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Journal articles on the topic 'Sackler Gallery'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Turpin, Malcolm, Chris Neighbour, and Rob Baldock. "The Serpentine Sackler Gallery." Structural Engineer 92, no. 6 (2014): 16–25. https://doi.org/10.56330/yzkg5164.

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The Serpentine Sackler Gallery is an exhibition space for the Serpentine Gallery in Kensington Gardens/Hyde Park. The project involved the re-use of The Magazine building – a grade II listed 19th century powder store constructed at the time of the Napoleonic Wars. The Royal Parks were seeking to put the building to cultural use after its military history, and more recent use as a Royal Parks' stores, office and welfare accommodation. The Serpentine Gallery won the competition for potential occupiers with a proposal developed in collaboration with Zaha Hadid Architects (ZHA), and Arup as multi-

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Bell, Catherine. "Worshiping the Ancestors: Chinese Commemorative Portraits. By Jan Stuart and Evelyn S. Rawski. [Washington, DC and Stanford, CA: Freer Gallery of Art and the Arthur M. Sackler Gallery in association with Stanford University Press, 2001. 216pp. $75.00. ISBN 08047 4262 6.]." China Quarterly 173 (March 2003): 214–51. http://dx.doi.org/10.1017/s000944390343012x.

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This lovely book accompanies a show of ancestor portraits from the mid-15th to the 20th century held at the Smithsonian's Arthur M. Sackler Gallery in 2001. The Sackler's recently acquired collection, supplemented for the show with contributions from the Freer Gallery and private collections, consists of 85 paintings depicting mostly noble and upper-class men and women, probably sold by families caught in the disruptions of the late Qing.

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3

TA!LAB. "Formafantasma: ‘Cambio’, at the Serpentine Sackler Gallery." Architectural Research Quarterly 24, no. 2 (2020): 210–16. http://dx.doi.org/10.1017/s1359135520000196.

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Larson, Kay. "Yoga: The Art of Transformationat the Sackler Gallery." Curator: The Museum Journal 57, no. 3 (2014): 363–73. http://dx.doi.org/10.1111/cura.12074.

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Ojha, Hari Kumar. "Marry Shepherd Slusser: The Antiquity of Nepalese Wood Carving: A Reassessment." Himalayan Journal of Sociology and Anthropology 4 (May 9, 2011): 256–59. http://dx.doi.org/10.3126/hjsa.v4i0.4680.

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Marry Shepherd Slusser: The Antiquity of Nepalese Wood Carving: A Reassessment, Published by: University of Washington Press, Seattle and London in Association with the Freer Gallery of Art and the Arthur M. Sackler Gallery, Smithsonian Institution Washington DC (2010) Page: 315 xix, ISBN 978-0-295-99029-3 (hardback)DOI: http://dx.doi.org/10.3126/hjsa.v4i0.4680 Himalayan Journal of Sociology and Anthropology Vol.IV (2010) 256-259

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Shu, Yue, and Reiko Yoshimura. "The Chinese Collection of the Freer Gallery of Art | Arthur M. Sackler Gallery Library." Art Libraries Journal 39, no. 2 (2014): 33–38. http://dx.doi.org/10.1017/s0307472200018290.

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The library of the Freer Gallery of Art | Arthur M. Sackler Gallery is considered one of the finest East Asian art research collections in the United States. The development and progress of the library’s Chinese Collection has mirrored the historical changes in the field of Chinese art studies in the last one hundred years. Today, the library collection has more than 90,000 volumes, including 17,437 Chinese language monographs and 836 serials in over 25,000 volumes. In a landscape of changing scholarship, technology and user demands, the library is balancing the use of printed materials and di

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Harper, Prudence O., Ann C. Gunter, and Paul Jett. "Ancient Iranian Metalwork in the Arthur M. Sackler Gallery and the Freer Gallery of Art." Journal of the American Oriental Society 116, no. 3 (1996): 567. http://dx.doi.org/10.2307/605190.

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Stillwell, Joana. "Art Museum Exhibitions in the Library." International Journal of Librarianship 9, no. 2 (2024): 103–7. http://dx.doi.org/10.23974/ijol.2024.vol9.2.376.

