Academic literature on the topic 'Ryunosuke Akutagawa'

Made available in DSpace on 2014-06-11T19:26:53Z (GMT). No. of bitstreams: 0 Previous issue date: 2006-11-20Bitstream added on 2014-06-13T19:55:18Z : No. of bitstreams: 1 luciosobrinho_a_me_assis.pdf: 1799076 bytes, checksum: 4ecdc97c4449c94e1fc85112e51b8c36 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Enquanto um ser sobrenatural fia numa roca uma linha transparente e frágil, um poderoso samurai, com um punho cerrado sobre sua espada, percebe que seu destino está sendo desenrolado e partir-se-á como os fios de uma teia de aranha. Outro samurai, não tão jovem, mas com a espada em riste, derrama seu sangue em terra familiar. Um menino e uma menina vestem máscaras demoníacas para sobreviver em um mundo que não admite doçura. São esses alguns dos personagens e dos temas presentes na obra de Akira Kurosawa, motivos sinistros e dolorosos demais para serem tocados pela mente comum, mas que são tomados corajosamente pelo gênio brilhante e sensível, que transforma tudo em beleza e arte. O objetivo deste ensaio é comentar o casamento da beleza e do sofrimento em seus filmes, onde também comparecem os seguintes convidados: a vida do próprio diretor, a literatura que o influenciou, a pintura e a música que admirou e que inseriu em seus filmes e, como parte essencial de qualquer trabalho científico, como Fritjoff Capra disse em O Tao da Física, minha vida também comparece aqui, como é inevitável, já que sou eu o fotógrafo deste casamento.<br>While a white phantom of old-man or woman devily spins a translucent and frail thread on a distaff, a powerful samurai, with a fist strongly shut upon his sword, realizes that his destiny is being unwrapped there, and knows that will be torn as easily as a thread of a spider-web. Another samurai, not so young, but with his sword still ready, suffers the bleeding of his life in the land of his owns. A boy and a girl have to dress masks of demons in order to survive in a world that doesnþt allow sweetness at all. These are some of the characters and themes often found in the works of Akira Kurosawa; sinister and painful motives, usually refused by common peopleþs minds, but courageously taken by the brilliant and sensitive genius, who turns everything of these into art and beauty. This is what we search in this essay: the wedding of beauty and suffering in his movies, where it comes too the following guests: his own life, the books he read, the paintings he admired, the music he liked to put on his films, and, as an essential part of a scientific work, like Fritjoff Capra said in The Tao of Phisics, here comes my life too, as it is inevitable, being a photographer of this wedding as I am.

Orientador: José Carlos Zamboni<br>Banca: Maria Lídia Lichtscheidl Maretti<br>Banca: Madalena Natsuko Hashimoto Cordaro<br>Resumo: Enquanto um ser sobrenatural fia numa roca uma linha transparente e frágil, um poderoso samurai, com um punho cerrado sobre sua espada, percebe que seu destino está sendo desenrolado e partir-se-á como os fios de uma teia de aranha. Outro samurai, não tão jovem, mas com a espada em riste, derrama seu sangue em terra familiar. Um menino e uma menina vestem máscaras demoníacas para sobreviver em um mundo que não admite doçura. São esses alguns dos personagens e dos temas presentes na obra de Akira Kurosawa, motivos sinistros e dolorosos demais para serem tocados pela mente comum, mas que são tomados corajosamente pelo gênio brilhante e sensível, que transforma tudo em beleza e arte. O objetivo deste ensaio é comentar o casamento da beleza e do sofrimento em seus filmes, onde também comparecem os seguintes convidados: a vida do próprio diretor, a literatura que o influenciou, a pintura e a música que admirou e que inseriu em seus filmes e, como parte essencial de qualquer trabalho científico, como Fritjoff Capra disse em O Tao da Física, minha vida também comparece aqui, como é inevitável, já que sou eu o fotógrafo deste casamento.<br>Abstract: While a white phantom of old-man or woman devily spins a translucent and frail thread on a distaff, a powerful samurai, with a fist strongly shut upon his sword, realizes that his destiny is being unwrapped there, and knows that will be torn as easily as a thread of a spider-web. Another samurai, not so young, but with his sword still ready, suffers the bleeding of his life in the land of his owns. A boy and a girl have to dress masks of demons in order to survive in a world that doesnþt allow sweetness at all. These are some of the characters and themes often found in the works of Akira Kurosawa; sinister and painful motives, usually refused by common peopleþs minds, but courageously taken by the brilliant and sensitive genius, who turns everything of these into art and beauty. This is what we search in this essay: the wedding of beauty and suffering in his movies, where it comes too the following guests: his own life, the books he read, the paintings he admired, the music he liked to put on his films, and, as an essential part of a scientific work, like Fritjoff Capra said in The Tao of Phisics, here comes my life too, as it is inevitable, being a photographer of this wedding as I am.<br>Mestre

The aim of this study is to examine the workings of three themes within the fiction of Akutagawa Ryunosuke(1892-1927), to explore how these themes interrelate to forma portrait of their author's alienation from the world and from himself. These are: nature's hostility to the artist and his efforts to combat that; woman and her association with nature, disease, and death; and the Double as a mockery of the authored self by the authoring self. Each theme is discussed in a separate chapter; a concluding chapter explores the way in which the three themes merge in one specific short story, "Haguruma" (1927; tr. Cogwheel, 1965).

碩士<br>國立高雄第一科技大學<br>應用日語所<br>95<br>Literature and music has been tightly connected since ancient times. Mr. Akutagawa Ryunosuke is the one of few writers in recent decades who has integrated Japanese traditional culture with Western culture in his work. Based on the understanding of Japanese influence on Western music during the Meiji and the Taishou eras, the thesis analyzes the correspondence illustrating his great attainments in Western music. He has very similar background in career and art development with Schubert, Beethoven and Mozart. The study aims to understand the influence of Western music on his work, especially that of his favorite operas, Salome and Carmen, where the female images in his works are also studied.

碩士<br>淡江大學<br>日本語文學系碩士班<br>97<br>This thesis was aimed to investigate the features of Ryunosuke Akutagawa''s literatures for children. In order to found out the common features and differences between texts, firstly, the structural context and the characteristics of the main characters within each story was been identified under detailed analysis. Following the above steps, research then was carried out by examinations through binary opposition theory and trials that appeared within the text. This thesis was consists of six chapters. The introduction chapter includes the research motive, antecedent research, research content, and analytical methods applied. Chapter 1: The summary and the main character movements of each story were been analyzed. This chapter will be focused on the investigation of the structural pattern and imaginative dimension of each story, and clarified features that include the element related to the number “Three” and the reinstatement of the preliminary point. Chapter 2: The main points of chapter two was to examine the characteristics of characters according to each story, which revealed the vital desires of human being and on the other hand, the symbol and existence of the upper class. Chapter 3: The substance of this chapter was to investigate each story texts according to the theory of binary oppositions, which mainly focused on oppositions such as upper class and lower class, good and evil, reality and imagination. Chapter 4: In this chapter, the context and aspects of trials assigned to the main characters according to each tale were being analyzed. Lastly, the main points of each chapter appeared in conclusion as further summed up statements, and the general portrait of Akutagawa''s fairy tale world can be viewed into a much more detailed arrangement.