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Journal articles on the topic 'Ryszard Kapuscinski'

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Published: 4 June 2021

Last updated: 25 April 2022

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1

Wood, F. "The ‘soccer war’ and the ‘city that sailed Away’: magical realism and New Journalism in the work of Ryszard Kapuscinski." Literator 19, no. 1 (April 26, 1998): 79–92. http://dx.doi.org/10.4102/lit.v19i1.514.

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In this article, I examine Ryszard Kapuscinski’s Another Day of Life (1987) and The Soccer War (1990). Kapuscinski is a Polish journalist who has written a number of books about his experiences as a foreign correspondent in Asia, Africa and Latin America. We encounter a range of diverse and sometimes contradictory approaches in his writing, since Kapuscinski utilises realist and fantastic, surreal, postmodern, intensely subjective techniques to convey his experiences and perceptions.As a result of his blending of realist and non-realist modes, Kapuscinki's work can be related to two important trends in contemporary literature: magical realism and New Journalism. Kapuscinski's writing illustrates certain significant points of comparison between these two approaches. These aspects of Kapuscinski's writing can, to an extent, be viewed in terms of Gilles Deleuze and Felix Guattari's concept of rhizomatics and nomadism. This article indicates that Kapuscinski's writing differs from some forms of magical realism and New Journalism in certain key respects.The significance of Kapuscinski's work lies partly in the way in which it juxtaposes and interrelates various modes, thereby challenging fixed, monologic ways of viewing events. As a result of this, his writing evades easy definitions and conclusive categorisation. Finally, one of the most striking aspects of Kapuscinki's work lies in the way in which it provides a dramatic reflection of the interface between the fantastic and reality and between the surreal, the postmodern and journalistic realism.

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2

Tighe, Carl. "Ryszard Kapuscinski and "The Emperor"." Modern Language Review 91, no. 4 (October 1996): 922. http://dx.doi.org/10.2307/3733518.

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3

Cerón Barranco, Rogelio. "Ryszard Kapuscinski: semiótica, periodismo y literatura." La Palabra y el Hombre, revista de la Universidad Veracruzana, no. 44 (October 17, 2018): 15–19. http://dx.doi.org/10.25009/lpyh.v0i44.2593.

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Ensayo que parte de la actividad periodística y literaria de Ryszard Kapuściński para hacer un análisis de su obra desde una perspectiva semiótica sobre el papel de la verdad en lo literario. “¿Periodismo o falsedad?” es la pregunta que rodea la incatalogable obra del autor polaco —híbrida de géneros y mundos, pero fiel al principio periodista de comunicar la verdad de los hechos.

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4

Terrones Lizana, Carlos. ""Kapuscinski, la historia que trasciende",." Revista Panamericana de Comunicación, no. 1 (June 1, 2021): 128–34. http://dx.doi.org/10.21555/rpc.v0i1.2357.

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La pandemia de la COVID-19 hizo que no solo cerraran las aulas universitarias y espacios físicos en nuestros países, sino que demandó que se abrieran nuevas puertas al conocimiento —reservadas casi en su totalidad a la presencialidad— y planteara una reingeniería en los procesos educativos con estrategias disruptivas e innovadoras alrededor del planeta. El presente artículo analiza el proyecto ‘Kapuscinski, la historia que trasciende’, realizado en la Universidad de San Martín de Porres, en Lima, Perú, con el objetivo de trazar el universo transmedia de “Los cínicos no sirven para este oficio”, una de las obras de mayor relevancia en las escuelas de Periodismo en el mundo, del reconocido reportero de guerra e historiador polaco Ryszard Kapuscinski.

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5

Marcus, Harold G. "Prejudice and Ignorance in Reviewing Books about Africa: The Strange Case of Ryszard Kapuscinski's The Emperor (1983)." History in Africa 17 (January 1990): 373–78. http://dx.doi.org/10.2307/3171827.

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In 1983 Harcourt, Brace, Jovanovich issued an English version of Ryszard Kapuscinski's The Emperor, Downfall of an Autocrat, published originally in 1978. Of the fifteen reviews I have read, none was written by an Ethiopianist who might have been expected to know something about Ethiopia's most durable emperor (r. 1916-1974). In other words, the published reviews reflect ignorance about the book's subject, so much so that the critics, to a person, found that the book was not about Ethiopia, or even the emperor, but was about Poland and its then dictator Edward Gierek. They fell for the notion, origanlly invented by the book's bitter Polish readers, that The Emperor was an allegory I They comment, therefore, that Haile Sellassie's story merely “illustrates exactly how the mighty rule, and why, as a result, they fall.” Had I been asked to review Kapuscinski's book, I would have regarded the volume as a serious effort to explain Haile Sellassie and commented accordingly.I would first have stated that Kapuscinski had written a flawed book because he had uncritically believed his informants, several of whom told tall tales about the short monarch. A few examples will suffice to clarify this point. One, Mr. Richard as he is called by several raconteurs, reported that the emperor had a little dog that was permitted to urinate on the shoes of courtiers and that there was a servant whose sole duty was to wipe the offending shoes dry. True, the emperor enjoyed small dogs, but he never would have permitted any animal to humiliate his courtiers. Second, Kapuscinski recounts that the emperor's sole teacher was a French Jesuit, who never was able to inculcate reading into his young charge. In fact, the young Haile Sellassie had several teachers, among them two Capucins but nary a Jesuit. His Ethiopian Capucin, Father Samuel, introduced his student to the classics of Ethiopian and Western philosophical literature and instilled in him a profound respect for reading and learning. Third, Haile Sellassie was, by all reports, a sedulous reader in Amharic, French, and, later, in English. He not only perused books but also reports, newspapers, and magazines. Furthermore, he wrote instructions and orders, giving the lie to Kapuscinski's absurd statement (8): “Though he ruled for half a century, not even those closest to him knew what his signature looked like.”