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Typically, museums are seen as the primary venue for exhibitions. However, an interest in library exhibitions has been growing as indicated by increased literature in the library field, albeit with a large focus on academic libraries. On a broader scale, library exhibitions continue to be under-researched as indicated by the continuing lack of library exhibition evaluation standards, library exhibition reviews, and exhibition-related professional training for librarians. In this 2021 study, interviews were conducted at eight Washington, DC-based art museum libraries: The National Gallery of Ar

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9

Cannon-Brookes, P. "Architecture: The sackler room and the restoration of historic art gallery interiors." Museum Management and Curatorship 13, no. 4 (1994): 427–30. http://dx.doi.org/10.1016/0964-7775(94)90097-3.

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10

Lee, Sonya S. "Review: The Sogdians: Influencers on the Silk Roads, by Arthur M. Sackler Gallery." Studies in Late Antiquity 5, no. 3 (2021): 467–73. http://dx.doi.org/10.1525/sla.2021.5.3.467.

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Blair, Alice, Carolina Bartram, and Ed Clark. "Structural design of the new Exhibition Road Quarter at the Victoria & Albert Museum, London." Structural Engineer 96, no. 6 (2018): 12–19. http://dx.doi.org/10.56330/btyq4876.

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Designing deep basements for buildings in historic city-centre locations is always a challenging proposition. The Exhibition Road Quarter project at the Victoria & Albert Museum, London – providing a new entrance, courtyard and purpose-built gallery for temporary exhibitions – was no exception. The new Sainsbury Gallery is situated in a 15m deep basement on a site bounded by Grade I and II* listed buildings with unusual and fragile facades. Artifacts sensitive to movements and vibrations are housed in these buildings, and the museum had to remain open throughout the works. The structure th

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12

Owen, Lisa N. "Yoga: The Art of Transformation. Edited by DebraDiamond. Washington, DC: Freer Gallery of Art and Arthur M. Sackler Gallery, 2013. Pp. 328; plates, map. Cloth, $55.00." Religious Studies Review 40, no. 3 (2014): 170. http://dx.doi.org/10.1111/rsr.12159.

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13

Santos, Raquel, Ana Claro, Ana Serrano, Maria João Ferreira, and Jessica Hallett. "Textiles, Trade & Taste—Portugal and the World: A Project on the Global Circulation of Textiles and Dyes." Textile Museum Journal 47, no. 1 (2020): 187–95. http://dx.doi.org/10.1353/tmj.2020.a932820.

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Abstract: Textiles, Trade & Taste: Portugal and the World (TTT) is a project that aspires to bring new synergies to the field of textile studies by promoting different connections and interdisciplinary approaches involving art history, materials science, and conservation. The TTT research network is based at the Center for Humanities in the School of Social Sciences and Humanities at the Universidade NOVA de Lisboa and organizes workshops, conferences, tours, and lectures in museums and research institutions. The network’s artistic and historical research has ranged from collating archival

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14

Screech, Timon. "Twelve Centuries of Japanese Art from the Imperial Collections. By Ann Yonemura. pp. 224, 75 col. plates, map, table. Washington, Freer Gallery and Sackler Gallery in association with the Smithsonian Institution Press, 1998. £49.95." Journal of the Royal Asiatic Society 9, no. 1 (1999): 204–6. http://dx.doi.org/10.1017/s1356186300016321.

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Chai, May-Lee. "A Review of “5,000 Years of Chinese Jade: Featuring Selections from the National Museum of History, Taiwan, and the Arthur M. Sackler Gallery, Smithsonian Institution”." Asian Affairs: An American Review 40, no. 4 (2013): 199–200. http://dx.doi.org/10.1080/00927678.2013.849146.

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Schuhmann, Leslie, and Christine Chagnon. "Collections Support Services (CSS) - 25 Years of Improving Access and Care to our Nation’s Collections." Biodiversity Information Science and Standards 2 (June 13, 2018): e25889. http://dx.doi.org/10.3897/biss.2.25889.

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Originally formed in the early 1980s as the Move Crew to move museum collections to the newly opened state of the art Smithsonian Institution’s Museum Support Center, Collections Support Services has evolved into a team of highly skilled museum professionals recognized as trusted experts, innovators, project managers, and problem solvers in all aspects of collections stewardship. We have packed, moved, and stored MILLIONS of objects across Smithsonian museums including the National Museum of Natural History and several of our art museums; the Freer Sackler Gallery, Hirshhorn Museum and Sculptu

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Schuhmann, Leslie, and Christine Chagnon. "Collections Support Services (CSS) - 25 Years of Improving Access and Care to our Nation's Collections." Biodiversity Information Science and Standards 2 (June 13, 2018): e25889. https://doi.org/10.3897/biss.2.25889.

