Relevant bibliographies by topics / Ruston, La., in art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Ruston, La., in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Ruston, La., in art"

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Miller, David Philip. "The Collected Letters of Humphry Davy ed. by Tim Fulford and Sharon Ruston." Eighteenth-Century Studies 54, no. 4 (2021): 1065–71. http://dx.doi.org/10.1353/ecs.2021.0080.

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Birch, Dinah. "'THAT GHASTLY WORK': RUSKIN, ANIMALS AND ANATOMY." Worldviews: Global Religions, Culture, and Ecology 4, no. 2 (2000): 131–45. http://dx.doi.org/10.1163/156853500507780.

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AbstractJohn Ruskin (1819-1900)—art critic, architectural historian and writer—became, in his later work, increasingly interested in the relationship between human and animal life. As an art critic, he was concerned with the representation of human and animal figures and, in particular, with anatomical studies; whilst he had a longstanding interest in scientific concepts, in particular in the ways in which evolutionary theory changed understandings of animals. This paper explores how Ruskin rejected both the anatomical approach to animals studied in art, and the dissection of animals by scient
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Siegel, Jonah. "BLACK ARTS, RUINED CATHEDRALS, AND THE GRAVE IN ENGRAVING: RUSKIN AND THE FATAL EXCESS OF ART." Victorian Literature and Culture 27, no. 2 (1999): 395–417. http://dx.doi.org/10.1017/s1060150399272038.

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TO SPEAK ABOUT JOHN RUSKIN’S anxious figures for engraved reproduction is to speak about his troubled relationship to a modernity in which excess and impermanence present complex and interrelated challenges. The ruined cathedral in my title occurs in lectures Ruskin delivered in 1857, and published the same year as The Political Economy of Art. Invited to speak at Manchester on the occasion of the Art-Treasures Exhibition, at the height of his fame as a critic, Ruskin responded to the moment with two lectures challenging much that the exhibition stood for. He offered the following apocalyptic
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Kellam, Amy. "Aesthetic Verdicts." Amicus Curiae 5, no. 2 (2024): 374–86. http://dx.doi.org/10.14296/ac.v5i2.5690.

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This article examines the landmark 1878 defamation case of Whistler v Ruskin, a pivotal legal battle that underscored the complexities of adjudicating art criticism under defamation law. The trial arose from John Ruskin’s scathing critique of James McNeill Whistler’s work, which led Whistler to sue for libel, seeking validation not just of his art but of his artistic philosophy. Despite the public fascination and Whistler’s tactical use of the trial as a platform for self-promotion, the jury’s award—a derisory farthing—hinted at their view of the lawsuit as frivolous. This case emphasizes the
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O'Hear, Anthony. "Art and Censorship." Philosophy 66, no. 258 (1991): 512–16. http://dx.doi.org/10.1017/s0031819100065153.

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We spent a wonderful morning in the van Gogh gallery in Amsterdam. Of course we knew all the paintings, we had seen them all in reproduction, and the building was more like a bank vault than a setting for art. But what art! At first sight how small and uniform the paintings were in reality: yet every blade of grass, every flower in a field, every olive tree, every vibration in the sky, every patch of colour, every brush stroke, testified to life and to a life vibrating beneath the surface form. In a true sense, an artist inspired, an artist breaking convention, artistic and social, but neverth
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Zgani, Mohammed Rida. "John Ruskin par la voix de Marcel Proust: acheminement vers le moi artiste." Cahiers ERTA, no. 35 (September 30, 2023): 81–100. http://dx.doi.org/10.4467/23538953ce.23.025.18475.

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John Ruskin by the voice of Marcel Proust : Journey to the artist’s self The translation of La Bible d’Amiens and Sesame et les Lys was a way for Proust to take an interest in religious art, but also to cultivate his own vision of art. Ruskin was for Proust a guide who participated in the support of his artistic self by transfering a certain number of aesthetic conceptions to which his mind would never have been able to access on its own. Proust succeeds in recognizing the decisive dimension of the Christian religion and its implications for Ruskin's aesthetics. Transcending the religious dime
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Ogden, Daryl. "The Architecture of Empire: “Oriental” Gothic and the Problem of British Identity in Ruskin's Venice." Victorian Literature and Culture 25, no. 1 (1997): 109–20. http://dx.doi.org/10.1017/s1060150300004654.

