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Academic literature on the topic 'Russian S.F.S.R. in art'

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Published: 4 June 2021

Last updated: 2 February 2022

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Journal articles on the topic "Russian S.F.S.R. in art"

Mykhailova, O. V. "Woman in art: a breath of beauty in the men’s world." Aspects of Historical Musicology 17, no. 17 (September 15, 2019): 163–80. http://dx.doi.org/10.34064/khnum2-17.11.

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Background. А history of the development of the human community is at the same time a history of the relationship between men and women, their role in society, in formation of mindset, development of science, technology and art. A woman’s path to the recognition of her merits is a struggle for equality and inclusion in all sectors of public life. Originated with particular urgency in the twentieth century, this set of problems gave impetus to the study of the female phenomenon in the sociocultural space. In this context, the disclosure of the direct contribution of talented women to art and their influence on its development has become of special relevance. The purpose of the article is to summarize segmental of information that highlights the contribution of women to the treasury of world art, their creative and inspiring power. Analytical, historical-biographical and comparative studying methods were applied to reveal the gender relationships in art and the role of woman in them as well as in the sociocultural space in general. The results from this study present a panorama of gifted women from the world of art and music who paved the way for future generations. Among them are: A. Gentileschi (1593–1653), who was the first woman admitted to The Florence Academy of Art; M. Vigee Le Brun (1755–1842), who painted portraits of the French aristocracy and later became a confidant of Marie-Antoinette; B. Morisot (1841–1895), who was accepted by the impressionists in their circle and repeatedly exhibited her works in the Paris Salon; F. Caccini (1587–1640), who went down in history as an Italian composer, teacher, harpsichordist, author of ballets and music for court theater performances; J. Kinkel (1810–1858) – the first female choral director in Germany, who published books about musical education, composed songs on poems of famous poets, as well as on her own texts; F. Mendelssohn (1805–1847) – German singer, pianist and composer, author of cantatas, vocal miniatures of organ preludes, piano pieces; R. Clark (1886–1979) – British viola player and composer who created trio, quartets, compositions for solo instruments, songs on poems of English poets; L. Boulanger (1893–1918) became the first woman to receive Grand Prix de Rome; R. Tsekhlin (1926–2007) – German harpsichordist, composer and teacher who successfully combined the composition of symphonies, concerts, choral and vocal opuses, operas, ballets, music for theatrical productions and cinema with active performing and teaching activities, and many others. The article emphasise the contribution of women-composers, writers, poetesses to the treasury of world literature and art. Among the composers in this row is S. Gubaidulina (1931), who has about 30 prizes and awards. She wrote music for 17 films and her works are being performed by famous musicians around the world. The glory of Ukrainian music is L. Dychko (1939) – the author of operas, oratorios, cantatas, symphonies, choral concertos, ballets, piano works, romances, film music. The broad famous are the French writers: S.-G. Colette (1873–1954), to which the films were devoted, the performances based on her novels are going all over the world, her lyrics are being studied in the literature departments. She was the President of the Goncourt Academy, Chevalier of the Legion of Honour, a square in the center of Paris is named after her. Also, creativity by her compatriot, L. de Vilmorin (1902–1969), on whose poems С. Arrieu, G. Auric, F. Poulenc wrote vocal miniatures, is beloved and recognized as in France as and widely abroad. The article denotes a circle of women who combined the position of a selfsufficient creator and a muse for their companion. M. Verevkina (1860–1938) – a Russian artist, a representative of expressionism in painting, not only helped shape the aesthetic views of her husband A. Yavlensky, contributing to his art education, but for a long time “left the stage” for to not compete with him and help him develop his talent fully. Furthermore, she managed to anticipate many of the discoveries as for the use of light that are associated with the names of H. Matisse, A. Derain and other French fauvist. F. Kahlo (1907–1954), a Mexican artist, was a strict critic and supporter for her husband D. Rivera, led his business, was frequently depicted in his frescoes. C. Schumann (1819–1896) was a committed promoter of R. Schumann’s creativity. She performed his music even when he was not yet recognized by public. She included his compositions in the repertoire of her students after the composer lost his ability to play due to the illness of the hands. She herself performed his works, making R. Schumann famous across Europe. In addition, Clara took care of the welfare of the family – the main source of finance was income from her concerts. The article indicates the growing interest of the twentieth century composers to the poems of female poets. Among them M. Debord-Valmore (1786–1859) – a French poetess, about whom S. Zweig, P. Verlaine and L. Aragon wrote their essays, and her poems were set to music by C. Franck, G. Bizet and R. Ahn; R. Auslender (1901–1988) is a German poetess, a native of Ukraine (Chernovtsy city), author of more than 20 collections, her lyrics were used by an American woman-composer E. Alexander to write “Three Songs” and by German composer G. Grosse-Schware who wrote four pieces for the choir; I. Bachmann (1926–1973) – the winner of three major Austrian awards, author of the libretto for the ballet “Idiot” and opera “The Prince of Hombur”. The composer H. W. Henze, in turn, created music for the play “Cicadas” by I. Bachmann. On this basis, we conclude that women not only successfully engaged in painting, wrote poems and novels, composed music, opened «locked doors», destroyed established stereotypes but were a powerful source of inspiration. Combining the roles of the creator and muse, they helped men reach the greatest heights. Toward the twentieth century, the role of the fair sex representatives in the world of art increased and strengthened significantly, which led Western European culture to a new round of its evolution.

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Тарабань, Роман, and Маршал Філіп Х. "Deep Learning and Competition in Psycholinguistic Research." East European Journal of Psycholinguistics 4, no. 2 (December 28, 2017): 67–74. http://dx.doi.org/10.29038/eejpl.2017.4.2.rta.