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Originally formed in the early 1980s as the Move Crew to move museum collections to the newly opened state of the art Smithsonian Institution's Museum Support Center, Collections Support Services has evolved into a team of highly skilled museum professionals recognized as trusted experts, innovators, project managers, and problem solvers in all aspects of collections stewardship. We have packed, moved, and stored MILLIONS of objects across Smithsonian museums including the National Museum of Natural History and several of our art museums; the Freer Sackler Gallery, Hirshhorn Museum and Sculptu

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18

Chanchani, Nachiket. "The Antiquity of Nepalese Wood Carving: A Reassessment. By Mary Sheperd Slusser. Washington DC: University of Washington Press in association with the Freer Gallery of Art and the Arthur M. Sackler Gallery, Smithsonian Institution, 2010. 201 illus., xix, 315 pp. $75.00 (cloth)." Journal of Asian Studies 71, no. 2 (2012): 576–78. http://dx.doi.org/10.1017/s0021911812000526.

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Morgan, D. O. "The Baburnama. Memoirs of Babur, Prince and Emperor. Translated and edited by Wheeler M. Thackston. pp. 472, illus. New York, Oxford University Press, in association with the Freer Gallery of Art and the Arthur M. Sackler Gallery, Washington, D.C., 1996. US$39.95." Journal of the Royal Asiatic Society 9, no. 2 (1999): 296. http://dx.doi.org/10.1017/s1356186300011093.

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Shackle, Christopher. "WHEELER M. THACKSTON (ed. and tr.): The Jahangirnama: memoirs of Jahangir, emperor of India. xxv, 502 pp., frontispiece. New York and Oxford: Oxford University Press (in association with the Freer Gallery of Art and the Arthur M. Sackler Gallery), 1999. $65.00, £50.00." Bulletin of the School of Oriental and African Studies 64, no. 2 (2001): 268–308. http://dx.doi.org/10.1017/s0041977x01280161.

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Pirazzoli-t'Serstevens, Michèle. "JENNY F. SO and EMMA C. BUNKER, Traders and Raiders on China's Northern Frontier. On the occasion of an exhibition at the Arthur M. Sackler Gallery, November 19, 1995-September 2, 1996. Seattle and London: Arthur M. Sackler Gallery, Smithsonian Institution, in association with the University of Washington Press, 1995. 203 pp., Notes, Illustrations, Catalogue, Glossary, Bibliographical References, Index. ISBN 0-295-97473-7." T'oung Pao 84, no. 4 (1998): 442–46. http://dx.doi.org/10.1163/1568532982630688.

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Smith, Lawrence. "Ann Yonemura: Yokohama: prints from nineteenth-century Japan. 198 pp., maps [on end papers]. Washington, D.C.: Arthur M. Sackler Gallery; Washington D.C. and London: Smithsonian Institute Press, 1990. $45 (paper $26.95)." Bulletin of the School of Oriental and African Studies 54, no. 2 (1991): 423–24. http://dx.doi.org/10.1017/s0041977x0001541x.

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23

Erndl, Kathleen M. "Devi: The Great Goddess. Female Divinity in South Asian Art. By Vidya Dehejia. Washington, D.C.: Arthur M. Sackler Gallery, Smithsonian Institution, in association with Mapin Publishing, Ahmedabad and Prestel Veriag, Munich, 1999. 408 pp. $85.00 (cloth)." Journal of Asian Studies 59, no. 2 (2000): 461–62. http://dx.doi.org/10.2307/2658710.

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24

Molasky, Michael S. "The Confusion Era: Art and Culture in Japan During the Allied Occupation, 1945–52. Edited by Mark Sandler. Seattle: University of Washington Press, 1998. Published with the Arthur M. Sackler Gallery, Smithsonian Institution. 112 pp. $19.95." Journal of Asian Studies 57, no. 4 (1998): 1173–75. http://dx.doi.org/10.2307/2659351.

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Haigler, Daniella. "Collections Access and Custom Storage Solutions at the Smithsonian’s Museum Support Center." Biodiversity Information Science and Standards 2 (July 17, 2018): e26223. http://dx.doi.org/10.3897/biss.2.26223.

