Relevant bibliographies by topics / Ryszard Kapuscinski

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Academic literature on the topic 'Ryszard Kapuscinski'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Ryszard Kapuscinski"

1

Wood, F. "The ‘soccer war’ and the ‘city that sailed Away’: magical realism and New Journalism in the work of Ryszard Kapuscinski." Literator 19, no. 1 (April 26, 1998): 79–92. http://dx.doi.org/10.4102/lit.v19i1.514.

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In this article, I examine Ryszard Kapuscinski’s Another Day of Life (1987) and The Soccer War (1990). Kapuscinski is a Polish journalist who has written a number of books about his experiences as a foreign correspondent in Asia, Africa and Latin America. We encounter a range of diverse and sometimes contradictory approaches in his writing, since Kapuscinski utilises realist and fantastic, surreal, postmodern, intensely subjective techniques to convey his experiences and perceptions.As a result of his blending of realist and non-realist modes, Kapuscinki's work can be related to two important trends in contemporary literature: magical realism and New Journalism. Kapuscinski's writing illustrates certain significant points of comparison between these two approaches. These aspects of Kapuscinski's writing can, to an extent, be viewed in terms of Gilles Deleuze and Felix Guattari's concept of rhizomatics and nomadism. This article indicates that Kapuscinski's writing differs from some forms of magical realism and New Journalism in certain key respects.The significance of Kapuscinski's work lies partly in the way in which it juxtaposes and interrelates various modes, thereby challenging fixed, monologic ways of viewing events. As a result of this, his writing evades easy definitions and conclusive categorisation. Finally, one of the most striking aspects of Kapuscinki's work lies in the way in which it provides a dramatic reflection of the interface between the fantastic and reality and between the surreal, the postmodern and journalistic realism.
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2

Tighe, Carl. "Ryszard Kapuscinski and "The Emperor"." Modern Language Review 91, no. 4 (October 1996): 922. http://dx.doi.org/10.2307/3733518.

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3

Cerón Barranco, Rogelio. "Ryszard Kapuscinski: semiótica, periodismo y literatura." La Palabra y el Hombre, revista de la Universidad Veracruzana, no. 44 (October 17, 2018): 15–19. http://dx.doi.org/10.25009/lpyh.v0i44.2593.

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Ensayo que parte de la actividad periodística y literaria de Ryszard Kapuściński para hacer un análisis de su obra desde una perspectiva semiótica sobre el papel de la verdad en lo literario. “¿Periodismo o falsedad?” es la pregunta que rodea la incatalogable obra del autor polaco —híbrida de géneros y mundos, pero fiel al principio periodista de comunicar la verdad de los hechos.
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4

Terrones Lizana, Carlos. ""Kapuscinski, la historia que trasciende",." Revista Panamericana de Comunicación, no. 1 (June 1, 2021): 128–34. http://dx.doi.org/10.21555/rpc.v0i1.2357.

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La pandemia de la COVID-19 hizo que no solo cerraran las aulas universitarias y espacios físicos en nuestros países, sino que demandó que se abrieran nuevas puertas al conocimiento —reservadas casi en su totalidad a la presencialidad— y planteara una reingeniería en los procesos educativos con estrategias disruptivas e innovadoras alrededor del planeta. El presente artículo analiza el proyecto ‘Kapuscinski, la historia que trasciende’, realizado en la Universidad de San Martín de Porres, en Lima, Perú, con el objetivo de trazar el universo transmedia de “Los cínicos no sirven para este oficio”, una de las obras de mayor relevancia en las escuelas de Periodismo en el mundo, del reconocido reportero de guerra e historiador polaco Ryszard Kapuscinski.
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5

Marcus, Harold G. "Prejudice and Ignorance in Reviewing Books about Africa: The Strange Case of Ryszard Kapuscinski's The Emperor (1983)." History in Africa 17 (January 1990): 373–78. http://dx.doi.org/10.2307/3171827.