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MacWhinney, Bates, and colleagues developed the Competition Model in the 1980s as an alternate to Chomskyan models that encapsulate syntax as a special-purpose module. The Competition Model adopted the functional perspective that language serves communicative goals and functions. In contrast to the premise that knowledge of language is innate, the Competition model asserts that language is learned and processed through general cognitive mechanisms that identify and weight phonological, morphological, syntactic, and semantic cues in the language experiences of the learner. These weighted cues guide the language user in the comprehension and production of language forms. The present article provides background on the Competition Model, describes machine simulations of linguistic competition, and extends the principles of the Competition Model to new machine models and applications through deep learning networks. References Bates, E. & MacWhinney, B. (1982). A functionalist approach to grammar. In E. Wanner & L. Gleitman (Eds.), Language acquisition: the state of the art. New York: Cambridge University Press. Bates, E., & MacWhinney, B. (1989). Functionalism and the competition model. In: The Crosslinguistic Study of Sentence Processing, (pp 3-76). B. MacWhinney and E. Bates (Eds.), New York: Cambridge University Press. Devescovi, A., D’Amico, S., Smith, S., Mimica, I., & Bates, E. (1998). The development of sentence comprehension in Italian and Serbo-Croatian: Local versus distributed cues. In: Syntax and Semantics: Vol. 31. Sentence Pocessing: A Cross-Linguistic Perspective, (pp. 345-377). D. Hillert (Ed.), San Diego: Academic Press. Hauser, M. D., Chomsky, N., & Fitch, W. T. (2002). The faculty of language: What it is, who has it, and how did it evolve? Science, 298, 1569-1579. Just, M. A., & Carpenter, P. A. (1980). A theory of reading: From eye fixations to comprehension. Psychological Review, 87, 329-354. Langacker, R. (1989). Foundations of cognitive grammar. Vol. 2: Applications. Stanford: Stanford University Press. Li, P., & MacWhinney, B. (2013). Competition model. In: The Encyclopedia of Applied Linguistics. C. A. Chapelle (Ed.), Malden, MA: Wiley. MacWhinney, B. (1987). The competition model. In: Mechanisms of Language Acquisition, (pp.249-308). B. MacWhinney (Ed.).Hillsdale, NJ: Lawrence Erlbaum. MacWhinney, B. (2001). The competition model: The input, the context, and the brain. In: Cognition and Second Language Instruction, (pp. 69–90). P. Robinson (Ed.), New York: Cambridge University Press. MacWhinney, B. (2008). A Unified Model. In: Handbook of Cognitive Linguistics and Second Language Acquisition, (pp. 341-371). P. Robinson & N. Ellis (Eds.). Mahwah, NJ: Lawrence Erlbaum Associates. MacWhinney B. (2012). The logic of the Unified Model. In: The Routledge Handbook of Second Language Acquisition, (pp. 211–227). S. Gass and A. Mackey (Eds.). New York: Routledge. MacWhinney, B. (2015). Multidimensional SLA. In: Usage-Based Perspectives on Second Language Learning, (pp. 22-45). S. Eskilde and T. Cadierno (Eds.). New York: Oxford University Press. MacWhinney, B., Bates, E. & Kliegl, R. (1984). Cue validity and sentence interpretation in English, German, and Italian. Journal of Verbal Learning and Verbal Behavior, 23, 127-150. MacWhinney, B., Leinbach, J., Taraban, R., & McDonald, J. (1989). Language learning: Cues or rules? Journal of Memory and Language, 28, 255-277. McClelland, J. L., & Rumelhart, D. E. (1986). Parallel Distributed Processing. Explorations in the Microstructure of Cognition. Volume 2: Psychological and Biological Models. Cambridge, MA: MIT Press. Presson, N. & MacWhinney, B. (2011). The Competition Model and language disorders. In: Handbook of Psycholinguistic and Cognitive Processes, (pp. 31-48). J. Guendozi, F. Loncke, and M. Williams (Eds.). New York: Psychology Press. Sokolov, J. L. (1988). Cue validity in Hebrew sentence comprehension. Journal of Child Language, 15, 129-156. Taraban, R. (2004). Drawing learners’ attention to syntactic context aids gender-like category induction. Journal of Memory and Language, 51(2), 202-216. Taraban, R. (2017). Hate, white supremacy, PTSD, and metacognition. In: Improve With Metacognition [online]. L. Scharff, A. Richmond, & J. Draeger (Eds.). Retrieved from: www.improvewithmetacognition.com. Taraban, R., & Kempe, V. (1999). Gender processing in native and non-native Russian speakers. Applied Psycholinguistics, 20, 119-148. Taraban, R., McDonald, J., & MacWhinney, B. (1989). Category learning in a connectionist model: Learning to decline the German definite article. In R. Corrigan, F. Eckman, & M. Noonan (Eds.), Linguistic categorization (pp. 163-193). Philadelphia: Benjamins. Taraban, R., & Roark, B. (1996). Competition in learning language-based categories. Applied Psycholinguistics, 17, 125-148.

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Möller, Johanna E., and Jakub Nowak. "Surveillance and privacy as emerging issues in communication and media studies. An introduction." Mediatization Studies 2 (June 26, 2019): 7. http://dx.doi.org/10.17951/ms.2018.2.7-15.

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Balleys C., Coll S. (2017). Being publicly intimate: Teenagers managing online privacy. Media, Culture & Society, Vol. 39(6), pp. 885–901. Bond R. M., Fariss C. J., Jones J. J., Kramer A. D. I., Marlow C., Settle J. E., Fowler J. H. (2012). A 61-million-person experiment in social influence and political mobilization, Nature, Vol. 489, pp. 295–298. Dencik L., Jansen F., Metcalfe, P. (2018). A conceptual framework for approaching social justice in an age of datafication, DATAJUSTICE project, https://datajusticeproject.net/2018/08/30/aconceptual-framework-for-approaching-social-justice-in-an-age-of-datafication/, 01.02.2019. Fuchs C. (2011). The Political Economy of Privacy on Facebook. Television & New Media, Vol. 13(2), pp. 139–159. Helmond A. (2015). The platformization of the web: Making web data platform ready. Social Media + Society, Vol. 1(2), pp. 1–11. Hillygus D. S., Shields T. G. (2009). The Persuadable Voter. Wedge Issues in Presidential Campaigns. Princeton University Press: Princeton. Hintz A., Dencik L., Wahl-Jorgensen K. (2019). Digital citizenship in a datafied society. Polity Press: Medford. Kramp L., Loosen W. (2017). The transformation of journalism: from changing newsroom cultures to a new communicative orientation? In A. Hepp, U. Hasebrink, A. Breiter (Eds.), Communicative Figurations: Rethinking mediatized transformations, Palgrave Macmillan: Basingstoke. pp. 205–239. Kruschinski. S., Haller A. (2017). Restrictions on data-driven political micro-targeting in Germany. Internet Policy Review, Vol. 6(4), pp. 1–23. Kunelius R., Heikkilä H., Russell A., Yagodin D. (Eds.). (2017). Journalism and the NSA Revelations: Privacy, security, and the press. I.B. Tauris: London. Livingstone S. (2008). Taking risky opportunities in youthful content creation: Teenagers’ use of social networking sites for intimacy, privacy and self-expression. New Media & Society, Vol. 10(3), 393–411. Lokot T. (2018). Be Safe or Be Seen? How Russian Activists Negotiate Visibility and Security in Online Resistance Practices. Surveillance & Society, Vol. 16 (3), 332–346. Loosen W., Reimer J.; De Silva-Schmidt F. (2017). Data-Driven Reporting – an On-Going (R) Evolution? A Longitudinal Analysis of Projects Nominated for the Data Journalism Awards 2013–2015. Working Paper Series Hans-Bredow-Institut No. 41. Lyon D. (2002). Surveillance society: Monitoring everyday life (Repr). Issues in society. Open Uniersity Press: Buckingham. Marwick A. E., boyd d. (2014). Networked privacy: How teenagers negotiate context in social media. New Media & Society, Vol. 16(7), pp. 1051–1067. Möller J., von Rimscha M. B. (2017). (De)Centralization of the Global Informational Ecosystem. Media and Communication, Vol. 5(3), pp. 37–48. Nissenbaum H. (2004): Privacy as contextual integrity. Washington Law Review, Vol. 79(1), pp. 101–139. Nissenbaum H. (2010). Privacy in context: Technology, policy, and the integrity of social life. Stanford Law Books: Stanford. Nowak J., Möller J. E. (2018, November). Don’t hate the media. Act on media., Paper presented at the 7th ECREA Conference, Lugano, Switzerland. Sifry M. Facebook Wants You to Vote on Tuesday. Here’s How It Messed With Your Feed in 2012, Mother Jones, http://www.motherjones.com/politics/2014/10/can-voting-facebook-button-improve-voter-turnout, 31.10.2018. Trepte S. (2016). The paradoxes of online privacy. In M. Walrave, K. Ponnet, E. Vanderhoven, J. Haers, B. Segaert (Eds.), Youth 2.0: Social media and adolescence. Connecting, Sharing and Empowering, Springer International Publishing: Cham, pp. 103–115. Trepte S., Reinecke L., Ellison N. B., Quiring O., Yao M. Z., Ziegele M. (2017). A Cross-Cultural Perspective on the Privacy Calculus. Social Media + Society, Vol. 3(1), pp. 1–13. Von Pape T., Trepte S., Mothes C. (2017). Privacy by disaster? Press coverage of privacy and digital technology. European Journal of Communication, Vol. 32(3), pp. 189–207. Wahl-Jorgensen K. (2017). A manifesto of failure for digital journalism. In P. J. Boczkowski, C. W. Anderson (Eds.), Remaking the News: Essays on the Future of Journalism Scholarship in the Digital Age, Inside Technology, MIT Press, Cambrdige MA, pp. 251–266. Wahl-Jorgensen K., Bennett L., Taylor G. (2017). The normalization of surveillance and the invisibility of digital citizenship: Media debates after the Snowden revelations. International Journal of Communication, Vol. 11, pp. 740–762. Westin A. F. (2015). Privacy and Freedom. IG Publishing: New York. Whittaker Z. Facebook won’t let you opt out of its phone number ‘look up’ setting, Techcrunch, https://techcrunch.com/2019/03/03/facebook-phone-number-look-up/?guccounter=1&-guce_referrer_us=aHR0cHM6Ly9uZXR6cG9saXRpay5vcmcvMjAxOS9mYWNlYm9vay-1taXNzYnJhdWNodC1oYW5keW51bW1lcm4tenUtd2VyYmV6d2Vja2VuLw&guce_referrer_cs=qtabV8dO1eMJbuNvjSOyJQ, 03.03.2019.