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The National Museum of Natural History is committed to long-term stewardship of collections and to supporting their use by scientists and the general public. This stewardship role is unique among other US natural history museums. As the nation’s natural history museum, the National Museum of Natural History has a mandated commitment to conserve and protect its collections in a manner that will assure their continued accessibility by future generations and maintain the National Museum of Natural History mission. A significant number of objects from the National Museum of Natural History are per

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26

Whitfield, Roderick. "C. Y. Shen Fu [and] Jan Stuart (tr.): Challenging the past: the paintings of Chang Dai-chien. 328 pp. Washington, D.C.: Arthur M. Sackler Gallery of Asian Art [and] University of Washington Press, Seattle and London, 1991. $70 (paper $35)." Bulletin of the School of Oriental and African Studies 56, no. 1 (1993): 171–72. http://dx.doi.org/10.1017/s0041977x00002147.

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Canby, Sheila R. "Timur and the Princely Vision: Persian Art and Culture in the Fifteenth Century, Thomas W. Lenz and Glenn D. Lowry, Los Angeles and Washington: Los Angeles County Museum of Art and Arthur M. Sackler Gallery, 1989, 396 pp., $79.95." Iranian Studies 28, no. 1-2 (1995): 91–92. http://dx.doi.org/10.1017/s0021086200007027.

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Leibsohn, Dana. "Jay A. Levenson, ed., Encompassing the Globe: Portugal and the World in the 16th and 17th Centuries. With contributions by Jack Turner and Diogo Ramada Curto. 386 pp. Washington, DC: Arthur M. Sackler Gallery, Smithsonian Institution Press, 2007. ISBN: 978-1-588342454 (hbk.). $89.99." Itinerario 31, no. 3 (2007): 116–18. http://dx.doi.org/10.1017/s0165115300001285.

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29

Shackle, Christopher. "FARĪDU'DĪN ‘ATTĀR; translated by PETER AVERY: The speech of the birds, concerning migration to the real: the Mantiqu't-tair. xxii, 560 pp. Cambridge: The Islamic Texts Society, 1998. £45.00, £19.95 (paper). WHEELER M. THACKSTON (ed. and tr.): The Jahangirnama: memoirs of Jahangir, emperor of India. xxv, 502 pp., frontispiece. New York and Oxford: Oxford University Press (in association with the Freer Gallery of Art and the Arthur M. Sackler Gallery), 1999. $65.00, £50.00." Bulletin of the School of Oriental and African Studies 64, no. 2 (2001): 268–308. http://dx.doi.org/10.1017/s0041977x01270165.

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30

Goodwin, Godfrey. "A Jeweler's eye: Islamic arts of the book from the Vever collection. By Glenn D. Lowry with Susan Nemazee. pp. 240, 100 col., 28 bl. and wh. illus., map. Washington, DC, Arthur M. Sackler Gallery, Smithsonian Institute in association with University of Washington Press, Seattle and London, 1988. US $50.00 (cloth), US $26.95 (paperback)." Journal of the Royal Asiatic Society of Great Britain & Ireland 122, no. 1 (1990): 175. http://dx.doi.org/10.1017/s0035869x00108159.

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31

Edwards, Richard. "Challenging the Past: The Paintings of Chang Dai-chien. By Shen C. Y. Fu, with major contributions and translated by Jan Stuart; selected translation by Stephen D. Allee. [Washington, D.C.: Arthur M. Sackler Gallery, Smithsonian Institution; with Seattle & London: University of Washington Press, 1991. 328 pp. Hard cover $70.00, ISBN 0 295 97124 X; paperback $35.00, ISBN 0 295 97125 8.]." China Quarterly 132 (December 1992): 1187–88. http://dx.doi.org/10.1017/s0305741000045720.

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Watson, William. "Challenging the past: the Paintings of Chang Dai-chien. By Shen C. Y. Fu with major contributions and translation by Jan Stuart. (selected poems and inscriptions translated by Stephen D. Allee). pp. 327, front., 239 illus. (125 in col.) 290, 21 col. pl., 296 bl. and wh. illus. 16 charts, map. Washington, DC, Arthur M. Sackler Gallery, Smithsonian Institute in association with University of Washington Press, Seattle and London 1991. US $70.00. (cloth), US $35.00 (paperback)." Journal of the Royal Asiatic Society 3, no. 1 (1993): 171–73. http://dx.doi.org/10.1017/s1356186300004144.