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In 1983 Harcourt, Brace, Jovanovich issued an English version of Ryszard Kapuscinski's The Emperor, Downfall of an Autocrat, published originally in 1978. Of the fifteen reviews I have read, none was written by an Ethiopianist who might have been expected to know something about Ethiopia's most durable emperor (r. 1916-1974). In other words, the published reviews reflect ignorance about the book's subject, so much so that the critics, to a person, found that the book was not about Ethiopia, or even the emperor, but was about Poland and its then dictator Edward Gierek. They fell for the notion, origanlly invented by the book's bitter Polish readers, that The Emperor was an allegory I They comment, therefore, that Haile Sellassie's story merely “illustrates exactly how the mighty rule, and why, as a result, they fall.” Had I been asked to review Kapuscinski's book, I would have regarded the volume as a serious effort to explain Haile Sellassie and commented accordingly.I would first have stated that Kapuscinski had written a flawed book because he had uncritically believed his informants, several of whom told tall tales about the short monarch. A few examples will suffice to clarify this point. One, Mr. Richard as he is called by several raconteurs, reported that the emperor had a little dog that was permitted to urinate on the shoes of courtiers and that there was a servant whose sole duty was to wipe the offending shoes dry. True, the emperor enjoyed small dogs, but he never would have permitted any animal to humiliate his courtiers. Second, Kapuscinski recounts that the emperor's sole teacher was a French Jesuit, who never was able to inculcate reading into his young charge. In fact, the young Haile Sellassie had several teachers, among them two Capucins but nary a Jesuit. His Ethiopian Capucin, Father Samuel, introduced his student to the classics of Ethiopian and Western philosophical literature and instilled in him a profound respect for reading and learning. Third, Haile Sellassie was, by all reports, a sedulous reader in Amharic, French, and, later, in English. He not only perused books but also reports, newspapers, and magazines. Furthermore, he wrote instructions and orders, giving the lie to Kapuscinski's absurd statement (8): “Though he ruled for half a century, not even those closest to him knew what his signature looked like.”
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6

Torres Moreira, Fernando Alberto. "Memórias de um regresso anunciado." Memoria y Narración. Revista de estudios sobre el pasado conflictivo de sociedades y culturas contemporáneas, no. 2 (March 5, 2021): 123–30. http://dx.doi.org/10.5617/myn.8668.

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Ryszard Kapuscinski, jornalista polaco, convocado para testemunhar e relatar a “ponte aérea” do império colonial português, em Luanda, no ano de 1975, publica Mais um dia de vida, Angola 1975 ([1976] 2015), uma narração dos primeiros movimentos dos desterrados de Angola e dos primeiros passos para a descolonização, sob a ótica jornalística de alguém estrangeiro à trama colonial portuguesa. Trata-se de um “documento único” e de um “relato de viagem por uma cidade que apenas existiu três meses: a Luanda entre o êxodo português e a proclamação da independência pelo MPLA” (Kapuscinski 7). Mais de 40 anos depois do 25 de abril, Dulce Maria Cardoso, na obra ficcional O retorno (2012), apresenta o jovem Rui, nos mesmos últimos dias de Luanda em trânsito para uma pátria que não reconhece como sua, onde a problemática identitária é central. Numa análise das obras de Kapuscinski e de Cardoso, sob a ótica dos conceitos de memória e “desmemória”, indaga-se sobre a relação entre história e literatura e as repercussões que esta possa ter no entendimento do passado colonial, ainda doloroso e controverso, nos tempos atuais.
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7

García Correa, Eduardo. "Ryszard Kapuscinski, El Emperador (la historia del extrañísimo señor de Etiopía): [reseña]." Estudios: filosofía, historia, letras, no. 8 (1987): 132. http://dx.doi.org/10.5347/01856383.0008.000169949.

