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Relevant bibliographies by topics / Russian prose literature – 21st century / Books

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Books on the topic 'Russian prose literature – 21st century'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2024

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1

Pavel, Krusanov, ed. Novye peterburgskie povesti. Sankt-Peterburg: Amfora, 2006.

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2

Akhmatova, Anna Andreevna. My half century: Selected prose. Ann Arbor: Ardis, 1992.

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3

Adjoubei, Svetlana A., and Hugh A. Aplin. Red pyramid: Russian literature from the 21st century. London: Academia Rossica, 2009.

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4

Heier, Edmund. Literary portraiture in nineteenth-century Russian prose. Köln: Böhlau Verlag, 1993.

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5

Akhmatova, Anna Andreevna. My Half Century: Selected Prose. Evanston, USA: Northwestern University Press, 1997.

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6

Dave, Eggers, ed. The best American nonrequired reading, 2005. Boston: Houghton Mifflin Company, 2005.

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7

D, Akella R., Central Institute of English and Foreign Languages. Dept. of Russian., and National Seminar on the Role, Status, and Prospects of Russian Language in the 21st century (1998 : Central Institute of English and Foreign Languages)., eds. Role, status, and prospects of Russian language in the 21st century: Seminar papers. Hyderabad: Dept. of Russian, CIEFL and Ajanta Books International, Delhi, 1999.

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8

Lalo, Alexei. The birth of the body: Russian erotic prose of the first half of the twentieth century : a reader. Leiden: Brill, 2013.

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9

Gheith, Jehanne M. Finding the middle ground: Krestovskii, Tur, and the power of ambivalence in nineteenth-century Russian women's prose. Evanston, Ill: Northwestern University Press, 2004.

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10

Dave, Eggers, ed. The best American nonrequired reading, 2004. Boston: Houghton Mifflin, 2004.

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11

Stewart, Michael. I You He She It: Experiments in Viewpoint. Huddersfield: University of Huddersfield Press, 2017.

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12

Lee, Gutkind, ed. The best creative nonfiction. New York: W. W. Norton, 2007.

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13

1969-, Caswell Kurt, Tomlinson Susan Leigh, and Warner Diane Hueter, eds. To everything on earth: New writing on fate, community, and nature. Lubbock, TX: Texas Tech University Press, 2010.

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14

Handler, Daniel, ed. The Best American Non-Required Reading 2014. New York, USA: Houghton Mifflin Harcourt Publishing Company, 2014.

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15

Shenle, Andreas. Podlinnostʹ i vymysel v avtorskom samosoznaniĭ russkoĭ literatury puteshestviĭ. 1790-1840. Per. s angl. Sankt Peterburg: Akademicheskiĭ proekt, 2004.

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16

Mandelʹshtam, Osip. The noise of time: Selected prose. Evanston, Ill: Northwestern University Press, 2002.

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17

Johannes, Ullmaier, ed. Schicht!: Arbeitsreportagen für die Endzeit. Frankfurt am Main: Suhrkamp, 2007.

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18

Dave, Eggers, and Stevens Sufjan, eds. The best American nonrequired reading 2007. Boston: Houghton Mifflin, 2007.

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19

Solntse po talonam. Blurb, 2020.

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20

Thomas Browne: 21st-Century Oxford Authors. Oxford University Press, 2013.

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21

Lipovetsky, Mark. 21: Russian Short Prose from the Odd Century. Academic Studies Press, 2019.

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22

Lipovetsky, Mark. 21: Russian Short Prose from the Odd Century. Academic Studies Press, 2019.

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23

Meyer, Ronald, and Anna Akhmatova. My Half Century: Selected Prose. Duckworth Publishers, 2013.

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24

Rollercoasters: 20th- and 21st-Century Fiction and Non-Fiction. Oxford University Press, 2016.

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25

The Ties of Blood : 18: Russian Literature from the 21st Century. Academia Rossica, 2008.

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26

McGarry, Jamie. VP50: Five Years, Fifty Books - The Best of Valley Press. Valley Press, 2013.

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27

Shcherbakova, Marina I., and Giuseppe Ghini, eds. Russian Literature in the Russian-Italian Dialogue of the 21st Century: Text Criticism, Poetics, Translations. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/978-5-9208-0643-7.

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The edition presents articles by contemporary Italian and Russian scientists devoted to a common problem: literary and cultural connections between Italy and Russia. Various methods of the source study and textual criticism, analysis of the poetics of literary works and literary translation provided the research results with novelty and originality.

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28

(Introduction), Beck, and Dave Eggers (Series Editor), eds. The Best American Nonrequired Reading 2005. Houghton Mifflin Company, 2005.

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29

The Best American Nonrequired Reading 2005. Houghton Mifflin Company, 2005.

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30

(Editor), Dave Eggers, and Beck (Introduction), eds. The Best American Nonrequired Reading 2005. Houghton Mifflin, 2005.