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Denny, Walter B. "A Jeweler's Eye: Islamic Arts of the Book from the Vever Collection, Glenn D. Lowry, with Susan Nemazee. 240 pp., 76 color plates, b&w illus. - An Annotated and Illustrated Checklist of the Vever Collection, Glenn D. Lowry and Milo Cleveland Beach with Roya Marefat and Wheeler M. Thackston 448 pp., 456 b&w illus. Arthur M. Sackler Gallery and University of Washington Press, Washington, D.C. and Seattle, 1989, 2 volume set, $125.00." Iranian Studies 22, no. 2-3 (1989): 148–49. http://dx.doi.org/10.1017/s0021086200016017.

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Brooks, Scott E., and Joseph D. Shorthouse. "BIOLOGY OF THE ROSE STEM GALLER DIPLOLEPIS NODULOSA (HYMENOPTERA: CYNIPIDAE) AND ITS ASSOCIATED COMPONENT COMMUNITY IN CENTRAL ONTARIO." Canadian Entomologist 129, no. 6 (1997): 1121–40. http://dx.doi.org/10.4039/ent1291121-6.

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AbstractDiplolepis nodulosa (Beutenmüller) induces small, monothalamous, prosoplasmic galls in stem tissues of Rosa blanda Aiton. Adults and galls are redescribed and notes on distribution, host records, morphological variation, and a comparison with related species are presented. Galls are commonly attacked by the inquiline Periclistus pirata (Osten Sacken). Data on life history and mortality of inducers and inquilines, along with seasonal variation in gall density, were obtained from a study site near Sudbury. Ontario, in 1993 and 1994. Inquilines killed 55% of the inducer population in 1993

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DORCHIN, NETTA, MILES V. MCEVOY, TODD A. DOWLING, WARREN G. ABRAHAMSON, and JOSEPH G. MOORE. "Revision of the goldenrod-galling Rhopalomyia species (Diptera: Cecidomyiidae) in North America." Zootaxa 2152, no. 1 (2009): 1–35. http://dx.doi.org/10.11646/zootaxa.2152.1.1.

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Goldenrods (Solidago and Euthamia species) are common herbs in the eastern United States that support a large and diverse community of highly specific gall-inducing insects. The majority of these insects are gall midges, of which 16 described species are bud, leaf, stem, rhizome, or flower-head gallers belonging to the large genus Rhopalomyia Rübsaamen. The present work is a taxonomic revision of the goldenrod-associated Rhopalomyia species, which includes a key to the identification of species based on their galls and host plants and descriptions of diagnostic characters for all species. Rhop

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36

Starodubcev, Tatjana. "Physician and miracle worker. The cult of Saint Sampson the Xenodochos and his images in eastern Orthodox medieval painting." Zograf, no. 39 (2015): 25–46. http://dx.doi.org/10.2298/zog1539025s.

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Saint Sampson, whose feast is celebrated on June 27, was depicted among holy physicians. However, his images were not frequent. He was usually accompanied with Saint Mokios (in Saint Sophia in Kiev, the Transfiguration church in the Mirozh monastery and the church of the Presentation of the Holy Virgin in the Temple in the monastery of Saint Euphrosyne; possibly also in Saint Panteleimon in Nerezi and Saint Demetrios in the village of Aiani near Kozani; furthermore, in the church of Saint Nicholas in Manastir and, afterwards, in the katholikon of the Vatopedi monastery). In a later period, he

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Sayre, Edward V., Paul Jett, and Emile C. Joel. "A Technical Examination of the Chinese Buddhist Bronzes in the Freer Gallery of Art, Part B: Stable Lead Isotope Analysis." MRS Proceedings 267 (1992). http://dx.doi.org/10.1557/proc-267-225.

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ABSTRACTStable lead isotope ratios were determined on sixty-four samples taken from sixty of the Buddhist bronze images which were examined and chemically analyzed by Jett and Douglas [preceding paper]. The data were grouped using multivariate techniques and were compared with an accumulated data base of lead isotope measurements on more than 700 ancient Chinese artifacts and more than 200 Chinese and Korean ores. One group of ten images which were all datable to a period of less than one century, Eastern Wei through Sui dynasties, form a nearly unique isotopic group which coincides only with

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Chutiwongpeti, Sarawut. "Wishes, Lies, Dreams." InTensions, September 1, 2009. http://dx.doi.org/10.25071/1913-5874/37341.