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On january 13, 1858 — a few months after the eruption of the Indian Mutiny — John Ruskin addressed an audience at the South Kensington Museum in London with a lecture entitled “The Deteriorative Power of Conventional Art over Nations” (published the following year as Lecture I ofThe Two Paths). Commenting on the dearth of artistic talent to be found in Scotland as opposed to the artistic abundance of India, Ruskin decrees that Indians are a “race rejoicing in art, and eminently and universally endowed with the gift of it,” whereas with Scots one is faced with “a people careless of art and appa
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Coyle, John. "Ruskin, Proust and the Art of Failure." Essays in Criticism 56, no. 1 (2006): 28–49. http://dx.doi.org/10.1093/escrit/cgh002.

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Rude, Sarah B. "A New Companion to Malory ed. by Megan G. Leitch and Cory James Rushton." Arthuriana 30, no. 1 (2020): 144–46. http://dx.doi.org/10.1353/art.2020.0009.

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Lisiecka, Alicja. "Recepcja poglądów Johna Ruskina na wychowanie w Polsce przełomu XIX i XX wieku." Biuletyn Historii Wychowania, no. 42 (March 15, 2020): 145–58. http://dx.doi.org/10.14746/bhw.2020.42.9.

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The purpose of this article is to show the reception of the educational views of John Ruskin (1819–1900) presented in Polish scientific literature at the turn of the XIX and XX century. John Ruskin was an great English writer, poet, painter and critic of art and social reality. Ruskin’s oeuvre, contained in numerous writings, is the result of admiration for the world, reflection on landscapes, art and timeless values: truth, goodness and beauty; he’s works are characterized by individualism, momentum, normativity, and literary style full digression. For Ruskin, there is no clear definition of
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Dissertations / Theses on the topic "Ruston, La., in art"

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Amaral, Claudio Silveira. "John Ruskin e o desenho no Brasil." Universidade de São Paulo, 2005. http://www.teses.usp.br/teses/disponiveis/16/16131/tde-11092006-121554/.

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O assunto principal do critico de arte inglês do século XIX John Ruskin foi uma teoria da percepção cujo objetivo era o ensino do desenho para a sociedade industrial. No século XIX o ensino do desenho era considerado uma politica industrial, e no Brasil não foi diferente. A vinda da família real ao país deflagrou o nosso primeiro projeto de industrialização com base no ensino do desenho. A Missão Francesa veio fundar aqui duas escolas, uma para as artes liberais e outra para as artes Mecânicas. O Liceu de Artes e Ofícios do Rio de Janeiro foi fundado em 1886 pelo arquiteto Joaquim Bethencourt
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Campbell, Emily G. "Bracquemond, Ruskin, the Haviland-Hayes Service, and Rookwood: Japonisme and Permanence in Art Pottery." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3771.

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There are two principle arguments in this thesis. First, this thesis will show that Félix Bracquemond had a profound impact on late-nineteenth-century and early-twentieth-century ceramics in America. Second, this thesis will illustrate how John Ruskin’s principle that pottery is “more permanent than the Pyramids” encouraged reform of the ceramic arts and shaped the Art Pottery Movement of the late nineteenth century. After this thesis introduces Bracquemond as an innovator in ceramic decoration and the dissemination of Ruskin’s principle, the thesis will examine two instances in the America
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Miyahara, Katsura. "'An un-English activity?' : the development of art history education after Ruskin and before the Courtauld." Thesis, University of Cambridge, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.613104.

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Parker, Angela. "The History and Educational Legacy of the Manchester Art Museum, 1886-1898." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/623.