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8

Delas, Daniel. "KAPUSCINSKI Ryszard, Ebène, aventures africaines, Plon, coll. « Feux croisés », Paris, 2000 (traduit du polonais par V. Patte, éd. originale, Varsovie, 1998), 159 FF, 25,24 €." Études littéraires africaines, no. 12 (2001): 33. http://dx.doi.org/10.7202/1041860ar.

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9

Starosta, Anita. "Gardens of Things: The Vicissitudes of Disappearance." Intermédialités, no. 10 (August 10, 2011): 147–63. http://dx.doi.org/10.7202/1005558ar.

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This essay traces the disappearance of the Soviet Union through aesthetical and everyday objects, and through an organization of the ethical and economic values that mark the so-called post-Soviet world. Looking through the different ways historical changes are mediated and made apprehensible, I propose to read Ryszard Kapuscinski's non-fictional account Imperium, Zbigniew Herbert's poems “Elegy for the Departure of Pen, Ink and Lamp” and “The Envoy of Mr. Cogito,” and Krzysztof Kieslowski's film No End (1984). I argue that the vicissitudes of disappearance question notions of historical rupture, making visible the processes of cultural renegotiation and reconstitution.
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10

Waldstein, Maxim K. "Observing Imperium : A Postcolonial Reading of Ryszard Kapuscinski's Account of Soviet and Post-Soviet Russia." Social Identities 8, no. 3 (September 2002): 481–99. http://dx.doi.org/10.1080/1350463022000030010.

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Dissertations / Theses on the topic "Ryszard Kapuscinski"

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Kotowska, Hagström Swiatoslawa. "Bilden av boken 'På resa med Herodotos' av Ryszard Kapuscinski i den polska och svenska dagspressen." Thesis, Stockholm University, Department of Slavic Languages, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-6667.

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Books on the topic "Ryszard Kapuscinski"

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Wolny-Zmorzynski, Kazimierz. Ryszard Kapuscinski w labiryncie wspolczesnosci. Krakow: Wydawnictwo Uniwersytetu Jagiellonskiego, 2004.

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2

Kapuściński, Ryszard. Ryszard Kapuscinski (with Fred Halliday). London: ICA Video, 1986.

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3

Kapuscinski: nie ogarniam swiata: Z Ryszardem Kapuscinskim spotykaja sie Witold Beres i Krzysztof Burnetko. Warszawa: Wydawnictwo "Swiat Ksiazki", 2007.

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4

Alonso, Guadalupe. Revelado instantáneo: Entrevistas con Pierre Alechinsky, Manuel Álvarez Bravo, Yehuda Amijai, Carlos Fuentes, Philip Glass, Nadine Gordimer, Juan Goytisolo, Ryszard Kapuscinski, Ute Lemper, Catherine Millet, Carlos Monsiváis, Amos Oz, Elena Poniatowska, José Saramago, Jorge Semprún, George Steiner, Francisco Toledo, Mario Vargas Llosa y ELie Wiesel. México: J. Mortiz, 2004.

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5

Kapuściński, Ryszard. Compendium Ryszard Kapuscinski. Spanish Publishers, LLC, 2019.

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6

Magiczne Dziennikarstwo: Ryszard Kapuscinski W Oczach Krytykow. Wydawnictwo Uniwersytetu Slaskiego, 2004.

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7

Podroze z Ryszardem Kapuscinskim: Opowiesci trzynastu tlumaczy. Krakow: Spoleczny Instytut Wydawniczy "Znak", 2007.

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Book chapters on the topic "Ryszard Kapuscinski"

1

"Whose Image of Whose Africa? Problems of Representation in Ryszard Kapuscinski’s The Shadow of the Sun." In Facts, Fiction, and African Creative Imaginations, 39–63. Routledge, 2009. http://dx.doi.org/10.4324/9780203872659-8.

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You might also be interested in the extended bibliographies on the topic 'Ryszard Kapuscinski' for particular source types:
Journal articles
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