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6

Torres Moreira, Fernando Alberto. "Memórias de um regresso anunciado." Memoria y Narración. Revista de estudios sobre el pasado conflictivo de sociedades y culturas contemporáneas, no. 2 (March 5, 2021): 123–30. http://dx.doi.org/10.5617/myn.8668.

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Ryszard Kapuscinski, jornalista polaco, convocado para testemunhar e relatar a “ponte aérea” do império colonial português, em Luanda, no ano de 1975, publica Mais um dia de vida, Angola 1975 ([1976] 2015), uma narração dos primeiros movimentos dos desterrados de Angola e dos primeiros passos para a descolonização, sob a ótica jornalística de alguém estrangeiro à trama colonial portuguesa. Trata-se de um “documento único” e de um “relato de viagem por uma cidade que apenas existiu três meses: a Luanda entre o êxodo português e a proclamação da independência pelo MPLA” (Kapuscinski 7). Mais de 40 anos depois do 25 de abril, Dulce Maria Cardoso, na obra ficcional O retorno (2012), apresenta o jovem Rui, nos mesmos últimos dias de Luanda em trânsito para uma pátria que não reconhece como sua, onde a problemática identitária é central. Numa análise das obras de Kapuscinski e de Cardoso, sob a ótica dos conceitos de memória e “desmemória”, indaga-se sobre a relação entre história e literatura e as repercussões que esta possa ter no entendimento do passado colonial, ainda doloroso e controverso, nos tempos atuais.

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7

García Correa, Eduardo. "Ryszard Kapuscinski, El Emperador (la historia del extrañísimo señor de Etiopía): [reseña]." Estudios: filosofía, historia, letras, no. 8 (1987): 132. http://dx.doi.org/10.5347/01856383.0008.000169949.

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8

Delas, Daniel. "KAPUSCINSKI Ryszard, Ebène, aventures africaines, Plon, coll. « Feux croisés », Paris, 2000 (traduit du polonais par V. Patte, éd. originale, Varsovie, 1998), 159 FF, 25,24 €." Études littéraires africaines, no. 12 (2001): 33. http://dx.doi.org/10.7202/1041860ar.

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9

Starosta, Anita. "Gardens of Things: The Vicissitudes of Disappearance." Intermédialités, no. 10 (August 10, 2011): 147–63. http://dx.doi.org/10.7202/1005558ar.

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This essay traces the disappearance of the Soviet Union through aesthetical and everyday objects, and through an organization of the ethical and economic values that mark the so-called post-Soviet world. Looking through the different ways historical changes are mediated and made apprehensible, I propose to read Ryszard Kapuscinski's non-fictional account Imperium, Zbigniew Herbert's poems “Elegy for the Departure of Pen, Ink and Lamp” and “The Envoy of Mr. Cogito,” and Krzysztof Kieslowski's film No End (1984). I argue that the vicissitudes of disappearance question notions of historical rupture, making visible the processes of cultural renegotiation and reconstitution.

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10

Waldstein, Maxim K. "Observing Imperium : A Postcolonial Reading of Ryszard Kapuscinski's Account of Soviet and Post-Soviet Russia." Social Identities 8, no. 3 (September 2002): 481–99. http://dx.doi.org/10.1080/1350463022000030010.

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11

Sreberny-Mohammadi, Annabelle. "Shah of Shahs Ryszard Kapuscinski. Translated from Polish by William R. Brand and Katarzyna Mroczkowska‐Brand. Harcourt Brace Jovanovich, a Helen and Kurt Wolff book, 1982. $12.95. - The Iranian Revolution: Thanatos on a National Scale Gholam R. Afkhami. Washington, D.C.: The Middle East Institute, 1985. $24.95." Iranian Studies 20, no. 1 (1987): 86–90. http://dx.doi.org/10.1017/002108620000339x.

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12

V. Platt, Sarah. "El periodismo collage de Ryszard Kapuscinski | Ryszard Kapuściński’s Collage Journalism." Miguel Hernández Communication Journal, no. 3 (January 20, 2012). http://dx.doi.org/10.21134/mhcj.v1i3.40.