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This thesis examines the history of the Manchester Art Museum (Manchester, England), which was founded by Thomas Coglan Horsfall (1841-1932) in 1886. It considers the museum’s permanent collections and its programming from 1886 to 1898 with brief notes on the later years of the institution. While, like previous work on the Manchester Art Museum, the thesis contextualizes the museum within Victorian arts and community institutions, it breaks new ground by highlighting the ways in which it diverged from these institutions. The analysis of the museum’s collections and programming emphasizes the c
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Fijalkovich, Bryan. "The Rise of Rustic Genji in Edo and Its Intertextuality." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1314044811.

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Cavallaro, Alessia <1988&gt. "Il Prof. Rodchenko: fotografie dallo Vchutemas." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/2918.

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Saviola, Laura <1994&gt. "Kandinskij in Italia. Storia della ricezione dell’arte del Maestro nella Penisola." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15402.

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Questo progetto di tesi ha lo scopo di analizzare come la figura e l’opera di Vasilij Kandinskij sono state accolte e recepite in Italia, sia a livello espositivo – cercando quindi di capire non solo e non tanto il graduale mutamento di gusto da parte del grande pubblico italiano quanto, piuttosto, come la personalità e la pittura dell’artista russo (o russo-tedesco) sono state raccontate –, che editoriale. Seguendo un percorso cronologicamente ordinato, l’elaborato si apre proprio con la prima personale di Kandinskij in Italia e con le vicende attorno alla pubblicazione della prima traduzione
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Zago, Valentina <1993&gt. "Le arti visive come mezzo di propaganda politica nei primi anni dell'Unione Sovietica: il caso di Gustav Klucis." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15668.

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La presente tesi si concentra sul lavoro di Gustav Gustavovič Klucis in quanto pioniere dell'utilizzo della tecnica del fotomontaggio nell'ambito della propaganda politica nei primi anni di vita dell'Unione Sovietica. Questa dissertazione comincia con una parte introduttiva riguardante la propaganda politica nella neonata URSS e l'uso in essa di nuovi media come fotografia e fotomontaggio, sezione corredata da citazioni e analisi di testi teorici sia di Klucis che di altri artisti, russi e non, celebri per aver sperimentato con questi mezzi di espressione artistica. La seconda parte è invece d
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Marcolongo, Alessia <1992&gt. "Alexander Ponomarev nell'oceano dell'arte contemporanea." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/16249.

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Questo lavoro ha l’obbiettivo di studiare l’opera dell’artista russo Alexander Ponomarev all’interno della situazione internazionale e di affiancarla ad alcuni progetti di artisti rilevanti nel contesto attuale. Dapprima viene analizzata l’esperienza artistica di Ponomarev partendo dalla sua storia personale: la sua esperienza di uomo di mare risulta essere il punto di partenza per il viaggio che intraprende nel mondo dell’arte contemporanea. Le sue opere sono osservate ponendo l’attenzione sulla costante presenza dell’acqua e sul rispettivo significato. In seguito, il discorso si focalizza
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Birnbaum-Truffet, Sylvie. "Paradoxes et cohérence dans la pensée de John Ruskin : éléments pour une philosophie de l'hérésie." Paris 10, 2001. http://www.theses.fr/2001PA100074.

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Il est courant d'insister sur les paradoxes et les nombreux changements dans la critique d'art et de l'économie politique comme autant de défauts qui affectent la pensée de Ruskin jusqu'à la rendre incohérente. En réalité, il ne s'agit pas tant de points faibles que de lignes de force stratégiques d'un raisonnement qui suit une méthode philosophique pour déraciner les préjugés et les idées préconçues sur lesquels sont fondées les doctrines officielles de l'art académique et de l'économie politique libérale du 19ème siècle. En effet, pour Ruskin, le fléau de la philosophie moderne est son orgue
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Books on the topic "Ruston, La., in art"

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S, Dearden James, and Kawamura Joichiro, eds. John Ruskin and Victorian art. [s.n.], 1993.

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Edward, Lucie-Smith. Rustin: Drawings. T. Heneage, 1991.

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John, Ruskin. The art criticism of John Ruskin. Da Capo Press, 1987.