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Корякина, Владилина Владимировна, and Елена Юрьевна Шиц. "Модель Колмогорова–Джонсона–Мела–Аврами в исследовании кинетики образования гидрата природного газа в обратных эмульсиях нефти." Kondensirovannye sredy i mezhfaznye granitsy = Condensed Matter and Interphases 22, no. 3 (September 18, 2020): 327–35. http://dx.doi.org/10.17308/kcmf.2020.22/2963.

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В статье приведены результаты исследования процесса гидратирования водной фазы обратных эмульсий нефти природным газом с высоким содержанием метана (более 90 об.%). Целью работы являлось исследование кинетики кристаллизации эмульсий нефти при образовании в их среде гидратов природного газа с помощью метода дифференциальной сканирующей калориметрии (ДСК).Объектами исследования являлись обратные эмульсии нефти, содержащие 20, 40, 60 и 80 мас.% воды. Для изучения кинетики гидратирования эмульсий нефти газом был использован метод ДСК в условиях квази-равновесного эксперимента.Показана применимость модели Колмогорова–Джонсона–Мела–Аврами (КДМА) при описании процесса кристаллизации обратных эмульсий нефти в условиях квази-изотермического ДСК-эксперимента. Определены кинетические показатели модели КДМА в эмульсиях для процессов превращения капель воды в лед, а также их гидратирования природным газом. Показано, что в системе «природный газ-нефть-вода» процесс льдообразованияхарактеризуется высокими значениями показателя Аврами (n > 3) и степени свободы (l = 3), а процесс образования гидрата природного газа – низким показателем Аврами (n < 3) и средними показателями степени свободы (l = 1–3).Показано, что в непрерывной водной фазе гидраты природного газа формируются путем мгновенногозародышеобразования в виде отдельных одномерных кристаллов, а в нефти – гидраты нуклеируют с постоянной скоростью и, в зависимости от содержания воды, растут в виде разрозненных кристаллитов, корки или сферолитов. Полученные результаты исследований позволяют углубить уровень знаний о кинетике и механизмах гидратирования эмульсий нефти, и могут быть использованы в качестве дополнения к научным основам создания новых технологийсовместной транспортировки нефти и гидратированного в ней природного газа. ЛИТЕРАТУРА 1. Carroll J. Natural Gas Hydrates: A Guide for Engineers.Oxford, UK: Gulf Professional Publishing;2020. 392 р.2. Maninder K., Zhenyuan Y., Praveen L. A Reviewof clathrate hydrate nucleation. Sustainable Chemistry& Engineering. 2017;5(12): 11176–11203. DOI: https://doi.org/10.1021/acssuschemeng.7b032383. Straume E. O., Morales R., Sum A. K. Perspectiveson gas hydrates cold flow technology. Energy &Fuels. 2019;33(1): 1–15. DOI: https://doi.org/10.1021/acs.energyfuels.8b028164. Ribeiro C. P., Lage P. L. C. Modelling of hydrateformation kinetics: State-of-the-art and future directions.Chemical Engineering Science. 2008;63(8):2007–2034. DOI: https://doi.org/10.1016/j.ces.2008.01.0145. Englezos P., Kalogerakis N. E., Dholabhai P. D.,Bishnoi P. R. Kinetics of gas hydrate formation frommixtures of methane and ethane. Chemical EngineeringScience. 1987;42(11): 2659–2666. DOI: https://doi.org/10.1016/0009-2509(87)87016-16. 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Modelinggrowth kinetics of gas hydrate in porous media: Experimentalvalidation. Energy & Fuels. 2016;30(9):7656–7665. DOI: https://doi.org/10.1021/acs.energyfuels.6b0139711. Susilo R., Ripmeester J. A., Englezos P. Methaneconversion rate into structure H hydrate crystals fromice. AIChE Journal. 2007;53(9): 2451–2460. DOI:https://doi.org/10.1002/aic.1126812. Naeiji P., Varaminian F. Differential scanningcalorimetry measurements and modeling of methane +THF hydrate growth kinetics based on non-equilibriumthermodynamics. Journal of Molecular Liquids.2018;263: 22–30. DOI: https://doi.org/10.1016/j.molliq.2018.04.10713. Choupin T., Fayolle B., Régnier G., Paris C.,Cinquin J., Brule B. A more reliable DSC-based methodologyto study crystallization kinetics: Applicationto poly(ether-ketone-ketone) (PEKK) copolymers.Polymer. 2018;155: 109–115. DOI: https://doi.org/10.1016/j.polymer.2018.08.06014. Tan C., Zhu J., Wang Z., Zhang K., Tian X.,Cai W. The crystallization kinetics of Co doping onNi–Mn–Sn magnetic shape memory alloy thin films.RSC Advances. 2018;8(45): 25819–25828. DOI: https://doi.org/10.1039/c8ra04618b15. Derkach S. R., Kolotova D. S., Simonsen G.,Simon S. C., Sjöblom J., Andrianov A. V., Malkin A. Y.Kinetics of crystallization of aqueous droplets in water-in-crude oil emulsions at low temperatures. Energy& Fuels. 2018;32(2): 2197–2202. DOI: https://doi.org/10.1021/acs.energyfuels.7b0345716. Liu Z., Liu W., Lang C., Li Y., Yang M., Zhao J.,Song Y. DSC studies of methane hydrate formationand dissociation in water-in-mineral oil emulsions.In: Proc. 16th International Heat Transfer Conference(IHTC-16). 2018, 10–15 August, Beijing, China: 2018.p. 1607–1613. DOI: https://doi.org/10.1615/ihtc16.cat.02345317. Drelich A., Dalmazzone C., Pezron I., Liggieri L.,Clausse D. DSC (Differential Scanning Calorimetry)used to follow the evolution of W/O emulsions versustime on ground and in space in the ISS. Oil & GasSciences and Technology – Revue d’IFP Energies Nou-velles. 2018;73(16): 1–9. DOI: https://doi.org/10.2516/ogst/201800318. Leister N., Karbstein H. Evaluating the stabilityof double emulsions – A review of the masurementtechniques for the systematic investigation of instabilitymechanisms. Colloids and Interfaces. 2020;4(8):1–18. DOI: https://doi.org/10.3390/colloids401000819. Koryakina V.V., Ivanova I.K., Semenov M.E.,Rozhin I.I., Fedorova A.F., Shits E.Y. Specific featuresof the growth, composition, and content of natural gashydrates synthesized in inverted oil emulsions. RussianJournal of Applied Chemistry. 2017;90(8): 1258–1265. DOI: https://doi.org/10.1134/s107042721708011020. Dill E. D., Folmer J. C. W., Martin J. D. Crystalgrowth simulations to establish physically relevantkinetic parameters from the empirical Kolmogorov–Johnson–Mehl–Avrami Model. Chemistry of Materials.2013;25(20): 3941–3951. DOI: https://doi.org/10.1021/cm402751x21. 2. Сакович Г. В. Замечания о некоторыхуравнениях кинетики реакций с участием твердыхвеществ, применяемых в настоящее время. Ученыезаписки Томского университета. 1955; 26: 103–110.22. 3. Гройсман А. Г. Теплофизические свойствагазовых гидратов. Новосибирск: Наука, 1985. 95 с.23. 4. Principles and Applications of ThermalAnalysis. Ed. P. Gabbott. Oxford, UK: BlackwellPublishing Ltd.; 2008. 464 p.24. Ruitenberg G., Woldt E., Petford-Long A. K.Comparing the Johnson–Mehl–Avrami–Kolmogorovequations for isothermal and linear heating conditions.Thermochimica Acta. 2001;378(1–2): 97–105. DOI:https://doi.org/10.1016/s0040-6031(01)00584-625. Stoporev A. S., Manakov A. Yu., Kosyakov V. I.,Shestakov V. A., Altunina K. A., Strelets L. A. Nucleationof methane hydrate in water-in-oil emulsions:role of the phase boundary. Energy & Fuels. 2016;30(5):3735–3741. DOI: https://doi.org/10.1021/acs.energyfuels.5b0227926. Kislitsin A. A., Drachuk A. O., Molokitina N. S.,Podenko L. S. Diffusion model of methane hydrateformation in “Dry Water”. Russian Journal of PhysicalChemistry A. 2020;94(2): 405–411. DOI: https://doi.org/10.1134/s003602442002017x27. Kodama T., Ohmura R. Crystal growth ofclathrate hydrate in liquid water in contact withmethane + ethane + propane gas mixture. Journal ofChemical Technology & Biotechnology. 2014; 89(12):1982–1986. DOI: https://doi.org/10.1002/jctb.429228. Adamova T. P., Stoporev A. S., Manakov A. Y.Visual studies of methane hydrate formation on thewater – oil boundaries. Crystal Growth & Design.2018;18(11): 6713–6722. DOI: https://doi.org/10.1021/acs.cgd.8b0098629. Dong S., Liu C., Han W., Li M., Zhang J., Chen G.The effect of the hydrate antiagglomerant on hydratecrystallization at the oil–water interface. ACS Omega.2020;5(7): 3315–3321. DOI: https://doi.org/10.1021/acsomega.9b0339530. Guo D., Ou W., Ning F., Fang B., Liu Z., Fang X.,He Z. The effects of hydrate formation and dissociationon the water-oil interface: Insight into the stability ofan emulsion. Fuel. 2020;266: 116980. DOI: https://doi.org/10.1016/j.fuel.2019.116980