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I wish..., I hope..., I’m angry..., I’m afraid..., I’m sad..., I’m happy..., Come with me..... Wishes, Lies, Dreams (an ongoing three-dimensional mixed media installation) focuses on the mechanisms of perception and dreams, the private world between fantasy and unconsciousness, nature and the extra-ordinary, memory and immediacy: the conditions underlying the system by which mind and spirit operate. The (in)-visibility of this structure aims to ignite confusion as the viewer perceives the work and the space where it is placed. There is an intimacy here, but the story is unclear, ca

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Miller, Alison J. "Ay-Ō: Happy Rainbow Hell Kit Brooks, Ay-Ō: Happy Rainbow Hell , Freer Gallery of Art and Arthur M. Sackler Gallery, National Museum of Asian Art, Smithsonian, 2023, 158 pp." Japan Forum, May 16, 2024, 1–3. http://dx.doi.org/10.1080/09555803.2024.2350559.

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Tamburini, Diego, Eric Breitung, Chika Mori, Tomoko Kotajima, Matthew L. Clarke, and Blythe McCarthy. "Exploring the transition from natural to synthetic dyes in the production of 19th-century Central Asian ikat textiles." Heritage Science 8, no. 1 (2020). http://dx.doi.org/10.1186/s40494-020-00441-9.

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Abstract This study focuses on the dye analysis of 26 ikat textiles present in the collection of the Arthur M. Sackler Gallery and originally collected by Dr. Guido Goldman with the aim to gain additional information about their provenance and dating. The investigation exploits the full potential of a multi-analytical approach, starting with a non-invasive survey of all the colors using fiber optic reflectance spectroscopy (FORS), which revealed the presence of indigo and insect-based red dyes. These data were used to select areas from which samples were taken and analyzed by high performance

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"Bindings Summer/Fall 2022." Bindings: University Libraries Magazine 2022, no. 1 (2022). http://dx.doi.org/10.17077/2639-2763.31973.

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Past, present, and future. This issue of BINDINGS reflects on the University of Iowa’s 179th anniversary celebration, including an exhibit at the Main Library Gallery titled “We Are Hawkeyes.”Also in this issue: news about Libraries staff accomplishments and updates on grant funding that will support efforts of the Libraries’ Iowa Women’s Archives, Sackner Archive, and Hardin Library for the Health Sciences.

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"Bindings Winter 2021." Bindings: University Libraries Magazine 2021, no. 1 (2021). http://dx.doi.org/10.17077/2639-2763.27790.

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Sparking positive change. This issue of BINDINGS covers the Libraries’ efforts during the pandemic, showing that the pressure of challenging circumstances can herald opportunities for collaboration and positive change. Read details of the Libraries’ work to reopen in the fall of 2020 with services for our users focused on safety. This issue also includes highlights about our staff and student employees, the Main Library Gallery Sackner Archive exhibition, our work toward anti-racisim, and the Libraries’ new Advancement Council.

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Francesca, Puglia. "Changsha Zidanku Chu bo shu 長沙子彈庫楚帛書 1 (Chu Silk Manuscript)". Database of Religious History, 27 червня 2024. https://doi.org/10.5281/zenodo.12573444.

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The Zidanku Silk Manuscript 1, also known as the Chu Silk Manuscript from Zidanku in Changsha (Changsha Zidanku Chu bo shu 長沙子彈庫楚帛書), and commonly referred to as the Chu bo shu 楚帛書 (Chu silk manuscript), is a silk manuscript (47 cm long and 38 cm wide) unearthed by robbers in 1942 from a Warring States tomb in Zidanku, southeast of the former city walls of Changsha. The tomb has been dated by archaeologists as having been closed around 300 BCE. The manuscript, which contains a brief cosmogonic account, is mainly concerned with astronomical and astrological content and is deemed to have been us

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Musgrove, Brian Michael. "Recovering Public Memory: Politics, Aesthetics and Contempt." M/C Journal 11, no. 6 (2008). http://dx.doi.org/10.5204/mcj.108.

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1. Guy Debord in the Land of the Long WeekendIt’s the weekend – leisure time. It’s the interlude when, Guy Debord contends, the proletarian is briefly free of the “total contempt so clearly built into every aspect of the organization and management of production” in commodity capitalism; when workers are temporarily “treated like grown-ups, with a great show of solicitude and politeness, in their new role as consumers.” But this patronising show turns out to be another form of subjection to the diktats of “political economy”: “the totality of human existence falls under the regime of the ‘perf

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