Relevant bibliographies by topics / Sackler Gallery

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Academic literature on the topic 'Sackler Gallery'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Sackler Gallery"

1

Turpin, Malcolm, Chris Neighbour, and Rob Baldock. "The Serpentine Sackler Gallery." Structural Engineer 92, no. 6 (2014): 16–25. https://doi.org/10.56330/yzkg5164.

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The Serpentine Sackler Gallery is an exhibition space for the Serpentine Gallery in Kensington Gardens/Hyde Park. The project involved the re-use of The Magazine building – a grade II listed 19th century powder store constructed at the time of the Napoleonic Wars. The Royal Parks were seeking to put the building to cultural use after its military history, and more recent use as a Royal Parks' stores, office and welfare accommodation. The Serpentine Gallery won the competition for potential occupiers with a proposal developed in collaboration with Zaha Hadid Architects (ZHA), and Arup as multi-
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2

Bell, Catherine. "Worshiping the Ancestors: Chinese Commemorative Portraits. By Jan Stuart and Evelyn S. Rawski. [Washington, DC and Stanford, CA: Freer Gallery of Art and the Arthur M. Sackler Gallery in association with Stanford University Press, 2001. 216pp. $75.00. ISBN 08047 4262 6.]." China Quarterly 173 (March 2003): 214–51. http://dx.doi.org/10.1017/s000944390343012x.

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This lovely book accompanies a show of ancestor portraits from the mid-15th to the 20th century held at the Smithsonian's Arthur M. Sackler Gallery in 2001. The Sackler's recently acquired collection, supplemented for the show with contributions from the Freer Gallery and private collections, consists of 85 paintings depicting mostly noble and upper-class men and women, probably sold by families caught in the disruptions of the late Qing.
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3

TA!LAB. "Formafantasma: ‘Cambio’, at the Serpentine Sackler Gallery." Architectural Research Quarterly 24, no. 2 (2020): 210–16. http://dx.doi.org/10.1017/s1359135520000196.

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4

Larson, Kay. "Yoga: The Art of Transformationat the Sackler Gallery." Curator: The Museum Journal 57, no. 3 (2014): 363–73. http://dx.doi.org/10.1111/cura.12074.

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5

Ojha, Hari Kumar. "Marry Shepherd Slusser: The Antiquity of Nepalese Wood Carving: A Reassessment." Himalayan Journal of Sociology and Anthropology 4 (May 9, 2011): 256–59. http://dx.doi.org/10.3126/hjsa.v4i0.4680.

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Marry Shepherd Slusser: The Antiquity of Nepalese Wood Carving: A Reassessment, Published by: University of Washington Press, Seattle and London in Association with the Freer Gallery of Art and the Arthur M. Sackler Gallery, Smithsonian Institution Washington DC (2010) Page: 315 xix, ISBN 978-0-295-99029-3 (hardback)DOI: http://dx.doi.org/10.3126/hjsa.v4i0.4680 Himalayan Journal of Sociology and Anthropology Vol.IV (2010) 256-259
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6

Shu, Yue, and Reiko Yoshimura. "The Chinese Collection of the Freer Gallery of Art | Arthur M. Sackler Gallery Library." Art Libraries Journal 39, no. 2 (2014): 33–38. http://dx.doi.org/10.1017/s0307472200018290.

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The library of the Freer Gallery of Art | Arthur M. Sackler Gallery is considered one of the finest East Asian art research collections in the United States. The development and progress of the library’s Chinese Collection has mirrored the historical changes in the field of Chinese art studies in the last one hundred years. Today, the library collection has more than 90,000 volumes, including 17,437 Chinese language monographs and 836 serials in over 25,000 volumes. In a landscape of changing scholarship, technology and user demands, the library is balancing the use of printed materials and di
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7

Harper, Prudence O., Ann C. Gunter, and Paul Jett. "Ancient Iranian Metalwork in the Arthur M. Sackler Gallery and the Freer Gallery of Art." Journal of the American Oriental Society 116, no. 3 (1996): 567. http://dx.doi.org/10.2307/605190.

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8

Stillwell, Joana. "Art Museum Exhibitions in the Library." International Journal of Librarianship 9, no. 2 (2024): 103–7. http://dx.doi.org/10.23974/ijol.2024.vol9.2.376.

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Typically, museums are seen as the primary venue for exhibitions. However, an interest in library exhibitions has been growing as indicated by increased literature in the library field, albeit with a large focus on academic libraries. On a broader scale, library exhibitions continue to be under-researched as indicated by the continuing lack of library exhibition evaluation standards, library exhibition reviews, and exhibition-related professional training for librarians. In this 2021 study, interviews were conducted at eight Washington, DC-based art museum libraries: The National Gallery of Ar
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9

Cannon-Brookes, P. "Architecture: The sackler room and the restoration of historic art gallery interiors." Museum Management and Curatorship 13, no. 4 (1994): 427–30. http://dx.doi.org/10.1016/0964-7775(94)90097-3.