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Kryhin, Oleksandr. "Segovia’s concert heritage as the basis of forming the guitar performing traditions of the XX century." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 50, no. 50 (October 3, 2018): 17–28. http://dx.doi.org/10.34064/khnum1-50.02.

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Background. The academic guitar art, which announced itself at the beginning of the XXI century as one of the dominant and sought-after forms of the concert music making, in recent decades has become the subject of scientific reflection. However, due to a later start time of its evolvement, it turned out to be less explored than other concert genres. The birth of the academic guitar art in the early twentieth century associated with the name of A. Segovia, together with whose creativity it stepped beyond the limits of the Spanish national culture and came to the world level. Creativity of the contemporaries and compatriots of A. Segovia, the famous guitarists of the first half of the twentieth century C. Romero, R. Sáinz de la Maza and M. Llobet, did not have that cultural and artistic weight, which could be a basis for ascension of the Spanish guitar art to the European professional heights. Exactly A. Segovia was able to do this. In spite of the fact that the importance of A. Segovia’s activities for the formation of the new performing guitar traditions of the twentieth century is enormous, it has not yet received its systemic coverage. Thus, the relevance of this article is caused, on the one hand, by the great interest in the academic guitar art in recent years, and on the other, by the lack of the special scientific studies dedicated to the performing art of the outstanding Spanish guitarist. Existing studies contain only incomplete historical data [3; 7] or the compressed socio-cultural panorama of A. Segovia’s creative activity and the period of formation of the guitar performing traditions of the twentieth century [1, p. 4–6]. Objectives. The proposed research considers the features of the performing art of A. Segovia at its different stages in order to identify the patterns of its evolvement and the main its achievements from the point of view of the contemporary guitar art. For the first time, a comprehensive assessment of the concert heritage of the Spanish maestro in the aspect of its legislative influence upon the modern academic guitar creativity is given. Methods of the research. The complex of general scientific research methods makes it possible to disclose the basic positions of the article: signification of the classical guitar in the family of the academic solo instruments (systems approach); the evolution paths of an academic guitar (historical approach); comprehension of the guitar creativity in a broad socio-cultural aspect (cultural approach); definition of the author’s performing style of A. Segovia (interpretational approach). Results. For comprehension of the evolution of A. Segovia’s performing arts, maestro’ concert programs are considered. The first big performance (March 12, 1916) included 19 pieces (Par I – the arrangements by A. Segovia and one piece by M. Llobet; Part II – the works by J. Bach, J. Haydn, F. Mendelssohn, F. Chopin, all transcribed for guitar by F. Tárrega; Part III – the music by I. Albeniz, E. Granados and one play by P. Tchaikovsky). At this stage of evolution of the academic guitar art, A. Segovia could not present in the program the works of the Renaissance epoch; besides, in the historical and cultural aspect, the program is formatted inconsequently. However, in our opinion, the program is logical and justified in its own way, and its third part that almost entirely formed from the works of the Spanish national classics one can consider as a response to the ideology of “Renacimiento” – the movement for the national revival of Spain. The ending of the decade of the fruitful concert activity of A. Segovia coincided with his tours in the territory of present-day Russia and Ukraine. In 1926, A. Segovia gave six concerts in Moscow and two concerts in Leningrad, and in 1927 – six concerts in Moscow, three concerts in Leningrad, and one each in Kharkov and Kiev. The analysis shows that the total number of works in A. Segovia’s repertoire list during his Moscow tour performances in 1926–1927 has grown to 75. They belonged to different historical eras and various performing styles, to 28 authors from different countries. The extensive repertoire corresponding to A. Segovia’s exquisite taste embodied in elegant performing interpretations, which reflected in the feedback from listeners and music critics. Over 10 years of his concert activity, the total repertoire of A. Segovia expanded significantly (up to 300 works), not only due to his own transcriptions of works by J. Bach, G. Handel, W. Mozart, J. Haydn, F. Schubert, F. Tárrega, I. Albeniz and E. Granados, but also thanks to the works of a new wave of composers: A. Tansman, F. Moreno Torroba, J. Turina, which created a number of pieces for guitar at the request of A. Segovia. Conclusions. Thus, contingently, A. Segovia’s concert activity one can divide into two big stages: before and after 1924. The culmination point of the first stage is related with the successful performance in Barcelona (1916), which eliminated some acoustic and psychological barriers that hampered guitar performers and organizers of concerts (A. Segovia is the first guitarist who was playing in the hall for 1000 seats). The first tour in Paris in April 1924, which began the second stage of the maestro’s concert activity, can be considered as a landmark event on the path of world recognition of A. Segovia. Henceforth the format of the concert programs of A. Segovia and his recordings on disks thought out clearly, it is structured delicately based on the musical styles of certain historical periods. An important place the works of modern composers occupied. The concert heritage of A. Segovia is a reflection of the evolution of the guitar repertoire. It progressed from the limited by the previous tradition in the early twentieth century up to the universal format, combining the best examples of the folk music (flamenco), the transcriptions of European classical music and the modern works bearing the newest sound images. Among the authors of such, at the request of A. Segovia, were M. Castelnuovo-Tedesko, F. Moreno Torroba, M. Ponce, J. Rodrigo, A. Tansman.

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Dergacheva, Irina V. "The Italian Path of the Slavophile S. P. Koloshin, Correspondent of F. M. Dostoevsky: Archival Materials." Неизвестный Достоевский 7, no. 2 (June 2020): 98–118. http://dx.doi.org/10.15393/j10.art.2020.4762.

