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Books on the topic 'Saariaho, kaija'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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1

Risto, Nieminen, and IRCAM (Research institute : France), eds. Kaija Saariaho. IRCAM-Centre Georges Pompidou, 1994.

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2

1960-, Winterfeldt Susanne, ed. Kaija Saariaho. Musikfrauen e.V., 1991.

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3

Martha, Brech, and Mäkelä Tomi, eds. Topics, texts, tensions: Essays in music theory on Paavo Heininen, Joonas Kokkonen, Magnus Lindberg, Usko Meriläinen, Einojuhani Rautavaara, Kaija Saariaho & Aulis Sallinen. Otto-von-Guerike-Universität, 1999.

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4

Kaija, Saariaho, ed. Elektronisia unelmia: Kirjoituksia Kaija Saariahon musiikista. Yliopistopaino, 2005.

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5

Hautsalo, Liisamaija. Kaukainen rakkaus: Saavuttamattomuuden semantiikka Kaija Saariahon oopperassa. Suomen Musiikkitieteellinen Seura, 2008.

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6

Saariaho, Kaija, and Pekka Hako. Aistit, uni, rakkaus: Kaksitoista katsetta Kaija Saariahoon. Lurra Editions, 2012.

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7

Moisala, Pirkko. Kaija Saariaho. University of Illinois Press, 2010.

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8

Kaija Saariaho. University of Illinois Press, 2009.

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9

Kaija Saariaho. University of Illinois Press, 2014.

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10

Kaija Saariaho: Visions, Narratives, Dialogues. Taylor & Francis Group, 2017.

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11

Kaija Saariaho: Visions, Narratives, Dialogues. Taylor & Francis Group, 2017.

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12

Kaija Saariaho: Visions, narratives, dialogues. Ashgate, 2011.

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13

Howell, Tim, and Jon Hargreaves. Kaija Saariaho: Visions, Narratives, Dialogues. Taylor & Francis Group, 2016.

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14

Kaija Saariaho: Visions, Narratives, Dialogues. Taylor & Francis Group, 2017.

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15

Les Cahiers de l'Ircam. Compositeurs d'aujourd'hui - Numéro 6 - Kaija Saariaho. Editions du Centre Pompidou, 2000.

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16

Woher? Wohin?: Die Komponistin Kaija Saariaho : Symposion, 16. September 2006, Alte Oper Frankfurt am Main. Schott, 2007.

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17

Reconfiguring Myth and Narrative in Contemporary Opera: Osvaldo Golijov, Kaija Saariaho, John Adams, and Tan Dun. Indiana University Press, 2015.

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18

Everett, Yayoi Uno. Reconfiguring Myth and Narrative in Contemporary Opera: Osvaldo Golijov, Kaija Saariaho, John Adams, and Tan Dun. Indiana University Press, 2015.

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19

Barrière, Jean-Baptiste, and Aleksi Barrière. When Music Unfolds into Image. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.39.

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The authors reflect on their own experience of developing a specific form of multimedia live performance: the visual concert. The various video projects they realized for works by Finnish composer Kaija Saariaho serve as examples illustrating a more general aesthetic question: what can video art bring to music within the concert ritual? Answers are suggested first in a general assessment of the scientific (perception and cognition research) and cultural roots and parameters of cross-media art forms, and second in an analysis of the contemporary technological tools that allow the visual concert
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20

Straus, Joseph N. The Art of Post-Tonal Analysis. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197543979.001.0001.

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This book consists of analyses of thirty-three musical passages or entire short works in a variety of post-tonal styles. The works under study are taken from throughout the long twentieth century, from 1909 to the present. Within the atonal wing of modern classical music, the composers discussed here, some canonical and some not, represent a diversity of musical style, chronology, geography, gender, and race/ethnicity: Arnold Schoenberg, Anton Webern, Alban Berg, Béla Bartók, Igor Stravinsky, Aaron Copland, Ruth Crawford Seeger, Milton Babbitt, Luigi Dallapiccola, Elliott Carter, Louise Talma,
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21

Jälkiä itsessä: Narratiivisia huilisti-identiteettejä Kaija Saariahon säveltämässä musiikissa. Turun yliopisto, 2005.

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22

McClary, Susan. Making Sense of Music. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197779798.001.0001.

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Abstract Why do we listen to music? How does it produce its effects? Neither historical records nor conventional modes of analysis nor even the neurosciences addresses these fundamental questions. In Making Sense of Music, Susan McClary engages with problems in music interpretation in readings based on metaphors of the body, gesture, temporality, sexuality, and subjectivity. Her chapters focus variously on ribald songs of the Renaissance, the performance of Bach fugues, time-bending in seventeenth-century keyboard works, Grieg’s Norwegian swerve, Florence Price’s mergers of the spiritual with
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