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31

The Best American Nonrequired Reading 2005. Houghton Mifflin Company, 2005.

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32

Latinas: Struggles and Protest in 21st Century USA. RED SUGARCANE PRESS INC., 2018.

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33

Latinas: Struggles and Protests in 21st Century USA. RED SUGARCANE PRESS INC., 2018.

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34

British autobiography in the 20th and 21st centuries. Heidelberg: Universitätsverlag Winter, 2017.

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35

Lepucki, Edan, and 826 National. Best American Nonrequired Reading 2019. Houghton Mifflin Harcourt Publishing Company, 2019.

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36

Vowell, Sarah, and 826 National. Best American Nonrequired Reading 2017. Houghton Mifflin Harcourt Publishing Company, 2017.

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37

Heti, Sheila. Best American Nonrequired Reading 2018. Houghton Mifflin Harcourt Publishing Company, 2018.

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38

Snicket, Lemony, and Daniel Handler. Best American Nonrequired Reading 2014. Houghton Mifflin Harcourt Trade & Reference Publishers, 2014.

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39

Snicket, Lemony, and Daniel Handler. Best American Nonrequired Reading 2014. Houghton Mifflin Harcourt Publishing Company, 2014.

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40

Writing wrongs: The Canongate Prize for New Writing. Edinburgh: Canongate, 2002.

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41

Skvozʹ setochku shli︠a︡py. Izdatelʹstvo "Ė, 2017.

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42

Latinas: An anthology of struggles & protests in 21st century USA. RED SUGARCANE PRESS INC., 2018.

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43

Estanove, Laurence, Adrian Grafe, Andrew McKeown, and Claire Hélie, eds. 21st-Century Dylan. Bloomsbury Publishing Inc, 2021. http://dx.doi.org/10.5040/9781501363726.

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Bob Dylan has constantly reinvented the persona known as “Bob Dylan,” renewing the performance possibilities inherent in his songs, from acoustic folk, to electric rock and a late, hybrid style which even hints at so-called world music and Latin American tones. Then in 2016, his achievements outside of performance – as a songwriter – were acknowledged when he was awarded the Nobel Literature Prize. Dylan has never ceased to broaden the range of his creative identity, taking in painting, film, acting and prose writing, as well as advertising and even own-brand commercial production. The book highlights how Dylan has brought his persona(e) to different art forms and cultural arenas, and how they in turn have also created these personae. This volume consists of multidisciplinary essays written by cultural historians, musicologists, literary academics and film experts, including contributions by critics Christopher Ricks and Nina Goss. Together, the essays reveal Dylan’s continuing artistic development and self-fashioning, as well as the making of a certain legitimized Dylan through critical and public recognition in the new millennium. This volume seeks to reflect the range of Bob Dylan’s multiple activities, the ‘late style’ of his creativity and his personae in all their later variety, from the Time Out of Mind album (1997) up to the release in March 2020 of ‘Murder Most Foul’. Bob Dylan (born 1941) is perhaps best-known as a singer and songwriter whose major impact occurred several decades ago. His achievements as a songwriter and master of language were – provocatively? – acknowledged when he was awarded the 2016 Nobel Literature Prize. However, Dylan has never ceased to broaden the range of his creative identity, especially through intermediality, taking in painting, film, acting, radio-presenting and prose writing, as well as advertising and even own-brand commercial production, either reinforcing or calling into question his perceived authenticity. The book highlights how Dylan has brought his persona(e) to different art forms and cultural arenas, and how they in turn have also created these personae. Chronicles, Volume One, his autobiography, charts his beginnings as a folk singer and the later recording of the Oh Mercy album. In terms of his identity as a visual artist, while Dylan’s Revisionist Art exhibition focused on his reworkings of magazine covers, the Brazil Series paintings show him extending his visual creativity to cultural spaces beyond the United States. Dylan has constantly reinvented the persona known as ‘Bob Dylan’.

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44

Conan, Doyle Arthur. Rollercoasters: Arthur Conan Doyle Collection. Oxford University Press, 2020.

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45

Kushner, Rachel, and 826 National. Best American Nonrequired Reading 2016. Houghton Mifflin Harcourt Publishing Company, 2016.

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46

Eggers, Dave. Best American Nonrequired Reading 2011: The Best American Series. Houghton Mifflin Harcourt Publishing Company, 2011.

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47

Best American Nonrequired Reading 2011. Mariner Books, 2011.

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48

Michael, Burns. Moon City Review. Department of English, 2007.

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49

Cadle, Lanette, Marcus Cafagna, and Eric Pervukhin. Moon City Review 2010: An Annual of Poetry, Story, Art, and Criticism. Department of English, 2010.

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50

(Organization), 826 National, ed. The best American nonrequired reading 2017. Houghton Mifflin Harcourt, 2017.

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