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The article presents the results of an archival search for information regarding Sergey P. Koloshin, a publicist and the publisher of the Zritel obschestvennoy zhizni, literatury i sporta (Spectator of public life, literature and sports) magazine, who went bankrupt in 1863. In the 1860s, he lived in Italy, attempted to collaborate with the Epokha (Epoch) magazine, corresponded with the brothers M. M. and F. M. Dostoevskys, and died on November 27, 1868 in Florence. The discovered documents allow to clarify the time and circumstances of his death. The Russian Empire’s Foreign Policy Archive contains a file regarding the assignment of the transportation the body of the deceased to Milan for burial in the columbarium to Mikhail Orlov, the Archpriest of the Russian Orthodox Church of the Nativity of Christ and St. Nicholas in Florence, who already performed the rite of blessing S. Koloshin. The latter was also entrusted with fulfilling the last will of the deceased, completing his settlements on this Earth, including those with the owner of his rented residence. Her receipt for money received indicates the address of Koloshin's residence in Milan, which is significant in connection with the search for his archive, which probably includes the letters of Dostoevsky. The article also introduces the encrypted telegrams of the Russian mission to Turin into scientific circulation for the first time. These telegrams are signed by the name Koloshin (Kolochine), and the authors suggest that they belong either to Sergey’s brother, Dmitry Pavlovich, junior secretary of the Russian mission in Brussels, or to Ivan Petrovich Koloshin, Resident Master of the Ministry of Foreign Affairs of the Russian Empire, cousin of S. P. Koloshin. He could have also provided the documents from the personal archive of S. P. Koloshin, which likely included letters from Dostoevsky.

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ХАНТЕР, МЁРХЕД. "ИНТЕГРАЦИЯ ТЕОРИИ ИСКУССТВЕННОЙ СРЕДЫ В РАЗРАБОТКУ ЕДИНОГО ПОДХОДА К ПОНИМАНИЮ ВЗАИМОДЕЙСТВИЯ ЧЕЛОВЕКА С ОКРУЖАЮЩЕЙ СРЕДОЙ." Археология Евразийских степей, no. 5 (October 31, 2020): 5–11. http://dx.doi.org/10.24852/2587-6112.2020.5.5.11.

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Исследования искусственной среды уже давно изучаются в отдельных областях социальных наук, и предпринимается несколько попыток создания единой теории взаимодействия человека с окружающей средой. Текущий дискурс об искусственной среде оставался фрагментированным между археологами и социальными антропологами. Исследование комплексного подхода теоретических основ теории искусственной среды может оказаться полезным для археологов и социальных антропологов в понимании взаимодействия человека с окружающей средой. Подходы, применяемые как археологами, так и социальными антропологами, обладают уникальными преимуществами, которые, адаптированные вместе, могут обеспечить более сильную концептуализацию и развитие большего за счет исследований взаимоотношений человека с искусственной средой в прошлых и современных обществах. Библиографическме ссылки Blockley, M. 2003. In P. G. Stone, P. G. Planel. (eds). The Constructed Past: Experimental Archaeology, Education and the Public. Routledge,. 16–18. Goody, J. 1971.In Goody, J. (ed.). The Developmental Cycle in Domestic Groups. Cambridge University Press, 347–381.Hodder I. 1979. In American Antiquity. 44 (3), 446–454. Kent, S.1984. Analyzing Activity Areas: An Ethnoarchaeological Study of the Use of Space. University of New Mexico Press. Lawrence, D. L., Low, S. M. 1990. In Annual Review of Anthropology. 1990. 19, 435–505. Lercari, N. 2017. In Digital Applications in Archaeology and Cultural Heritage. 6, 10–17. Micoli L., Guidi G., Angheleddu D., Russo M. 2013. A multidisciplinary approach to 3D survey and reconstruction of historical buildings. Digital Heritage International Congress Proceedings. 241–248. Morgan, L. H. 1965. Houses and House-Life of the American Aborigines. University of Chicago Press. Planel, P. G., Stone, P. G. 2003. In P. G. Stone, P. G. Planel. (eds). The Constructed Past: Experimental Archaeology, Education and the Public. Routledge,. 1–5. Rapoport, A. 1977. Human Aspects of Urban Form. Pergamon. Rapoport, A. 1990. The Meaning of the Built Environment: A Nonverbal Communication Approach. University of Arizona Press. Schiffer, M.B. 1978. In Gould, R. (ed.). Methodological issues in ethnoarchaeology. Explorations in Ethnoarchaeology.. University of New Mexico Press, 1978. Р. 347–381. Sitdikov, A., Badeev, D. 2017. In European Research Studies Journal. S (20), 208−214. Baranov, V. S. 2013. In Baranov, V. S., Valeev R. M., Salikhov R. R., Poluboiarinova M. D., Sharifullin R. F. (eds.). Velikii Bolgar (Great Bolgar). Moscow; Kazan: “Feoriia” Publ., 232–242 (in Russian). Valeev, R. M. 2013. In Baranov, V. S., Valeev R. M., Salikhov R. R., Poluboiarinova M. D., Sharifullin R. F. (eds.). Velikii Bolgar (Great Bolgar). Moscow; Kazan: “Feoriia” Publ., 92–97 (in Russian). Izmailov, I. L. 2013. In Baranov, V. S., Valeev R. M., Salikhov R. R., Poluboiarinova M. D., Sharifullin R. F. (eds.). Velikii Bolgar (Great Bolgar). Moscow; Kazan: “Feoriia” Publ., 55−63 (in Russian). Koval V. Yu. 2016. In Povolzhskaya arkheologiya (Volga River Region Archaeology) 18 (4), 99−124 (in Russian). Mukhametshin, D. G. 2016. In Bocharov, S. G., Sitdikov, A. G. (eds.). Dialog gorodskoi i stepnoi kul'tur na Evraziiskom prostranstve. Istoricheskaia geografi ia Zolotoi Ordy (Dialogue of the Urban and Steppe Cultures in the Eurasian Space. Historical Geography of the Golden Horde). Kazan; Yalta; Kishinev: “Stratum plus” Publ., 121−123 (in Russian). Nigamaev, A. Z. 2017. In Arkheologiia Evraziiskikh stepei (Archaeology of Eurasian Steppes) 3. 239−242 (in Russian). Sharifullin R. F. 2014. In Povolzhskaya arkheologiya (Volga River Region Archaeology) 9 (3), 56−75 (in Russian).

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Vakhmistrova, Svetlana I. "S. Mamontov and V. Telyakovsky as two fields of attraction in the fate of F. Chaliapin1 and the Russian opera theater." Historia provinciae – the journal of regional history 5, no. 1 (2021): 146–82. http://dx.doi.org/10.23859/2587-8344-2021-5-1-4.

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Using meaningful historical material, the article explores the parallels of the creative careers of such great developers of the Russian opera of the late 19th – early 20th centuries as F. Chaliapin, S. Mamontov, and V. Telyakovsky. It was the period of rapid development of innovative stage direction, vocal art, and stage design. The outstanding organizers of theater business S. Mamontov and V. Telyakovsky were at the heart of that creative seething. Being representatives of different social strata (the merchant class and higher nobility), they attracted vivid talents and opened them the way of the private and state opera, respectively. The flourishing of operatic art led to a completely new level of performance. F. Chaliapin and a number of other outstanding representatives of Russian opera began their careers at that time. S. Mamontov’s Private Opera which played a significant role in the development of Russian operatic art was founded in 1896. The repertoire of this theater consisted of works by Rimsky-Korsakov, Mussorgsky, and Borodin. Innovative approaches to the opera performance which was considered as a living synthetic phenomenon integrating the concepts of production and stage design were implemented on the Russian stage for the first time. In its productions, Mamontov’s Private Opera used the principles of realism, which corresponded to the spirit of the works performed. Meanwhile, the development of Russian opera during this period was taking place against the background of complex social relations which aggravated many contradictions both in the life of the society as a whole with its differentiation into metropolitan and provincial life, and in the life on the stage with its specific very mobile interpersonal communications. The article focuses on the careers of S. Mamontov, F. Chaliapin, and V. Telyakovsky. Each of them made an invaluable contribution to the development of Russian opera. From the perspective of the historical culturological approach, the article examines the complicated relationship between the prominent Russian philanthropist and theater director Savva Mamontov, the flexible administrator Vladimir Telyakovsky, and the outstanding opera singer Feodor Chaliapin, and their influence on the formation of the personality of an opera performer and on the development of operatic art in Russia as a whole. The article presents abundant documentary evidence of the peculiarities of their relationship which ultimately determined the vector in the development of the Russian opera theater.