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Resumen El periodismo collage desarrollado por Ryszard Kapuściński se ha tornado controversial por su difícil clasificación de género y por combinar distintas técnicas y enfoques pertenecientes a varias disciplinas. En este artículo se analizará la influencia de los principales trozos interdisciplinarios que componen la totalidad de la obra de este autor: la fotografía y la poesía, las ciencias sociales, la politología, el cine y la literatura. Como marco teórico se empleará la fenomenología y se expondrán algunos ejemplos de sus obras cumbres para mostrar cómo se ponen en práctica las técnicas interdisciplinarias del collage. La obra kapuścińskiana, a pesar de ser completamente heterogénea en cuanto a su estructura, comparte una esencia en común: retrata la realidad sociopolítica de algunos de los acontecimientos más relevantes del siglo XX, a la vez que proyecta un recuento muy íntimo de las experiencias del autor en el campo. La responsabilidad epistémica del autor para con sus sujetos de trabajo está siempre presente, dando espacio a sus lectores a juzgar por ellos mismos la credibilidad de su postura y de sus historias. Palabras clavePeriodismo literario; Ryszard Kapuściński; interdisciplinariedad; collageAbstract Ryszard Kapuściński´s collage journalism has become a controversial topic because of its hard to define genre and because it combines different techniques and approaches that pertain to various disciplines. In this article we will analyze the principal interdisciplinary influences in the author´s work: photography and poetry, social sciences, political science, film, and literature. In order to attest how the visual collage journalism techniques are put into practice, some examples from the author’s main books will be brought to light. Although Kapuściński’s work’s structure is heterogeneous, a common essence is observed: the vivid depiction of some of the most significant events of the 20th century through the author´s intimate experiences in the field. Moreover, Kapuściński´s epistemic responsibility with his work subjects is ever-present, providing space for his readers to judge his credibility for themselves. KeywordsLiterary journalism; Ryszard Kapuściński; interdisciplinary; collage

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13

Tusa Jumbo, Fernanda. "El Humanismo Global del siglo XXI a través del pensamiento de Ryszard Kapuscinski." Historia y Comunicación Social 21, no. 2 (December 19, 2016). http://dx.doi.org/10.5209/hics.54368.

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14

Kaminski, Ignacy-Marek. "Surviving Dehumanizing Times: Life Journeys across Borderlands of Memory and Deception; Michal Giedroyc and Ryszard Kapuscinski." Journeys 12, no. 2 (January 1, 2011). http://dx.doi.org/10.3167/jys.2011.120203.

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15

Calvo, Amelia Serraller. "La evolución ideológica de Kapuscinski a la luz de su obra | The ideological evolution of Ryszard Kapuściński in the light of his work." Miguel Hernández Communication Journal, no. 2 (June 17, 2011). http://dx.doi.org/10.21134/mhcj.v1i2.33.

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ResumenEl año 2010 ha sido revolucionario para la recepción de la obra de Ryszard Kapuściński. Mientras en Polonia salía a la venta en marzo la polémica biografía de Artur Domosławski, en España la crítica se hacía eco de la edición de Cristo con un fusil al hombro, escrita en 1975 por “el reportero del siglo” y rescatada ahora por Anagrama. Aunque en Kapuściński Non-Fiction (traducida al español y publicada el pasado mes de noviembre) Domosławski cuestiona distintas facetas del que fuera su maestro, una de las más importantes es justamente su simpatía por los guerrilleros latinoamericanos. En España, Arcadi Espada ha participado activamente en ese debate, que ha servido de preludio para una revisión más amplia de la figura del historiador y periodista.Palabras claveTerrorismo; utopía; compromiso político; comunismo; desencanto.Abstract2010 has been a revolutionary year for the reception of Ryszard Kapuściński’s work. Meanwhile in Poland the polemical biography by Artur Domosławski came into light in March, critics in Spain popularized Christ with a rifle on his shoulder, written in 1975 by “the reporter of the century” and now rescued by Anagrama. Even though in Kapuściński Non-Fiction (translated into Spanish and published in November) Domosławski calls into question different aspects of his former master, his sympathy for the Latin American guerrilla fighters is precisely among the most important ones. In Spain, Arcadi Espada has taken an active part in this debate, which served as a prelude to further revision of the figure of the journalist and historian. KeywordsTerrorism; utopia: political commitment; communism; disappointment.

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16

Stepman, François. "King of Kings – The Thriumph and Tragedy of Emperor Haile Selassie I of Ethiopia." Afrika Focus 29, no. 2 (August 14, 2016). http://dx.doi.org/10.21825/af.v29i2.4852.

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Haile Selassie is one of the most bizarre and misunderstood figures of 20th-century history, alternately worshipped and mocked, idolised and marginalised. This magni - cent biography by the German-Ethiopian historian Asfa-Wossen Asserate, is diligently researched and fair-minded with Selassie being accordedthe level of dignity he deserves. The book is manifestly a riposte to Ryszard Kapuscinski’s The Emperor: Downfall of an Autocrat, which portrayed the emperor, and indeed Addis Ababa’s entire Amharic elite, as a comic-opera laughing stock.

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