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Pickett, Karen. Ruston. Arcadia Pub., 2011.

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1945-, Watanabe Toshio, Kikuchi Yuko, and Ruskin Gallery, eds. Ruskin in Japan 1890-1940: Nature for art, art for life. Ruskin in Japan 1890-1940 Exhibition Committee, 1997.

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O'Gorman, Francis. John Ruskin. Sutton, 1999.

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Museum, Ashmolean, Sheffield City Museums, and Mappin Art Gallery, eds. Ruskin and Oxford: The art of education. Clarendon Press, 1996.

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1819-1900, Ruskin John, Turner, J. M. W. 1775-1851., Warrell Ian, Wildman Stephen, and Tate Britain (Gallery), eds. Ruskin, Turner, and the pre-Raphaelites. Tate Gallery, 2000.

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John, Hayman. John Ruskin and Switzerland. Wilfrid Laurier University Press, 1990.

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Abbot, Andy. The good life: Emma Rushton & Derek Tyman. Castlefield Gallery Publications, 2013.

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Book chapters on the topic "Ruston, La., in art"

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Hartley, Lucy. "Art on Sundays: Henrietta Barnett and the Whitechapel Fine Art Loan Exhibitions." In John Ruskin, the Pre-Raphaelites, and Religious Imagination. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-21554-4_12.

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Beaumont, Sheona, and Madeleine Emerald Thiele. "Introduction: ‘All Great Art Is Praise’ John Ruskin." In John Ruskin, the Pre-Raphaelites, and Religious Imagination. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-21554-4_1.

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Leng, Andrew. "Re-interpreting Ruskin and Browning’s Dramatic ‘Art-poems’." In Ruskin, the Theatre and Victorian Visual Culture. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230236790_5.

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Kontou, Tatiana, Victoria Mills, and Kate Nichols. "John Ruskin, ‘Definition of The Art of Engraving’." In Victorian Material Culture. Routledge, 2022. http://dx.doi.org/10.4324/9781315400266-106.

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O’Neill, Morna. "Art and Industry: John Ruskin, George Lance, and Still-Life Painting." In Ruskin After 200. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-72463-3_6.

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Garratt, Peter. "Sublime Transport: Ruskin, Travel and the Art of Speed." In Travel Writing, Visual Culture and Form, 1760–1900. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137543394_10.

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Morse, David. "The Necessity of Art: Browning, Ruskin and the Pre-Raphaelites." In High Victorian Culture. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1057/9780230378063_6.

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Brake, Laurel. "The Politics of Illustration: Ruskin, Pater and the Victorian Art Press." In Print in Transition. Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230005709_10.

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Cooper, Suzanne Fagence. "Crystal Balls: Visions of Creation in the Art of Burne-Jones." In John Ruskin, the Pre-Raphaelites, and Religious Imagination. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-21554-4_8.

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Craig, David M. "Are Carbon Taxes Impious?" In Ruskin After 200. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-72463-3_12.

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Conference papers on the topic "Ruston, La., in art"

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Mehmood, Tariq, Syed Niaz Ahsan, and Mohammad S. Al-Mughaidi. "Atmospheric Rusting of Rebars and its Effect on Reinforced Concrete Corrosion." In CORROSION 1998. NACE International, 1998. https://doi.org/10.5006/c1998-98633.

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Abstract Steel concrete reinforcing bars are known to rust on open storage, particularly in humid environments. Rebar manufactured through different technologies exhibit varying rusting tendency and hence have increased the confusion about their use in concrete. Published literature mainly deals with effect of rust on rebars' mechanical properties and concrete bond strength. Little work has been reported on the corrosion behavior of rusted rebars in concrete. Present paper compares the atmospheric rusting behavior of rebars produced through different processes and effect of degree of rust on r
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Berry, Fred, Brad Shaw, and Wayne McGaulley. "Flash Rusting: Characterization and Effect on Coating Performance." In SSPC 2002. SSPC, 2002. https://doi.org/10.5006/s2002-00003.