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Andruschenko, Elena. "D. S. Merezhkovsky’s Ploy: The Article Written by the Critic for A. G. Dostoevskaya." Неизвестный Достоевский 8, no. 2 (July 2021): 157–73. http://dx.doi.org/10.15393/j10.art.2021.5381.

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This paper is the first to analyze the typewritten copies of D. S. Merezhkovsky’s famous article “Prophet of the Russian revolution (For Dostoevsky’s anniversary)” (1906) with the author’s notes. The article is believed to have been written at the request of A. G. Dostoevskaya for the anniversary edition of F. M. Dostoevsky’s complete works (to commemorate the 25th anniversary of the writer’s death). After having read it and heard the opinions about D. S. Merezhkovsky’s lecture, given on the occasion of the 25th anniversary of the writer's death, A. G. Dostoevskaya turned down the article. D. S. Merezhkovsky immediately published it in the Vesy magazine, and subsequently as a separate brochure and then in both editions of his complete works. However, an examination of the article’s typewritten copies reveals that D. S. Merezhkovsky was working simultaneously on two versions of it: a short one for A. G. Dostoevskaya and an extended one for journal publication. Judging by the author’s notes, he intended to edit the article’s short version in accordance with A. G. Dostoevskaya’s comments, but she was unsatisfied with the result. Instead, the writer’s widow included S.N. Bulgakov’s biographical essay in the complete works. A textual analysis of the variants and revisions of D. S. Merezhkovsky’s article leads to conclusions about the evolution of his intent, the genre and semantics of the titles of the article, written under the influence of the events of the first Russian revolution as a polemically oriented journalistic text.

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Borisova, Valentina V. "The Heroic Confrontation Storyline in Russian Literature: From The Legend of the Slaughter of Mamai to The Fate of a Man by Mikhail Sholokhov." Проблемы исторической поэтики 18, no. 3 (July 2020): 47–60. http://dx.doi.org/10.15393/j9.art.2020.7802.

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This article presents a historical poetics viewpoint on the artistic implementation of the heroic confrontation storyline. The purpose of this article is to identify patterns of its development, principles and methods of variability in such key works of Russian literature as The Legend of the slaughter of Mamai (ХV c.), the poem of M. Yu. Lermontov A Song about Tsar Ivan Vasilyevich, the Young Oprichnik, and the Valorous Merchant Kalashnikov (1837), N. V. Gogol’s short story Taras Bulba (1842), N. S. Leskov’s story The Enchanted Wanderer (1873), the essay of F. M. Dostoevsky Foma Danilov, the tormented Russian hero (1877), the story of M. A. Sholokhov Fate of a Man (1956). This story tradition has preserved its national and Orthodox “code”, and the important opposition of the main characters-antipodes has acquired the significance of an archetypal, pivotal situation mainly defining the features of the ethno-confessional originality of Russian classical literature.

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Books on the topic "Russian S.F.S.R. in art"

Podoksenov, Aleksandr. Mikhail Prishvin and Russian culture of the XIX-XX centuries: dialogues with the epoch. ru: INFRA-M Academic Publishing LLC., 2021. http://dx.doi.org/10.12737/1246522.

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The monograph examines the problem of M. M. Prishvin's creative dialogue with outstanding figures of Russian culture: V. V. Rozanov, D. S. Merezhkovsky, G. V. Plekhanov, I. A. Bunin, A. A. Blok, M. Gorky, N. O. Lossky, A. F. Losev. The influence of their philosophical and ideological ideas on the writer's art is analyzed. It is addressed to cultural scientists, philosophers, philologists and anyone interested in Russian literature.

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Silvia, Eiblmayr, and Galerie im Taxispalais (Innsbruck, Austria), eds. Arbeit* A,aml.-- E, work, labour-- F, travail-- R, trud, rabota-- S, trabajo. - C, laodong: Galerie im Taxispalais, Innsbruck [4. Juni - 14. August 2005. Frankfurt: Revolver, 2005.

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Northcote, James. Life of Sir Joshua Reynolds, Ll. D. , F. R. S. , F. S. A. , etc. , Late President of the Royal Academy : Volume 1: Comprising Original Anecdotes of Many Distinguished Persons, His Contemporaries, and a Brief Analysis of His Discourses. University of Cambridge ESOL Examinations, 2014.

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Kelly, Phil. Defending Classical Geopolitics. Oxford University Press, 2017. http://dx.doi.org/10.1093/acrefore/9780190228637.013.279.

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Three successive parts are presented within this article, all intended to raise the visibility and show the utility of classical geopolitics as a deserving and separate international-relations model: (a) a common traditional definition, (b) relevant theories that correspond to that definition, and (c) applications of certain theories that will delve at some depth into three case studies (the Ukrainian shatterbelt, contemporary Turkish geopolitics, and a North American heartland).The placement of states, regions, and resources, as affecting international relations and foreign policies, defines classical geopolitics. This definition emphasizes the application of spatially composed unbiased theories that should bring insight into foreign-affairs events and policies. Specifically, a “model” contains theories that correspond to its description. A “theory” is a simple sentence of probability, with “A” happening to likely affect “B.” Importantly, models are passive; they merely hold theories. In contrast, theories possess their own titles and perform actively when taken from such models.Various methodological challenges are presented: (a) combining concepts with theories, (b) estimating probability for testing theories, (c) claiming the “scientific,” (d) accounting for determinism, (e) revealing a dynamic environment for geopolitics, (f) separating realism from geopolitics, and (g) drawing classical geopolitics away from the critical. Certain theories that are placed within the geopolitical model are examined next: (a) heartlands and rimlands, (b) land and sea power, (c) choke points and maritime lines of communication, (d) offshore balancing, (e) the Monroe doctrine, (f) balances of power, (g) checkerboards, (h) shatterbelts, (i) pan-regions, (j) influence spheres, (k) dependency, (l) buffer states, (m) organic borders, (n) imperial thesis, (o) borders/wars, (p) contagion, (q) irredentism, (r) demography, (s) fluvial laws, (t) petro-politics, and (u) catastrophic events in nature. Additional theories apply elsewhere in the article as well.Of the three case studies, the Ukrainian shatterbelt represents the sole contemporary geopolitical configuration of this type, a regional conflict coupling with a strategic rivalry. Here, partisans of the civil war between the eastern and the western sectors of the country have joined with the Russians against the Europeans and Americans, respectively. Next, Turkey’s pivotal location has afforded it both advantages and disadvantages, a topic discussed at some length earlier in the article. Its “zero-problems” strategy of seeking positive relations with neighbors has now been forced to change tactics, reflective of new forces within and beyond the country. Finally, a North American heartland compares nicely to Halford Mackinder’s earlier Eurasia heartland thesis, with the American perhaps proving more stable, wealthy, and enduring, based in large part on its stronger geopolitical features.

