early peri

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45

Stewart, Paul. "Difference and disjunction in the prose of Samuel Beckett." Thesis, University of Bristol, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326364.

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46

Brown, Bartley J. "Clausulae in context : uses of prose meter in Cicero's speeches /." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487952208109267.

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47

Kadyrbekova, Zaure. "Ecosystemic worldview in Russian fairy tales." Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121571.

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The majority of interpretations of literary animals focus on the animals' metaphoric or symbolic significance, overlooking the actual animal, which often completely disappears behind its metaphoric or mythological representation. Such traditional interpretations of animals expose the dominant anthropocentric focus of the humanities in general, and literary studies in particular. Yet, even as textual representations a lot of literary animals still exhibit some basic species-specific characteristics. By analyzing selected Russian fairytales through the animal studies perspective I will show that

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48

Stagh, Marina. "The limits of freedom of speech prose literature and prose writers in Egypt under Nasser and Sadat /." Doctoral thesis, Stockholm : Almqvist & Wiksell International, 1993. http://catalog.hathitrust.org/api/volumes/oclc/30130617.html.

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Thesis (Ph. D.)--Stockholm University, 1993.<br>"Bibliography of writers arrested, detained or imprisoned in the period 1952-1981"--P. 321-360. Includes bibliographical references (p. [363]-374) and indexes.

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49

Whitehead, Claire Eugenie. "Theory and practice of the fantastic in French and Russian prose fiction of the Nineteenth Century." Thesis, University of Bristol, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.393098.

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50

Gribble, Lyubomira Parpulova. "Russian verse parody 1815-1870 : literary and social functions /." The Ohio State University, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487678444258622.

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