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10

Lee, Sonya S. "Review: The Sogdians: Influencers on the Silk Roads, by Arthur M. Sackler Gallery." Studies in Late Antiquity 5, no. 3 (2021): 467–73. http://dx.doi.org/10.1525/sla.2021.5.3.467.

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Books on the topic "Sackler Gallery"

1

Arthur M. Sackler Gallery (Smithsonian Institution). Ancient Iranian metalwork in the Arthur M. Sackler Gallery and the Freer Gallery of Art. Arthur M. Sackler Gallery, 1992.

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2

Arthur M. Sackler Gallery (Smithsonian Institution). Asian art in the Arthur M. Sackler Gallery: The inaugural gift. The Gallery, 1987.

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3

Institution), Arthur M. Sackler Gallery (Smithsonian. Arthur M. Sackler Gallery: A museum of Asian art at the Smithsonian Institution, Washington, D.C. The Gallery, 1987.

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4

Lawton, Thomas. Beyond the legacy: Anniversary acquisitions for the Freer Gallery of Art and the Arthur M. Sackler Gallery. Smithsonian Institution, 1998.

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5

Arthur M. Sackler Gallery (Smithsonian Institution), ed. Arthur M. Sackler Gallery: A museum of Asian art at the Smithsonian Institution. Smithsonian Institution, 1987.

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6

Arthur M. Sackler Gallery (Smithsonian Institution), ed. Style & status: Imperial costumes from Ottoman Turkey : October 29, 2005-January 22, 2006, Arthur M. Sackler Gallery, Smithsonian Institution. Azimuth Editions, 2005.

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7

B, Mirviss Joan, ed. Printed to perfection: Twentieth-century Japanese prints from the Robert O. Muller Collection. Arthur M. Sackler Gallery, Smithsonian Institution in association with Hotei Pub., Amsterdam, 2004.

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8

Park, Edwards. A new view from the Castle: The Smithsonian Institution's quadrangle : Arthur M. Sackler Gallery, National Museum of African Art, S. Dillon Ripley Center, Enid A. Haupt Garden. Smithsonian Institution Press, 1987.

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9

Chicago, Judy. The dinner party: [catalogue of an exhibition held at the Warehouse Gallery, White Lion Street, London]March 1-May 26, 1985. Diehard Productions, 1985.

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10

Gallery, Arthur M. Sackler. A jeweler's eye: Islamic arts of the book from the Vever Collection. Arthur M. Sackler Gallery, Smithsonian Institution, inassociation with University of Washington Press, Seattle, 1988.

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Book chapters on the topic "Sackler Gallery"

1

Lo, Patrick, Hermina G. B. Anghelescu, and Bradley Allard. "Yue Shu, Librarian, Freer Gallery of Art and Arthur M. Sackler Gallery Library, Smithsonian Libraries and Archives." In Inside Major East Asian Library Collections in North America, Volume 2. Emerald Publishing Limited, 2022. http://dx.doi.org/10.1108/978-1-80455-139-420221022.

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2

Glazer, Lee. "Stories of the Beautiful: Narratives of East–West Interchange at the Freer Gallery of Art and Arthur M. Sackler Gallery." In East-West Interchanges in American Art: A Long and Tumultuous Relationship. Smithsonian Institution Scholarly Press, 2012. http://dx.doi.org/10.5479/si.9781935623083.216.

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Lo, Patrick, Hermina G. B. Anghelescu, and Bradley Allard. "Reiko Yoshimura, Head Librarian Freer Gallery of Art and Arthur M. Sackler Gallery Library, National Museum of Asian Art, Smithsonian Libraries and Archives." In Inside Major East Asian Library Collections in North America, Volume 1. Emerald Publishing Limited, 2022. http://dx.doi.org/10.1108/978-1-80262-233-120221002.

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Reports on the topic "Sackler Gallery"

1

Artful Diplomacy: Art as Latin America's Ambassador in ton, D.C. Inter-American Development Bank, 2008. http://dx.doi.org/10.18235/0006398.

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This exhibition gathers a number of artworks belonging to a diverse group of Latin American embassies and diplomats and their delegations and organizations in Washington, D.C. For a city that boasts such a wealth of artistic institutions on the National Mall, representing art from all corners of the world (the National Museum of African Art, the Freer and Sackler Galleries for Asian arts, and the National Gallery of Art with its impressive collection of European art from the Middle Ages to the present, to name a few), the absence - for whatever reason- of a major institution in the nation¿s ca
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