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Book chapters on the topic "Russian S.F.S.R. in art"

"n ar eegattaikveenco to rr e im la p ti loynsa , p th hy essieca ‘ ltelliencko nnectio key va between ntphaet te lo rn ca s l ’ w (1 a9s7o2n ). tFhoellpoowiinntgosfoemmeeirngc in on gcilsusc iv oentw ai onrekdbiynoLtahm er bsm Gl aapnstzrioeatblael . a1n9d9t1h ) e . widely distributed one (e.g., see (e.g., by Berlage and DeBoer 1960), Professor Jacob pressure f an pdr ec wiapsi ta atiW on a , l ke te r m produced teleconnection Bjerknes at the University of California at Los modes of interannual blcel im to a te idve perature, and surface Angeles made the key step forward by demonstrating nise today, including the South anerrita if nbyi li tthyethlaatrgweestre scale that the atmospheric teleconnection patterns were North Atlantic O Oscillation and c o th g e p eq a u rt atoof ri aalcPoaucp if liecdOmco ea dneaonfdinttheer ac gtlioobnalbaettmwo ee sp nhteh re e was Inaba le d d to it icoanr ry to scb illation. (Bjerknes 1966, 1969, and 1972). It is now clear that of fortunate circu omuste ing a first-rate scientist, Walker other parts of the global ocean also participate in the the art of statistics htaahn is work because of a confluence Southern Oscillation, manifested through changes in matical tool of the ob d se cdeesv . e F lo ir pset, shortly beforehand, sea surface temperature and the overlying atmos also a very ab rvational dscriaepnicdelsy . aWsaalkm er atwhaes phe B ri ycctih rc e u la la ti toen. 1970s and early 1980s, climate o st fat ti hse ti cIsnd (W ian alM ker le1 99 m7a ) t . h H em av aitn ic giatn ak ewn ho understood scientists were able to document the relationships gained the oppo ertteuonrio ty lo tgoicc al Departme th netijnob19o0f3h , e h ad ehRyap sm ot uhsesso is neda nd byCaB rp je ernktneers 19 in 8 2, mwoh re odd is e c ta uisls ed (e . tgh . e , m re aqtuhierm ed ata ic a la l rg oepesrta aff capab alreryoofupteh rf is orsm tu idniges, m w an h u ic ahlT So hue th ceorunplO ed sco il cleaa ti n o -n a / tEmlosNpihneoreasvaaricao ti uopnlecdenstyrsetdemo ) n . W ve a ry lk p er raw ct ais able to t m io ankseoanmeax jo te rne si f v fo e rt d a to ta so se lv ts e . tShoeE th NeSeO qu a ( t E or l ia NlP in ac o i / f S ic oiustnhoew rn co Omsm cil oln at liyon re ), f er a r ed p h to ra saesA ra n in oftah ll e , rkaencaalcp ti rvoib ty le m th aotfh pr aed dicting Indian monsoon coined in planning documents for the international by the earl yyfyaecatrosrowfasthtehattwietnh sta taidejru te t st dbe in c om th eep1 os 8s7i0 bl s e . Tmreonpti . caDlO ur cienagntG he lo b 1 al 98A0tsmoasnpdh er 1e99 (T 0s OGaAs ) ereix es p er o i flsaurfgfe ic -s ie cnatlence li amr-agtleob va arl ia d ti aotnas . to de hsccre ib n e tu raynd to agnaatlh ys eereom ur p iri ucnadl, e m rs o ta dned ll iinngg , aonfdtthheeo re p ti hcyaslicsa tu l di m es e c in hcarneiassm ed s 192 T3heansdtu1d9 ie 2s4 , bWyaW lk a e lker and others (e.g., Walker aad ss voacnicae te sdinwiutnhdEeN rs S ta O n . diAngdettealielceodndnie sc c u ti sosn io pnao tt ferrencsen in trge lo la b ti aol) nsshuirp fa s ce exp is re te s d su rbeertawnedenB li lsasrg1e9 -s 3c2a ) le s h ( o i. w e. e , d n that the TOGA era (1985-94) can be found in Trenberth patterns -in particular, tphaettIen rn d s ia n an sdum re m gional rain efaarl -l et aTl. h1e 99 i8deanntd if i A ca ll tainone ta o l. f 19 so 9m6. e of the physical v ra aitn io fa nlal. l W ev a id lk eenrc ’s erfeosreatrhcehepxrio st veindceedo th feefr monso an ir osrtgaonbisseorn m rev ec it h a anism ed conne l c is t e io dnsi nt aesrseosct iated with patterns. in A W se a ri lekser’ osENfp SO has st ruedciiepsi ta w ti i o th n g re te alte ly -glo more wHoerbcaal-ls le cda le tpk did no hi tsattthee rn hav Soofuitnh terannual climate variability. complete data sets (e.g., Kiladis and Diaz 1989; expected because, efotrhe re a im e p rn acOt scillatio sons th tahtartemma ig n. htI in unh itia nc alveel ly ar b , e h th einsrReocpoenlfeiw rm sk eida se nvde ra Hlao lp f e th rt et1e9 le 8c6o , nn 1e9c8t7 io , ns ansdu gg 1e9s9 te 2 d ) c so o o rr n e la ptr io ec nispib ta et t w io enenwtehaekepnreed ss uarbeopuatt te th rn esta im nd e m th oene cboynW ne acltkieornsa . ndRootphee le rs w , saknidaindde nt H ifi aeldpeardt di ( t 1 io 9n8a7ltaen le-were discovered. Th y 1989) attempted to improve the usefulness of tele d taitmtehemomsitdodf le thoefetah rl eec tw or ernetliae ti tohncsesnttruernyg , th beuntebdyag th a a in tcdooncnuemce ti notn patterns y work ha ing regions foorfstehaesognlaolbcelitm ha att , eipnreaddidcittiioonnb to y fille Adc in ru c w ia alspaap rt hyosfictahleepxipcltaunrdebteheantfro em rg aoitn ten atio ed . to be a m ls e o re lhyadshroew la itn io gnssh ta itp is stiw ca ilthEN EN SO SO -p rtehca ip t it w at eiroenhliignhklsy , t te hleecSoonuntehcetrinonOp sc aitltleartn io s. n A ju rsetvaisewaonfk fo nrow th leedogbesaeb rv oeudticdoennstiisftieendttfhreom se aespoin so sdaend to reegpiiosn od seo . f T th h e ey g p lo a b rt eicw ul haerr ly physical explanation precipitation was associated with ENSO in at least 75 e." In Droughts, 56. Routledge, 2016. http://dx.doi.org/10.4324/9781315830896-39.