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Abstract No concise direction has been provided relating to the issue of painting over flash rusting. This is mainly due to a shortage of data collected from controlled experiments, either in a laboratory or in the field. The purpose of this paper is to present data collected during a Naval Sea Systems Command (NAVSEA) study of flash rusting and its impact on coating system performance. Flash rusting is characterized by chemical make-up, adhesion to the surface, color, and degree of coverage. In this study, flash rusted panels are coated with US Navy approved coating systems and tested in the
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Gallagher, W. Patrick. "The Performance of Weathering Steel in Sculpture." In CORROSION 2000. NACE International, 2000. https://doi.org/10.5006/c2000-00448.

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Abstract Sculptors have taken advantage of weathering steel’s corrosion resistance, availability, fabricability, and appearance to create many striking and appealing works of art. The appearance of weathering steel in sculptures can be quite varied, even in the same work. In general, as weathering steel’s rust film ages its appearance changes from a matte red-orange color typical of newly-rusted steel to darker colors ranging from dark brown to blackish purple. This and other aspects of the appearance of weathering steel can be explained by an understanding of the intrinsic behavior of the ste
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Kim, Gyeong Rae, Tae Sung Kang, Yeon Ho Cho, and Jong Man Han. "Effect of Flash Rust on Protective Properties of Organic Coatings." In CORROSION 2008. NACE International, 2008. https://doi.org/10.5006/c2008-08011.

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Abstract For the proper adhesion of a coating, rusts, contaminants and damaged shop primers are removed by the grit blast on block surface of ships and offshore structures. However, the flash rusts are easily produced while block is waited for coating on its surfaces, especially in rainy season. The flash rusts on the blasted surface shall be removed by the re-blast or power tool cleaning. The purpose of this study is to review the effect of the flash rust and surface roughness on the coating performance. The performance of epoxy coated steel with the flash rust was evaluated by adhesion force
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Momber, Andreas W. "Color-Based Assessment of Flash Rust." In Paint and Coatings Expo (PACE) 2010. SSPC, 2010. https://doi.org/10.5006/s2010-00034.

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Abstract The presentation reviews the utilization of color analyses for the assessment and rating of rust, whereas particular attention is spent to flash rusting. The background of flash rust formation is discussed first, along with a brief review about the composition of flash rust. The fundamentals of the HSV color model, which is selected as a simple suitable model, are introduced. Finally, the author discusses the utilization of the suggested approach for the evaluation of steel substrate cleanliness and flash rust assessment.
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Islam, Moavin, Wayne McGaulley, James Tagert, Jim Ellor, and Michael Evans. "Experimentation to Develop a Quantitative Method for Characterizing the Level of Flash Rusting Formed on Carbon Steel after Ultra High Pressure Waterjetting." In Paint and Coatings Expo (PACE) 2006. SSPC, 2006. https://doi.org/10.5006/s2006-00037.

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Abstract High pressure (HP) and ultra high pressure (UHP) waterjetting for coating removal and surface preparation has several advantages compared to the industry standard abrasive grit blasting process. However, a major drawback of waterjetting is subsequent flash rusting of the steel surface. The color of the flash rust is typically orange, red, or brown of various shades depending on the color of the underlying steel, the nature of the surrounding environment, and the duration of exposure to the environment. Most paint specifications require reworking a flash-rusted surface to reveal bare s
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Raman, A., and S. Nasrazadani. "Corrosion Problems in Some Louisiana Bridges and Suggested Remedies." In CORROSION 1989. NACE International, 1989. https://doi.org/10.5006/c1989-89165.

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Abstract Two of the important corrosion problems encountered in coastal area bridges in the state of Louisiana, the pitting and packing corrosion, are analyzed. The pack rust obtained from an old carbon steel bridge structure analyzes mostly as magnetite, Fe3O4, with some α-FeOOH being present in some areas. Progression of pack rusting in already corroded and packed areas can be slowed down and prevented by the application of chemical conversion-type inhibitor solutions. Suitable methods are suggested. Pitting in weathering steel structures is more numerous in horizontal boxed-locations, where
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Nasrazadani, S., and S. Carroll. "Effects of Phosphoric-Tannic Acids on Rusting Kinetics of Clean and Rusted Low Carbon Steels." In CORROSION 2002. NACE International, 2002. https://doi.org/10.5006/c2002-02367.

