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1

Arthur M. Sackler Gallery (Smithsonian Institution). Ancient Iranian metalwork in the Arthur M. Sackler Gallery and the Freer Gallery of Art. Arthur M. Sackler Gallery, 1992.

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2

Arthur M. Sackler Gallery (Smithsonian Institution). Asian art in the Arthur M. Sackler Gallery: The inaugural gift. The Gallery, 1987.

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3

Institution), Arthur M. Sackler Gallery (Smithsonian. Arthur M. Sackler Gallery: A museum of Asian art at the Smithsonian Institution, Washington, D.C. The Gallery, 1987.

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4

Lawton, Thomas. Beyond the legacy: Anniversary acquisitions for the Freer Gallery of Art and the Arthur M. Sackler Gallery. Smithsonian Institution, 1998.

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5

Arthur M. Sackler Gallery (Smithsonian Institution), ed. Arthur M. Sackler Gallery: A museum of Asian art at the Smithsonian Institution. Smithsonian Institution, 1987.

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6

Arthur M. Sackler Gallery (Smithsonian Institution), ed. Style & status: Imperial costumes from Ottoman Turkey : October 29, 2005-January 22, 2006, Arthur M. Sackler Gallery, Smithsonian Institution. Azimuth Editions, 2005.

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7

B, Mirviss Joan, ed. Printed to perfection: Twentieth-century Japanese prints from the Robert O. Muller Collection. Arthur M. Sackler Gallery, Smithsonian Institution in association with Hotei Pub., Amsterdam, 2004.

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8

Park, Edwards. A new view from the Castle: The Smithsonian Institution's quadrangle : Arthur M. Sackler Gallery, National Museum of African Art, S. Dillon Ripley Center, Enid A. Haupt Garden. Smithsonian Institution Press, 1987.

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9

Chicago, Judy. The dinner party: [catalogue of an exhibition held at the Warehouse Gallery, White Lion Street, London]March 1-May 26, 1985. Diehard Productions, 1985.

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10

Gallery, Arthur M. Sackler. A jeweler's eye: Islamic arts of the book from the Vever Collection. Arthur M. Sackler Gallery, Smithsonian Institution, inassociation with University of Washington Press, Seattle, 1988.

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11

Arthur M. Sackler Gallery (Smithsonian Institution). An annotated and illustrated checklist of the Vever Collection. Arthur M. Sackler Gallery, Smithsonian Institution, 1988.

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12

D, Lowry Glenn, and Nemazee Susan, eds. A jeweler's eye: Islamic arts of the book from the Vever Collection. Arthur M. Sackler Gallery, Smithsonian Institution, in association with University of Washington Press, Seattle, 1988.

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13

Center for Book Arts (New York, N.Y.), ed. The Altered page: Selections from the Ruth and Marvin Sackner archive of concrete and visual poetry : Book Arts Gallery, February 6-March 26, 1988. Center for Book Arts, 1988.

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14

Craig, Saper, Ruth & Marvin Sackner Archive of Concrete & Visual Poetry., and Rosenwald-Wolf Gallery (Philadelphia, Pa.), eds. Networking artists & poets: Assemblings from the Ruth & Marvin Sackner Archive of Concrete & Visual Poetry : an exhibition at the University of Pennsylvania Rosenwald Gallery, Van Pelt-Dietrich Library, 17 April-27 June 1997. University of Pennsylvania Library, 1997.

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15

Tom, Phillips. Human documents: Tom Phillips's art of the page : an exhibition selected from the Ruth and Marvin Sackner Archive of Concrete and Visual Poetry [at the] Kamin Gallery, Van Pelt-Dietrich Library, May 10-July 9, 1993. Edited by Traister Daniel and Kamin Gallery. University of Pennsylvania, 1993.

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16

Jett, Paul, and Ann C. Gunter. Ancient Iranian Metalwork in the Arthur M. Sackler Gallery. Sackler Art Gallery, 1992.

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17

Lawton, Thomas. Asian Art in the Arthur M. Sackler Gallery: The Inaugural Gift. Smithsonian Books, 1987.

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18

Singer, Paul. Chinese art: A thousand masterpieces from the Arthur M. Sackler collections. AMS Foundation for the Arts, Sciences, and Humanities, 2000.

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19

Beyond the Legacy: Anniversary Acquisitions for the Freer Gallery of Art and the Arthur M. Sackler Gallery. University of Washington Press, 1999.

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20

Ideals of beauty: Asian and American art in the Freer and Sackler galleries. Thames and Hudson ; Washington, D.C., 2010.

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21

Ideals of beauty: Asian and American art in the Freer and Sackler galleries. Thames and Hudson, 2010.

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22

Ideals of beauty: Asian and American art in the Freer and Sackler galleries. Thames and Hudson ; Washington, D.C., 2010.

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23

Buddhist Art. Giles Limited, D., 2017.

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24

Yomigaeru ukiyoe: Uruwashiki Taishō Shin hanga ten = Beautiful Shin-hanga : revitalization of ukiyo-e. 2009.

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25

Cherry Blossoms. Rizzoli International Publications, Incorporated, 2015.

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26

Worshiping the Ancestors: Chinese Commemorative Portraits. Stanford University Press, 2001.

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27

Assembly of the Exalted: The Tibetan Shrine Room from the Alice S. Kandell Collection. Officina Libraria srl, 2019.

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28

Rettig, Simon, та Sana Mirza. The Word Illuminated: Form and Function of Qurʾanic Manuscripts from the Seventh to Seventeenth Centuries. Smithsonian Institution Scholarly Press, 2023. http://dx.doi.org/10.5479/si.21948098.

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This volume comprises a selection of papers delivered at the symposium “The Word Illuminated: Form and Function of Qurʾanic Manuscripts” held at the Arthur M. Sackler Gallery from 1 to 3 December 2016 and organized in conjunction with the exhibition The Art of the Qurʾan: Treasures from the Museum of Turkish and Islamic Arts. Authors investigate the materiality of luxury Qurʾans, from the lavish use of costly materials such as gold and parchment, the development of special scripts, and intricate illuminated designs to the meticulously tooled bindings. In addition to examining the physical feat
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29

Painting with Light: Photography at the Freer. Giles Limited, D., 2017.

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30

A Jeweler's Eye: Islamic Art of the Book from the Vever Collection. Univ of Washington Pr, 1988.

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