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"h it Drought igohccausrsw in el v is i rt a normal l as ulao ll wya ra ll i , re ncfla im curring featur ll a a ti rcearse . g I im t e is s . e I of climate; severity levels) and the vulnerability of society to the aberration, atteom cc puorrsariyniesveanrt. esTuh lt e o na fttuhrealoecvceunrtre (i n .e c . e , m of etpeeorrsoilso te g n ic tallad rg ro e-usgch al t e ) m rai annfe al nltafreeaatsu in r contr . Meaonfythpe ast to eocp li lmeaatseara id nid ty , i s which is sociate th re estorc ic ctuerdtao per disruptions in the global circulation pattern of the dr rence lo owftah tm er oesp is helrie td . e E , xipfoasnuy re th tiongd , ro th uagthtwvearc ie asnsd pa o t ia to ll yaa lt nedrm Pl oaoiurngs ht wedo if f f ic N ith most of Auo lt rythv is A ua m li esri ic f a ri , caa , nIdn ng droug d A ia u , s C tra h l ina, ht in So ia u ; th tthheey Great drought occurrence. Vulnerability, on the other hand, B east A ha si vae , d is e m de otgerrampihniecd ch bayrascotceira is l ti fcasc , to treschsnuoclhogays , ppoop li u cy la , ti aonnd , rTerhgaizo il, wes is nfsacpt erc tern Euro em e p iv heads is beyspme, anoyrttohehae both the vaes te arsn Uni region uarlplauns te odfS tates, social behaviour. These factors change over time, and nature of d re w la attievre . r th es upsonvsue ln teoratbhielsie ty c h is a n li gkeesl . yStuobs increase or decrease in cussed in mdo ro re ugdh et t a , il a la cthearriancttehriisstc ic hatph te art . will be dis isdaemne ti c re agl io in n w in il tlenhsaiv ty e , did ff uerraetn io tneefqfu ec etnst , d ev ro eungihfttshe in ytahree in D th reouagm ht oiusn th teocfonpsreeqcu ip ein ta cteioonfarencae tu iv readl re odvuecrt io anntcehra is ntg ic esd , because societal char , acatned ri st sipcas tia w l il c l ha hraavce leexntg en th d , e d al tpheoru io gdhoofth ti emrec , li u m su a a ti l c ly faacs to erasso ( nsuocrhm as orheigihnvdu is lcnuesrsab . th ilHe it ow sye to ev ac derro , umg uch can be d tions fhrto , m an mdasnuybs one reeqgue to ntlecshsaepnt societal te ional and edrisscw ip il l w ar mepoefr te a n tures, high winds, and low relative humidity) linary perspectives. th oerledv and a c ss aoncisaitgendi fi w ca it nht ly it aigngrm av aantyertehgeiosnesveo ri f ty thoeftphre in criapeanlt. Dr iny sseeaassoonugohfto is c als on, occu c r ur o re rneclea , teddeltaoysthienttihmeinsg ta r ( t i. e o ., f Because drought affects so many economic and social p th ri encriapianlsc ( rio . p e. , grroaw in tfh al lstraegnecse ) aonf rains in relation to intensity d , n the effectiveness of a se vca to ri rest , yscoofreds is coifpld in ef eisn . it Iinonasdhda it vieonb , ebeencaduesveeldorpoeudgbhyte cl viemna ts ti ) c . T ch haursa , c te eraicsh ti cs d ro aungdhtimypeaacruimsbuenr iq oufe ra iinn fa it lsltohcecug rs lo w be it , h in vaa ry l ing frequency in nearly all regions of Magalhaes ts. For example, developed and ltdyepvees lo opfinegc on coomuinctrs ie yss tem al s i , kea , ndth in e y cl eiam rs attihcadt if ofeetreanl. c e ( s19b8e8 tw ) eheanvef iv v e iv c id olnysp ec o u in ti tveeddoruotug th heta id peporlooagcihceasltdaik ff eenretnoce define it also reflect regional and and ccurred in northe s (Wilhite 1992). Impacts also timin 1g9o8f3r , ai nno fa ti lnlg an d th iemcpraic ti tcsaalstliB nk ra azgielsb . ebtew tw ee enen19t7h9esdo if cfieert al spcaotn ia tlelxytaonfdd ro te umgphot. raA ll y u , ni dveep rs eanldd in e g fi ni o ti nonthoef dur D at riooung , hitntseenvse it r y it , y a is nddegpeeongdreanpthin ca olto ex nl t y en tonof the dGrloaung tz h t ( 1i9s 85 an ) cuonnrcelau listic expectation. Wilhite and specific dro a should reflect a regio dneadltbhia as tdse in fi cnei ti w on at serofsudp ro p u ly g h is twmaatdeerbsyuphpu li m ug ahnt ac etp iv is i o ti d es e , anbdutveag ls e o ta t o io nntohneadreem gi aonnd ’ s s larg D el eyfianiftu io nncst io onfdorfocu li gmhat ti ccan re gbiemcea . tegorised broadly wi es. The soc th ie ty it , s ec f o ar n -o re mayc , hianngcdhiaem ra pca te crtiss , t ic msao ke fdirtos ug ef hfte , ctaslo nviron onngaGs la enittzh er 19c8o5n ). c ep Ctoun al c ep otruaol pe dreaftiinoin ti aolns ( W ar i e lh it oefatnhde not M im an pyo ss piebo le p , letociodn en si t d if eyradnrdomq ent uugahntt if dty if o . ficult, though dictionary t be largely atdheesccro ip ntc io enptyopfe , d generally defining of th ro e ug p h he t, naonmdetnhouns . the boundarie a F re orgeenxearm ic pilne , thseo ir frneaatlu it rya , l or the compone dnrpohu ysical t. Tghhet ri h ev as e nt b . oFtihg ur ae1n .3 atiu ll ruasl tra atn es d th saotc , iianlE 19 n 9 cy 6 c ) lo dpeefd in ia e sk associated wsodfroCulg im ht a te as a ‘a nndeW xt eeantdheedrp (S e c ri hondei -d er atrh eg e io enveinsta ( p i. reo ., dupc ro tboafbb il o it tyho th feoc re i g th iodnr ’ osuegxhptos fo urrean to yrseelaasto iv n e , taoytehaer , stoar ti sste ic vaelramluyletairysea -r omfedaenfifcoirenatre ra giinofn all currence at various These types of definitions are useful for furthering ’." In Droughts, 38–39. Routledge, 2016. http://dx.doi.org/10.4324/9781315830896-27.

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Conference papers on the topic "Russian S.F.S.R. in art"

Zlotnikova, Tatyana. "Power in Russia: Modus Vivendi and Artis Imago." In Russian Man and Power in the Context of Dramatic Changes in Today’s World, the 21st Russian scientific-practical conference (with international participation) (Yekaterinburg, April 12–13, 2019). Liberal Arts University – University for Humanities, Yekaterinburg, 2019. http://dx.doi.org/10.35853/ufh-rmp-2019-pc02.

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Abstract:

Contemporary Russian socio-cultural, cultural and philosophical, socio psychological, artistic and aesthetic practices actualize the Russian tradition of rejection, criticism, undisguised hatred and fear of power. Today, however, power has ceased to be a subject of one-dimensional denial or condemnation, becoming the subject of an interdisciplinary scientific discourse that integrates cultural studies, philosophy, social psychology, semiotics, art criticism and history (history of culture). The article provides theoretical substantiation and empirical support for the two facets of notions of power. The first facet is the unique, not only political, but also mental determinant of the problem of power in Russia, a kind of reflection of modus vivendi. The second facet is the artistic and image-based determinant of problem of power in Russia designated as artis imago. Theoretical grounds for solving these problems are found in F. Nietzsche’s perceptions of the binary “potentate-mass” opposition, G. Le Bon’s of the “leader”, K.-G. Jung’s of mechanisms of human motivation for power. The paper dwells on the “semiosis of power” in the focus of thoughts by A. F. Losev, P. A. Sorokin, R. Barthes. Based on S. Freud’s views of the unconscious and G. V. Plekhanov’s and J. Maritain’s views of the totalitarian power, we substantiate the concept of “the imperial unconscious”. The paper focuses on the importance of the freedom motif in art (D. Diderot and V. G. Belinsky as theorists, S. Y. Yursky as an art practitioner). Power as a subject of influence and object of analysis by Russian creators is studied on the material of perceptions and creative experience of A. S. Pushkin (in the context of works devoted to Russian “impostors” by numerous authors). Special attention is paid to the early twenty-first century television series on Soviet rulers (Stalin, Khrushchev, Brezhnev, Furtseva). The conclusion is made on the relevance of Pushkin’s remark about “living power” “hated by the rabble” for contemporary Russia.

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FROLOV, S. M. "SPHERICAL DIFFUSION FLAME IN MICROGRAVITY CONDITIONS: FIRST RESULTS OF JOINT RUSSIAN-AMERICAN SPACE EXPERIMENT “FLAME DESIGN - ADAMANT”." In 9TH INTERNATIONAL SYMPOSIUM ON NONEQUILIBRIUM PROCESSES, PLASMA, COMBUSTION, AND ATMOSPHERIC PHENOMENA. TORUS PRESS, 2020. http://dx.doi.org/10.30826/nepcap9a-17.

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The joint NASA-Roscosmos Flame Design (Adamant) spaceflight experiment [1, 2] is one of six International Space Station (ISS) investigations which are currently part of the Advanced Combustion via Microgravity Experiments (ACME) project. It is developed by the U.S. science team including R. L. Axelbaum of Washington University in St. Louis, P. B. Sunderland of the University of Maryland, and D. L. Urban of the NASA Glenn Research Center. The experiment is conducted in collaboration with N. N. Semenov Federal Research Center for Chemical Physics of the Russian Academy of Sciences (S. M. Frolov, V. Ya. Basevich, A. A. Belyaev, F. S. Frolov, S. N. Medvedev, V. S. Posvyanskii, M. Yu. Sinev, and P. A. Vlasov).

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