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Abstract In recent years, commercial products claiming to be rust converters have been marketed and reported to transform non-protective types of iron oxides and oxyhydroxides into more protective oxides. Most are proprietary formulations, but it is generally known that phosphoric and/or tannic acids are frequently used as their main constituents. Since their inception rust converter or rust transformer performance has always been under scrutiny. Research has been done on both phosphoric and tannic acid as a catalyst for rust transformation. Tannic acid is believed by some to cause the transfo
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Solli, Anders, and Anders Skilbred. "How Can New Coating Technologies Secure Long Lasting Corrosion Protection Even under Unpredictable Surface Conditions?" In MECC 2023. AMPP, 2023. https://doi.org/10.5006/mecc2023-20116.

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Abstract All ships need periodic maintenance, either onboard a FPSO, in a water ballast tank or a hull side of a marine vessel. When preparing for maintenance of such structures it has been standard practice to sandblast the surface prior to coating application, in recent years it has become more common to use water jetting for this purpose. However, water jetted surfaces are prone to formation of flash rust. The severity of the flash rust increases with temperature, relative humidity and soluble salt contamination on the surface, and the flash rust can create unpredictable surface conditions.
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Becerra-Stasiewicz, Natalie, Cpt Carolyn Ortiz, and Rebekah Wilson. "Rust Creep: Are ASTM’S Good Enough?" In CONFERENCE 2023. AMPP, 2023. https://doi.org/10.5006/c2023-19345.

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Abstract The US Army Corps of Engineers Paint Technology Center of Expertise (PTCx) is investigating a new method of analyzing the amount of rust creep on coatings post exposure to accelerated weathering (ISO 12944) to determine the feasibility of increasing precision and accuracy. The current ASTM D1654-08 recommends a ruler to measure the distance from the initial scribe line to the edge of the rust creep region on a coated and weathered panel or coupon. Our method utilizes a microscope and image-processing software to calculate the entire area of the rust creep. The image processor integrat
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Reports on the topic "Ruston, La., in art"

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Hammac, William A. The Russo-Japanese War of 1904-1905 and the Evolution of Operational Art. Defense Technical Information Center, 2013. http://dx.doi.org/10.21236/ada606698.

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Van Arsdel, Eugene P., and Brian W. Geils. The Ribes of Colorado and New Mexico and Their Rust Fungi. U.S. Department of Agriculture, Forest Service, 2004. http://dx.doi.org/10.2737/fhtet-04-13.

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This document is a guide to the Ribes of Colorado and New Mexico and the rust fungi which infect them. Information is presented for 15 species of Ribes with diagnostic, vegetative features and notes on their geographic and ecological distribution. The guide is intended as a field aid in evaluating sites for blister rust hazard to white pine from associated ribes. Leaf rusts found on ribes are also described as a means for distinguishing them from white pine blister rust. The significance of each species to forest management is discussed.
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Hwang, Chanmi. Engineering Art Nouveau. Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1124.

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Beard, Carol. Simply String Art. Iowa State University, Digital Repository, 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1251.

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Trout, Barbara. Beyond Wearable Art. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-477.

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Sampson, Paula B. Art Deco Delight. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-598.

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Goetzmann, William, Luc Renneboog, and Christophe Spaenjers. Art and Money. National Bureau of Economic Research, 2009. http://dx.doi.org/10.3386/w15502.

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Falcão, Patrícia. Preserving Digital Art. Digital Preservation Coalition, 2024. http://dx.doi.org/10.7207/twgn24-02.

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Shank, Milo L. Art or Science: Operational Logistics as Applied to Op Art. Defense Technical Information Center, 2006. http://dx.doi.org/10.21236/ada463990.

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Forster, Patrick. "Art Feeling Grows" in Oregon : The Portland Art Association, 1892-1932. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.220.

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